
Freddie Harrel Created Clip-Ins That Will Match Your Hair Texture And Save You Coins

As black women, we are raised with the belief that our hair is our crowning glory, at least that's how my mother put it. At the same time, we are also subjected to the "good hair" trope, which in turn, can create disdain for the way our hair grows toward the heavens rather than to the ground. Consequently, our self-worth has been tied to our hair for generations.
The traditional standard of beauty often made women of color feel as though their natural hair wasn't good enough. From relaxers and jheri curls to 20-inch lace fronts, the past few decades have seen black women wrestle with their own definition of beauty. However, the recent uptick of women embracing their natural curls and coils has ushered in a new demand for products that cater to natural hair, replacing the chemically treated options. The natural hair industry is changing the black hair care business as we know it. With more women embracing their natural hair texture, the opportunity to cash in on this segment of the nearly $761 billion dollar black hair care industry, is booming.
Any naturalista knows that although the range of products is increasing on our shelves, a lot of time, patience and MONEY goes into protecting our natural tresses.
Frédérique (Freddie) Harrel not only recognizes the links between our own self-worth and our hair, but she also understands the difficulty in maintaining our natural styles, as well as its high costs. So much so, that two years ago, after much research for synthetic quality and affordability, Harrel launched Big Hair No Care.
Big Hair No Care is a synthetic line of wigs and clip-in extensions that mimics the natural curl pattern of hair textures ranging from 3C to 4C, AND it is much cheaper than traditional (and often controversial) wigs and extension options.
Branded as "Protective styling made EASY," Big Hair No Care's premium synthetic products offer "bold styles, low prices, premium quality, and no care needed so you can save the money and time for your OWN hair."
The blogger and hair influencer revealed that an unfortunate experience in China during a study abroad program was what forced her to rethink her wig-wearing ways. Showing up to class with glue dripping from her heavy $500 frontal, she told ELLE that the only excuse she could come up with was that she was having an "allergic reaction". She said:
"Try explaining that to all the white people in the room."
The difficulty, expense, and embarrassment she faced wearing wigs led to her transition to using natural hair extensions instead. However, this didn't last long. After watching the BBC 3 documentary Whose Hair Is It Anyway?, by British singer Jameila, Harrel said no more.
She told ESSENCE, "When I first went natural I wanted to add a little bit of length, but it was impossible to find a synthetic wig or pieces that matched my texture."
She told ELLEthat her synthetic products require minimal maintenance, too, saying, "You don't need to wash, condition, or detangle. It's for people who are poor on time, poor on skills, and poor in money."
Much of her previous work lends itself well to this mantra, and she told ELLE that mental health should not come at the expense of your next wig. She says:
"Everyone's talking about how mental health is super important. For some people, it's too expensive to spend $70 on an hour with a therapist, but they'll spend $1,000 on a wig."
In the black community, we still have a long way to go toward eliminating the stigma surrounding mental illness and seeking therapy. What Harrel's brand is offering is the opportunity to look fly, save those coins, and invest them into other forms of self-care. Harrel also has had her own struggles with self-worth, and she told Bustle that this is the major reason why she is so passionate. She reveals:
"I grew up extremely insecure. I couldn't shake off this feeling of being inferior, rubbish. I used to look at everyone around and feel they all had their sh*t together but me. I want to speak to people who once or still feel like this, because I've come such a long way and found a lot of hacks to be happy and confident. I'm passionate about self-growth and personal development; it's a journey I'm on and I love to share it, with honesty, with the hope to lift up more women and get them to join in this growth path."
Freddie says that part of her mission is to normalize natural hair. When we can embrace everything about ourselves, we begin to free ourselves. She continues:
"Whilst we're finally talking about privilege and the different experiences we have, I also want to normalize afro hair, starting with having more of our products in the mainstream drug stores, because black women make up a strong part of our population--so our shopping experiences need to evolve accordingly. So what's next for me is to put BHNC on the high street!"
Freddie is a strong example of taking your passions and problems and turning them into money in the bank. Her ability to tap into her value as a black woman and her desire to positively impact the lives of black women all over the world is incredibly aspirational. Here's to your continued success, Freddie!
Featured image by David M. Benett/Dave Benett/Getty Images for Peanut
Michelle Schmitz is a writer and editor based in Washington, DC originally from Ft Lauderdale, FL. A self-described ambivert, you can find her figuring out ways to read more than her monthly limit of The New York Times, attending concerts, and being a badass, multi-tasking supermom. She also runs her own blog MichelleSasha.com. Keep up with her latest moves on IG: @michellesashawrites and Twitter: @michellesashas
Claudia Jordan, Demetria McKinney & Jill Marie Jones On 'Games Women Play' & Dating Over 40
What do you get when you mix unfiltered truths, high-stakes romance, and a few well-timed one-liners? You get Games Women Play—the sizzling new stage play by Je’Caryous Johnson that’s part relationship rollercoaster, part grown-woman group chat.
With a powerhouse cast that includes Claudia Jordan, Demetria McKinney, Jill Marie Jones, Carl Payne, Chico Bean, and Brian J. White, the play dives headfirst into the messy, hilarious, and heart-wrenching games people play for love, power, and peace of mind. And the women leading this story? They’re bringing their whole selves to the stage—and leaving nothing behind.
From Script to Spotlight
The road to Games Women Play started over 20 years ago—literally.
“This script was written 20 years ago,” Jill Marie Jones said with a smile. “It was originally called Men, Money & Gold Diggers, and I was in the film version. So when Je’Caryous called me to bring it to the stage, I was like, ‘Let’s go.’” Now reimagined for 2025, the play is updated with sharp dialogue and modern relationship dynamics that feel all too real.
Demetria McKinney, no stranger to Je’Caryous Johnson’s productions, jumped at the opportunity to join the cast once again. “This is my third time working with him,” she shared. “It was an opportunity to stretch. I’d never been directed by Carl Payne before, and the chance to work with talent I admire—Jill, Claudia, Chico—it was a no-brainer.”
Claudia Jordan joked that she originally saw the role as just another check. “I didn’t take it that seriously at first,” she admitted. “But this is my first full-on tour—and now I’ve got a whole new respect for how hard people work in theater. This ain’t easy.”
Modern Love, Stage Left
The play doesn’t hold back when it comes to the messier parts of love. One jaw-dropping moment comes when a live podcast proposal flips into a prenup bombshell—leaving the audience (and the characters) gasping.
Demetria broke it down with honesty. “People don’t ask the real questions when they date. Like, ‘Do you want kids? How do you feel about money?’ These convos aren’t happening, and then everyone’s confused. That moment in the play—it’s real. That happens all the time.”
Jill chimed in, noting how the play speaks to emotional disconnect. “We’re giving each other different tokens of love. Men might offer security and money. Women, we’re giving our hearts. But there’s a disconnect—and that’s where things fall apart.”
And then Claudia, of course, took it all the way there. “These men don’t even want to sign our prenups now!” she laughed. “They want to live the soft life, too. Wearing units, gloss, getting their brows done. We can’t have nothing! Y’all want to be like us? Then get a damn period and go through menopause.”
Dating Over 40: “You Better Come Correct”
When the conversation turned to real-life relationships, all three women lit up. Their experiences dating in their 40s and 50s have given them both clarity—and zero tolerance for games.
“I feel sexier than I’ve ever felt,” said Jill, who proudly turned 50 in January. “I say what I want. I mean what I say. I’m inside my woman, and I’m not apologizing for it.”
Demetria added that dating now comes with deeper self-awareness. “Anybody in my life is there because I want them there. I’ve worked hard to need nobody. But I’m open to love—as long as you keep doing what got me there in the first place.”
For Claudia, the bar is high—and the peace is priceless. “I’ve worked hard for my peace,” she said. “I’m not dating for food. I’m dating because I want to spend time with you. And honestly, if being with you isn’t better than being alone with my candles and fountains and cats? Then no thanks.”
Channeling Strength & Icon Status
Each actress brings something different to the play—but all of them deliver.
“I actually wish I could be messier on stage,” Claudia joked. “But I think about my grandmother—she was born in 1929, couldn’t even vote or buy a house without a man, and didn’t give a damn. She was fearless. That’s where my strength comes from.”
For Jill, the comparisons to her iconic Girlfriends character Toni Childs aren’t far off—but this role gave her a chance to dig deeper. “If you really understood Toni, you’d see how layered she was. And Paisley is the same—misunderstood, but strong. There’s more to her than people see at first glance.”
Demetria, who juggles singing and acting seamlessly, shared that live theater pushes her in a new way. “Every moment on stage counts. You can’t redo anything. It’s a different kind of love and discipline. You have to give the performance away—live, in the moment—and trust that it lands.”
Laughter, Lessons & Black Girl Gems
The show has plenty of laugh-out-loud moments—and the cast isn’t shy about who steals scenes.
“Chico Bean gets a lot of gasps and laughs,” Claudia said. “And Naomi Booker? Every scene she’s in—she’s hilarious.”
But the play isn’t just about humor. It leaves space for reflection—especially for Black women.
“I hope we get back to the foundation of love and communication,” said Demetria. “A lot of us are in protector mode. But that’s turned into survival mode. We’ve lost softness. We’ve lost connection.”
Claudia agreed. “We’re doing it all—but it’s not because we want to be strong all the time. It’s because we have to be. And I just want women to know: You can have peace, you can be soft. But stop bringing your old pain into new love. Don’t let past heartbreak build walls so high that the right person can’t climb over.”
Final Act: Pack the House
If there’s one thing this cast agrees on, it’s that this play isn’t just entertainment—it’s necessary.
“Atlanta is the Black entertainment hub,” Claudia said. “We need y’all to show up for this play. Support the arts. Support each other. Because when we pack the house, we make space for more stories like this.”
Games Women Play is more than a play—it’s a mirror. You’ll see yourself, your friends, your exes, and maybe even your next chapter. So get ready to laugh, reflect, and maybe even heal—because the games are on.
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After Decades-Long Career, Terri J. Vaughn Is Finally The Main Character: Exclusive
Terri J. Vaughn first captured our attention in the late ‘90s as Lovita Alizay Jenkins on The Steve Harvey Show. Decades later, she is starring in her very own series, She The People, which is now available to stream on Netflix.
The political sitcom, which she co-created with Niya Palmer and later teamed up with Tyler Perry Studios, is about a Black woman named Antoinette Dunkerson who runs for lieutenant governor of Mississippi. She wins and becomes the state’s first Black lieutenant governor. Now, she’s forced to balance working with a racist and sexist governor while also trying to keep her family from running amok.
According to the beloved actress, this project was a long time coming. “I’ve been trying to get my own television series for like 20 years, pounding the pavement, meeting with people, getting clothes, being lied to, just a whole bunch of stuff,” she says in an exclusive interview with xoNecole.
“But just keep going, because this is what I do. This is what I love, and I know how important it is for us to continue to show up and make sure that we are seen, make sure that our voices are heard. For several reasons. I just never give up. So here I am, 20 years later, finally sold my show.”
She The People is inspired by the true story of London Breed, who became the first Black female mayor of San Francisco, Terri’s hometown. And to help make the show more authentic, the Cherish the Day actress tapped former Atlanta mayor, Keisha Lance Bottoms to come on as a producer.'“I’ve been trying to get my own television series for like 20 years, pounding the pavement, meeting with people, getting clothes, being lied to, just a whole bunch of stuff."
After bringing the former mayor aboard, it was time to pitch again. And this time, the companies were pitching them. Ultimately, Terri decided to work with Tyler Perry on the series.
“We decided to do it with Tyler for several reasons. I love that. Well, most of the companies we met with were Black-owned companies, but he was the only studio,” she explains. “Tyler is like Walt Disney. That's literally what he is. He has the studio, he has the content. He operates just like Walt Disney.”
And thanks to the cast, the show is nothing short of laughs. The series also stars social media creator Jade Novah as Antoinette’s crazy cousin/ assistant, Shamika, Family Mattersstar Jo Marie Payton as Anotinette’s mom, Cleo, and Terri’s husband, Karon Riley, who plays Michael, her driver and love interest.
While we’ve watched Terri’s career blossom in various ways. From directing to producing, and playing diverse characters, the mom of two says her The Steve Harvey Show character will always be her favorite.
“Well, Lovita was definitely my favorite, especially for my time, the age and everything that I was. Now as a grown ass woman over 50, Antoinette Dunkerson is everything that I've wanted to play. She's everything. She's a mother of two teenagers. She's divorced, so she's co-parenting with her ex-husband. She has to wrangle in a very eclectic family,” she says.
“So I like playing characters that are really flawed and trying to figure it out and doing their best to try to figure it. And she's very flawed and she is trying to figure it out, and she fucks up sometimes. But her heart and what she's trying to do and what her vision is and purpose, it's all for the people. I mean, she the people. She’s for the people, she is the people.”
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