

Having been up since 4 in the morning and fresh off a flight from the East Coast, there is a tinge of fatigue in Melvin Gregg's voice. And understandably so. He later reveals that despite the long flight back to LA, he'll be headed to audition not too long after our conversation ends. Such is the life of an up-and-coming, especially as an already in-high-demand actor.
With several critically acclaimed films and series under his belt like American Vandal, High Flying Bird, and most recently, Snowfall on FX, it's safe to say that "busy" is now Melvin's new normal. Which is arguably in stark contrast to how things were when they were just getting started. Originally moving to California to pursue acting, Gregg found himself trying to secure as many gigs as he could--which often came in the form of short commercials and indie films.
But it wasn't until he decided to take his talents to the streets of social media, that he would begin gaining more leverage to support his acting endeavors and eventually land his way back on the big screen. He tells xoNecole, "With doing all of that, I was really just trying to get back into traditional media. Acting was always the goal. I redirected my focus at the top of 2018 and I've been able to consistently work and level up with each project. I'm thankful, but I'm not content. But I do understand the process and I trust it completely."
We got the chance to catch up with Melvin where we talked about stepping away from Vine, what he appreciates most about his current relationship, and why he feels that true love is all about timing.
xoNecole: It's safe to say that most people were introduced to via your hilarious videos from Vine. Was it hard translating your talents from just a social media setting to a more traditional one?
Melvin Gregg: Not really, I was acting honestly before I did social media. Social media was sort of a stretch for me because I'm somewhat introverted. So being over the top and what I had to be online, my energy had to be a lot higher. And with the platform I was working on (Vine), it had a majority audience that I wasn't used to. So I had to adapt and study what was working, teach and train myself to do it. Coming back over to traditional media was where I wanted to be so it wasn't that hard. But the hardest thing I will say is that, when you create a monster with social media, you have to fight it when you move back over. Because people only want to see you in the light they first saw you in, you kind of have to go uphill to try to win people over on a different medium.
"When you create a monster with social media, you have to fight it when you move back over. Because people only want to see you in the light they first saw you in, you kind of have to go uphill to try to win people over on a different medium."
Which do you enjoy more: creating social content or acting in traditional films/TV shows?
The content I created online was never anything to where I had to come out of myself in a public space in the sense that I wasn't doing stunts or pranks. Everything I did, I produced, edited, [and] I was working with other actors as well. So it was similar to the traditional format, it was just a lot shorter. What I enjoyed was just having creative control to really do what I wanted to do, from top to bottom. Writing the product to shooting, directing and editing. But when it comes to acting, you pretty much only have one job. I enjoy it though because it is a longer format and you do have time to really play up your character and win the audience over. But as far as digital--I enjoy the creative control more. So I guess the ideal would be creating content on the traditional format in the same way I did in the shorter format.
I want to switch gears and talk relationships. Are you down?
Of course, let's do it.
You're a funny guy. Is it important that your girl can keep up with you in terms of humor? Is that necessary for you?
You know what? I think having a great sense of humor where you get my jokes is important--but I feel like I'm witty more than anything. So if a girl can get that, I appreciate that. If she's not, then it's really not going to work out because the conversation's going to be dull. She doesn't have to be a comedian or crack jokes all the time but there's nothing worse than when you tell a joke and the person doesn't get it. It's like "that awkward moment when." It's one of the biggest buzzkills.
Speaking of relationships, are you taken or are you single?
No, I'm not single, I have a girl.
What was it about her that made you realize you were ready to commit and make things official?
I'm really good with intuition, so when I first saw her, I felt like I knew who she was. And over time, she just proved that she really was who I thought she was. And it just worked out that way, it was nothing specific--I just knew. She had the qualities I was looking for.
"When I first saw her, I felt like I knew who she was. And over time, she just proved that she really was who I thought she was. And it just worked out that way, it was nothing specific--I just knew."
What do you do to make her feel special?
Of course she gets the majority of my time and attention. I do things that I know she likes. I'm really into the small thoughtful things. Painting her pictures, writing her letters, going out and buying her plants, you know the little things. I'm not into the extravagant gifts. I'm into being thoughtful.
What do you appreciate most about your girlfriend and your relationship?
That she's my best friend. It's about more than just the physical. If something were to happen to where we're not together anymore, she could still be my best friend. I'd still want her in my life, to the point where it would probably get in the way of every other relationship I would have. I don't understand how somebody could be all about this one person and they mean so much to you and then something happens and they never talk again. That's weird, especially if you connect with that person on so many different levels.
I get that. So, what's something you didn’t do in your last relationship that you definitely want to implement in this current relationship?
Be more affectionate. Where I'm from, people don't really show affection; I never saw it in the household. They show affection by talking sh-t to each other; so it was hard for me to put my guard down and be vulnerable. I'm still working on it, I'm a work in progress for sure.
I think we all are if we’re honest. So for you personally, what would you say are the biggest love lessons you’ve learned thus far?
Put your pride aside for one, you have to do that when you're with someone you care for. You don't want to lose somebody you love over your pride. And also just communication. Whatever's on your mind, you need to address it. Bring it to the frontline, because the other person could be thinking the same thing. Or maybe, you might think something is going on and you want to address it in a certain way, when in reality--there's nothing going on. But through conversation, you can figure that out rather than blindly playing games.
"Put your pride aside for one, you have to do that when you're with someone you care for. You don't want to lose somebody you love over your pride."
What's the biggest misconception women or people in general have about you?
I think that I'm always joking. Most people always say I'm different from what they expect when they meet me. For women, I think a lot of them think or thought that I'm some womanizer. It's a misconception because of the videos and things that I put online so it's partially my fault (laughs). For other people, everything on social media is transparency when it comes to their real-life but not for me. It was just a platform for me to distribute the content I created, none of that was real. But a lot of people mistook it for being real. But again, that's partially my fault.
What do you know now about love that you didn’t know before?
I always felt like I had a good understanding about what love was, but I cared more about what I wanted. So you can't be selfish and I was selfish in the sense that, there were other things I wanted to do first before I committed to love. But it's really all about timing, that's the most important. And not just yours, but the other person's as well.You can't rush love [and] you can't put it on the backburner then try to come back to it.
For more of Melvin, you can follow him on Instagram.
Featured image by Melvin Gregg/Instagram
Writer. Empath. Escapist. Young, gifted, and Black. Shanelle Genai is a proud Southern girl in a serious relationship with celebrity interviews, The Fresh Prince of Bel-Air, and long walks down Sephora aisles. Keep up with her on IG @shanellegenai.
'Black Girl Magic' Poet Mahogany L. Browne Talks Banned Books And The Power Of The Creative Pivot
You know you’re dealing with a truly talented and profound voice of a generation when the powers that be attempt to silence it. As a poet, educator, and cultural curator, Mahogany L. Browne has carved out a powerful space in the world of literature and beyond.
From penning the viral poem, “Black Girl Magic,” to writing Woke: A Young Poet’s Call To Justice (a book once banned from a Boston school library), to becoming the 2024 Paterson Poetry Prize winner and a poet-in-residence at Lincoln Center—her path exemplifies resilience, reinvention, and unapologetic artistry. She's published more than 40 works and paid the bills with her craft, a divine dream for many creatives seeking release, autonomy, and freedom in a tough economic climate.
A Goddard College graduate, who earned an MFA from Pratt Institute and was awarded an honorary doctorate from Marymount Manhattan College, Mahogany offers unapologetic realness with a side of grace and empowerment. "I started touring locally. I started creating chat books so that those poems will go in the hands of the people who were sitting in the rooms," she shared.
"And then I started facilitating poetry workshops, so I used my chat books as curriculum. And that, in turn, allowed me to further invest in my art and show the community and people who were hiring me that it wasn't just a one-off, that it's not just, you know, a fly by night—that I am invested in this art as much as I am invested in your community, in your children's learning, in our growth."
Mahogany has a special way of moving audiences, and her superpower sparks shifts in perspective, post-performance introspection, and strengthening of community bonds, especially among Black women. (One can undeniably recognize her gift for arousal of the spirit and mind merely from her listening to her insights from the other side of a Google Hangout call. I can only imagine the soul-stirring, top-tier sensory encounter when watching her perform in person.)
In this chat with xoNecole, Mahogany reflects on sustaining a creative career, the aftermath of writing a banned book, and using poetry for both healing, community-building, and activism.
Anthony Artis
xoNecole: What are three key things that have laid the foundation for a sustainable creative career for you?
Mahogany L Browne: What has helped me is that I'm willing to go in being an expert at knowing poetry and knowing the way in which art can change the landscape of our lives, not just as a poet, but also as a poetry facilitator. How you move through classes, those things are mastered, right? So when I go into another space that's maybe tech-heavy, I don't mind learning and being, you know, a student of the wonder of how we can make this magic, work together.
Two, you’ve got to know how to pivot. Sometimes we say, ‘Alright, this is what my life is going to be. I'm going to be a New York Times best-selling author. I'm going to, you know, have an album that's Grammy-nominated. And then, say you get dropped from your record label. That doesn't mean you can't make an album anymore. You can also still create an album that can be submitted to the Grammys. So, what does a pivot look like as an artist who doesn't have an institution behind them? Pivot being a student of the wonder.
Relationships also really help. How do I serve the community? And in turn, that tells me how the community can show up. For me, I have long-standing ties with a community that will outlast my one life. So, what does it mean to create space where these relationships can develop, can be nurtured, can be rooted, can be cultivated? Creating space—it happens through relationships.
xoN: With today’s economic challenges, what does your current creative process look like, and what are you working on?
MB: I’m always thinking five years ahead. I just reviewed the pages for two children’s books and recently released a YA novel. I’m drafting an adult fiction manuscript now.
Anything I create is founded with the root of poetry, but it can exist in captions. It can exist in commercials. It can exist as a musical. So that's where I’m at now.
xoN: You started performing "Black Girl Magic" in 2013, had an acclaimed performance of it via PBS and the work went on to viral success shortly after. Talk more about the inspiration. And what do you think about the continued relevance more than a decade later?
MB: I wrote it as a rally cry for the mothers who had been keeping themselves truly in harm's way by, you know, being a part of the community right after the death of their child or their loved one. They are usually mothers of victims of police brutality—and just seeing how they showed up in these community spaces, they are devout to the cause but obviously still grieving.
"I wanted this poem to be just a space of reclamation, of joy and of you, of your light, of your shine, of your brilliance, in any which way in which you fashion. Every room you enter is the room you deserve to be in. What does it mean to have a poem like that that exists?"
And the first time I did the poem, the Weeping that occurred, right? It was like this blood-letting of sorts. The next time I performed it, I'm moved to tears because I'm seeing how it's affecting other women who have just been waiting to hear, ‘You belong. You deserve. You are good. We see you. Thank you, despite everything that they said to make you regret being born in this beautiful brown, dark-skinned, light-skinned, but Black body.’
Black women are the backbone—period. Point blank. And so, that that poem became a necessity, not just to the fortitude of Black women in the community, but like you know, in service of healing the Black women.
xoN: One of your books was banned at a school in Boston, and it was later reinstated due to parental and activist support. What was that experience like?
MB: Well, I think it happened because they were racist. That's it. Point blank. The reversal of it was empowering, right? I realized, oh, I thought we just had to sit here and be on a banned book list. But no, parents are actually the leaders of this charge.
So to see that, the parents said, ‘Nah, we're not gonna let you take this book out of my baby’s school just because it's a Black kid on the front saying, ‘Woke’ and they're talking about being a global citizen. They're talking about accountability. They're talking about accessibility. They're talking about allyship, and you don't want them to have compassion or empathy or have even an understanding, right? So no, we rebuke that, and we want this book here anyway.’ To see that happen in that way. I was, like, reaffirmed. Absolutely.
xoN: You recently organized the Black Girl Magic Ball at the Lincoln Center in New York. Honorees included author and entrepreneur Rachel Cargle and National Black Theater CEO Sade Lythcott. What impact did it have and what expanded legacy do you hope to leave with your creative works?
MB: I was really interested in not celebrating just the book, but celebrating the community that made the book possible. And so I gave out five awards to women doing that thing, like, what does it mean to be a Black girl in this world?
I just thought it was gonna be an amazing time. Everybody's gonna dress up—we're gonna celebrate each other. And boom, I then realized that it responded to like a gaping hole. There was a missing thing for Black girls of all walks of life, all ages, right?
"It's very intergenerational. That was intentional to come together and celebrate just being us."
You have all these instances where just being you is either the butt of a joke or it's diminished and not worthy of a specific title in these larger institutions. So what does it mean to just to be loved up on and celebrated?
It felt like a self-care project at first. You know, for the first couple of years, folks were coming and they were getting that sisterhood. They were getting that tribe work that they were missing in their everyday lives.
I love the Black Girl Magic Ball because we got us. If I go out with a bang, they'll remember that Mahogany worked her a** off to make sure all the Black girls everywhere knew that she was the light. We are the blueprint.
For more information on Mahogany L. Browne, her work, and her future projects, visit her website or follow her on IG @mobrowne.
Featured image by Anthony Artis
Inside Tiera Kennedy’s BET Awards Night: Hanifa Dress, DIY Glam & ‘Blackbiird’ Nomination
This is Tiera Kennedy’s world, and we’re just living in it.
An Alabama native taking country music by storm thanks to her features on Beyoncé s Cowboy Carter and her recently released debut, Rooted, Kennedy is much more than just a woman living out her wildest dreams; she embodies the role of all-American girl with ease.
“I think for me, an all-American girl, for some reason, brings me back to when I was younger, and just like playing at my grandma’s house and just being outside,” Kennedy told xoNecole ahead of her attendance at the 2025 BET Awards.
“I just feel like when I was younger, you know, you don’t have as many responsibilities. There’s not as much weighing you down, and so I kind of go back to that mindset. Like, even now, being 27, I’m trying to get back to that younger girl.”
The 2025 BET Awards, hosted by Kevin Hart, took place in Los Angeles at the Peacock Theater on Monday night (June 9). The star-studded event was filled with tons of surprises, including a trip down memory lane with a 106 & Park reunion, coupled with performances by artists that dominated the top spots during the music video countdown show’s reign from 2000 to 2014.
Kennedy, who received her first nomination alongside Tanner Adell, Brittney Spencer, Reyna Roberts, and Beyoncè in the BET Her category for “Blackbiird,” the reimagination of the original The Beatles of the same title (minus the extra i), invited xoNecole to get ready with her as she prepared for her first-ever BET Awards.
Beauty Rituals Inherited From Her Mother.
Rather than booking her makeup artist ahead of the big night, Kennedy decided to go on a budget and do the task herself, something that isn’t too out of her norm. She noted how she incorporates some of the things she witnessed her mother do while growing up in her routine.
“I remember being younger and seeing all the makeup laid out on my mom’s counter,” the “I Look Good In That Truck” singer recalled. “I don’t even think she knows this, but there were moments where I would like to go and steal her makeup. She would have Mac. I think it was some kind of foundation powder, and I would go in there and I would put it on, and I’m like I hope she doesn’t see.”
She added, “My mom is very natural with her makeup, so even though I’ve got these big lashes on, I always gravitate towards just neutral looks… I don’t do anything too fancy.”
Tiera Kennedy’s Holy Grail of Products.
Kennedy took it upon herself to take a class to ensure that she’s prepared for nights like these, where she’s the one responsible for bringing her glam look to life.
“We are independent,” she said, reminding us that she is no longer tied to a big machine when it comes to her work as an artist. “We ball on a budget. I have to do my makeup for award shows, events, all the things, and so my makeup artist that taught me how to do all of this, Hailee Clark, she put me on to Nars, the foundation. I don’t know exactly what the name of it is, but I love it.”
“I don’t know all the fancy technicals, but I know that it makes me just look kind of airbrushed, and so I love it. Then, I always use this Laura Mercier [setting] powder because I get real shiny, so I’ve gotta reapply that quite often.”
“We are independent. We ball on a budget. I have to do my makeup for award shows, events, all the things, and so my makeup artist that taught me how to do all of this, Hailee Clark, she put me on."
Her Decision To Wear Hanifa For The Big Night.
Intentionality is essential for Kennedy, which is why she jumped at the opportunity to support Black designer Anifa Mvuemba with a dress from her fashion brand, Hanifa.
“Takirra on my team helped me pick out the dress. I really like to represent in country music, and being in Nashville, I like to represent Black culture through the things that I wear, and I was excited to get to wear a Black brand to the BET Awards,” said Kennedy.
“She was telling me about this brand, Hanifa, and we were on FaceTime just scrolling through the website, and she was like this looks like you. This feels very rooted, like fits those natural tones, and so she bought the dress and was like, ‘This is what you’re wearing.’”
The look was a Raven Knit Dress in Eggplant/Dark Brown Mesh from Hanifa.
Tiera Kennedy in her younger years.
Courtesy
Kennedy also nurtured her inner child for the look, taking it back to her roots with one small detail in her hair that she had her mother carry out before she hopped on the flight to LA.
“I had this vision of wearing beads in my hair because when I was younger, my mom would always do that, and I didn’t love it, but now I’m like, it would be really beautiful to tie all of that together, and the Hanifa dress just fit perfectly.”
“Just even in the past couple of days, I’ve had to take a second, and just look back at all of the awesome things we’ve gotten to do,” said Kennedy when asked what baby Tiera is feeling in this moment.
“I had this vision of wearing beads in my hair, because when I was younger, my mom would always do that, and I didn’t love it, but now I’m like, it would be really beautiful to tie all of that together, and the Hanifa dress just fit perfectly.”
“I dreamed of having a record and having this team that was doing all of these things for me, and now, being an independent artist, and being in control of my career, I’ve gotten to build an awesome team behind me that helps me get to where I am. It’s been a lot of hard work, and I think when I was younger, I would have never imagined that I could do all of these things, and so, yeah, to be here, I don’t even think I would believe it.”
Although “Blackbiird” didn’t win in the BET Her category during Monday night’s show, Kennedy’s future is brighter than ever, which she attests to her faith playing a huge role in guiding her next steps as she continues to rise to stardom.
“Thinking about the next thing, I think that can be really daunting when you’re an independent artist. It’s like you have to be thinking of what’s coming next, to prepare for that, but I think the way that I like to walk through life in general is letting the Lord lead,” Kennedy said.
“I know that a lot of time when I have a vision of what I want things to look like in my head, He always exceed my expectations. So, I think the plan is to continue to release music, and continue to show up as my authentic self. Getting to have these moments like the BET Awards is so awesome, but also, at the same time, that’s not what I do this for. I do it for the humans that are listening to my music, that are [having] fun and healing through my music, so I hope that I can just continue to do that.”
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Feature image by Rob Latour/Shutterstock