In a world that consistently tries to erase women of color in all aspects of society, representation matters.
Desiring to overcome a chronic void of women of color in the artistic realm, Amanda Figueroa, 28, a Ph.D. candidate in American studies at Harvard University and and Ravon Ruffin, 27, a Social Engagement Producer at the Smithsonian National Museum of African-American History and Culture (NMAAHC), are revolutionizing how women of color artists and professionals are represented in the museum field with their organization and consulting agency, Brown Girls Museum Blog (BGMB).
Photo: Ravon Ruffin (Left) and Amanda Figueroa (Right)Coe Sweet
Although BGMB is only three years old, the organization has quickly become a go-to scholarly, professional, and community hub for the artistic curiosities, liberatory messages, progressive imaginations and praxis, and feminist entanglements of women of color artists across borders and boundaries.
Radically intentional about the power of art and community, Amanda and Ravon are truly etching their marks in the museum world as two artistic powerhouses, who are ensuring that the diversity and dynamism of black, brown, and yellow hues are not forgotten in the field's historical white cishet-male dominated landscape.
Amanda Monroe Finn
Amanda told us, "In my mind, the biggest contribution in any arena is always resources, and so I think it's a void of material resources for women of color in these fields that we are trying to repair. The most important thing for me is to take the resources I have been given and funnel them back to my community."
Check out my interview with the two creatives and get to know more about BGMB, their perspectives on navigating the art and humanities fields as women of color, and their advice to women of color who want to start a business.
What was the inspiration that led to the creation of Brown Girls Museum Blog (BGMB)? In what ways is BGMB filling a much-needed void in the arts, culture, academic and humanities fields?
Amanda Monroe Finn
Amanda: I grew up in a predominantly Latinx community, but when I left for college, it was a very white space that I was entering. I was one of only a handful of Latina women throughout my higher education, and I kept noticing how often I had to explain things about Latinidad to other people. I realized how few opportunities there were that were specific to my experience or my goals. And when I realized these things weren't out there, I saw that I had to create them.
"I realized how few opportunities there were that were specific to my experience or my goals. And when I realized these things weren't out there, I saw that I had to create them."
Ravon: For me, it's similar to Amanda. I left my small town for college and grad school and hadn't thought much before that about the politics of representation. The first spark or moment for me was in college, seeing how the local black community in Richmond, Virginia, was so absent from the cultural institutions and that void just started me on the path of thinking about visibility. It became a natural path once I met Amanda to create something that centers our experiences as we both kept realizing that feeling never went away.
Why is it important that communities of color have safe spaces where they can support local artists but also catalyze collectivism and possibly activism?
Ravon: Long term, definitely to be a permanent fixture in the arts ecosystem of our communities, both cultural and local, and to provide avenues for artists of color and communities of color to see themselves in the art world. Art is approachable, and not far from them, whether in the streets or in galleries.
"This is important because it doesn't happen enough. When you take in enough images that negate your existence, it's violence. And we want to help put a stop to that."
Amanda: Ravon is completely right. Just like we talk about food deserts, we could also talk about art deserts, where people have little to no access to art in their local area and it has a real effect. Just like people need grocery stores and affordable rent, they need space for community organizing around community needs, and art spaces provide that. A lot of this comes down to money, finding another way for people to spend their money in the community so it stays in the community.
Ravon: This is our way of helping to remedy this cycle of exclusion.
As a thriving online platform and consulting agency, BGMB is a great example of an organization that can be created when there is a chronic void of inclusion in mainstream institutions. What advice would you give to women who want to create their own business?
Ravon: Stand firm in your idea, it came to you for a reason. Then, seek out resources––whether that's a mentor, or local business seminars. In the beginning, something I appreciated that Amanda and I did was take our time in figuring out who we were together in our business, and what our project was for ourselves. As people were excited about us, they would apply labels to the kind of work we do. It became so important that we had defined our work for ourselves so that we weren't restricted to the boxes others put around us. Even if that meant changing our website every week.
Amanda: Get a partner. I could not have done this by myself. Having each other to bounce ideas off of, keep each other accountable, and be supportive in a fledgling idea made all of this possible. I truly believe we work better together, in collaboration.
And then say "yes" as much as you can to opportunities, to new ideas, to changes in direction. Ravon and I were successful in part because we were willing to try out so many different things that came our way. We could do that because we had a clear idea ourselves of what we were, but we were willing to see how that could fit in with other people and their needs. Being flexible and having to do this work in a variety of settings really helped us to figure out what we were best at and what we most wanted to do.
For more information about Brown Girls Museum Blog, visit the website at https://www.browngirlsmuseumblog.com and you can follow the organization on Instagram at @brwngirlsmuseumblog and on Twitter at @2brwngirls.
Jaimee A. Swift is a journalist and Ph.D. Candidate at Howard University majoring in Political Science. When she's not writing, researching, and/or reading, she's dancing to Beyonce, eating nachos and traveling. You can follow her on Twitter and Instagram at @JaimeeSwift. You can check out her work at jaimeeswift.com.
Exclusive: Melanie Fiona On Making High-Vibrational Music & Saying Yes To Partnership
Melanie Fiona is back! After taking a little more than a decade-long hiatus, she has officially made her return to music and blessed us with two singles, “Say Yes” and “I Choose You.” While both singles are very different from each other, they both reflect who she is today and the type of music she wants to make. In our conversation, the mom of two expressed what she learned during her time away.
“It's interesting, even when I said it is like coming back, I don't ever feel like I really left because I was always still performing. I've still been public. It's not like I went into being this recluse person or version of myself, but the thing that I really learned in this process is that I think things take time,” Melanie says in a xoNecole exclusive.
“I think often we're so caught up in it, being on the timing of demand or popularity, or, like, striking while the iron is hot and the thing that I've learned is that everything is on God's time. That's it. Every time I thought I would have been ready, or, like, things were taking too long, I had to reship some things, personally, professionally, in my life. I also gave myself permission to make a living, not just make a living, but make a life for myself.”
Making a life for herself included getting married to Grammy-nominated songwriter Jared Cotter, starting a family, and embracing new landscapes, such as podcasting as a co-host of The Mama’s Den podcast. She also began doing more spiritual work and self-care practices like meditation, sound healing, Reiki, acupuncture, and boundary setting, which allowed her to get in touch with her inner voice.
“I wasn't putting out music, and I wasn't experiencing a number one record, but I was being a number one mom,” she says.
“I was experiencing things that were allowing me to heal and get in touch with myself so that I could make new music from a space of joy and freedom, and excitement again because I definitely feel like I did lose some excitement because of just politics and industry and what it can do to your mental health and even your physical health. So giving myself the space to really just say, ‘Hey, it's okay. Everything's right on time.’”
The joy and excitement are felt in one of two new singles, “I Choose You,” which is more of a lovers rock vibe, a tribute to Melanie’s Caribbean roots. While the Grammy award-winner is known for ballads like “It Kills Me” and “Fool For You,” she is becoming more intentional about the music she makes, calling it high-vibrational music. She says her music is a “reflection of my life,” as it captures every facet, from hanging out with friends to riding around in her car.
“Say Yes” has the classic R&B vibe Melanie is known for. However, both songs are inspired by her relationship. Melanie and Jared got married in December 2020, and the Toronto-bred artist dished on their relationship. Fun fact: he is featured in the “Say Yes” music video.
“When we first started dating, I had come into that relationship post a lot of self-work. I had gotten out of a long-term relationship, I had a year and a half to date and be by myself and do a lot of work on myself alone. And when we met, I remember feeling like this has to be my person because I feel it,” she says.
“And so when we went into that relationship, and we started dating, I was very clear. I was like, I know what I want. I'm very clear on what I need, and I'm not going to withhold my truth about myself in this process because of pride or fear of rejection. I know you love me, but I'm coming with my heart in my hand to let you know that if we're gonna get there, we have to put fear aside and say yes. So that was kind of like my open letter to him, which is why the video is us having a conversation.”
Melanie also shares that saying yes to her partner has empowered her in many ways, including motherhood and showing up for herself. Her new EP, also titled Say Yes, will be available at the top of 2025.
Check out the full interview below.
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Feature image by Franco Zulueta
There's something about snuggling up in your favorite blanket and watching a comfort show or movie on Netflix, and what better time to do just that than in December? As the weather outside gets cooler, staying in becomes more of the norm. Thus, Netflix and Chill is a go-to. Luckily, Netflix has released new Black films and series on their popular streaming platform.
From Tyler Perry's historical drama The Six Triple Eight, starring Kerry Washington, to the Will Packer-produced comedy starring Marsai Martin, Regina Hall, and Issa Rae, Little, this season is looking up.
See the full list below.
Little (12/1)
Regina Hall's character is a bossy tech mogul who has everyone scared of her, including her assistant, played by Issa Rae. However, when she transforms into her younger self (Marsai Martin), she learns how to be more kind to others.
Daddy Day Care (12/1)
Eddie Murphy stars in this film as a father who decides to open a daycare after losing his job.
30 For 30 Collection (12/2)
30 For 30 is an ESPN docu-series highlighting some of sports' legendary figures and moments. Some of the episodes include Winning Time: Reggie Miller Vs. The New York Knicks and Celtics/ Lakers: The Best of Enemies.
Jamie Foxx: What Had Happened Was (12/10)
In this special, the multi-talented Jamie Foxx returns to stand-up to give an unforgettable performance.
Blood, Sweat & Heels S2 (12/13)
The short-lived Bravo reality TV series documented the lives of a group of girlfriends making it in NYC. The show starred model-turned-podcaster Melyssa Ford, author Demetria Lucas, and the late TV host Daisy Lewellyn.
The Equalizer S1-3 (12/16)
The hit CBS show starring Queen Latifah is now available on Netflix. Watch the beloved actress kick ass and take names in this popular drama.
The Six Triple Eight (12/20)
The new Tyler Perry film starring Kerry Washington is a true story about the first and only Women’s Army Corps unit of color during World War II.
Christmas Game Day Ravens Vs. Texans (12/25)
While many will tune in to watch the Baltimore Ravens vs. Houston Texans game, others will tune in to watch Beyoncé perform during halftime.
Michelle Buteau: A Buteau-ful Mind At Radio City Music Hall (12/31)
Comedian Michelle Buteau's comedy special will focus on her life with twins, going viral, and much more.
Evil S3 (12/31)
While Evil was unfortunately canceled by CBS, viewers can rewatch the series on Netflix, with season three premiering December 31st.
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Feature image screenshot/YouTube