
I’m A 26-Year-Old Pilot On A Mission To Inspire More Black Women To Become One Too

As Told To is a recurring segment on xoNecole where real women are given a platform to tell their stories in first-person narrative as told to a writer. If you have a story you'd like to share but aren't sure about how to put it into words, contact us at submissions@xonecole.com with the subject "As Told To" for your story to be featured.
This is Dana's story, as told to Charmin Michelle.
So, funny story: I was once pulled over on my way home from work for driving 55 mph in a 45. Three male cops surrounded me, two of them with their hands on their firearms, all three of them with flashlights shining in my face. I was surprisingly calm, even after I was asked four times if I had been drinking, twice if I was on drugs or narcotics, and once if I had any weapons in my vehicle—all before even being asked to hand over my driver's license.
I instead got out my pilot's license and was "about" to hand it to them and looked at it and said, "Oh, wait...that's my pilot's license…" which I then handed them my drivers license. Head honcho asks, "Oh, you're a pilot?!"
Checkmate.
I knew from that moment I had him in my pocket. "Yes sir, I am," I replied.
White men love that shit.
In typical fashion, we began to discuss some of the planes that I have flown and other general flight-related questions I'm always asked when people find out I fly planes.
Super long story short, I didn't get a ticket. Apparently, not only is white privilege a thing, but having a white male-dominated occupation or hobby is a privilege too.
The first time I had ever been on an airplane was a JetBlue flight from Orlando (MCO) to Newark. From the moment we took off, I knew I wanted a career in aviation. In middle school, a classmate and I would dream about flying, not knowing I would speak it into existence almost 14 years later.
My passion for flying was solidified as a kid on an overnight British Airways flight to Europe. I wrote a letter to each of the flight attendants and flight crew members, thanking them for the most amazing vacation that hadn't even really started yet. One of the flight attendants approached me a few minutes later and said in his silky British accent, "This note was very kind—would you like a tour of the airplane?"
It was a Boeing 747.
He took me to first class upstairs, shared the most delicious British chocolate, and introduced me to the rest of the crew, who were just as kind. Probably the closest thing to Heaven On Earth I had experienced yet. For years after, every time I got to a gate, I would always pick the brains of the pilots waiting for the airplane to arrive.
Down the line, I went on to graduate from Florida State with a degree in music. I got a boring post-graduate job where I would pass the Orlando Executive Airport every day on my way in. One day, instead of driving past, I drove into the parking lot. I walked in, went straight up to the woman at the counter and said, "I want to fly airplanes." She responded with, "OK, let's get you started."
Courtesy of Dana Rozier
When I told my parents I wanted to fly, they weren't surprised. They knew I always had a vast interest in many things, and they have always supported the life decisions I've made. I went from receiving a music degree, to paying my way through flight school. To be honest, I wasn't sure how it was going to happen; I wasn't sure if it was going to happen. To aim for something that was once so foreign to me, and because I hadn't known any pilots before deciding to pursue this profession, a little voice in my head told me that doing it wasn't likely.
Until I started doing it.
A year ago, on a flight from Orlando-Sanford International Airport to Deland, my flight instructor and I were practicing. And, after one of the landings in my favorite plane to fly (Cessna 172- P model), he had me perform what we call a "taxi" off the runway and park. We did the shut down and he hopped out of the airplane. I was about to get out as well, when he said, "No, stay in there. You're ready."
At the moment, I didn't have time to be nervous. I looked at the checklist, did my start up, and was off. My first solo flight. Those were some of the best landings I had toward the beginning of my journey. I was fearless. We had a mini celebration, and my instructor wrote on my backpack, documenting my first solo. One of the greatest days of my life.
I often reference my first solo when discussing what it takes to be a pilot because being one is directly synonymous to your focus, discipline, ability to multitask, self-trust, and pure fearlessness. Being thrown in the ringer suddenly had awakened the monster in me, and ever since, my sense of adventure intensified. I've swam with sharks and alligators, and I've parachuted on a whim. There have been times where I've even randomly hopped in a plane and flown from Orlando to Tallahassee (300 miles) just for pancakes.
Yet, through my adventures, I've become very mindful that stereotypes and assumptions plague black and brown women in this industry.
For some reason, when people see women and hear "flight school", they think "flight attendant", so supreme tenacity is required. My sister-queen and mentor once posted a photo of her flying a Boeing 737 with the caption: "Whenever you see a successful woman, look out for three men who are going out of their way to try to block her." (Yulia Tymoshenko) and this instantly became one of my favorite quotes; it has always stuck with me.
Because a pilot that looks like me is so taboo, being one means developing the skill of disregarding—and correcting—the microaggressions and naysayers that come with this industry. I'm routinely questioned, and surprised at how often people approach me with their questions and confusion—as if to wonder how I had the audacity to know how to fly planes. I've been asked, "Why are you here?" or "Wait, so you're going to be a flight attendant?" more times than necessary.
No. I'm flying the plane.
To decompress from the stresses, I surround myself with those who heal me. Any time spent with The Lord, my family, my dog, @OliviathePooch, and myself (which usually is in the car listening to audiobooks, or watching movies on Netflix before bed) are all priceless moments. Also moments of stillness fill my cup; the simple things. Sure, I work a lot, but I don't do anything that I don't enjoy—whether flying or reserving moments for self-care.
Courtesy of Dana Rozier
Today, thankfully, there has been a major shift in more POCs pursuing aviation, and this trend is so fulfilling. A majority of the pilots I'm acquainted with on social media are pilots of color, and almost all have influenced other POCs to start flying as well. Some of these wonderful women are ArabiaSolis, Flylady_Gizzy, AviatrixAddy, and so much more. The support is endless, it's a beautiful thing.
And I feel most beautiful existing in these moments. Contributing to something bigger than myself and proving myself (and others) wrong, going after something I want, and taking the initiative to get it.
Praise from strangers keeps me going as well. Acquaintances have told me on numerous occasions that they find the fact that I fly admirable, and how they've never seen a pilot of color—which, I, myself, have yet to have a black female pilot flying one of my commercial flights. But that's the point of it all, right? That's why we're here, that's why I'm here: to be or to get inspired, and to inspire, provoke and manifest change in our community.
Makes me glow.
Currently, less than 3% of American commercial pilots are African American, and even less than that are African American women.I am showing you in living color that we are, or are going to, progress in aviation. I'm committed to swaying these stats towards us.
And I'm bringing a few brown ladies with me.
For more of Dana, follow her on Instagram.
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Featured image courtesy of Dana Rozier
Charmin Michelle is a southern native and creative spirit who works as a content marketer and events manager in Chicago. She enjoys traveling, #SummertimeChi, and the journey of mastering womanhood. Connect with her on Instagram @charminmichelle.
Claudia Jordan, Demetria McKinney & Jill Marie Jones On 'Games Women Play' & Dating Over 40
What do you get when you mix unfiltered truths, high-stakes romance, and a few well-timed one-liners? You get Games Women Play—the sizzling new stage play by Je’Caryous Johnson that’s part relationship rollercoaster, part grown-woman group chat.
With a powerhouse cast that includes Claudia Jordan, Demetria McKinney, Jill Marie Jones, Carl Payne, Chico Bean, and Brian J. White, the play dives headfirst into the messy, hilarious, and heart-wrenching games people play for love, power, and peace of mind. And the women leading this story? They’re bringing their whole selves to the stage—and leaving nothing behind.
From Script to Spotlight
The road to Games Women Play started over 20 years ago—literally.
“This script was written 20 years ago,” Jill Marie Jones said with a smile. “It was originally called Men, Money & Gold Diggers, and I was in the film version. So when Je’Caryous called me to bring it to the stage, I was like, ‘Let’s go.’” Now reimagined for 2025, the play is updated with sharp dialogue and modern relationship dynamics that feel all too real.
Demetria McKinney, no stranger to Je’Caryous Johnson’s productions, jumped at the opportunity to join the cast once again. “This is my third time working with him,” she shared. “It was an opportunity to stretch. I’d never been directed by Carl Payne before, and the chance to work with talent I admire—Jill, Claudia, Chico—it was a no-brainer.”
Claudia Jordan joked that she originally saw the role as just another check. “I didn’t take it that seriously at first,” she admitted. “But this is my first full-on tour—and now I’ve got a whole new respect for how hard people work in theater. This ain’t easy.”
Modern Love, Stage Left
The play doesn’t hold back when it comes to the messier parts of love. One jaw-dropping moment comes when a live podcast proposal flips into a prenup bombshell—leaving the audience (and the characters) gasping.
Demetria broke it down with honesty. “People don’t ask the real questions when they date. Like, ‘Do you want kids? How do you feel about money?’ These convos aren’t happening, and then everyone’s confused. That moment in the play—it’s real. That happens all the time.”
Jill chimed in, noting how the play speaks to emotional disconnect. “We’re giving each other different tokens of love. Men might offer security and money. Women, we’re giving our hearts. But there’s a disconnect—and that’s where things fall apart.”
And then Claudia, of course, took it all the way there. “These men don’t even want to sign our prenups now!” she laughed. “They want to live the soft life, too. Wearing units, gloss, getting their brows done. We can’t have nothing! Y’all want to be like us? Then get a damn period and go through menopause.”
Dating Over 40: “You Better Come Correct”
When the conversation turned to real-life relationships, all three women lit up. Their experiences dating in their 40s and 50s have given them both clarity—and zero tolerance for games.
“I feel sexier than I’ve ever felt,” said Jill, who proudly turned 50 in January. “I say what I want. I mean what I say. I’m inside my woman, and I’m not apologizing for it.”
Demetria added that dating now comes with deeper self-awareness. “Anybody in my life is there because I want them there. I’ve worked hard to need nobody. But I’m open to love—as long as you keep doing what got me there in the first place.”
For Claudia, the bar is high—and the peace is priceless. “I’ve worked hard for my peace,” she said. “I’m not dating for food. I’m dating because I want to spend time with you. And honestly, if being with you isn’t better than being alone with my candles and fountains and cats? Then no thanks.”
Channeling Strength & Icon Status
Each actress brings something different to the play—but all of them deliver.
“I actually wish I could be messier on stage,” Claudia joked. “But I think about my grandmother—she was born in 1929, couldn’t even vote or buy a house without a man, and didn’t give a damn. She was fearless. That’s where my strength comes from.”
For Jill, the comparisons to her iconic Girlfriends character Toni Childs aren’t far off—but this role gave her a chance to dig deeper. “If you really understood Toni, you’d see how layered she was. And Paisley is the same—misunderstood, but strong. There’s more to her than people see at first glance.”
Demetria, who juggles singing and acting seamlessly, shared that live theater pushes her in a new way. “Every moment on stage counts. You can’t redo anything. It’s a different kind of love and discipline. You have to give the performance away—live, in the moment—and trust that it lands.”
Laughter, Lessons & Black Girl Gems
The show has plenty of laugh-out-loud moments—and the cast isn’t shy about who steals scenes.
“Chico Bean gets a lot of gasps and laughs,” Claudia said. “And Naomi Booker? Every scene she’s in—she’s hilarious.”
But the play isn’t just about humor. It leaves space for reflection—especially for Black women.
“I hope we get back to the foundation of love and communication,” said Demetria. “A lot of us are in protector mode. But that’s turned into survival mode. We’ve lost softness. We’ve lost connection.”
Claudia agreed. “We’re doing it all—but it’s not because we want to be strong all the time. It’s because we have to be. And I just want women to know: You can have peace, you can be soft. But stop bringing your old pain into new love. Don’t let past heartbreak build walls so high that the right person can’t climb over.”
Final Act: Pack the House
If there’s one thing this cast agrees on, it’s that this play isn’t just entertainment—it’s necessary.
“Atlanta is the Black entertainment hub,” Claudia said. “We need y’all to show up for this play. Support the arts. Support each other. Because when we pack the house, we make space for more stories like this.”
Games Women Play is more than a play—it’s a mirror. You’ll see yourself, your friends, your exes, and maybe even your next chapter. So get ready to laugh, reflect, and maybe even heal—because the games are on.
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It’s officially Miss Keri, Baby season again—and if you ask us, it’s been a long time coming. After 15 years away from the music scene, Keri Hilson has returned not only with a brand-new album, but also a captivating new role in Lifetime’s Fame—the latest installment in The Temptations film franchise.
Between the album We Need to Talk: Love and her leading role in Fame, this isn’t just a comeback—it’s a rebirth. The Grammy-nominated singer-songwriter turned actress is letting us into her world like never before, unpacking themes of vulnerability, healing, and inner strength with grace, grit, and raw artistry.
Now streaming on Lifetime, Fame follows two superstar sisters—played by Keri and singer/actress Keshia Chanté—as they navigate the cost of stardom, sibling rivalry, and the dark side of desire. The film also stars Romeo Miller, Ecstasia Sanders, Nathan Witte, and Sophie Carriere, and is executive produced by Derrick Williams and Adriane Hopper Williams of the Seven Deadly Sins franchise.
As for the music? We Need to Talk: Love is a three-part album (Love, Drama, Redemption) that tells the story of a woman who’s been through it—and has risen from the ashes. “It was time to speak for myself,” Keri says.
We sat down with Keri to talk about her return to music, her passion for acting, the emotional depth of Fame, and how she’s learning to care for herself amidst the chaos.
From R&B Queen to Drama Star: Keri Gets Into Character
“Even though she’s famous—as am I—it was really her humanity that I wanted to portray.”
Keri plays Cherish, one half of a superstar sibling duo who must confront their fractured relationship in the wake of a traumatic robbery. For Keri, the role was more than a character—it was a psychological study.
“I enjoy departures from reality. That’s why I love acting,” she shares. “Psychology is one of my favorite things in life. I became a writer because I’m an observer of human nature, emotion, and behavior. I think I did a good job showing her humanity.”
The Fame Isn’t Always Worth the Price
“Keep the main thing the main thing.”
Keri doesn’t sugarcoat the industry. When asked about what Fame reveals about the dark side of celebrity culture, her answer is clear:
“It’s a cautionary tale. It reminds you to keep your family close and not allow anything to come between them—especially in pursuit of success. Keep the main thing the main thing. For me, that’s family, love, spirituality, and values.”
Three Chapters, One Story: Love. Drama. Redemption.
“I’ve shed the fear. It was time to tell my own story.”
Released April 18th, We Need to Talk: Love is Keri’s first album in 15 years—and a deeply personal one at that. The three-part project (Love, Drama, Redemption) represents a timeline of healing and growth.
“I’m finally in a place where I’m able and willing to open up more,” she says. “For a while, I became really guarded—shell-shocked, even—after making mistakes in the public eye. Whether it’s all your fault or not, the scrutiny takes its toll. But now, I’ve shed that fear. It’s time to tell my story.”
Cooking, Walks, and Recalibrating in the Chaos
“I’m not doing the best job—but I’m doing what I can.”
Between eight-hour rehearsals, press runs, and music releases, Hilson admits she hasn’t quite figured out the balance yet—but she’s trying. For her, the key is carving out small rituals of normalcy.
“I enjoy cooking. That’s my sanctity,” she says. “I’ll go home, take my makeup off, put on my rehearsal clothes, and cook a meal. I take walks. I run. These little things help me feel like myself again.”
Art Imitates Life (and Album Tracklists)
“Cherish goes from Love… to Drama… to Redemption.”
Asked which album chapter her Fame character would fall into, Keri doesn’t hesitate. “She fits into all three,” she says. “You see her go from love, to drama, to redemption. That arc mirrors the journey of so many women who’ve had to navigate pain and find their way back to themselves.”
No Pressure, Just Art: Keri Wants You to Feel Something
“Just enjoy the art. That’s it.”
After all the time, patience, and healing, Keri isn’t asking for much. She just wants fans to press play—and feel something.
“I just want people to enjoy what they’re seeing and hearing. Enjoy me on screen. Enjoy me through their ears. People have waited, and I feel blessed by that. That helps me keep it all pure and simple.”
As Keri Hilson steps boldly back into the spotlight, it’s clear this era is all about alignment, artistry, and authenticity. With Fame airing on Lifetime and the first chapter of We Need to Talk: Love setting the tone, we’re more than excited to see what’s next.
As she continues to unfold the album’s next two chapters—Drama and Redemption—one thing’s for sure: this isn’t just a comeback. It’s a reintroduction. And we’ll be watching, listening, and cheering her on every step of the way.
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