This review contains spoilers for the plot of Thor: Love & Thunder
It took me three tries to watch Thor: Love and Thunder in the waking nightmare that is the Covid/Monkeypox pandemic era. The two screenings I attempted to attend, full of people wearing Thor’s viking helmet but no masks over their noses and mouths, may very well be my villain origin story.
On opening day, I climbed the stairs to the top of Hollywood’s regal and expansive El Capitan theater in the middle of the afternoon and sat in the middle of the very last row in what felt like acres away from the sparse (but still unmasked?!!) crowd of moviegoers, and watched til the end of the credits, disappointed by the journey.
That is to say, I can relate to the movie’s villain, Gorr.
The film begins with Gorr (Christian Bale) and his young daughter, the last survivors of their people, trekking through the desert, desperate, wounded, starving. Gorr’s daughter dies on the journey and a distraught Gorr unwittingly stumbles into the valley of his people’s god. A devout worshiper despite the total annihilation of his people and his daughter, Gorr bows before his god and begs for answers for his people’s destruction. The god, gorging himself on fruit in the lap of luxury, is dismissive, even laughing at Gorr and his people’s fate. “The gods will use you but they will not help you,” Gorr learns firsthand. The Necrosword, the only weapon strong enough to kill gods, chooses Gorr for its mission, and in grasping the Necrosword and murdering his god, Gorr the God Butcher is born.
So, yeah, in a pandemic, where 6.4 million people have been disappeared by a deadly virus, due in large part to the incompetence, greed, and apathy of the people in power, I’d say Gorr the God Butcher is a villain for our times. And Bale plays the role with heartbreaking sincerity. But a successfully told story needs more than timely themes and great acting.
Co-written and directed by Taika Waititi, Thor: Love and Thunder is like watching a bunch of unrelated plot lines swirling around in a blender without enough water to make it stick. There are at least three beginnings to the film before the plot gets moving. And after slogging through recycled gags and tedious exposition via voice over narration from the Kronian warrior Korg, played by Waititi, it becomes obvious that this is a director who loves the sound of his own voice. But what he’s trying to say with all. those. words. is much less clear.
In Gorr’s first battle against Thor (Chris Hemsworth), The Mighty Thor (Natalie Portman’s Jane) and Valkyrie (Tessa Thompson), Gorr starts losing badly and decides instead to kidnap the children of New Asgard to lure Thor and his ax, Stormbreaker, into a trap. Gorr keeps the children in cages and then Thor makes a “kids in a cage” joke. Is this supposed to be some commentary on the inhumane caging of children happening at the US border? If so, what’s the joke?
In a particularly disturbing scene during the movie’s climax, Thor ventures alone into the shadow realm and imbues the kidnapped children with the powers of Thor (on a temporary basis) so they can fight off the shadow monsters while he fights Gorr. The children’s eyes glow and electricity shoots from their fingers as they kill the monsters. In a truly unhinged moment, a child screams in delight as she swings around her teddy bear (also possessed with the powers of Thor) to kill a bunch of shadow monsters. I suppose that was meant to be funny too.
Just before Thor gave those children superpowers to kill, it looked like he was praying over them, like many in America pray over their kids before sending them out into a world where they can be gunned down in school, at a parade, or by police. But instead of a forcefield or some kind of hedge of protection, Thor empowers them to kill and we in the audience are supposed to cheer at their violence.
In one of the film’s many beginnings detailing the life of Thor, we see Thor as an infant, strapped to his mother’s chest as she swan dives into the heat of battle, an exhilarated Baby Thor screaming along in delight. The film ends with the kidnapped children reunited with their families in New Asgard and happily training for their next battle. But Waititi doesn’t seem to grasp that this is a really bad thing! On the contrary, the future of New Asgard, Thor says, is now secured.
I guess, instead of ending the harm against children, the solution is to teach them to kill. For an America that sells bulletproof backpacks, refuses to ban assault weapons, and lets the military recruit for its ranks on school grounds, this is the superhero movie we deserve.
It’s not all terrible. There are a few laugh out loud moments and as many nods and winks at the existence of queerness that Disney would allow. And Portman’s Jane/The Mighty Thor and her terminal cancer journey are the compelling heart of the film, though her waning mortality seems to only be a device to speed up Thor's growth into an adult who knows how to love. But, I’mma be honest: I came to see King Valkyrie licking a sword and I blinked at the wrong time during a crucial fight scene and I missed it. In fact, King Valkyrie is MIA far too often for my taste. When she’s not on the screen, I just want to know where she is. When she is on screen, I want to know why she’s not doing, saying, being more. Show us Valkyrie's lesbian love story or at least show her meeting Africans in the Diaspora and learning what box braids are, you cowards!
Who Taught Valkyrie about box braids?? Tessa Thompson as Valkyrie in Thor: Love & ThunderMarvel / Disney
As soon as Thor arrives in New Asgard, King Valkyrie all but relinquishes control to him, deferring to his incessant need for spot-light stealing and speech-making in the wake of New Asgard’s children being stolen. For the climax battle, King Valkyrie is out of commission, bested by Gorr the God Butcher with Zeus’ lightning bolt. Instead, Jane gets the triumphant moment to save Thor, on King Valkyrie's faithful Pegasus steed, no less. After her star turn in the much better, actually revolutionary Thor: Ragnarok, (there was a revolution of the enslaved! The imperialist empire of old Asgard was destroyed!) it’s even more obvious how wasted Thompson’s talents were here to make room for Jane and Thor’s love story.
And cool, the main message is that Thor chose his love for Jane over vengeance and fighting. But the moment Jane succumbs to cancer, turns to gold dust, and floats away to Vallahar to rest with Asgard’s other dead gods, Thor just gets right back to fighting and war.
The final (pre-credits) scene is of Thor and his newly adopted goddess-preteen Love (Gorr’s resurrected daughter) diving into battle, side by side, mirroring his own introduction into battle as an infant with his mom. But in a world where even god-children can’t just be kids and grow up in peace, what is there to love?
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To my surprise, that came in the form of social media.
Now, you might be wondering how someone might be able to juggle their work in a creatively-dominant career like writing while still having the mental capacity to produce ideas for their own personal brand, and well, that answer didn’t come easily.
In 2021, I hit a wall with writing and content creation.
With the stress and uncertainty that came as a result of the pandemic, to being burned out from having to live off my creativity, I reached a breaking point. For me, writing was always a space to explore my thoughts, process heavy topics, and express concepts that only words could bring reason to. However, when I didn’t have the brainpower to write or create content, I knew it was time to set parameters around my hobby of content creation and my passion for storytelling.
In this case, the biggest challenge was finding the balance between the two by releasing the guilt and shame of taking a break from both in order to reconnect with them.
Through years of trial and error, the fog finally cleared, and I was able to hit my stride in 2023. From garnering over 10K followers on TikTok, building an Instagram community around lifestyle and creative encouragement, along with my wellness collective, Black Girl Playground, and writing for xoNecole as a lifestyle contributor, the creative juices have been flowing steadily.
And it all happened by creating a strategy that allowed space for planning, resting, and creating. Today, I’ll be sharing my top tips to help you find your balance between your side hustle and passions.
On staying inspired and motivated when working on various content creation and freelancing projects:
Early this year, I came to the bright conclusion that I needed to shorten the gap between ideation and execution — and it completely changed how I create.
Oftentimes, when we have an idea come to us, we let it sit for too long, and then before we know it, we’ve either lost the enthusiasm to put it into action, or someone else grabs it. If you want to stay in a flow of creativity, whether side projects or full-time work, it’s important to not get slowed down by self-doubt, procrastination, or perfectionism.
Give yourself permission to act on your ideas as they come to you. Even if they’re a little muddy or not “perfect,” you can always fine-tune them later.
@yagirlaley shrinking the gap between [ideation] + [execution] 🧠💡#fyp #creativeadvice
On the importance of choosing a niche:
If there’s one thing that has helped me balance my work as a writer and content creator, it’s putting each in its own niche (or category). By definition, a niche is a specialized segment of the market or a specific area of expertise.
When you are creating in the same niche that you’re also making a living in, that’s an easy way to get your wires crossed. And at times, this could lead to feeling as if you don’t have any ideas for yourself because you’ve given them to the other area you're juggling.
When balancing two, you want to have enough fresh ideas to give to your personal projects and your full-time work to avoid any overlap. This ensures that your personal creative vision isn’t compromised when working on client projects while still having some for yourself.
On the strategies that have helped to maintain a consistent workflow in both areas:
I can’t stress enough how important it is to create a workflow and structure for yourself as a freelancer — this applies to those with a 9-5 in the day and a 5-9 at night, too.
As someone who admittedly has ADHD tendencies, object permanence can sometimes create a block in time and project management. That’s why I encourage creatives and professionals to create systems that allow you to see the work that’s ahead of you.
Personally, I can’t live without having multiple calendars going at once. My Google calendar keeps track of interviews for articles and events, while my physical calendar helps me keep track of important dates. I also work out of an Excel sheet where I can log in ongoing stories and track their status from drafting to submission. I’ve also heard great things about the Notion app for planning and tracking.
When it comes to creating content, spending time doing bulk content days has been an asset to my creative workflow. When I complete the videos, I save them to my drafts and upload them as needed.
Credit: Amberita
Courtesy of the writer
On the best advice for someone who is considering pursuing both content creation and freelancing simultaneously:
Don’t be ashamed of taking a break and resting — because both are essential to the life of a creative. Last month, I returned to Instagram after taking 6 months off from posting. During that time, I worked on growing my TikTok page, using the platform to practice vulnerability and allowing myself to put the fun back into creating content. Without the time, I can’t say I’d be able to approach Instagram with the same ease and playfulness; but thanks to that time away, it was possible.
Resting, letting our minds wander, or simply doing nothing are all just as productive as creating. No one can produce at all times, we have to allow ourselves the space for new concepts and ideas to flow to us. In addition to that, when we take breaks from social media, it allows us to stop the wheel of comparison and consume more than we create. So if you feel like you’re in a creative rut with all you want to balance, it may be time to take a step back, unapologetically.
Your creativity will thank you for it.
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Featured image by Sir Taylor
