KiKi Layne was destined to be here. When helping a friend prepare for an audition in Barry Jenkins' If Beale Street Could Talk, the Cincinnati native stumbled across the opportunity of a lifetime and hasn't slowed down since. Beyond lighting up screens as Tish in the James Baldwin adaptation, KiKi has starred in HBO's take on Richard Wright's Native Son and is now ready to bare her range in the newest Netflix original, The Old Guard (July 10).
In the action film, directed by Love & Basketball's Gina Prince-Bythewood, KiKi takes on the role of Nile, a U.S. Marine whose world takes a drastic turn the moment she discovers she's immortal and collides with an intimate camp of mercenaries wielding the same superpower.
It's KiKi like we've never seen her before, yet the exact shot she's been longing to take.
"There is so much that Black women have to offer and are capable of, and Hollywood does not always make space for that--and the world in general," she tells xoNecole. "I would hope that, wherever my career goes, that even just a handful of Black women can feel encouraged to not accept those limitations, to not accept those boundaries, to not believe that those things can keep us boxed in."
In this xoChat, KiKi dishes on the role faith plays in her career, lessons learned on set, and her undying commitment to represent the fullness of Black women on screen.
xoNecole: When people think of you, they think of your breakout role as Tish in 'If Beale Street Could Talk'. As sudden as your success in Hollywood seems, some people might miss that you set your eyes on becoming an actress long before that moment. When did you embrace your calling as a creative?
KiKi Layne: Oh, that was when I was a little girl. I always knew that I was going to act and be in entertainment. I started going to a performing arts school when I was seven, so I've just been interested and committed to it since then.
Do you remember what those first moments in Hollywood were like for you?
My first few months were extremely tough because I didn't really have things planned out in a way that someone should when they move across the country (laughs). I was starting to feel discouraged in terms of questioning what had brought me out there and thinking maybe I had made a mistake and should have waited until I had more stuff together. Then, it was only a few weeks after I had a really bad night--maybe two weeks after that--that I got the audition for Beale Street.
"I was starting to feel discouraged in terms of questioning what had brought me out there and thinking maybe I had made a mistake and should have waited until I had more stuff together. Then, it was only a few weeks after I had a really bad night--maybe two weeks after that--that I got the audition for Beale Street."
Last year, you were honored at ESSENCE’s Black Women in Hollywood where you spoke on the power of representation. Growing up, what shows and stars did you turn to when you desired to feel seen?
The first person that popped in my head was Brandy because she was so big in music and with Moesha. Then there was the movie Cinderella that she did with Whitney Houston. I used to wear my hair in braids--Brandy was definitely a person I saw myself represented in in a big way. Then, I fell in love with Angela Bassett. Those were my biggest [influences] growing up--and Aaliyah, but that's just because I love Aaliyah (laughs).
Your latest movie, 'The Old Guard', deviates from the first two films that we’ve seen you in ('If Beale Street Could Talk' and 'Native Son'). In it, we see you grace the screen as Nile, a U.S. Marine who discovers she’s immortal. What drew you to this project?
The first thing that got me excited about it was the opportunity to work with [the film's director] Gina [Prince-Bythewood]. Then, once I got to read the script and the graphic novel, I was excited because it was an opportunity for me to do action, which is something I was always interested in. Gina was very committed to offering these real moments of genuine groundedness, and even though we're playing these characters with these really cool abilities, they're still very human and relatable, so it was exciting for me to take on both aspects of that: playing this very physical, kickass character but still being able to bring the vulnerability that people know me for.
What was your biggest takeaway from your time on set with Gina?
What I loved about what Gina did for this project, and she made this clear the first time that I met her, is that she wasn't going to let the heart of these characters get lost in the action. That's one of the things that she does such a great job of in her work. To see her being fully committed to that and come to the table knowing that that's what she wanted to do and that this was a gift that she had and being confident in that, that was definitely something that I appreciated about working with her. She didn't lose herself in the fact that she was on this big, action set.
"What I loved about what Gina did for this project, and she made this clear the first time that I met her, is that she wasn't going to let the heart of these characters get lost in the action. That's one of the things that she does such a great job of in her work."
KiKi Layne pictured with 'The Old Guard' director Gina Prince-Bythewood and co-star Charlize Theron
NETFLIX
There are so many themes running through 'The Old Guard'. One that stands out to me, which actually pops up in the trailer but hits harder when watching the movie is, “Just because we keep living doesn’t mean we stop hurting.” What is one lesson that you personally hold close?
What are we doing with the time that we've been given? You see these [characters] who have so much time, and even they're struggling with what they're supposed to be doing. What is it serving for them to still be here? Especially with all that's going on now, what are we doing with the time that we have? If you're alive in this time right now, what does that mean?
Where do you see yourself most in Nile, and in what areas did you have to stretch yourself the most to tap into her world?
Definitely the biggest stretch was the physicality (laughs). All the training. Hours and hours of training, that was very different for me. Something that I connected to her with was her faith. That was definitely something that I saw, and I knew exactly what that was and also her love of family.
How does faith show up for you in your career?
It's the root of it. It's the root of my life. I feel like faith is super important. It helps me to not put so much pressure on myself, to trust that if it's meant for me, then it's going to be mine and to believe that my name has already been written on certain opportunities. When I don't get something that I really wanted, faith helps me to move forward and not get stuck on why I didn't get a part. I'm able to say, through faith, "That just wasn't meant for me, and there's something that is really right and special and great for me on the way, so now I have to channel my energy, intentions and prayer into getting prepared to receive whatever that is."
"When I don't get something that I really wanted, faith helps me to move forward and not get stuck on why I didn't get a part. I'm able to say, through faith, 'That just wasn't meant for me, and there's something that is really right and special and great for me on the way, so now I have to channel my energy, intentions and prayer into getting prepared to receive whatever that is.'"
What does it mean to you to share your art in the midst of the ongoing fight against systems of oppression that deplete our community?
A big part of it is representation. If someone has only seen a Black person being portrayed in very limited ways, they're going to make assumptions based off of what has been fed to them through TV and film. That's why I'm super committed to pushing against what has been the norm of how we've been represented in film.
For more of KiKi, follow her on Instagram. Netflix's The Old Guard is now streaming.
Featured image by Kathy Hutchins / Shutterstock.com
RELATED
So, we handpicked one hundred It Girls who embody that palpable It Factor moving through us as young Black women, the kind of motion lighting up the world both IRL and across the internet.
It Girl 100 became xoNecole’s most successful program, with the hashtag organically reaching more than forty million impressions on Instagram in just twenty-four hours. Yes, it caught on like wildfire because we celebrated some of the most brilliant and influential GenZennial women of color setting trends and shaping culture. But more than that, it resonated because the women we celebrated felt seen.
Many were already known in their industries for keeping this generation fly and lit, but rarely received recognition or flowers. It Girl 100 became a safe space to be uplifted, and for us as Black women to bask in what felt like an era of our brilliance, beauty, and boundless influence on full display.
And then, almost overnight, it was as if the rug was pulled from under us as Black women, as the It Girls of the world.
Our much-needed, much-deserved season of ease and soft living quickly metamorphosed into a time of self-preservation and survival. Our motion and economic progression seemed strategically slowed, our light under siege.
The air feels heavier now. The headlines colder. Our Black girl magic is being picked apart and politicized for simply existing.
With that climate shift, as we prepare to launch our second annual It Girl 100 honoree list, our team has had to dig deep on the purpose and intention behind this year’s list. Knowing the spirit of It Girl 100 is about motion, sauce, strides, and progression, how do we celebrate amid uncertainty and collective grief when the juice feels like it is being squeezed out of us?
As we wrestled with that question, we were reminded that this tension isn’t new. Black women have always had to find joy in the midst of struggle, to create light even in the darkest corners. We have carried the weight of scrutiny for generations, expected to be strong, to serve, to smile through the sting. But this moment feels different. It feels deeply personal.
We are living at the intersection of liberation and backlash. We are learning to take off our capes, to say no when we are tired, to embrace softness without apology.
And somehow, the world has found new ways to punish us for it.
In lifestyle, women like Kayla Nicole and Ayesha Curry have been ridiculed for daring to choose themselves. Tracee Ellis Ross was labeled bitter for speaking her truth about love. Meghan Markle, still, cannot breathe without critique.
In politics, Kamala Harris, Letitia James, and Jasmine Crockett are dragged through the mud for standing tall in rooms not built for them.
In sports, Angel Reese, Coco Gauff, and Taylor Townsend have been reminded that even excellence will not shield you from racism or judgment.
In business, visionaries like Diarrha N’Diaye-Mbaye and Melissa Butler are fighting to keep their dreams alive in an economy that too often forgets us first.
Even our icons, Beyoncé, Serena, and SZA, have faced criticism simply for evolving beyond the boxes society tried to keep them in.
From everyday women to cultural phenoms, the pattern is the same. Our light is being tested.
And yet, somehow, through it all, we are still showing up as that girl, and that deserves to be celebrated.
Because while the world debates our worth, we keep raising our value. And that proof is all around us.
This year alone, Naomi Osaka returned from motherhood and mental health challenges to reach the semifinals of the US Open. A’ja Wilson claimed another MVP, reminding us that beauty and dominance can coexist. Brandy and Monica are snatching our edges on tour. Kahlana Barfield Brown sold out her new line in the face of a retailer that had been canceled. And Melissa Butler’s company, The Lip Bar, is projecting a forty percent surge in sales.
We are no longer defining strength by how much pain we can endure. We are defining it by the unbreakable light we continue to radiate.
We are the women walking our daily steps and also continuing to run solid businesses. We are growing in love, taking solo trips, laughing until it hurts, raising babies and ideas, drinking our green juice, and praying our peace back into existence.
We are rediscovering the joy of rest and realizing that softness is not weakness, it is strategy.
And through it all, we continue to lift one another. Emma Grede is creating seats at the table. Valeisha Butterfield has started a fund for jobless Black women. Arian Simone is leading in media with fearless conviction. We are pouring into each other in ways the world rarely sees but always feels.
So yes, we are in the midst of societal warfare. Yes, we are being tested. Yes, we are facing economic strain, political targeting, and public scrutiny. But even war cannot dim a light that is divinely ours.
And we are still shining.
And we are still softening.
And we are still creating.
And we are still It.
That is the quiet magic of Black womanhood, our ability to hold both truth and triumph in the same breath, to say yes, and to life’s contradictions.
It is no coincidence that this year, as SheaMoisture embraces the message “Yes, And,” they stand beside us as partners in celebrating this class of It Girls. Because that phrase, those two simple words, capture the very essence of this moment.
Yes, we are tired. And we are still rising.
Yes, we are questioned. And we are the answer.
Yes, we are bruised. And we are still beautiful.
This year’s It Girl 100 is more than a list. It is a love letter to every Black woman who dares to live out loud in a world that would rather she whisper. This year’s class is living proof of “Yes, And,” women who are finding ways to thrive and to heal, to build and to rest, to lead and to love, all at once.
It is proof that our joy is not naive, our success not accidental. It is the reminder that our light has never needed permission.
So without further ado, we celebrate the It Girl 100 Class of 2025–2026.
We celebrate the millions of us who keep doing it with grace, grit, and glory.
Because despite it all, we still shine.
Because we are still her.
Because we are still IT, girl.
Meet all 100 women shaping culture in the It Girl 100 Class of 2025. View the complete list of honorees here.
Featured image by xoStaff
