Black Girl Wanderer is a series spotlighting the travels and explorations of black women journeying the world. Black women in all their magic and all their glory wander the earth, sprinkling the earth with their brown and their gold.
If you were to ask Cebi Baker what sparked her desire for travel, she'd say it's in her blood. The photographer/yoga enthusiast is the product of a multicultural family with roots in Mozambique, Swaziland, and South Africa. The benefit of being able to claim being raised by many places is that you are exposed to a variety of cultures the world has to offer. At a very young age, you're exposed to the fact that the world is much bigger than what you see. It was that taste that would act as the catalyst to her insatiable appetite for the diverse cultures and traditions the world had to offer.
As a student of the world, Cebi is a huge proponent of not judging a place by what you see but what you experience firsthand. As such, she believes every place has a story and complexities that go beyond the surface-level. "Being born and raised in Africa, I am only too aware of the negative stereotypes that foreigners learned to attach to our countries. You can't paint an entire continent with one brush, in fact you should not cast an entire country and its people in a single light – there's always more to the story."
In her search of unknown discoveries and creating new stories, Cebi has traveled to more than 15 countries and over 19 cities. Of the places she's been, she revealed her top destinations. Here's what she had to say.
Paris, France
Courtesy of Cebi Baker
August 2015
"I had always dreamed of visiting Paris to enjoy the cafes whilst people-watching, taking a romantic stroll by the river, strutting down the Champs-Elysees and visiting the museums – when I did finally visit, it lived up to all my expectations! Knowing that I had always dreamed of going to Paris, one day while we were visiting London, my husband booked us an early morning train ride from London to the 'City of Light'. It only took us two hours to reach Paris and I remember pinching myself as we stepped off the train and into the city of my dreams! It turned out to be as romantic and elegant as I had imagined.
"We spent the (rainy) morning people-watching at a cafe where I had a delicious French onion soup which I still think about today! Once the rain stopped, we walked around the city and soaked up the iconic scenery: we saw the Eiffel Tower, strolled past the river Seine and the Louvre – we didn't bother going into any of the attractions as we were only there for the day. Our day ended with a beautiful stroll down the Champs-Elysees and a golden sunset."
Pro Tip: "Take a good stroll and absorb the sights and sounds of the city. It's not always necessary to have an itinerary or list of attractions to tick off, especially if you're on limited time like I was. If you're curious and stay open to unplanned exploring I don't think you'll miss out on anything because you'll experience the city in a more organic way."
Courtesy of Cebi Baker
Lisbon, Portugal
Courtesy of Cebi Baker
September 2016
"I wasn't expecting much when I visited Lisbon in the summer of 2016, but boy did it amaze me! It was such a walkable city (something I truly enjoy) and full of charming history, cozy cafes and a vibrant art scene. Having grown up in Mozambique (a former Portuguese colony), I was also able to understand the language and I connected with the city on a deeper level.
"I fell in love with Lisbon on our first evening in the city when my husband and I trekked up a long, steep hill in one of the city's oldest neighborhoods. We were on our way to the Castelo de São Jorge, an ancient Moorish castle perched high above the city; and just as we reached it, the sun began to set and cast a magnificent pinky-orange glow over the city down below. All around us people were fixated on the glorious view and so we ended up staying until late evening where we enjoyed a musical performance and sipped a glass of wine. I love how people take sunsets seriously in Lisbon!"
Pro Tip: "Visit at least one Miradouro, a viewing platform located high above the city, at sunset. The views are spectacular and if you're lucky, there might be a wine stall nearby, so grab a glass and prepare to be enchanted. I would also recommend a day trip outside the city to the nearby towns of Sintra, home to the fairytale Pena Palace tucked away in the Sintra mountains, and Cascais, a seaside town perfect for a day of sunshine by the ocean."
Courtesy of Cebi Baker
Rome, Italy
Courtesy of Cebi Baker
August 2015
"There are few places with as commanding a history as Rome. Walking through this city and seeing ancient Roman architecture firsthand felt surreal– it's an experience that really makes your problems feel small because you realize that there were once other people, thousands of years before you, who lived and roamed the same streets.
"I talk a lot about walking in cities but there truly is no other experience like walking through the ancient streets of Rome. Every tiny cobbled street we turned into seemed to split into a dozen different alleyways – it was like stumbling through a beautiful maze of little pathways, all hiding their own secrets. We got lost a few times but I really didn't mind because each time we accidentally discovered something new and totally unexpected – a tiny pizzeria serving authentic Italian pizza and gelato, a back-lane lined with interesting art works, an empty courtyard with a little bench, perfect for a quick rest – there were pleasant surprises at every turn!"
Pro Tip: "Definitely wear comfortable footwear to properly enjoy this 'walking' city – there are little cobbled streets everywhere and you're bound to get lost at some point, but if you're in comfortable gear (e.g. some cute sneakers), you'll enjoy it! If you stumble on a little café or pizzeria, grab a gelato or refreshment and just chill – it's always good to take in the moment."
Courtesy of Cebi Baker
Cape Town
Courtesy of Cebi Baker
July 2017, December 2014 , June 2011
"Being South African, I may be a little biased in saying that Cape Town is right up there with some of the most beautiful cities in the world. I can only think of a handful of places which are nestled in between majestic mountains and the wide blue ocean. Add in its history, art and wine culture – you have a truly magical place!
"During a short visit [in July 2017], we stayed at a hotel located at the foothills of Table Mountain in the iconic (and colorful) neighborhood of Bo Kaap. While I lay asleep, I remember hearing a distant, chanting voice at the crack of dawn – it drifted with such a gentle melody that I listened to it, enchanted, through my sleep – I thought I was dreaming! It was only after I fully woke up that morning that I realized the magical singing had come from the neighborhood mosque (it was an early morning call to prayer). I'll never forget how beautifully that mysterious melody floated through the sleeping city. I was left feeling like I had experienced a hidden side to Bo Kaap, usually reserved for its residents."
Pro Tip: "If it's sunny, take the opportunity to go up Table Mountain. There are many walking tours of the city so definitely tag along to get a bit of history and a sense of the culture. I'd highly recommend visiting Bo Kaap for its charming colorful houses (and if you want to snap photos of someone or their house, it's always nice to ask for permission first). While you're here, try some authentic Cape Malay (a culture belonging to the original inhabitants of Bo Kaap) cuisine – if you're a meat-eater, try a dish called 'Bobotie' (baked minced lamb filled with fragrant spices, currants, and other delicious condiments).
"There are lots of other charming spots in this city so be sure to do some research and above anything else, treat this like any other big international city. Keep your wits about you and don't flash fancy cameras or gear unnecessarily. Strike up a conversation - we South Africans are generally a warm bunch and we love people to have a good time when they're visiting!"
For more of Cebi, follow her on Facebook.
Featured image via Cebi Baker
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A Goddard College graduate, who earned an MFA from Pratt Institute and was awarded an honorary doctorate from Marymount Manhattan College, Mahogany offers unapologetic realness with a side of grace and empowerment. "I started touring locally. I started creating chat books so that those poems will go in the hands of the people who were sitting in the rooms," she shared.
"And then I started facilitating poetry workshops, so I used my chat books as curriculum. And that, in turn, allowed me to further invest in my art and show the community and people who were hiring me that it wasn't just a one-off, that it's not just, you know, a fly by night—that I am invested in this art as much as I am invested in your community, in your children's learning, in our growth."
Mahogany has a special way of moving audiences, and her superpower sparks shifts in perspective, post-performance introspection, and strengthening of community bonds, especially among Black women. (One can undeniably recognize her gift for arousal of the spirit and mind merely from her listening to her insights from the other side of a Google Hangout call. I can only imagine the soul-stirring, top-tier sensory encounter when watching her perform in person.)
In this chat with xoNecole, Mahogany reflects on sustaining a creative career, the aftermath of writing a banned book, and using poetry for both healing, community-building, and activism.
Anthony Artis
xoNecole: What are three key things that have laid the foundation for a sustainable creative career for you?
Mahogany L Browne: What has helped me is that I'm willing to go in being an expert at knowing poetry and knowing the way in which art can change the landscape of our lives, not just as a poet, but also as a poetry facilitator. How you move through classes, those things are mastered, right? So when I go into another space that's maybe tech-heavy, I don't mind learning and being, you know, a student of the wonder of how we can make this magic, work together.
Two, you’ve got to know how to pivot. Sometimes we say, ‘Alright, this is what my life is going to be. I'm going to be a New York Times best-selling author. I'm going to, you know, have an album that's Grammy-nominated. And then, say you get dropped from your record label. That doesn't mean you can't make an album anymore. You can also still create an album that can be submitted to the Grammys. So, what does a pivot look like as an artist who doesn't have an institution behind them? Pivot being a student of the wonder.
Relationships also really help. How do I serve the community? And in turn, that tells me how the community can show up. For me, I have long-standing ties with a community that will outlast my one life. So, what does it mean to create space where these relationships can develop, can be nurtured, can be rooted, can be cultivated? Creating space—it happens through relationships.
xoN: With today’s economic challenges, what does your current creative process look like, and what are you working on?
MB: I’m always thinking five years ahead. I just reviewed the pages for two children’s books and recently released a YA novel. I’m drafting an adult fiction manuscript now.
Anything I create is founded with the root of poetry, but it can exist in captions. It can exist in commercials. It can exist as a musical. So that's where I’m at now.
xoN: You started performing "Black Girl Magic" in 2013, had an acclaimed performance of it via PBS and the work went on to viral success shortly after. Talk more about the inspiration. And what do you think about the continued relevance more than a decade later?
MB: I wrote it as a rally cry for the mothers who had been keeping themselves truly in harm's way by, you know, being a part of the community right after the death of their child or their loved one. They are usually mothers of victims of police brutality—and just seeing how they showed up in these community spaces, they are devout to the cause but obviously still grieving.
"I wanted this poem to be just a space of reclamation, of joy and of you, of your light, of your shine, of your brilliance, in any which way in which you fashion. Every room you enter is the room you deserve to be in. What does it mean to have a poem like that that exists?"
And the first time I did the poem, the Weeping that occurred, right? It was like this blood-letting of sorts. The next time I performed it, I'm moved to tears because I'm seeing how it's affecting other women who have just been waiting to hear, ‘You belong. You deserve. You are good. We see you. Thank you, despite everything that they said to make you regret being born in this beautiful brown, dark-skinned, light-skinned, but Black body.’
Black women are the backbone—period. Point blank. And so, that that poem became a necessity, not just to the fortitude of Black women in the community, but like you know, in service of healing the Black women.
xoN: One of your books was banned at a school in Boston, and it was later reinstated due to parental and activist support. What was that experience like?
MB: Well, I think it happened because they were racist. That's it. Point blank. The reversal of it was empowering, right? I realized, oh, I thought we just had to sit here and be on a banned book list. But no, parents are actually the leaders of this charge.
So to see that, the parents said, ‘Nah, we're not gonna let you take this book out of my baby’s school just because it's a Black kid on the front saying, ‘Woke’ and they're talking about being a global citizen. They're talking about accountability. They're talking about accessibility. They're talking about allyship, and you don't want them to have compassion or empathy or have even an understanding, right? So no, we rebuke that, and we want this book here anyway.’ To see that happen in that way. I was, like, reaffirmed. Absolutely.
xoN: You recently organized the Black Girl Magic Ball at the Lincoln Center in New York. Honorees included author and entrepreneur Rachel Cargle and National Black Theater CEO Sade Lythcott. What impact did it have and what expanded legacy do you hope to leave with your creative works?
MB: I was really interested in not celebrating just the book, but celebrating the community that made the book possible. And so I gave out five awards to women doing that thing, like, what does it mean to be a Black girl in this world?
I just thought it was gonna be an amazing time. Everybody's gonna dress up—we're gonna celebrate each other. And boom, I then realized that it responded to like a gaping hole. There was a missing thing for Black girls of all walks of life, all ages, right?
"It's very intergenerational. That was intentional to come together and celebrate just being us."
You have all these instances where just being you is either the butt of a joke or it's diminished and not worthy of a specific title in these larger institutions. So what does it mean to just to be loved up on and celebrated?
It felt like a self-care project at first. You know, for the first couple of years, folks were coming and they were getting that sisterhood. They were getting that tribe work that they were missing in their everyday lives.
I love the Black Girl Magic Ball because we got us. If I go out with a bang, they'll remember that Mahogany worked her a** off to make sure all the Black girls everywhere knew that she was the light. We are the blueprint.
For more information on Mahogany L. Browne, her work, and her future projects, visit her website or follow her on IG @mobrowne.
Featured image by Anthony Artis
“I think for me, an all-American girl, for some reason, brings me back to when I was younger, and just like playing at my grandma’s house and just being outside,” Kennedy told xoNecole ahead of her attendance at the 2025 BET Awards.
“I just feel like when I was younger, you know, you don’t have as many responsibilities. There’s not as much weighing you down, and so I kind of go back to that mindset. Like, even now, being 27, I’m trying to get back to that younger girl.”
The 2025 BET Awards, hosted by Kevin Hart, took place in Los Angeles at the Peacock Theater on Monday night (June 9). The star-studded event was filled with tons of surprises, including a trip down memory lane with a 106 & Park reunion, coupled with performances by artists that dominated the top spots during the music video countdown show’s reign from 2000 to 2014.
Kennedy, who received her first nomination alongside Tanner Adell, Brittney Spencer, Reyna Roberts, and Beyoncè in the BET Her category for “Blackbiird,” the reimagination of the original The Beatles of the same title (minus the extra i), invited xoNecole to get ready with her as she prepared for her first-ever BET Awards.
Beauty Rituals Inherited From Her Mother.
Rather than booking her makeup artist ahead of the big night, Kennedy decided to go on a budget and do the task herself, something that isn’t too out of her norm. She noted how she incorporates some of the things she witnessed her mother do while growing up in her routine.
“I remember being younger and seeing all the makeup laid out on my mom’s counter,” the “I Look Good In That Truck” singer recalled. “I don’t even think she knows this, but there were moments where I would like to go and steal her makeup. She would have Mac. I think it was some kind of foundation powder, and I would go in there and I would put it on, and I’m like I hope she doesn’t see.”
She added, “My mom is very natural with her makeup, so even though I’ve got these big lashes on, I always gravitate towards just neutral looks… I don’t do anything too fancy.”
Tiera Kennedy’s Holy Grail of Products.
Kennedy took it upon herself to take a class to ensure that she’s prepared for nights like these, where she’s the one responsible for bringing her glam look to life.
“We are independent,” she said, reminding us that she is no longer tied to a big machine when it comes to her work as an artist. “We ball on a budget. I have to do my makeup for award shows, events, all the things, and so my makeup artist that taught me how to do all of this, Hailee Clark, she put me on to Nars, the foundation. I don’t know exactly what the name of it is, but I love it.”
“I don’t know all the fancy technicals, but I know that it makes me just look kind of airbrushed, and so I love it. Then, I always use this Laura Mercier [setting] powder because I get real shiny, so I’ve gotta reapply that quite often.”
“We are independent. We ball on a budget. I have to do my makeup for award shows, events, all the things, and so my makeup artist that taught me how to do all of this, Hailee Clark, she put me on."
Her Decision To Wear Hanifa For The Big Night.
Intentionality is essential for Kennedy, which is why she jumped at the opportunity to support Black designer Anifa Mvuemba with a dress from her fashion brand, Hanifa.
“Takirra on my team helped me pick out the dress. I really like to represent in country music, and being in Nashville, I like to represent Black culture through the things that I wear, and I was excited to get to wear a Black brand to the BET Awards,” said Kennedy.
“She was telling me about this brand, Hanifa, and we were on FaceTime just scrolling through the website, and she was like this looks like you. This feels very rooted, like fits those natural tones, and so she bought the dress and was like, ‘This is what you’re wearing.’”
The look was a Raven Knit Dress in Eggplant/Dark Brown Mesh from Hanifa.
Tiera Kennedy in her younger years.
Courtesy
Kennedy also nurtured her inner child for the look, taking it back to her roots with one small detail in her hair that she had her mother carry out before she hopped on the flight to LA.
“I had this vision of wearing beads in my hair because when I was younger, my mom would always do that, and I didn’t love it, but now I’m like, it would be really beautiful to tie all of that together, and the Hanifa dress just fit perfectly.”
“Just even in the past couple of days, I’ve had to take a second, and just look back at all of the awesome things we’ve gotten to do,” said Kennedy when asked what baby Tiera is feeling in this moment.
“I had this vision of wearing beads in my hair, because when I was younger, my mom would always do that, and I didn’t love it, but now I’m like, it would be really beautiful to tie all of that together, and the Hanifa dress just fit perfectly.”
“I dreamed of having a record and having this team that was doing all of these things for me, and now, being an independent artist, and being in control of my career, I’ve gotten to build an awesome team behind me that helps me get to where I am. It’s been a lot of hard work, and I think when I was younger, I would have never imagined that I could do all of these things, and so, yeah, to be here, I don’t even think I would believe it.”
Although “Blackbiird” didn’t win in the BET Her category during Monday night’s show, Kennedy’s future is brighter than ever, which she attests to her faith playing a huge role in guiding her next steps as she continues to rise to stardom.
“Thinking about the next thing, I think that can be really daunting when you’re an independent artist. It’s like you have to be thinking of what’s coming next, to prepare for that, but I think the way that I like to walk through life in general is letting the Lord lead,” Kennedy said.
“I know that a lot of time when I have a vision of what I want things to look like in my head, He always exceed my expectations. So, I think the plan is to continue to release music, and continue to show up as my authentic self. Getting to have these moments like the BET Awards is so awesome, but also, at the same time, that’s not what I do this for. I do it for the humans that are listening to my music, that are [having] fun and healing through my music, so I hope that I can just continue to do that.”
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Feature image by Rob Latour/Shutterstock