

Michaela Coel & The Art Of Negotiating As A Black Woman
Becoming a millionaire is often the ultimate bag in life but when Netflix offered award-winning executive producer, writer and actress Michaela Coel a cool $1M for the rights to I May Destroy You, she said, "Yeah, no." Sis knew her worth. With her massive success of her debut comedy, Chewing Gum, and work on three other Netflix projects under her belt, a million wasn't it.
Now I get that a mil isn't exactly normal payment for a script. We could go to Netflix today with a story idea and would be lucky to receive an offer of $10K. Sis was handed a Birkin in that aspect. But as Black women, we should never accept a company's initial offer without negotiating first, and that goes for a 9-5. We should produce our professional receipts and add in our experience beyond the minimum job requirements, major accomplishments, any press and our awards. There's usually more money on the table. Or if not, we should ask for perks. And when it comes to our art, we should definitely retain some ownership, if not all, at least to maintain integrity of our work and claim those residuals.
Besides I May Destroy You wasn't just any script. It's the 33-year-old's real-life story, based on her own sexual assault. It's also a form of her therapy, a way for her to process what happened and try to heal from it. We really can't put a price on her experience.
Michaela only asked for 5% ownership of the series. When Netflix refused, she attempted to negotiate down to 2%, eventually to 0.5%. A half of a percent. She was actually going to sign, too, but the woman on the other end of the telephone, who needed to run the deal past the higher-ups, expressed pride that Michaela was doing the right thing. The remark didn't sit right in Michaela's spirit.
"My thing is, I don't trust people. I just don't trust. I don't trust businesspeople, especially when they're parading as friends. I don't like it. I think that's all probably because of learning from my previous deals where I didn't say no, where I accepted, and so now it's made me very suspicious."
A few months later, Michaela pitched I May Destroy You to BBC, which immediately gave her everything she asked for and teamed up with HBO later to produce. A seat at the production table? Check. Full creative control? Of course. Rights to her own work? Yassss!
It's angering how women are often addressed and treated in business, though, especially in an industry dominated by white men. They assume we're not as smart and savvy as them, or we don't belong, so there's already that strike against us. But let a Black woman enter their space and have the audacity to ask her worth. Tuh! In a recent interview with The Wall Street Journal, Michaela said:
"Life is tricky enough navigating being a woman, being a Black woman, being a dark-skinned woman in England on television. It's so hard."
Entire conversations are shut down before any fair negotiations begin. And to add insult to this injury, it was another woman, who probably didn't look like us, who was complicit in allowing Michaela to undervalue herself. We must do better.
Not only should we ask for what we want and deserve, we should also dismiss the outdated idea that discussing money is taboo. We need trusted folks in our fields to bounce figures off of. And we need to be willing to share when there's no blueprint or standard. When it comes to transparency on money and one-sided deals, here's what Michaela said:
"That's so cool to me because it means that people might not make the same mistakes I made. I think if you have someone that you can privately say, 'Hey, I'm in the middle of a deal with these guys and you're in a deal with them...I just wanted to know, what does your deal look like?' I think it's empowering and the way the structures are set up, we're not very empowered. I love the fact that there is a little bit more discussion, that people are having talks at the side, creative to creative."
This isn't the only major win for Michaela, who recently earned a spot as Wall Street Journal's 2020 Television Innovator earlier this month. In 2018, she also became the first Black woman in the entire 42-year history of the Edinburgh International Television Festival to deliver their keynote address, a spot usually designated for white men. If we can learn anything from this smart and stunning queen, it's how to smash some norms. But infiltrating circles controlled by another race and gender only to reject their coins like pennies because we know we can absolutely get more will always be the ultimate flex.
To read Michaela's full WSJ and W interviews, click here and click here. To listen to her James MacTaggart Keynote Speech at the Edinburgh International Television Festival, click here.
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I write about lifestyle and women's health and wellness. When I'm not in front of a computer screen crafting stories, I'm in a kitchen crafting cocktails. Follow me on the 'gram @teronda.
Exclusive: Gabrielle Union On Radical Transparency, Being Diagnosed With Perimenopause And Embracing What’s Next
Whenever Gabrielle Union graces the movie screen, she immediately commands attention. From her unforgettable scenes in films like Bring It On and Two Can Play That Game to her most recent film, in which she stars and produces Netflix’s The Perfect Find, there’s no denying that she is that girl.
Off-screen, she uses that power for good by sharing her trials and tribulations with other women in hopes of helping those who may be going through the same things or preventing them from experiencing them altogether. Recently, the Flawless by Gabrielle Union founder partnered with Clearblue to speak at the launch of their Menopause Stage Indicator, where she also shared her experience with being perimenopausal.
In a xoNecoleexclusive, the iconic actress opens up about embracing this season of her life, new projects, and overall being a “bad motherfucker.” Gabrielle reveals that she was 37 years old when she was diagnosed with perimenopause and is still going through it at 51 years old. Mayo Clinic says perimenopause “refers to the time during which your body makes the natural transition to menopause, marking the end of the reproductive years.”
“I haven't crossed over the next phase just yet, but I think part of it is when you hear any form of menopause, you automatically think of your mother or grandmother. It feels like an old-person thing, but for me, I was 37 and like not understanding what that really meant for me. And I don't think we focus so much on the word menopause without understanding that perimenopause is just the time before menopause,” she tells us.
Gabrielle Union
Photo by Brian Thomas
"But you can experience a lot of the same things during that period that people talk about, that they experienced during menopause. So you could get a hot flash, you could get the weight gain, the hair loss, depression, anxiety, like all of it, mental health challenges, all of that can come, you know, at any stage of the menopausal journey and like for me, I've been in perimenopause like 13, 14 years. When you know, most doctors are like, ‘Oh, but it's usually about ten years, and I'm like, ‘Uhh, I’m still going (laughs).’”
Conversations about perimenopause, fibroids, and all the things that are associated with women’s bodies have often been considered taboo and thus not discussed publicly. However, times are changing, and thanks to the Gabrielle’s and the Tia Mowry’s, more women are having an authentic discourse about women’s health. These open discussions lead to the creation of more safe spaces and support for one another.
“I want to be in community with folks. I don't ever want to feel like I'm on an island about anything. So, if I can help create community where we are lacking, I want to be a part of that,” she says. “So, it's like there's no harm in talking about it. You know what I mean? Like, I was a bad motherfucker before perimenopause. I’m a bad motherfucker now, and I'll be a bad motherfucker after menopause. Know what I’m saying? None of that has to change. How I’m a bad motherfucker, I welcome that part of the change. I'm just getting better and stronger and more intelligent, more wise, more patient, more compassionate, more empathetic. All of that is very, very welcomed, and none of it should be scary.”
The Being Mary Jane star hasn’t been shy about her stance on therapy. If you don’t know, here’s a hint: she’s all for it, and she encourages others to try it as well. She likens therapy to dating by suggesting that you keep looking for the right therapist to match your needs. Two other essential keys to her growth are radical transparency and radical acceptance (though she admits she is still working on the latter).
"I was a bad motherfucker before perimenopause. I’m a bad motherfucker now, and I'll be a bad motherfucker after menopause. Know what I’m saying? None of that has to change. How I’m a bad motherfucker, I welcome that part of the change."
Gabrielle Union and Kaavia Union-Wade
Photo by Monica Schipper/Getty Images
“I hope that a.) you recognize that you're not alone. Seek out help and know that it's okay to be honest about what the hell is happening in your life. That's the only way that you know you can get help, and that's also the only other way that people know that you are in need if there's something going on,” she says, “because we have all these big, very wild, high expectations of people, but if they don't know what they're actually dealing with, they're always going to be failing, and you will always be disappointed. So how about just tell the truth, be transparent, and let people know where you are. So they can be of service, they can be compassionate.”
Gabrielle’s transparency is what makes her so relatable, and has so many people root for her. Whether through her TV and film projects, her memoirs, or her social media, the actress has a knack for making you feel like she’s your homegirl. Scrolling through her Instagram, you see the special moments with her family, exciting new business ventures, and jaw-dropping fashion moments. Throughout her life and career, we’ve seen her evolve in a multitude of ways. From producing films to starting a haircare line to marriage and motherhood, her journey is a story of courage and triumph. And right now, in this season, she’s asking, “What’s next?”
“This is a season of discovery and change. In a billion ways,” says the NAACP Image Award winner. “The notion of like, ‘Oh, so and so changed. They got brand new.’ I want you to be brand new. I want me to be brand new. I want us to be always constantly growing, evolving. Having more clarity, moving with different purpose, like, and all of that is for me very, very welcomed."
"I want you to be brand new. I want me to be brand new. I want us to be always constantly growing, evolving. Having more clarity, moving with different purpose, like, and all of that is for me very, very welcomed."
She continues, “So I'm just trying to figure out what's next. You know what I mean? I'm jumping into what's next. I'm excited going into what's next and new. I'm just sort of embracing all of what life has to offer.”
Look out for Gabrielle in the upcoming indie film Riff Raff, which is a crime comedy starring her and Jennifer Coolidge, and she will also produce The Idea of You, which stars Anne Hathaway.
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Feature image by Mike Lawrie/Getty Images
Victoria Monét Opens Up About Feeling ‘Validated’ Months After VMAs Turned Her Down To Perform
Victoria Monét has had an incredible year. Thanks to the success of the widely popular “On My Mama” that went viral, the singer/ songwriter’s Jaguar II album debuted in the top 10 of Billboard’s Top R&B Albums chart. She also went on to headline her own sold-out tour. So, when the MTV VMAs happened in September, everyone was surprised to learn that Victoria’s team was told that it was “too early” for the “Smoke” artist to perform at the award show. However, a couple of months later, the mom of one received seven Grammy nominations, including “Best R&B Album” and “Record Of The Year.”
Victoria is currently in London and stopped by The Dotty Show on Apple Music and shared how she feels “validated” after being dismissed by the VMAs.
“It really does feel nice and validating because, in my head, the reason why I wanted to be a performer at the VMAs or award ceremonies like that is because I felt like I am at the place where I should. I would work really hard to put on the best show that I could, and I was excited to do so,” she said.
“And I guess the best way to describe it for me is like when you're like on a sports team, and the coach is like, ‘No, you gotta sit this one out.’ When they finally put you in, and then you score all these points, and it feels like that feeling. You're like, yes, I knew it wasn't tripping, but I knew I worked hard for this, and so it's been super validating to just have these accolades come after a moment like that, and I know the fans feel vindicated for me.
While her fans called the VMAs out on their decision, the “Moment” singer kept it cute and is still open to performing at the iconic award show. “I feel no ill towards them because it's just maybe that's just truly how they felt at the time, but I hope their mind has changed,” she admitted.
Aside from recognition from the Grammys, she has also received praise from legendary artists such as Janet Jackson, Kelly Rowland, and Usher.
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Feature image by Amy Sussman/WireImage for Parkwood