In xoNecole's Our First Year series, we take an in-depth look at love and relationships between married couples with an emphasis on what their first year of marriage was like.
With one look at Eric and Shonda White, you can see a love that has withstood the test of time.
Their story had very humble beginnings through a chance meeting at Atlanta's Leopard Lounge one summer night in 2006. At the time, Shonda was a new transplant to Atlanta by way of Kentucky and wasn't looking for a relationship but as she puts it, "God had other plans." The spark was instant and slowly but surely, intellectually and mentally, Eric and Shonda fell for each other.
The writer/marketing strategist and the Sr. Compliance Specialist have been partners in love for twelve years and made their union official by tying the knot on September 20, 2008. It's a day Eric recalls fondly having been a calm and happy one for him. "When I saw Shonda for the first time coming down the aisle, it was surreal and spiritual," he said. "For me, it was a time of growth. When Shonda read her vows, it hit me that God ordained our union; that we have a lifetime to live and grow with each other."
This year, they celebrated ten years of marriage. And at 38 and 36 years old, respectively, Eric and Shonda are truly the loves of one another's lives. In this installment of Our First Year, the Whites break down how they knew each other was the one, early challenges in marriage, and their biggest love lessons throughout the years.
Chad Lawson Photography
The One:
Shonda: Before Eric, I really didn't know the difference between dating and courting, but Eric showed me what courting really looked like. It sounds old school, but it's still relevant today. I knew he was the one based on how he treated me and the fact that he let me be me. I used to merely hear "I love you," but this time, not only did I hear him say that he loved me, but he showed me that he loved me. There is no greater sign of a man who is in love than one whose actions match his words. We were long distance, but he made every effort to come and see me every month. He would drive literally 900 miles to see me at least once a month. I knew he was serious about dating me and having a future with me. I could tell by the way he treated me - he didn't just say he loved me, but he showed me through his actions.
"Not only did he say that he loved me, but he showed me that he loved me."
Eric: People ask [how I knew she was the one] a lot and I honestly tell people I can't explain it. I just knew. In my heart and mind, I knew Shonda was my wife. I didn't want another man to be with her. I wanted Shonda to be my wife and I wanted to spend my life with her. I knew she was the one!
As for approaching my courtship with marriage as the goal, I did. I can't explain it, but I took my relationship with Shonda very seriously. And that was a first in my life, it was something different about her. I was at a point in my life where I wanted more than a random hookup or a superficial relationship.
Chad Lawson Photography
Overcoming Fears In Marriage:
Shonda: Honestly, being a wife was my biggest fear. I feared the unknown, so I put a lot of pressure on myself to be the "best wife" I could be based on what I thought a wife should be or what I saw other people doing. Little did I know, I was the one putting that pressure on myself...not my husband. Eventually, I realized that he loved me for me - not merely for what I could do for him. So, the best thing I could do was be myself.
Eric: Feeling vulnerable and trusting a woman. I always knew I wanted a friendship with my wife that would last a lifetime. I made a decision to love my wife and to do the right things to keep my marriage healthy. I let go of my fear and had faith in our union.
Early Challenges:
Shonda: You know the part of the vows where you say, "For better or worse," but our first year of marriage taught me very quickly that sometimes the "worse" comes before the "better." Our first year, we went through a lot of challenges including: natural growing pains as newlyweds, finances, recession, layoffs, having children, sex, and family grief due to the loss of loved ones. It's interesting now though because early on, we could argue, and it would last for days, but I know we've grown so much, because now we can have a disagreement or an argument, but it won't last nearly as long as it used to.
Eric: I think some of the early challenges dealt with understanding each other's habits and quirks. I accepted my wife for who she is, but I still can't stand when she chews gum! [As for tackling issues] Each marriage is different, but we tackled those issues when they occurred. I don't think there is an undiscovered bad habit (laughs). We coexist in joint spaces daily and know when we need our space. We agreed to work together regarding our finances. We have separate accounts and a joint account.
Chad Lawson Photography
Love Language:
Shonda: It was a little difficult initially to learn each other's love language. Before taking the Love Languages' assessment, I used to think that he didn't appreciate the gifts that I would give him because he didn't react in the way that I expected. Realizing his love language was completely different [than mine] helped me put things into perspective. So, instead of feeling hurt or disappointed about certain things, I had to remind myself that he doesn't speak the same love language necessarily.
Eric: My love language was pretty simple. But my wife is a hard person to buy a gift for. I think we work on giving and receiving love daily. Now, we are well-versed in our love languages and I will say I have to be intentional in putting gift giving for my wife in action.
Baggage Claim:
Shonda: I really had to unpack baggage from my past relationships' heartaches and disappointments and thinking that Eric was going to hurt me like the others had hurt me. Also, I had to release and relax some of my "Miss Independent, I don't need a man" habits. For example, some of the simplest things that my husband wanted to do for me - open my doors, carry my groceries, etc. - I would try to do myself. Often times, it wasn't the action itself; rather it was my attitude or my delivery when I reacted to him. At times, I made him feel as if I didn't need him or want him to help me. I would say things like, "I don't need you to do it. I can do it myself." I wasn't used to having a man in the home, so I had grown accustomed to doing mostly everything on my own since I was a little girl. I'm thankful, nonetheless, because growing up in a single-parent home helped shape me into the woman I am today. However, I also didn't want my man to feel like I didn't want or need him. Hence, I had to find a happy medium so that my man could still be the man he wanted to be for me. Just recently, Yvonne Orji posted a quote on her page the other week from a wedding she attended that said, "My greatest blessing in this life is to finally be able to take off my superwoman cape and let you carry it…" In other words, I like being an independent woman, but I love being able to depend on my man.
Chad Lawson Photography
"I like being an independent woman, but I love being able to depend on my man."
Eric: We have candid conversations about issues and figure out ways to address them. I had to learn empathy. I know it sounds crazy, but I had to stand in my wife's shoes sometimes to understand how she felt. I also had to learn to trust and be vulnerable. When you fall in love, you are vulnerable and to me that wasn't a comfortable feeling.
Chad Lawson Photography
Love Lessons:
Shonda: We may not always like what our spouse says or does, but we will always love each other, and we have to be committed to fighting for each other rather than fighting against each other. I also learned that I can be a strong, black woman, and still allow myself to be vulnerable and soft at the same time.
Eric: No matter what we go through, I couldn't see ourselves without each other. We truly have a spiritual bond.
Follow Shonda on Instagram. And click here to read past Our First Year love stories!
Amber Riley has the type of laugh that sticks with you long after the raspy, rhythmic sounds have ceased. It punctuates her sentences sometimes, whether she’s giving a chuckle to denote the serious nature of something she just said or throwing her head back in rip-roarious laughter after a joke. She laughs as if she understands the fragility of each minute. She chooses laughter often with the understanding that future joy is not guaranteed.
Credit: Ally Green
The sound of her laughter is rivaled only by her singing voice, an emblem of the past and the future resilience of Black women stretched over a few octaves. On Fox’s Glee, her character Mercedes Jones was portrayed, perhaps unfairly, as the vocal duel to Rachel Berry (Lea Michele), offering rough, full-throated belts behind her co-star’s smooth, pristine vocals. Riley’s always been more than the singer who could deliver a finishing note, though.
Portraying Effie White, she displayed the dynamic emotions of a song such as “And I'm Telling You I'm Not Going” in Dreamgirls on London’s West End without buckling under the historic weight of her predecessors. With her instrument, John Mayer’s “Gravity” became a religious experience, a belted hymnal full of growls and churchy riffs. In her voice, Nicole Scherzinger once said she heard “the power of God.”
Credit: Ally Green
Riley’s voice has been a staple throughout pop culture for nearly 15 years now. Her tone has become so distinguishable that most viewers of Fox’s The Masked Singer recognized the multihyphenate even before it was revealed that she was Harp, the competition-winning, gold-masked figure with an actual harp strapped to her back.
Still, it wasn’t until recently that Riley began to feel like she’d found her voice. This sounds unbelievable. But she’s not referring to the one she uses on stage. She’s referencing the voice that speaks to who she is at her core. “Therapy kind of gave me the training to speak my mind,” the 37-year-old says. “It’s not something we’re taught, especially as Black women. I got so comfortable in [doing so], and I really want other people, especially Black women, to get more comfortable in that space.”
“Therapy kind of gave me the training to speak my mind. It’s not something we’re taught, especially as Black women."
If you ask Riley’s manager, Myisha Brooks, she’ll tell you the foundation of who the multihyphenate is hasn’t changed much since she was a kid growing up in Compton. “She is who she is from when I met her back when she was singing in the front of the church to back when she landed major roles in film and TV,” Brooks says. Time has allowed Riley to grow more comfortable, giving fans a more intimate glimpse into her life, including her mental health journey and the ins and outs of show business.
The actress/singer has been in therapy since 2019, although she suffered from depression and anxiety way before that. In a recent interview with Jason Lee, she recalls having suicidal ideation as a kid. By the time she started seeing a psychologist and taking antidepressants in her thirties, her body had become jittery, a physical reminder of the trauma stacked high inside her. “I was shaking in [my therapist’s] office,” she tells xoNecole. “My fight or flight was on such a high level. I was constantly in survival mode. My heart was beating fast all the time. All I did was sweat.”
There wasn’t just childhood trauma to account for. After auditioning for American Idol and being turned away by producers, Riley began working for Ikea and nearly missed her Glee audition because her car broke down on the highway while en route. Thankfully, Riley had been cast to play Mercedes Jones. American Idol had temporarily convinced her she wasn’t cut out for the entertainment industry, but this was validation that she was right where she belonged. Glee launched in 2009 with the promise of becoming Riley’s big break.
In some ways, it was. The show introduced Riley to millions of fans and catapulted her into major Hollywood circles. But in other ways, it became a reminder of the types of roles Black women, especially those who are plus-sized, are relegated to. Behind the scenes, Riley says she fought for her character "to have a voice" but eventually realized her efforts were useless. "It finally got to a point where I was like, this is not my moment. I'm not who they're choosing, and this is just going to have to be a job for me for now," she says. "And, that's okay because it pays my bills, I still get to be on television, I'm doing more than any other Black plus-sized women that I'm seeing right now on screen."
The actress can recognize now that she was navigating issues associated with trauma and low self-esteem at the time. She now knows that she's long had anxiety and depression and can recognize the ways in which she was triggered by how the cult-like following of the show conflicted with her individual, isolated experiences behind the scenes. But she was in her early '20s back then. She didn't yet have the language or the tools to process how she was feeling.
Riley says she eventually sought out medical intervention. "When you're in Hollywood, and you go to a doctor, they give you pills," she says, sharing a part of her story that she'd never revealed publicly before now. "[I was] on medication and developing a habit of medicating to numb, not understanding I was developing an addiction to something that's not fixing my problem. If anything, it's making it worse."
“[I was] on medication and developing a habit of medicating to numb, not understanding I was developing an addiction to something that’s not fixing my problem. If anything it’s making it worse.”
Credit: Ally Green
At one point, while in her dressing room on set, she rested her arm on a curling iron without realizing it. It wasn't until her makeup artist alerted her that she even realized her skin was burning. Once she noticed, she says she was "so zonked out on pills" that she barely reacted. Speaking today, she holds up her arm and motions towards a scar that remains from the incident. She sought help for her reliance on the pills, but it would still be years before she finally attended therapy.
This stress was only compounded by the trauma of growing up in poverty and the realities of being a "contract worker." "Imagine going from literally one week having to borrow a car to get to set to the next week being on a private jet to New York City," she says. After Glee ended, so did the rides on private planes. The fury of opportunities she expected to follow her appearance on the show failed to materialize. She wasn't even 30 yet, and she was already forced to consider if she'd hit her career peak.
. . .
We’re only four minutes into our Zoom call before Riley delivers her new adage to me. “My new mantra is ‘humility does not serve me.’ Humility does not serve Black women. The world works so hard to humble us anyway,” she says.
On this Thursday afternoon in April, the LA-based entertainer is seated inside her closet/dressing room wearing a cerulean blue tank top with matching shorts and eating hot wings. This current phase of healing hinges on balance. It’s about having discipline and consistency, but not at the risk of inflexibility. She was planning to head to the gym, for instance, but she’s still tired from the “exhausting” day before. Instead, she’s spent her day receiving a massage, eating some chicken wings, and planning to spend quality time with friends. “I’m not going to beat myself up for it. I’m not going to talk down to myself. I’m going to eat my chicken wings, and then tomorrow I’m [back] in the gym,” she says.
“My new mantra is ‘humility does not serve me.’ Humility does not serve Black women. The world works so hard to humble us anyway."
This is the balance with which she's been approaching much of her life these days. It's why she's worried less about whether or not people see her as someone who is humble. She'd rather be respected. "I think you should be a person that's easy to work with, but in the moments where I have to ruffle feathers and make waves, I'm not shying away from that anymore. You can do it in love, you don't have to be nasty about it, but I had to finally be comfortable with the fact that setting boundaries around my life – in whatever aspect, whether that's personal or business – people are not going to like it. Some people are not going to have nice things to say about you, and you gotta be okay with it," she says.
When Amber talks about the constant humbling of Black women in Hollywood, I think of the entertainers before her who have suffered from this. The brilliant, consistent, overqualified Black women who have spoken of having to fight for opportunities and fair pay. Aretha Franklin. Viola Davis. Tracee Ellis Ross. There's a long list of stars whose success hasn't mirrored their experiences behind the scenes.
Credit: Ally Green
If Black women outside of Hollywood are struggling to decrease the pay gap, so, too, are their wealthier, more famous peers.
Riley says there’s been progress in recent years, but only in small ways and for a limited group of people. “This business is exhausting. The goalpost is constantly moving, and sometimes it’s unfair,” she says. But, I have to say it’s the love that keeps you going.”
“There’s no way you can continue to be in this business and not love it, especially being a plus-sized Black woman,” she continues. “We’re still niche. We’re still not main characters.”
"There’s no way you can continue to be in this business and not love it, especially being a plus-sized Black woman. We’re still niche. We’re still not main characters.”
Last year, Riley starred alongside Raven Goodwin in the Lifetime thriller Single Black Female (a modern, diversified take on 1992’s Single White Female). It was more than a leading role for the actress, it also served as proof that someone who looks like her can front a successful project without it hinging on her identity. It showcased that the characters she portrays don’t “have to be about being a big girl. It can just be a regular story.”
Riley sees her work in music as an extension of her efforts to push past the rigid stereotypes in entertainment. Take her appearance on The Masked Singer, for instance. Riley said she decided to perform Mayer’s “Gravity” after being told she couldn’t sing it years earlier. “I wanted to do ‘Gravity’ on Glee. [I] was told no, because that’s not a song that Mercedes would do,” she says. “That was a full circle moment for me, doing that on that show and to hear what it is they had to say.”
As Scherzinger praised the “anointed” performance, a masked Riley began to cry, her chest heaving as she stood on stage, her eyes shielded from view. “You have to understand, I have really big names – casting directors, producers, show creators – that constantly tell me ‘I’m such a big fan. Your talent is unmatched.’ Hire me, then,” she says, reflecting on the moment.
Recently, she’s been in the studio working on original music, the follow-up to her independently-released debut EP, 2020’s Riley. The sequel to songs such as the anthemic “Big Girl Energy” and the reflective ballad “A Moment” on Riley, this new project hones in on the singer’s R&B roots with sensual grooves such as the tentatively titled “All Night.” “You said I wasn’t shit, turns out that I’m the shit. Then you called me a bitch, turns out that I’m that bitch. You said no one would want me, well you should call your homies,” she sings on the tentatively titled “Lately,” a cut about reflecting on a past relationship. From the forthcoming project, xoNecole received five potential tracks. Fans likely already know the strengths and contours of Riley’s vocals, but these new songs are her strongest, most confident offerings as an artist.
“I am so much more comfortable as a writer, and I know who I am as an artist now. I’m evolving as a human being, in general, so I’m way more vulnerable in my music. I’m way more willing to talk about whatever is on my mind. I don’t stop myself from saying what it is I want to say,” she says.
Credit: Ally Green
“Every era and alliteration of Amber, the baseline is ‘Big Girl Energy.’ That’s the name of her company,” her manager Brooks says, referencing the imprint through which Riley releases her music after getting out of a label deal several years ago. “It’s just what she stands for. She’s not just talking about size, it’s in all things. Whether it’s putting your big girl pants on and having to face a boardroom full of executives or sell yourself in front of a casting agent. It’s her trying to achieve the things she wants to do in life.”
Riley says she has big dreams beyond releasing this new music, too. She’d love to star in a rom-com with Winston Duke. She hasn't starred in a biopic yet, but she’d revel in the opportunity to portray Rosetta Tharpe on screen. She’s determined that her previous setbacks won’t stop her from dreaming big.
“I think one of my superpowers is resilience because, at the end of the day, I’m going to kick, scream, cry, cuss, be mad and disappointed, but I’m going to get up and risk having to deal with it all again. It’s worth it for the happy moments,” she says.
If Riley seems more comfortable and confident professionally, it’s because of the work she’s been doing in her personal life.
She’d previously spoken to xoNecole about becoming engaged to a man she discovered in a post on the site, but she called things off last year. For Valentine’s Day, she revealed her new boyfriend publicly. “I decided to post him on Valentine’s Day, partially because I was in the dog house. I got in trouble with him,” she says, half-joking before turning serious. “The breakup was never going to stop me from finding love. Or at least trying. I don’t owe anybody a happily ever after. People break up. It happens. When it was good, it was good. When it was bad, it was terrible, hunny. I had to get the fuck up out of there. You find happiness, and you enjoy it and work through it.”
Credit: Ally Green
"I don’t owe anybody a happily ever after. People break up. It happens. When it was good, it was good. When it was bad, it was terrible, hunny. I had to get the fuck up out of there. You find happiness and you enjoy it and work through it.”
With her ex, Riley was pretty outspoken about her relationship, even appearing in content for Netflix with him. This time around is different. She’s not hiding her boyfriend of eight months, but she’s more protective of him, especially because he’s a father and isn’t interested in becoming a public figure.
She’s traveling more, too. It’s a deliberate effort on her part to enjoy her money and reject the trauma she’s developed after experiencing poverty in her childhood. “I live in constant fear of being broke. I don’t think you ever don’t remember that trauma or move past that. Now I travel and I’m like, listen, if it goes, it goes. I’m not saying [to] be reckless, but I deserve to enjoy my hard work.”
After everything she’s been through, she certainly deserves to finally let loose a bit. “I have to have a life to live,” she says. “I’ve got to have a life worth fighting for.”
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