This is it. You have the ball with 10 seconds to shoot. You are at the final stretch of a marathon. You have the chance to be a part of a history-making moment.
The final countdown to the 2018 Midterm Elections have officially begun.
There is so much at stake during the upcoming midterm elections cycle – immigration, gun control, affirmative action, reproductive health, police accountability, environmental protection, and more. If you don't vote, particularly in elections impacting your local communities, you are leaving your future and the future of those around you in the hands of those who may not have your best interest at heart. Take your power back. VOTE!
Related: Why It's Important To Use Our Voices To Vote
Amplified by initiatives like Michelle Obama's When We All Vote and Yara Shahidi's EighteenX18, Black women are coming together to encourage midterm voting and supporting a number of candidates, specifically the unprecedented number of Black women running for local and statewide positions across the country.
There are 57 Black women running for office in the 2018 midterm elections but to make sure you know any and every one that is running for office during the midterm elections, do your research by clicking here. Out of those 57 women, we've compiled a list of some influential names to look out for in the 2018 midterm elections. From Stacey Abrams (Georgia) to Maxine Waters (California), Black women – our mothers, sisters, aunties, and neighbors – are depending on us to be more than party supporters and organizers, but to take #BlackGirlMagic all the way to the polls.
These are the candidates to watch and rock your vote for:
Dr. Stephany Rose Spaulding
via Pantsuit Politics
Political Party:
Democrat
What Office She's Running For:
Congress In Colorado's 5th District
Why She's Running:
Dr. Stephany Rose Spaulding is both a pastor and a professor, but perhaps her biggest title will be the one she rocks as the first Black person to rep for the state of Colorado in Congress. According to Harper's Bazaar, her interest in running for elected office first sparked at the Women's March and as a result she's running because "Congress is overwhelmingly white and male, as an institution, it can't possibly grasp the challenges and aspirations of a nation that is significantly more female, and ethnically and culturally diverse. Our people deserve leaders in Washington who truly represent them because they come from a diverse range of backgrounds and experiences."
Learn more about her stance on the issues here.
Stacey Abrams
Stacey Abrams
Political Party:
Democrat
What Office She's Running For:
Governor of Georgia
Why She's Running:
Stacey Abrams is a name that has been making waves in the headlines in the past year and has only intensified in recent months. And it's largely because she is a force to be reckoned with. The multi-hyphenate will go on to become the first Black female governor to ever hold that title in the United States, as well as the first Black woman to be nominated for governor by a major party for any state. Think about that. "We need a variety of perspectives at the decision-making table to ensure that no one is left out and left behind in our political system. I grew up in a working poor family, and my parents raised their six children with the values of faith, family, service, and responsibility. Those same beliefs guided me as I began my career in politics and guide me now as I run to become governor of Georgia," she told Harper's Bazaar, "I know that our beginnings do not dictate who we will become in the future. That is why I am running for governor of Georgia—to give those who do not see themselves represented in politics the opportunity to live up to their highest potential."
Learn more about her stance on the issues here.
Lauren Underwood
Lauren Underwood
Political Party:
Democrat
What Office She's Running For:
Congress in Illinois' 14th District
Why She's Running:
At 31, Lauren Underwood is the youngest Black woman that's running for Congress this year, reigning supreme in her win for nomination over six mostly white candidates. She's also the first woman in her district to ever earn a Democratic nomination. The former Obama administration appointee and registered nurse said to Refinery29, "I decided to run for Congress when our congressman Randy Hultgren voted to take healthcare away from folks like me, people with pre-existing conditions."
For her, the erasure of basic human rights was enough to light the fire of her purpose. She continued, "The opportunity this year is to elect a Congress that better represents the experiences of the American people. Real lives, real families who for so long have not had a voice in the decision-making process in Washington."
Go Black Girl Magic, go!
Learn more about her stance on the issues here.
Jeannine Lee Lake
Jeannine Lee Lake
Political Party:
Democrat
What Office She's Running For:
Congress in Indiana's 6th District
Why She's Running:
Jeannine Lee Lake is yet another Black woman making history as a "first" this election season. She is the first Black woman to win a nom for a major party to run for Congress. For her, the decision to run had a lot to do with her four children, all of whom she adopted. Like most parents, she wants them to live their best lives. And that's rooted in politics. "My daughter asked me one day if the President of the United States hated Black people. I did not feel comfortable telling her that the President did not hate Black people," she admitted to Harper's Bazaar. "As I looked around the heartland I realized that this country and my beloved Indiana had become divided. Under the current leadership we had not seen the change that had been promised: better healthcare, no worry if a pre-existing condition exists, higher wages, and inclusiveness for all."
Learn more about her stance on the issues here.
Ayanna Pressley
Ayanna Pressley
Political Party:
Democrat
What Office She's Running For:
Congress in Massachusetts' 7th District
Why She's Running:
Ayanna Pressley is no stranger to politics. In fact, back in 2009, she became the first woman of color to ever be elected to have a seat at the table in the Boston City Council. More recently, in 2016, the New York Times noted her as one of 14 democrats to watch. And in 2018, she is showing us why by running for Congress in Massachusetts' 7th District, which will make her the first Black woman to represent the state in the House of Representatives. She has often been heard arguing that "the people closest to the pain should be the closest to the power." And in a recent debate, she said, "I'm not going to pretend that representation doesn't matter. But, it doesn't matter in how inclusive and represented we are. It matters because it informs the issues that are spotlighted and emphasized, and it leads to more innovative and enduring solutions. That's why it matters. You cannot have a government for and by the people if it is not represented by all of the people."
Learn more about her stance on the issues here.
Melanie Levesque
Melanie Levesque
Political Party:
Democrat
What Office She's Running For:
Senate in New Hampshire
Why She's Running:
Women are running the world for New Hampshire, as they sent their historical first-ever all-female delegation to Congress. On par with that theme, Melanie Levesque is in the running to be the state's first-ever Black senator. And she believes she's more than qualified to be the woman for the job, boiling it down to the intersectionality of her identity, as well as empathy. She told Harper's Bazaar, "I wear many hats. I am a wife, mother, small business owner, and volunteer in my community. I am a woman of color who understands what it is like to be a minority. I bring many different perspectives to the table, but mostly the ability to listen, empathize and find common ground with the people I meet."
Learn more about her stance on the issues here.
Erika Stotts Pearson
Erika Stotts Pearson
Political Party:
Democrat
What Office She's Running For:
Congress in Tennessee's 8th District
Why She's Running:
Erika Stotts Pearson will be the first Black woman to hold a seat in Congress from Tennessee if she wins this election day. She draws inspiration and gains drive from influential trailblazers like Shirley Chisholm, who was notably the first Black woman to ever run for President. She told Harper's Bazaar, "'You don't make progress by standing on the sidelines. You make progress by getting in the race and implementing ideas.' That quote sums up why I am running for Congress. I want to inspire people—especially women—to work hard and work together, because our goal is to bring opportunities back to our communities. There has never been a time better than now. Women want our voices at the table."
Learn more about her stance on the issues here.
Maxine Waters
Jason Bell/Glamour
Political Party:
Democrat
What Office She's Running For:
Congress in California's 43rd District
Why She's Running:
I'm sure by now we are all privy to Auntie Maxine's "reclaiming my time" mantra, as well as the icon she's developed into for Liberals everywhere. Aside from her public disdain for Number 45 and never mincing her words, what the politician is using her influence for the most is as her status as Congresswoman for California's 43rd District. This year, Maxine was named one of TIME Magazine's Most Influential People and in a bio written by Yara Shahidi, this was said: "You would think that 41 years of public service would make Congresswoman Waters tired, but her laser focus is unmatched. When other policymakers criminalize protests, she is there, verbalizing our pain. She fights for funding to support neglected communities. And she takes to Twitter to raise her voice on our behalf, regardless if Congress is in session. In this time of sociopolitical unrest, Congresswoman Waters has been the brilliant, tenacious representative of the people that we all need."
In the 2018 Midterm election, Maxine Waters is once again running for Congress and we the people who identify with her unapologetic nature and her devotion to advocating for marginalized communities, definitely say she has our vote.
Learn more about her stance on the issues here.
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Amber Riley has the type of laugh that sticks with you long after the raspy, rhythmic sounds have ceased. It punctuates her sentences sometimes, whether she’s giving a chuckle to denote the serious nature of something she just said or throwing her head back in rip-roarious laughter after a joke. She laughs as if she understands the fragility of each minute. She chooses laughter often with the understanding that future joy is not guaranteed.
Credit: Ally Green
The sound of her laughter is rivaled only by her singing voice, an emblem of the past and the future resilience of Black women stretched over a few octaves. On Fox’s Glee, her character Mercedes Jones was portrayed, perhaps unfairly, as the vocal duel to Rachel Berry (Lea Michele), offering rough, full-throated belts behind her co-star’s smooth, pristine vocals. Riley’s always been more than the singer who could deliver a finishing note, though.
Portraying Effie White, she displayed the dynamic emotions of a song such as “And I'm Telling You I'm Not Going” in Dreamgirls on London’s West End without buckling under the historic weight of her predecessors. With her instrument, John Mayer’s “Gravity” became a religious experience, a belted hymnal full of growls and churchy riffs. In her voice, Nicole Scherzinger once said she heard “the power of God.”
Credit: Ally Green
Riley’s voice has been a staple throughout pop culture for nearly 15 years now. Her tone has become so distinguishable that most viewers of Fox’s The Masked Singer recognized the multihyphenate even before it was revealed that she was Harp, the competition-winning, gold-masked figure with an actual harp strapped to her back.
Still, it wasn’t until recently that Riley began to feel like she’d found her voice. This sounds unbelievable. But she’s not referring to the one she uses on stage. She’s referencing the voice that speaks to who she is at her core. “Therapy kind of gave me the training to speak my mind,” the 37-year-old says. “It’s not something we’re taught, especially as Black women. I got so comfortable in [doing so], and I really want other people, especially Black women, to get more comfortable in that space.”
“Therapy kind of gave me the training to speak my mind. It’s not something we’re taught, especially as Black women."
If you ask Riley’s manager, Myisha Brooks, she’ll tell you the foundation of who the multihyphenate is hasn’t changed much since she was a kid growing up in Compton. “She is who she is from when I met her back when she was singing in the front of the church to back when she landed major roles in film and TV,” Brooks says. Time has allowed Riley to grow more comfortable, giving fans a more intimate glimpse into her life, including her mental health journey and the ins and outs of show business.
The actress/singer has been in therapy since 2019, although she suffered from depression and anxiety way before that. In a recent interview with Jason Lee, she recalls having suicidal ideation as a kid. By the time she started seeing a psychologist and taking antidepressants in her thirties, her body had become jittery, a physical reminder of the trauma stacked high inside her. “I was shaking in [my therapist’s] office,” she tells xoNecole. “My fight or flight was on such a high level. I was constantly in survival mode. My heart was beating fast all the time. All I did was sweat.”
There wasn’t just childhood trauma to account for. After auditioning for American Idol and being turned away by producers, Riley began working for Ikea and nearly missed her Glee audition because her car broke down on the highway while en route. Thankfully, Riley had been cast to play Mercedes Jones. American Idol had temporarily convinced her she wasn’t cut out for the entertainment industry, but this was validation that she was right where she belonged. Glee launched in 2009 with the promise of becoming Riley’s big break.
In some ways, it was. The show introduced Riley to millions of fans and catapulted her into major Hollywood circles. But in other ways, it became a reminder of the types of roles Black women, especially those who are plus-sized, are relegated to. Behind the scenes, Riley says she fought for her character "to have a voice" but eventually realized her efforts were useless. "It finally got to a point where I was like, this is not my moment. I'm not who they're choosing, and this is just going to have to be a job for me for now," she says. "And, that's okay because it pays my bills, I still get to be on television, I'm doing more than any other Black plus-sized women that I'm seeing right now on screen."
The actress can recognize now that she was navigating issues associated with trauma and low self-esteem at the time. She now knows that she's long had anxiety and depression and can recognize the ways in which she was triggered by how the cult-like following of the show conflicted with her individual, isolated experiences behind the scenes. But she was in her early '20s back then. She didn't yet have the language or the tools to process how she was feeling.
Riley says she eventually sought out medical intervention. "When you're in Hollywood, and you go to a doctor, they give you pills," she says, sharing a part of her story that she'd never revealed publicly before now. "[I was] on medication and developing a habit of medicating to numb, not understanding I was developing an addiction to something that's not fixing my problem. If anything, it's making it worse."
“[I was] on medication and developing a habit of medicating to numb, not understanding I was developing an addiction to something that’s not fixing my problem. If anything it’s making it worse.”
Credit: Ally Green
At one point, while in her dressing room on set, she rested her arm on a curling iron without realizing it. It wasn't until her makeup artist alerted her that she even realized her skin was burning. Once she noticed, she says she was "so zonked out on pills" that she barely reacted. Speaking today, she holds up her arm and motions towards a scar that remains from the incident. She sought help for her reliance on the pills, but it would still be years before she finally attended therapy.
This stress was only compounded by the trauma of growing up in poverty and the realities of being a "contract worker." "Imagine going from literally one week having to borrow a car to get to set to the next week being on a private jet to New York City," she says. After Glee ended, so did the rides on private planes. The fury of opportunities she expected to follow her appearance on the show failed to materialize. She wasn't even 30 yet, and she was already forced to consider if she'd hit her career peak.
. . .
We’re only four minutes into our Zoom call before Riley delivers her new adage to me. “My new mantra is ‘humility does not serve me.’ Humility does not serve Black women. The world works so hard to humble us anyway,” she says.
On this Thursday afternoon in April, the LA-based entertainer is seated inside her closet/dressing room wearing a cerulean blue tank top with matching shorts and eating hot wings. This current phase of healing hinges on balance. It’s about having discipline and consistency, but not at the risk of inflexibility. She was planning to head to the gym, for instance, but she’s still tired from the “exhausting” day before. Instead, she’s spent her day receiving a massage, eating some chicken wings, and planning to spend quality time with friends. “I’m not going to beat myself up for it. I’m not going to talk down to myself. I’m going to eat my chicken wings, and then tomorrow I’m [back] in the gym,” she says.
“My new mantra is ‘humility does not serve me.’ Humility does not serve Black women. The world works so hard to humble us anyway."
This is the balance with which she's been approaching much of her life these days. It's why she's worried less about whether or not people see her as someone who is humble. She'd rather be respected. "I think you should be a person that's easy to work with, but in the moments where I have to ruffle feathers and make waves, I'm not shying away from that anymore. You can do it in love, you don't have to be nasty about it, but I had to finally be comfortable with the fact that setting boundaries around my life – in whatever aspect, whether that's personal or business – people are not going to like it. Some people are not going to have nice things to say about you, and you gotta be okay with it," she says.
When Amber talks about the constant humbling of Black women in Hollywood, I think of the entertainers before her who have suffered from this. The brilliant, consistent, overqualified Black women who have spoken of having to fight for opportunities and fair pay. Aretha Franklin. Viola Davis. Tracee Ellis Ross. There's a long list of stars whose success hasn't mirrored their experiences behind the scenes.
Credit: Ally Green
If Black women outside of Hollywood are struggling to decrease the pay gap, so, too, are their wealthier, more famous peers.
Riley says there’s been progress in recent years, but only in small ways and for a limited group of people. “This business is exhausting. The goalpost is constantly moving, and sometimes it’s unfair,” she says. But, I have to say it’s the love that keeps you going.”
“There’s no way you can continue to be in this business and not love it, especially being a plus-sized Black woman,” she continues. “We’re still niche. We’re still not main characters.”
"There’s no way you can continue to be in this business and not love it, especially being a plus-sized Black woman. We’re still niche. We’re still not main characters.”
Last year, Riley starred alongside Raven Goodwin in the Lifetime thriller Single Black Female (a modern, diversified take on 1992’s Single White Female). It was more than a leading role for the actress, it also served as proof that someone who looks like her can front a successful project without it hinging on her identity. It showcased that the characters she portrays don’t “have to be about being a big girl. It can just be a regular story.”
Riley sees her work in music as an extension of her efforts to push past the rigid stereotypes in entertainment. Take her appearance on The Masked Singer, for instance. Riley said she decided to perform Mayer’s “Gravity” after being told she couldn’t sing it years earlier. “I wanted to do ‘Gravity’ on Glee. [I] was told no, because that’s not a song that Mercedes would do,” she says. “That was a full circle moment for me, doing that on that show and to hear what it is they had to say.”
As Scherzinger praised the “anointed” performance, a masked Riley began to cry, her chest heaving as she stood on stage, her eyes shielded from view. “You have to understand, I have really big names – casting directors, producers, show creators – that constantly tell me ‘I’m such a big fan. Your talent is unmatched.’ Hire me, then,” she says, reflecting on the moment.
Recently, she’s been in the studio working on original music, the follow-up to her independently-released debut EP, 2020’s Riley. The sequel to songs such as the anthemic “Big Girl Energy” and the reflective ballad “A Moment” on Riley, this new project hones in on the singer’s R&B roots with sensual grooves such as the tentatively titled “All Night.” “You said I wasn’t shit, turns out that I’m the shit. Then you called me a bitch, turns out that I’m that bitch. You said no one would want me, well you should call your homies,” she sings on the tentatively titled “Lately,” a cut about reflecting on a past relationship. From the forthcoming project, xoNecole received five potential tracks. Fans likely already know the strengths and contours of Riley’s vocals, but these new songs are her strongest, most confident offerings as an artist.
“I am so much more comfortable as a writer, and I know who I am as an artist now. I’m evolving as a human being, in general, so I’m way more vulnerable in my music. I’m way more willing to talk about whatever is on my mind. I don’t stop myself from saying what it is I want to say,” she says.
Credit: Ally Green
“Every era and alliteration of Amber, the baseline is ‘Big Girl Energy.’ That’s the name of her company,” her manager Brooks says, referencing the imprint through which Riley releases her music after getting out of a label deal several years ago. “It’s just what she stands for. She’s not just talking about size, it’s in all things. Whether it’s putting your big girl pants on and having to face a boardroom full of executives or sell yourself in front of a casting agent. It’s her trying to achieve the things she wants to do in life.”
Riley says she has big dreams beyond releasing this new music, too. She’d love to star in a rom-com with Winston Duke. She hasn't starred in a biopic yet, but she’d revel in the opportunity to portray Rosetta Tharpe on screen. She’s determined that her previous setbacks won’t stop her from dreaming big.
“I think one of my superpowers is resilience because, at the end of the day, I’m going to kick, scream, cry, cuss, be mad and disappointed, but I’m going to get up and risk having to deal with it all again. It’s worth it for the happy moments,” she says.
If Riley seems more comfortable and confident professionally, it’s because of the work she’s been doing in her personal life.
She’d previously spoken to xoNecole about becoming engaged to a man she discovered in a post on the site, but she called things off last year. For Valentine’s Day, she revealed her new boyfriend publicly. “I decided to post him on Valentine’s Day, partially because I was in the dog house. I got in trouble with him,” she says, half-joking before turning serious. “The breakup was never going to stop me from finding love. Or at least trying. I don’t owe anybody a happily ever after. People break up. It happens. When it was good, it was good. When it was bad, it was terrible, hunny. I had to get the fuck up out of there. You find happiness, and you enjoy it and work through it.”
Credit: Ally Green
"I don’t owe anybody a happily ever after. People break up. It happens. When it was good, it was good. When it was bad, it was terrible, hunny. I had to get the fuck up out of there. You find happiness and you enjoy it and work through it.”
With her ex, Riley was pretty outspoken about her relationship, even appearing in content for Netflix with him. This time around is different. She’s not hiding her boyfriend of eight months, but she’s more protective of him, especially because he’s a father and isn’t interested in becoming a public figure.
She’s traveling more, too. It’s a deliberate effort on her part to enjoy her money and reject the trauma she’s developed after experiencing poverty in her childhood. “I live in constant fear of being broke. I don’t think you ever don’t remember that trauma or move past that. Now I travel and I’m like, listen, if it goes, it goes. I’m not saying [to] be reckless, but I deserve to enjoy my hard work.”
After everything she’s been through, she certainly deserves to finally let loose a bit. “I have to have a life to live,” she says. “I’ve got to have a life worth fighting for.”
Credits
Director of Content: Jasmine Grant
Campaign Manager: Chantal Gainous
Managing Editor: Sheriden Garrett
Creative Director/Executive Producer: Tracey Woods
Cover Designer: Tierra Taylor
Photographer: Ally Green
Photo Assistant: Avery Mulally
Digital Tech: Kim Tran
Video by Third and Sunset
DP & Editor: Sam Akinyele
2nd Camera: Skylar Smith
Camera Assistant: Charles Belcher
Stylist: Casey Billingsley
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