
20 Years Ago, I Wrote A Book. 20 Years Later, I've Published A '2.0 Version' Of It.

There is a Chinese Proverb that, when you hit a milestone birthday like I did this year, it will hit you like a ton of bricks: “Enjoy yourself. It’s later than you think.” Lawd, ain’t that the truth. Anyway, whenever people ask me how I celebrated, anyone who really knows me knows that I am a true ambivert who almost throws up in my mouth at the mere thought of a big birthday bash. That’s why I decided to do one-on-one lunches and dinners with friends. I am in the process of booking a couple of trips, and I decided to write a follow-up to my first book.
Y’all, if you want to see how fast time is moving and also how much you are progressing, look at children or go back and read some of your journal entries from back in the day. As far as the journals go, that can be a really solid practice if you’re ever feeling stagnant or stuck because, believe you me, if you are intentional about evolution and transformation, reading who and where you were once upon and time vs. where and who you are now will showcase it for you, live and in living color. And honestly, that is what the sequel to my first book has done for me.
After I completed it, I realized that it was the best birthday present — both to me and for me.
Because so many of you have been kind enough to contact me to see when I am penning another book, that’s why I’ve written this article — Inside of Me 2.0. My Story. With a 20-Year Lens.is officially available as of this month. That was definitely on purpose because I was going to either release it on my birthday (June) or during Rosh Hashanah (the new year that I observe, which was October 2-4 this year) and preferably in the month of October, which is my late father’s birthday month (if/when you read the book, it’ll all make sense). This year, it all played out perfectly.
Twenty years wasn’t yesterday by any stretch of the imagination (listen…). And so, if you’re not familiar with my work as an author and you’re curious before purchasing my latest read, I totally get it. Here are a few things about Inside of Me and Inside of Me 2.0 that, hopefully, will get you to make a $12.99 or $7 e-book investment. C’mon. Mama needs a new set of Pumas. #wink
Inside Of Me...20 Years Ago.
'Inside of Me: Lessons of Lust, Love and Redemption'
Twenty damn years ago. To give you some perspective, the movie The Notebookcame out in 2004. Usher’s LPConfessions came out in 2004 (“Superstar” definitely should’ve been an official single, and “That’s What It’s Made For” is low-key one of the most sexually irresponsible songs to date, chile). The online review site Yelp (that is pure chaos, by the way — LOL) made its debut in 2004. Bill Clinton’s autobiographyMy Lifecame out in 2004 — and it just happened to be the same month (and year) that my first book (which was also an autobiography of sorts) did.
Oh,Inside of Me: Lessons of Lust, Love and Redemption. Some fun facts include the fact that:
*My brother actually chose the name (well, the “Inside of Me” part).
*Although I had no hand in the design (although it did turn out to be pretty stellar, if I do say so myself), a friend of mine by the name of Cole Warren (no relation) took the cover shot (the design team overlooked giving her photo credit, so there ya go, Cole).
*One of the best vocalists of our time (if you’ve been to a live show of hers, you know that I’m not exaggerating), India.Arie penned the foreword because we happened to be each other’s first “official” celebrity interview (I still have a copy of her demo from her debut LP somewhere): me as the journalist and her as the feature. We stayed in touch via email for a few years after that. There are typos in the foreword because she sent it handwritten right when we were about to literally go to press, and there was no time to edit it without it costing thousands of dollars more (real talk).
*I call the first Inside of Me my “sexual autobiography” because, although it wasn’t exactly planned to play out this way, a lot of what was consuming me in my 20s was sex and relationships. Hmph. I guess that’s why when Karrine Steffans’s (who now goes by Elisabeth Ovesen) first book, Confessions of a Video Vixen (which came out in 2005), was released, some folks said that I was the “Christian Superhead” (chile). Yeah, not even close, although I do get the comparison in the sense that both books were pretty candid — in some ways, mine even more so, since I was a Christian (at the time), and yet I was so open about my sex life and the consequences that came from it. Yeah, that was pretty taboo back then.
*Who published the book is a former publishing company that also produces the Christian pop culture magazineRelevant. I used to be a columnist for it. Kyle Chowning, Cara Baker (I think she’s married with a different name now), and yes, even Cameron Strang were really good to me there; thank you.
*People often ask me how to get a publishing deal; I’m not sure what to tell them because all of the deals that I’ve gotten (which are two; my third book, I took a different route…more on that in a sec) were offered to me.
*Every book that I’ve written has taken about six weeks to do it from start to finish (don’t ask me why; it just always plays out that way).
*Although my immediate family came and celebrated at my book signing party that I hosted at an art gallery here in Nashville when my book was released, while I was actually penning it, my mother didn’t speak to me for six months because she wasn’t supportive of the content that I was writing. I had a lot of fear back then, so if you ask me, it was a pretty tame version of everything that I went through. I am pretty fearless now (do with that what you will).
*Also, the “main men” in the book were not blindsided; I made sure that the fathers of my aborted children heard their specific chapters prior to publishing — not because I needed their approval but because I know what being caught totally off guard feels like, and I didn’t want to do that to them. They all said that they were fine with my perspective even if it wasn’t 100 percent their own (understood).
*I had a publicist who did a pretty good job promoting the book. I even had an Oprah (show) invite, although I turned it down because they wanted me to spend a considerable amount of the interview discussing something that wasn’t difficult for me, yet I knew it would be for someone close to me, so I declined. I have no regrets.
*I didn’t plan to pen a sequel at the time of releasing the first book, and certainly not one 20 years later. Not back then. Yet there is something about 20 biblically representing “perfection in waiting” and my also processing who I was as a woman at 29 (when I wrote my first book) and who I, well, now, was as a woman at 49 (when I wrote most of the follow-up) that made it all seem like the right time and occasion.
Inside of Me...Now.
'Inside of Me 2.0. My Story. With a 20-Year Lens'
Although it might sound like a shameless plug, if you haven’t read the first book, you might want to before copping the second one: Inside of Me 2.0. My Story. With a 20-Year Lens. I think the second offering will make a lot of sense even if you don’t…I’m just saying if you want some real context, the first is a great reference point.
So, what’s different about this book? I mean, for starters, I am 20 years older.
As far as the book itself goes, I decided to self-publish and also create an imprint to create more books moving forward. Listen, I’ve been published before, twice, and although the bragging rights (and advance) can be (initially) cool, if you want to make some real money, you’d need to be a bestseller. Not to mention the fact that self-publishing comes with so many options now; I mean, the distribution for this book is as vast as my previous other ones (Pure Heart: A Woman's Guide to Sexual Integrityis the second book; I’m not as emotionally attached to it, though). Plus, the book industry isn’t what it used to be, and neither are bookstores, for that matter (SMDH).
Another reason why I decided to self-publish is I wanted complete control from the design to the content, and this route gave me that. The book is green because I like what green represents (health, growth, balance, wisdom, and renewal, for starters). I put my picture on the back because I got the affirmation that my self-esteem needed at the time via my picture being on the front with the first book (I’m good).
I didn’t want anyone to write the foreword or reviews for the cover because, well, it’s my story — I don’t really need anyone to validate my own experience. I also didn’t want an editing team that would constantly ask me, “Are you sure you want to say that like that?” — all of these are traditional routes for books, and traditional, I am not.
The content. Well…not a ton of sex has been had over the past 20 years (which is wild to even hear myself say), and so, a sexual autobiography, again, this is not. Looking back on both books, I get that the first one was about a lot of what I did while my second covers a lot of ground concerning why I did it. As far as the ground that I chose to cover, I’ve been asked what surprised, even me, and I’d have to say that it’s got a heavy narcissism theme to it. I grew up in a religious home, and a child of an entertainment industry leader, and narcissism abounds in both of those realms. I do quite a bit of unpacking regarding all of that.
There is also quite a bit of closure in this book — closure that includes the explanation(s) of why. The tone is pretty unapologetic because, as I said earlier, I still had some fear while writing my first book. Now I love myself more (love casts out fear), and so the fear is virtually nonexistent. That’s why this book is more along the lines of, “I mean, if you didn’t want me to write about it, why did you do it?” along with some “And you still should be grateful that some mercy was factored in” sprinkled throughout.
Yeah, Inside of Me 2.0 consists of a lot of what one chapter addresses in its title — learning the differences between who PTSD Shellie was and who the Real Shellie now is. Just like a lot of the content that is featured on this platform, there is no shortage of spiritual and biblical references to emphasize some points; however, it’s not a Christian book by any stretch because I wouldn’t consider myself to be a Christian — anymore. I like how John 8:31-32 is where Christ said that his followers were his disciples. I also like that his disciples were pretty unconventional and off the chain (re-read about Peter sometime). All of that tracks for me.
Something else? I didn’t expect Inside of Me 2.0 to be longer than Inside of Me — it’s around 30 pages more, though. I guess it’s that way because I explain, in detail, where I stand spiritually, where I am when it comes to my family (chile), and the resolves that I now have as it relates to relationships — romantic, platonic, and otherwise. I don’t talk a lot about sex because there isn’t a lot to say on the personal front (#Elmoshrug). If you come to this site, I’m never short of ideas on the topic, though…so…there’s that.
Press. I keep getting asked about that. I dunno, y’all. I haven’t had any social media for what, 15 years now, and I still don’t want (or miss) it. I am in the process of building a website along a theme that I am passionate about (more on that to come). I am also open to doing some interviews as they come, and I think I might hop on a podcast platform, just so people can hear the tree fall in the forest (if you catch my drift); however, I didn’t write this book for attention or fame.
I wrote it because A) I’m a writer; it’s like breathing; B) Inside of Me needed some documented resolution, and now it has that; C) my dad never had a voice for his pain, and I wanted to be his mouthpiece now that he is no longer here; D) there are certain questions that I get asked fairly often that I felt a book could answer all in one sitting, and E) it was time. Twenty years — perfection in waiting — says so.
Photo Credit: Sam Simpkins
Welp. That’s about it, y’all. Oh, one more thing because some people have already asked me this too. What is my arm tat about? Feathers symbolize spiritual evolution, honor, wisdom, power, and femininity. I have five stars that represent my four aborted children and Perez (check the dedication for an explanation about him). Moon and stars symbolize the balance of masculine and feminine energy. The Hebrew letters spell out Perez, which means “breakthrough” in Hebrew.
You know, back in the late 90s, there were some Jamaican women who came to a church that I visited who did an altar call for anyone who wanted clarity. As one of them walked past me, she came back and said, “Books! Books! Lots of books!” I guess I’m just out here confirming what she spoke over me. Following the flow of it all.
If you’re willing to support that, I’d 1000 percent appreciate it.
From the inside (pun intended)…out.
Inside of Me 2.0: My Story. With a 20-Year Lens is now available on platforms includingAmazon,Barnes & Noble, Ingram, etc., and will be available on e-book sites including Apple iBookstore, Google Play, Nook, and others by the end of October 2024.
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Featured image by Sam Simpkins
It's kinda wild that, in 2025, my byline will have appeared on this platform for (what?!) seven years. And yeah, when I'm not waxing poetic on here about sex, relationships and then...more sex and relationships, I am working as a certified marriage life coach, helping to birth babies (as a doula) or penning for other places (oftentimes under pen names).
As some of you know, something that I've been "threatening" to do for a few years now is write another book. Welp, October 2024 was the month that I "gave birth" to my third one: 'Inside of Me 2.0: My Story. With a 20-Year Lens'. It's fitting considering I hit a milestone during the same year.
Beyond that, Pumas and lip gloss are still my faves along with sweatshirts and tees that have a pro-Black message on them. I've also started really getting into big ass unique handbags and I'm always gonna have a signature scent that ain't nobody's business but my own.
As far as where to find me, I continue to be MIA on the social media front and I honestly don't know if that will ever change. Still, if you need to hit me up about something *that has nothing to do with pitching on the site (I'm gonna start ignoring those emails because...boundaries)*, hit me up at missnosipho@gmail.com. I'll do what I can. ;)
Claudia Jordan, Demetria McKinney & Jill Marie Jones On 'Games Women Play' & Dating Over 40
What do you get when you mix unfiltered truths, high-stakes romance, and a few well-timed one-liners? You get Games Women Play—the sizzling new stage play by Je’Caryous Johnson that’s part relationship rollercoaster, part grown-woman group chat.
With a powerhouse cast that includes Claudia Jordan, Demetria McKinney, Jill Marie Jones, Carl Payne, Chico Bean, and Brian J. White, the play dives headfirst into the messy, hilarious, and heart-wrenching games people play for love, power, and peace of mind. And the women leading this story? They’re bringing their whole selves to the stage—and leaving nothing behind.
From Script to Spotlight
The road to Games Women Play started over 20 years ago—literally.
“This script was written 20 years ago,” Jill Marie Jones said with a smile. “It was originally called Men, Money & Gold Diggers, and I was in the film version. So when Je’Caryous called me to bring it to the stage, I was like, ‘Let’s go.’” Now reimagined for 2025, the play is updated with sharp dialogue and modern relationship dynamics that feel all too real.
Demetria McKinney, no stranger to Je’Caryous Johnson’s productions, jumped at the opportunity to join the cast once again. “This is my third time working with him,” she shared. “It was an opportunity to stretch. I’d never been directed by Carl Payne before, and the chance to work with talent I admire—Jill, Claudia, Chico—it was a no-brainer.”
Claudia Jordan joked that she originally saw the role as just another check. “I didn’t take it that seriously at first,” she admitted. “But this is my first full-on tour—and now I’ve got a whole new respect for how hard people work in theater. This ain’t easy.”
Modern Love, Stage Left
The play doesn’t hold back when it comes to the messier parts of love. One jaw-dropping moment comes when a live podcast proposal flips into a prenup bombshell—leaving the audience (and the characters) gasping.
Demetria broke it down with honesty. “People don’t ask the real questions when they date. Like, ‘Do you want kids? How do you feel about money?’ These convos aren’t happening, and then everyone’s confused. That moment in the play—it’s real. That happens all the time.”
Jill chimed in, noting how the play speaks to emotional disconnect. “We’re giving each other different tokens of love. Men might offer security and money. Women, we’re giving our hearts. But there’s a disconnect—and that’s where things fall apart.”
And then Claudia, of course, took it all the way there. “These men don’t even want to sign our prenups now!” she laughed. “They want to live the soft life, too. Wearing units, gloss, getting their brows done. We can’t have nothing! Y’all want to be like us? Then get a damn period and go through menopause.”
Dating Over 40: “You Better Come Correct”
When the conversation turned to real-life relationships, all three women lit up. Their experiences dating in their 40s and 50s have given them both clarity—and zero tolerance for games.
“I feel sexier than I’ve ever felt,” said Jill, who proudly turned 50 in January. “I say what I want. I mean what I say. I’m inside my woman, and I’m not apologizing for it.”
Demetria added that dating now comes with deeper self-awareness. “Anybody in my life is there because I want them there. I’ve worked hard to need nobody. But I’m open to love—as long as you keep doing what got me there in the first place.”
For Claudia, the bar is high—and the peace is priceless. “I’ve worked hard for my peace,” she said. “I’m not dating for food. I’m dating because I want to spend time with you. And honestly, if being with you isn’t better than being alone with my candles and fountains and cats? Then no thanks.”
Channeling Strength & Icon Status
Each actress brings something different to the play—but all of them deliver.
“I actually wish I could be messier on stage,” Claudia joked. “But I think about my grandmother—she was born in 1929, couldn’t even vote or buy a house without a man, and didn’t give a damn. She was fearless. That’s where my strength comes from.”
For Jill, the comparisons to her iconic Girlfriends character Toni Childs aren’t far off—but this role gave her a chance to dig deeper. “If you really understood Toni, you’d see how layered she was. And Paisley is the same—misunderstood, but strong. There’s more to her than people see at first glance.”
Demetria, who juggles singing and acting seamlessly, shared that live theater pushes her in a new way. “Every moment on stage counts. You can’t redo anything. It’s a different kind of love and discipline. You have to give the performance away—live, in the moment—and trust that it lands.”
Laughter, Lessons & Black Girl Gems
The show has plenty of laugh-out-loud moments—and the cast isn’t shy about who steals scenes.
“Chico Bean gets a lot of gasps and laughs,” Claudia said. “And Naomi Booker? Every scene she’s in—she’s hilarious.”
But the play isn’t just about humor. It leaves space for reflection—especially for Black women.
“I hope we get back to the foundation of love and communication,” said Demetria. “A lot of us are in protector mode. But that’s turned into survival mode. We’ve lost softness. We’ve lost connection.”
Claudia agreed. “We’re doing it all—but it’s not because we want to be strong all the time. It’s because we have to be. And I just want women to know: You can have peace, you can be soft. But stop bringing your old pain into new love. Don’t let past heartbreak build walls so high that the right person can’t climb over.”
Final Act: Pack the House
If there’s one thing this cast agrees on, it’s that this play isn’t just entertainment—it’s necessary.
“Atlanta is the Black entertainment hub,” Claudia said. “We need y’all to show up for this play. Support the arts. Support each other. Because when we pack the house, we make space for more stories like this.”
Games Women Play is more than a play—it’s a mirror. You’ll see yourself, your friends, your exes, and maybe even your next chapter. So get ready to laugh, reflect, and maybe even heal—because the games are on.
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It’s officially Miss Keri, Baby season again—and if you ask us, it’s been a long time coming. After 15 years away from the music scene, Keri Hilson has returned not only with a brand-new album, but also a captivating new role in Lifetime’s Fame—the latest installment in The Temptations film franchise.
Between the album We Need to Talk: Love and her leading role in Fame, this isn’t just a comeback—it’s a rebirth. The Grammy-nominated singer-songwriter turned actress is letting us into her world like never before, unpacking themes of vulnerability, healing, and inner strength with grace, grit, and raw artistry.
Now streaming on Lifetime, Fame follows two superstar sisters—played by Keri and singer/actress Keshia Chanté—as they navigate the cost of stardom, sibling rivalry, and the dark side of desire. The film also stars Romeo Miller, Ecstasia Sanders, Nathan Witte, and Sophie Carriere, and is executive produced by Derrick Williams and Adriane Hopper Williams of the Seven Deadly Sins franchise.
As for the music? We Need to Talk: Love is a three-part album (Love, Drama, Redemption) that tells the story of a woman who’s been through it—and has risen from the ashes. “It was time to speak for myself,” Keri says.
We sat down with Keri to talk about her return to music, her passion for acting, the emotional depth of Fame, and how she’s learning to care for herself amidst the chaos.
From R&B Queen to Drama Star: Keri Gets Into Character
“Even though she’s famous—as am I—it was really her humanity that I wanted to portray.”
Keri plays Cherish, one half of a superstar sibling duo who must confront their fractured relationship in the wake of a traumatic robbery. For Keri, the role was more than a character—it was a psychological study.
“I enjoy departures from reality. That’s why I love acting,” she shares. “Psychology is one of my favorite things in life. I became a writer because I’m an observer of human nature, emotion, and behavior. I think I did a good job showing her humanity.”
The Fame Isn’t Always Worth the Price
“Keep the main thing the main thing.”
Keri doesn’t sugarcoat the industry. When asked about what Fame reveals about the dark side of celebrity culture, her answer is clear:
“It’s a cautionary tale. It reminds you to keep your family close and not allow anything to come between them—especially in pursuit of success. Keep the main thing the main thing. For me, that’s family, love, spirituality, and values.”
Three Chapters, One Story: Love. Drama. Redemption.
“I’ve shed the fear. It was time to tell my own story.”
Released April 18th, We Need to Talk: Love is Keri’s first album in 15 years—and a deeply personal one at that. The three-part project (Love, Drama, Redemption) represents a timeline of healing and growth.
“I’m finally in a place where I’m able and willing to open up more,” she says. “For a while, I became really guarded—shell-shocked, even—after making mistakes in the public eye. Whether it’s all your fault or not, the scrutiny takes its toll. But now, I’ve shed that fear. It’s time to tell my story.”
Cooking, Walks, and Recalibrating in the Chaos
“I’m not doing the best job—but I’m doing what I can.”
Between eight-hour rehearsals, press runs, and music releases, Hilson admits she hasn’t quite figured out the balance yet—but she’s trying. For her, the key is carving out small rituals of normalcy.
“I enjoy cooking. That’s my sanctity,” she says. “I’ll go home, take my makeup off, put on my rehearsal clothes, and cook a meal. I take walks. I run. These little things help me feel like myself again.”
Art Imitates Life (and Album Tracklists)
“Cherish goes from Love… to Drama… to Redemption.”
Asked which album chapter her Fame character would fall into, Keri doesn’t hesitate. “She fits into all three,” she says. “You see her go from love, to drama, to redemption. That arc mirrors the journey of so many women who’ve had to navigate pain and find their way back to themselves.”
No Pressure, Just Art: Keri Wants You to Feel Something
“Just enjoy the art. That’s it.”
After all the time, patience, and healing, Keri isn’t asking for much. She just wants fans to press play—and feel something.
“I just want people to enjoy what they’re seeing and hearing. Enjoy me on screen. Enjoy me through their ears. People have waited, and I feel blessed by that. That helps me keep it all pure and simple.”
As Keri Hilson steps boldly back into the spotlight, it’s clear this era is all about alignment, artistry, and authenticity. With Fame airing on Lifetime and the first chapter of We Need to Talk: Love setting the tone, we’re more than excited to see what’s next.
As she continues to unfold the album’s next two chapters—Drama and Redemption—one thing’s for sure: this isn’t just a comeback. It’s a reintroduction. And we’ll be watching, listening, and cheering her on every step of the way.
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