The controversy began after Shonda, who planned for a fun day with family, requested an extra ticket to the park and was ultimately denied. After securing passes for her nanny, two younger daughters, and niece, Shonda explained that she then asked a high-ranking company executive to issue an additional ticket for her sister, who suggested that the producer had enough money to pay for the ticket on her own.

Although the Disneyland debacle was the reason Shonda ultimately decided to end her relationship with the network, Shonda said that her departure was years in the making. She told Hollywood Reporter:

"I felt like I was dying. Like I'd been pushing the same ball up the same hill in the exact same way for a really long time."

Shonda said that over the years, she had begun to feel stagnant in her position and her work eventually became a source of anxiety.

"I spend a lot of time going, like, 'We should have made 50 shows by now.' And not for the audience so much as, like, 'What do the bosses think?' And I know they don't think I should have made 50 shows by now, but it's very hard for me to not be the perfect storytelling machine."

Now, with a new deal secured with Netflix worth $150 millon, the writer says that more than anything, she's focusing on creating art that makes her happy:

"The first thing I said was, 'You're not going to get another 'Grey's Anatomy' — not 'Grey's Anatomy' in a cornfield, 'Grey's Anatomy' on a baseball field or 'Grey's Anatomy' at an airport, that's just not happening,' and he said, 'I'd never expect it to,' And then I said, 'I just want to be in a place where I can make stuff and no one's going to bother me or make me feel like I'm beholden,' and he was like, 'That sounds great to me.'

"The reason I came to Netflix is because I wanted to be able to make television without anybody bothering me. And as long as I get to keep making television without anybody bothering me, I'm happy."

To read Shonda's full interview, click here!