In xoNecole's Finding Balance, we profile boss women making boss moves in the world and in their respective industries. We talk to them about their business, their life, and most of all, what they do to find balance in their busy lives.
Living your best life is all about quality, not quantity.
Wealth isn't really wealth if your mental health is out of whack and a billion likes won't keep you from being burnt TF out. That's why full-time entrepreneur and boutique owner Wilonda Previlon quit her 9-5 as an Orthodontist's Assistant to pursue a life that made her feel fulfilled.
To Wilonda, success means living how she wants to and refusing to do sh*t that doesn't serve her. In an exclusive interview with xoNecole, the 26-year-old digital content creator explained, "Success to me means I can live how I want without having to force myself to do anything I don't."
Courtesy of Wilonda Previlon
While the Haitian-born Orlando native spends most of her days working from home, living the American dream as an influencer and aspiring actress, there are days when she has to press pause on her professional life to focus on her personal well-being. Wilonda shared, "Owning your own business(es) is an around-the-clock job and if you don't separate personal life with professional life, you can easily get burned out and not produce high-quality content."
Wilonda recently sat down with xoNecole to talk about how she makes self-care a priority in her busy life. Between working out, social media detoxes, and intentionally carving out time with the fam, here's how this media maven finds balance:
What’s been the driving force behind all of the hats that you wear these days? What is your “why”?
The driving force behind all the hats I wear these days is knowing I have so many beautiful chocolate girls who are looking at me and are inspired by something as simple as me loving myself and embracing my own skin. I love getting the DMs from them saying I helped them love themselves more and more each day!
What is a typical day in your life? If no day is quite the same, give me a rundown of a typical work week and what that might consist of.
Yes, definitely no days are the same, so a typical week in my life consists of planning, creating content, replying to loads of emails, listening to podcasts, [and] working on my boutique Damis Activewear. I am a one-woman show, so I edit, model, take pictures, market, everything.
What are your mornings like?
Mornings are my favorite. I am a morning person for sure! I would wake up, say my prayers/give thanks to God, workout, eat breakfast, catch up on my DMs messages/IG comments, reply to emails. During the time that I'm eating and replying to messages, nine times out of ten, I am listening to a business or financial podcast or audiobook.
After that, if I have a YouTube video to create or campaign to do, I get my hair/makeup done to begin to create. Around this time, it is about 10:30 am. Normally this takes up the rest of my morning until noon where [if I remember] I eat lunch. I am so much more productive in the morning and being that I use natural light for just about everything, my mornings are very important and I don't like wasting time.
Courtesy of Wilonda Previlon
"I am so much more productive in the morning and being that I use natural light for just about everything, my mornings are very important and I don't like wasting time."
How do you wind down at night?
At night, before I mentally check out of work mode, I plan for the next day. My wind down is with a nice shower and either Netflix or a good book.
When you have a busy week, what’s the most hectic part of it?
Deadlines! Being an influencer can be stressful, being that you are working with major companies that have specific requirements for each post/deliverable. If you don't pay close attention to the deck and make sure all requirements are fulfilled, you are at risk of doing the entire campaign again, or even worse, have the client not return for another campaign. Companies would literally come to you and expect you to do an entire campaign in a 7-day turnaround, which is very quick when you have other companies you are working with.
Do you practice self-care? What does that look like for you?
Yes, most definitely! I love stepping back and taking care of myself. It's crazy that some people would think going on a vacation would seem to be a "self-care practice", but as an influencer, it is most definitely still work and half the time, we don't get to really enjoy it because we are worried about creating content. My self-care practices are the simple: a girls' night out with my friends where there is no picture taking involved, no postings. Also, working out is very therapeutic for me. Spending quality time with my family about once a month (since I don't live near them anymore) is a self-care practice for me. Another big one is stepping away from social media whenever I think it's needed, to be thankful for what I have going on in my life and not be so wrapped up in someone else's life and accomplishments.
Courtesy of Wilonda Previlon
"My self-care practices are the simple: a girls' night out with my friends where there is no picture taking involved, no postings. Also, working out is very therapeutic for me. Spending quality time with my family about once a month (since I don't live near them anymore) is a self-care practice for me."
What advice do you have for busy women who feel like they don’t have time for self-care?
You have time! It is just a matter of prioritizing you. It baffles me when people say they don't have time for themselves. Well baby, who will put you first besides you? No one. It can be something as little as 30 minutes a week where you are not catering to anything business- or family-related. You need this for yourself. It is vital to always make time for your mental and physical health.
How do you find balance with:
Friends?
I keep my circle small. The more "friends" you have, the more you will be pulled in all directions to accommodate meetups/events. Keep a small circle of friends that are very important to you.
Exercise? Does it happen?
I strive to workout 4 to 5 days a week. [When I do] I see my skin glows, my energy is up, and I am nicer.
Do you cook or find yourself eating out more often?
I cook. I don't mind cooking at all. Cooking is very therapeutic as well. I only eat out if I am out all day or socially. But, most of the time, I have people come over and we do seafood night or bake.
Courtesy of Wilonda Previlon
"It baffles me when people say they don't have time for themselves. Well baby, who will put you first besides you? No one."
When do you feel most beautiful?
Sweatpants, hair tied, chilling with no makeup on. I know that probably sounds cliché, but it is the truth for me. And when you have people in your life that amp you up in that state, you definitely can't help but feel beautiful during your most basic state.
When you are going through a bout of uncertainty or feeling stuck, how do you handle it?
I try not to ponder on it too much. I realize when I think about it, it starts to stress me out. Stress makes me anxious, anxiety allows me to be mentally doubtful about myself and I never want to be in that position. I am a workaholic, so my coping mechanism is to work more, which may sound bad, but I love what I do, so this is a great outlet for me.
Courtesy of Wilonda Previlon
"Stress makes me anxious, anxiety allows me to be mentally doubtful about myself and I never want to be in that position. I am a workaholic, so my coping mechanism is to work more, which may sound bad, but I love what I do, so this is a great outlet for me."
What does happiness mean to you?
Happiness to me means those around me are good. I feel you thrive in a good environment. My environment has to be positive.
What is something you think others forget when it comes to finding balance?
Others forget that your actions affect everyone around you. We can easily get caught up in our "own little world" and neglect family, friends, and self. Take the time to plan and make an effort to balance all aspects of your life.
For more of Wilonda, follow her on Instagram.
Featured image courtesy of Wilonda Previlon.
On set inside of a mid-city Los Angeles studio, it’s all eyes on Chlöe. She slightly shifts her body against a dark backdrop amidst camera clicks and whirs, giving a seductive pout here, and piercing eye contact there. Her chocolate locs are adorned with a few jewels that she requested to spice up the look, and on her shoulders rests a jeweled piece that she asked to be turned around to better showcase her neck (“I feel a bit old,” she said of the original direction). Her shapely figure is tucked into a strapless bodysuit with a deep v-neck that complements her décolletage.
Though subtle, her quiet wardrobe directives give the air of a woman who’s been here before, and certainly knows what she’s doing. At 24 years young, she’s a “Bossy” chick in training— one who’s politely unapologetic and learning the power of her own voice.
“I'm hesitant sometimes to truly speak my mind and speak up for myself and what I believe,” she later confessed to me a couple of weeks after the photoshoot. “It's always scary for me, but now I'm realizing that I have to, in order to gain respect as a Black woman— a young Black woman— who's still navigating who she is. And you know, I'm realizing that closed mouths don't get fed. And if I keep my mouth shut just because I'm afraid of what people's opinions of me will be or turn into, then that's not any way to live.”
For Chlöe, the journey into womanhood is about embracing who she is, without succumbing to the perceptions of what others think of her. From the waist up she’s everything you’d imagine. A gorgeous goddess with the kind of sex appeal that some work hard to embrace but fail to exude. But unbeknownst to anyone not on set, her bottom half is covered by a white robe, surprising coming from the girl who boasts “'Cause my booty so big, Lord, have mercy” on her first hit single “Have Mercy.”
But that’s the beauty of Chlöe. There’s more to her than meets the eye. More than what a few sensual photos sprinkled throughout an Instagram feed could ever tell you. Just like the photo-framing illusion of her portrayed from the waist up, what we know about the songstress is just the tip of the iceberg. There’s so much more beneath the surface.
Some hours later Chlöe leans back in a high chair as her locs are transformed from a formal updo to a seemingly Basquiat-inspired one. It’s pure art, and at her request, no wigs are a part of the day’s ensemble. She’s fully embracing her natural hair, a decision that wasn’t always a socially accepted one.
In the suburbs of Atlanta, Georgia, (Mableton, to be exact) Chlöe began to explore the foundation of her self-image. At an early age she and her younger sister, Halle, demonstrated a vocal prowess and knack for being in front of the camera that caught their parents’ attention. Soon after, they were sent on a parade of local talent shows and auditions, and eventually broke into the digital space with song covers on YouTube.
It was during these early years that Chlöe first learned that the entertainment industry could be unforgiving to those who didn’t fit a particular beauty standard. Despite the then three-year-old snagging a role as the younger version of Beyoncé’s character, Lilly, in Fighting Temptations, casting agents requested that her natural locs be exchanged for more Eurocentric tresses. Ironic, considering that growing up Chlöe saw her hair as no different than that of her peers. “I remember specifically in pre-K we had to do self-portraits and I drew myself with a regular straight ponytail, like how I would put my locs in a ponytail,” she says. “I just never saw myself any different.”
Chlöe would also learn the true meaning of a phrase that would later become an affirmation posted on her bedroom mirror: “Don’t Let the World Dim Your Light.” After attempting to wear wigs to fit in, the Bailey sisters instead chose to rock their locs with pride, which undoubtedly cost them casting roles. Yet they would have the last laugh when making headlines as the “Teen Dreadlocked Duo” who landed a million-dollar contract with Parkwood Entertainment, and the coveted opportunity to be groomed under the tutelage of a world-renowned superstar.
Credit: Derek Blanks
While that could be the end of a beautiful fairytale of self-empowerment, the reality is that it’s just the beginning of the story of her evolution. For most girls, the transition into womanhood takes place in the comfort of their own worlds, often limited to the number of people they allow to have access to them. But for Chlöe, it’s happening in front of millions of critiquing eyes just waiting for an opportunity to either uplift or dissect her through unwarranted commentary.
Many in her position wouldn’t be able to take that kind of pressure. But Chlöe is handling it with grace. “I feel like all of us as humans, we have the right to interpret things how we want,” she says. “I put art out into the world and it's up for interpretation. I'm learning that not everyone is going to always like me and that it's okay.”
Chlöe isn’t the first artist to receive criticism for her carnal content, and she certainly won’t be the last. In 2010, Ciara writhed and rode her way to banishment on BET when the then 24-year-old released her video for “Ride.” In 2006, 25-year-old Beyoncé received backlash for “Déjà Vu."
"I put art out into the world and it's up for interpretation. I'm learning that not everyone is going to always like me and that it's okay.”
So much so that over 5,000 fans signed an online petition demanding that her label re-shoot the video because it was “too sexual.” Even 27-year-old Janet didn’t escape critical headlines when she shed her image of innocence for a more risqué appearance with the 1993 release of janet.
It’s almost as if public reproach is a rite of passage for young Black women R&B singers on the road to stardom. Good girls seemingly “go bad” whenever they embrace the depths of their femininity, and fans only like you on top figuratively. But Chlöe has learned not to bow down to other people’s opinions, but to boss up and control the narrative. As the saying goes, well-behaved women seldom make history. If sex appeal is her weapon, she wields it well.
On set, Chlöe exudes the energy of Aphrodite in an apple red, off-shoulder dress with a sexy high split. In between shots, she mouths the lyrics to Yebba’s “Boomerang” as it echoes throughout the space in steady repetition at my recommendation. The hour grows late, yet Chlöe is heating things up as eyes stare in deep mesmerization of the girl on fire.
Credit: Derek Blanks
Through music, she explores the depths of her being, a journey that seems to be, at its foundation, rooted in self-discovery. Whereas their debut album The Kids Are Alright (2018) boasts a young Chloe x Halle empowering their generation to embrace who they are while finding their place in the world, their second album Ungodly Hour (2020) shows the Bailey sisters shedding the veil of innocence for a more unapologetic bravado.
What fans looked forward to seeing is who Chlöe shows herself to be on her debut solo album In Pieces. In an interview with PEOPLE, she confesses that releasing her first project without her sister was “scary.” "It was a moment of self-doubt where I was like, 'Can I do this without my sister?’”
Chlöe has never been shy about sharing her insecurities or her vulnerabilities, all of which are laced throughout the 14-track album. “I want people to have fun when they listen to it and to just realize that they're not alone and it's okay to be vulnerable and raw and open because none of us are perfect; we're all far from it. And I think it's healing when we all admit to that instead of putting up a facade.”
The gift of time has given the self-professed “big lover girl” more encounters with romance and heartbreak. Love songs once sung for their beautiful riffs and melodies become more than just abstract lyrics and are replaced by real-life experiences, which she tells me is definitely in the music.
In her single “Pray It Away,” for example, she contemplates going to God for healing instead of going at her ex-lover for revenge for his infidelities. “With anything dealing with art, I am completely vulnerable,” she says. “I'm completely myself, I'm completely open and transparent. So it's pretty much all of me and who I am right now.”
Has Chlöe been in love? That still remains to be said. Of course, she’s been linked to a few potential baes, but dating in the digital age isn’t as easy as a double tap or drop of a heart-eyes emoji. It requires a level of trust and vulnerability that’s hard to earn, and easy to mishandle. To let her guard down means to potentially set herself up for disappointment. “It’s difficult dating right now, honestly, because you really have to kind of keep your guard up and pay attention to who's really there for you. And you know, I'm such an affectionate person and I love hard.
"So when I meet the one person that I really, really am into, it's hard for me to see any others and I get attached pretty easily. And you know, I don't know, it's…it's a scary thing.”
Credit: Derek Blanks
“With anything dealing with art, I am completely vulnerable. I'm completely myself, I'm completely open and transparent. So it's pretty much all of me and who I am right now.”
While broken hearts yield good music (queue Adele), what’s in Chlöe’s prayer is the desire to be happy. What does that look like? Well, she’s still figuring that out herself. “Honestly, I'm the type of person who I don't truly learn unless I experience it. So it's like I can view and watch my parents and watch the loving relationships that I see in my life and be like, ‘Oh, I want that. I would love to have that.’ But then I also have to experience [love] on my own and see what my flaws or my faults might be or see what my good things about myself are. I feel like it's really all about self-reflection. And even though our base is our family and that's our foundation, we are still our own individuals and we have to find out specifically the things about ourselves that may be different from what we saw from our parents when we were growing up.”
Her ideal beau, she tells me, is someone she can feel safe to be her fun, goofy self with, but who also gives her the space to be the boss chick chasing her dreams. A man who understands that just because the world compliments her doesn’t mean she doesn’t want to hear those words from his lips or feel it in his touch. A bonus if he shows up on set after a long hard day of work with vegan cinnamon rolls. You know, the basic necessities. “I like whoever I'm with to constantly tell me they love me and that I look beautiful because I do the same. I am a very mushy person, and if I see something or you look good, I will never shy away from saying it out loud. And I want whoever I'm with to do the same, be very vocal. Tell me that you love me. Tell me what you love about me because I'm doing the same for you because that's just the person I am.”
Noted.
Until she meets her match she’s married to the game, and for now, that seems to be perfect matrimony.
Credit: Derek Blanks
On stage at the 2021 American Music Awards, Chlöe solidified her position as a force to be reckoned with. It was a full-circle moment. In 2012, bright-eyed and baby-faced Chloe and Halle would walk onto the set of The Ellen Degeneres Show and blow the audience away as they bellowed out their future mentor’s song. Ellen would present the sisters with tickets to attend the AMAs, assuring them that they would be back and had a promising future. Nine years later, Chlöe descends from the sky cloaked in a snow-white cape and matching midriff-baring bodysuit for her debut performance. It’s the first time she’s graced the stage of the very award show that she was once an audience member of.
As she shakes and shimmies and boom kack kacks out her eight counts, it’s clear that she’s in her element. Just like her VMA performance a couple of months prior, and the many more stages she’ll continue to grace, she brings an energy that has earned her comparisons to the beloved Queen Bey herself. An honorable statement, considering few R&B songstresses are getting accolades for their entertainment capabilities. It’s on these very stages, in front of hundreds of astonished eyes and millions more glued to their televisions at home, that she tells me she feels most sexy. Powerful, even.
But off stage, it’s a different story.
It’s more than just the commentary about her image and media-flamed rumors that get to her. Mentally, she’s in competition with herself. The desire to be the best burns at the back of her mind with every performance, every production, and every time she steps into the booth. Before, she could share the weight of this burden with her sister. Being a part of a duo meant she could turn to Halle for quiet confirmation and encouragement without a word being exchanged. But lately stepping on the stage means stepping out on her own. And despite being a breathtaking, five-time Grammy-nominated star, Chlöe doesn’t escape the reality that sometimes we can be our own worst critics.
Over the last year, she’s been coming to terms with who she is on her own while overcoming the fear of failing to become who she’s destined to be. While the world waits to see how Chlöe wins, the real triumph is in every day that she chooses herself and continues to walk in her purpose. “I don't really have anything all figured out, honestly. But what I try to do, a lot of prayer. I talk to God more and I just try to do things that calm my mind down and just breathe.”
To whom much is given, much will be required. She’s been chosen to walk this path for a reason. Once she fully embraces that everything she’s meant to be is already inside of her, she’ll be an unstoppable force. “My grandma, Elizabeth, she just passed away and my middle name is her [first] name. So I feel like I truly have a responsibility to live up to her legacy that she's left on this earth. I hope I can do that.”
There’s no doubt that she will. With a role in The Fighting Temptations at three years old, a million-dollar record deal, a main role on five seasons of Grown-ish, five Grammy nominations, a number one solo record in Urban and Rhythmic Radio, a debut solo album, and starring roles in recently released movies Praise Thisand Swarm (just to name a few), Chlöe’s certainly already made her mark, and she’s just getting started.
No flex.
Credits
Photographer & Creative Director: Derek Blanks
Executive Producer: Necole Kane
Co-Executive Producer: EJ Jamele
Producer: Erica Turnbull
Digitech: Chris Keller
DP: Alex Nikishin
Gaffer: Simeon Mihaylov
Photo Assistant: Chris Paschal
2nd Photo Assistant: Tyler Umprey
Features Editor: Kiah McBride
Special Projects: Tyeal Howell
Hair: Malcolm Marquez
Makeup: Yolonda Frederick
Fashion Styling: Ashley Sean Thomas
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