This Sunday night will be historic for Will Packer Media. It’s the 94th Oscars, produced by none other than Will Packer and Shayla Cowan – the first all-Black producing team in Oscars’ history.
And xoNecole, a WPM brand, will also be in the building for the first time at Hollywood’s famous Dolby Theater and on the red carpet with Content Queen Danielle Young chatting up your fave nominees, presenters and guests.
Danielle caught up with Shayla earlier this week to get the scoop on what we can expect, so we know that for the first time in history there will be three women hosting the Oscars: Regina Hall, Wanda Sykes and Amy Schumer.
We also know that BEYONCÉ is going to shut the stage down, as she always does, with a performance of her Oscar-nominated song from King Richard, “Be Alive.” The Black presenters at the Oscars include Serena and Venus, Ruth E. Carter, Diddy, Tiffany Haddish, H.E.R., Samuel L. Jackson, Daniel Kaluuya, Zoë Kravitz, Lupita Nyong’o, Tracee Ellis Ross, Tyler Perry and more. It’s safe to say that we can expect some heavy Blackness at the 2022 Oscars.
But who will be in the winners’ circle by the end of the night? Black Hollywood is only up for a few awards, with only four Black actors nominated in the acting category, two films nominated in documentary categories, one in costume design, two in make-up and hairstyling and one for the night’s biggest award: Best Picture. Let’s take a look at their chances.
I appeared on the UK's Sky News to offer up some predictions of the night. Watch below:
Best Actor: Will Smith
It’s been twenty years since Will Smith and Denzel Washington faced off in the Best Actor category at the Oscars. In 2002, Denzel took home the statue for Training Day over Will’s Ali performance. This year, it’s Will’s turn. As the titular character in King Richard, Will shines as Richard Williams, father of Venus and Serena and the visionary architect of their careers since before they were born. Denzel is fantastic as MacBeth in The Tragedy of MacBeth, but based on how awards season is shaking out, with Will racking up awards at every ceremony from the NAACP Image Awards to the BAFTAs and Critics Choice Awards, it would be a major upset if Will didn’t take home the gold. Here's a clip from his performance which you can watch in full on HBOMax:
Best Actress: No One Black
20 years ago, halle berry won the oscar for 'best actress' becoming the first black woman to win in said category pic.twitter.com/ePEbkTSh9o
— old MTV (@notgwendalupe) March 23, 2022
Also at the 2002 Oscars, Halle Berry made history as the first Black woman to win Best Actress. She tearfully accepted the award and celebrated that “this door tonight has been opened” for Black women. Twenty years later, Halle remains the only Black woman to win the award. Zero Black women were nominated this year, when Jennifer Hudson’s outstanding performance as Aretha Franklin in Respect and Tessa Thompson’s compelling performance in Passing were right there. Of the five white women nominated, my bet is on Jessica Chastain for The Eyes of Tammy Faye, but Kristen Stewart’s transformation into Lady Diana in Spencer should win.
Best Supporting Actress: Ariana DeBose
The always incredible Aunjanue Ellis is up for Best Supporting Actress for her role as Oracene Price, Venus and Serena’s formidable mother, in King Richard. Even with all of her excellence, she still had to fight to be paid fairly for her Oscar-nominated role. I hope this nomination solidifies the respect she’s long-since deserved. But the win is going to Ariana DeBose. The Afro-Latina star of West Side Story sang, danced and acted her way into every major award this season, picking up a BAFTA and a Critics Choice award in the same night just a few weeks ago. Ariana is the brightest part of Steven Spielberg’s remake and she’ll make history by winning the same award Rita Moreno won in the 1961 original West Side Story for the same role of Maria. Here's a clip of Ariana as Maria:
Best Song: Not Beyoncé
The first time I heard Beyoncé’s “Be Alive” as the credits rolled on King Richard, I had chills. The transition from minor to major chords, the lyrics of pride in our Blackness, all over a montage of the real Richard coaching the real Venus and Serena into becoming the greatest athletes of all time, embodied their triumph over every obstacle put in their path. It’s such a moving, beautiful song that was made for us. But while Beyoncé has forever won my heart, the Oscar will probably go to Lin-Manuel Miranda for Encanto’s “Dos Oruguitas,” making him the youngest EGOT (Emmy, Grammy, Oscar, Tony) winner in history. Listen to "Be Alive" here:
Best Documentary Feature: Summer of Soul
?uestlove, in his directorial debut,
Summer of Soul, has been racking up the wins all season for his documentary on the six-week summer concert series in 1969 Harlem remembered as "Black Woodstock". On Oscars night, that trend will likely continue, with The Roots' drummer bringing home his first Oscar.
But iconic director Stanley Nelson and Traci A. Curry are also up for the award for their heartbreaking documentary
Attica, which covers the 1971 uprising in Attica, NY state prison. It draws much needed attention to the consequences of mass incarceration and the broken prison system today. Attica is truly Oscar-worthy as well. You can watch the documentary in full for free on Showtime.
Best Costume Design: Dune
Famous designer Paul Tazewell is up for his first Oscar nomination for
West Side Story. His immaculate designs are worthy of the praise beyond this nomination. But based on how the awards season has been shaking out so far, the front-runner going into Oscars night is Dune, though the team from Cruella did take the award at the Critics Choice Awards a few weeks back. Here's a look at Paul's work which you can watch in full on HBOMax:
Best Make-up and Hair-Styling: The Eyes of Tammy Faye
Two Black women are a part of Coming 2 America’s Oscar-nominated hair and make-up team, Stacey Morris and Carla Farmer, along with prosthetics expert Mike Marino. While the hair and make-up, alongside Ruth Carter’s costume designs, were the best part about that film, the Oscars love a biopic and a full-on transformation, so the statue will likely go to the team behind Jessica Chastain’s redemptive transformation into (in)famous televangelist Tammy Faye for The Eyes of Tammy Faye. Here's a look at Stacey and Carla's work, which you can watch in full on Prime Video:
Best Picture: CODA
Will Smith’s King Richard is up for Best Picture but the heartwarming film has only a slight chance of winning. The Producers Guild Awards Best Picture winners have predicted the Oscars Best Picture winners for the past 22 years, and another heartwarming coming of age film about a child of deaf adults CODA just won the PGA. If AppleTV+’s CODA wins it will be quite the upset, as Netflix’s The Power of the Dog has been racking up the win all season. But either way, it’s likely a streamer will take home the Best Picture win.
Eva Marcille has taken her talents to the stage. The model-turned-actress is starring in her first play, Jason’s Lyric Live alongside Allen Payne, K. Michelle, Treach, and others.
The play, produced by Je’Caryous Johnson, is an adaptation of the film, which starred Allen Payne as Jason and Jada Pinkett Smith as Lyric. Allen reprised his role as Jason for the play and Eva plays Lyric.
While speaking to xoNecole, Eva shares that she’s a lot like the beloved 1994 character in many ways. “Lyric is so me. She's the odd flower. A flower nonetheless, but definitely not a peony,” she tells us.
“She's not the average flower you see presented, and so she reminds me of myself. I'm a sunflower, beautiful, but different. And what I loved about her character then, and even more so now, is that she was very sure of herself.
"Sure of what she wanted in life and okay to sacrifice her moments right now, to get what she knew she deserved later. And that is me. I'm not an instant gratification kind of a person. I am a long game. I'm not a sprinter, I'm a marathon.
America first fell in love with Eva when she graced our screens on cycle 3 of America’s Next Top Model in 2004, which she emerged as the winner. Since then, she's ventured into different avenues, from acting on various TV series like House of Payne to starring on Real Housewives of Atlanta.
Je-Caryous Johnson Entertainment
Eva praises her castmates and the play’s producer, Je’Caryous for her positive experience. “You know what? Je’Caryous fuels my audacity car daily, ‘cause I consider myself an extremely audacious woman, and I believe in what I know, even if no one else knows it, because God gave it to me. So I know what I know. That is who Je’Caryous is.”
But the mom of three isn’t the only one in the family who enjoys acting. Eva reveals her daughter Marley has also caught the acting bug.
“It is the most adorable thing you can ever see. She’s got a part in her school play. She's in her chorus, and she loves it,” she says. “I don't know if she loves it, because it's like, mommy does it, so maybe I should do it, but there is something about her.”
Overall, Eva hopes that her contribution to the role and the play as a whole serves as motivation for others to reach for the stars.
“I want them to walk out with hope. I want them to re-vision their dreams. Whatever they were. Whatever they are. To re-see them and then have that thing inside of them say, ‘You know what? I'm going to do that. Whatever dream you put on the back burner, go pick it up.
"Whatever dream you've accomplished, make a new dream, but continue to reach for the stars. Continue to reach for what is beyond what people say we can do, especially as [a] Black collective but especially as Black women. When it comes to us and who we are and what we accept and what we're worth, it's not about having seen it before. It's about knowing that I deserve it.”
This interview has been edited for length and clarity.
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The first Monday in May is always a moment, but this year? It’s giving Blackity Black Black Black in the most intentional and celebratory way. On May 5, the MET Gala will unveil its latest exhibition titled Superfine: Tailoring Black Style, which is a tribute to Black dandyism and identity. The exhibition honors the power of clothing within the Black diaspora, spotlighting how style has long served as a tool for Black resistance, reinvention, and radical self-expression.
Centering designers of color and curated by scholar Monica L. Miller, the exhibition draws from her 2009 book Slaves to Fashion: Black Dandyism and the Styling of Black Diasporic Identity and the enduring legacy of Black fashion and self-styling. As she explains, the Black dandy “reimagines the self in a different context” and challenges “who and what counts as human, even.”
This year marks the Costume Institute’s first menswear-focused show in over 20 years and the first to exclusively highlight designers of color. The co-chairs for the 2025 Gala include Pharrell Williams, A$AP Rocky, Colman Domingo, and Lewis Hamilton, alongside honorary co-chair LeBron James.
To further build anticipation for the Gala, GQ and Voguecollaborated on a stunning fashion portfolio called Dandy Land, styled by image architect Law Roach and shot by Tyler Mitchell. The spread features over 30 Black trailblazers who embody the elegance and edge of Black dandyism.
“I consider myself a free-ass motherfucker. And when I’m in my suit, that is exactly how I feel… I feel like I am showing you a new way to think about clothing and to think about values and to think about what you stand for.”
Ayo Edebiri added:
“I’m half Nigerian. There’s nothing more dandy than an African man dressed to the nines, really showing out, going to a party or a wedding.”
“Black dandyism is essentially a bucking of systems, a bucking of oppression, and saying we are inherently beautiful.”
And in the words of Dapper Dan, the Godfather of Harlem:
“The way I came into dandyism is through this process of transformation. I’m from the poorest neighborhood in Harlem, right by the banks of the Harlem River. Everybody in my little enclave was all poor. We had rats and roaches. Goodwill was our Macy’s. Whenever I was lucky and fortunate enough to have something to wear, I went to 125th Street. Nobody went there who wasn’t dressed. At 125th Street, nobody knew I had rats, nobody knew I had roaches, and that for me was the birth of dandyism because I saw the power of transformation that could take place with your clothes.”
To see the full Dandy Land editorial and explore the stories behind each image, check out the full spread on GQand get ready for the MET stairs to turn into a Black fashion masterclass next month.
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