

There are two types of teenage girls in this world: Girls who like to experiment with Ouija boards (as seen on TV and only TV) and then there are the ones who just want to know if they're compatible with their latest crush. (And possibly a third type who can resist the pull of the supernatural world, but that I wasn't and I never wanted it to be.)
Some choose religion. I choose Astrology and it has been my means of exercising blind faith for as long as I can remember. A good horoscope was like a good scripture for me, and now because I'm grown and not so interested in following anything blindly, I more accurately subscribe to occasional readings. I wouldn't say it's because I don't believe in God and the power of religion, but more so that astrology seemed more rational and intuitive, thus resonating most with me in every element of my life – including my relationships.
Most recently, I spoke with astrologist and sacred sex educator Gigi Robinson who built on the purpose of my chart, which was a fairly recent revelation for me. Here I found out that because I had so much Capricorn in my chart that I could find compatibility with this sign. Of course, the overthinker in me could never and will never be satisfied so I reached back out to Gigi after the Universe introduced me to a Capricorn. Several years ago, I would've overbearingly searched Google to confirm that this was my soulmate, but growth has allowed me to reduce the amount of time I spent Googling zodiac signs by a handful of hours and instead contact a reliable source with answers of reason.
In a world that grasps onto anything that can potentially answer the big questions about love, here's what you really need to know about astrological compatibility, how to better interpret it, and why we attract the signs we attract.
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Laws of Attraction Are at Work.
The biggest point of recognition that came from my discussion with Gigi, was acknowledging that not only is astrology thoroughly accurate, but it's so thorough that sometimes you won't necessarily be drawn to, attract, or even end up with the sign you're attracted to. This is because the Universe recognizes a greater need or lack that you've put in the world, subconsciously or otherwise. Gigi says, "Depending on where you are in your evolution of your chart – meaning whatever you came here for is going to determine what partners you draw in."
With that said, you may be attracting hella Aries meanwhile your charts are basically yelling for you to find a Capricorn, and it may never happen because you have something to learn from those Aries signs that can carry you, regardless of your relationship status. If this were to happen while you're still lacking, this may weaken the connection you have with your most compatible sign because you weren't ready for them or evolved enough.
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Real Recognizes Real...and Ready.
Although you may be most compatible with a sign, you will not be drawn to or a match for everyone that comes your way. Gigi wasted no time debunking the bullshit aspirations that we put onto our zodiac signs. "Let's just talk about astrology as it relates to self," she immediately says. She then goes on to add, "I think sometimes we want to use the chart for the relationship parts of it but we have to understand that the relationship to self is what's going to draw the relationship that you're really supposed to be in. That's what it's going to take, it's going to take you knowing the chart and understanding the chart because it's literally like your magnetism. It's like what we're drawing in."
"The relationship to self is what's going to draw the relationship that you're really supposed to be in."
As previously mentioned, the Universe will give you what you need before it gives you what you want...even when you don't want to believe that's what you need. Not every person who falls under the sign you're most compatible with will be evolved enough for you, and vice versa, or perhaps the inner workings of their natal chart and the degree to which they are true to their sun sign are not compatible with you. In fact, astrology will work to heal inter-generational trauma before making the match with the one.
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Gigi says many of us are carrying trauma and sometimes we know nothing of it because it's so ingrained in us. But what this means is that "a lot of the relationships that we're reflecting [and attracting] are here to clear the trauma, first." She lends an example of someone whose mother may have always attracted relationships that left her feeling insecure and unprotected, so now perhaps you have taken on that baggage and those feelings of insecurity, and your natal chart reflects your desire to feel protected and secure. You will continue to attract partners who meet that need, whatever sign they may be, until you're able to feel secure on your own or in a way that feels stable for the evolved zodiac match your chart says you're most compatible with because perhaps that person wants someone who comes into the relationship already feeling secure.
When you're attracting a lot of something, whether it be a sign or a negative quality you continue to find in partners, be real with yourself, dig deep, and figure out what it is that you're manifesting. It's not until you can do the work to be real with yourself, that you can ready yourself for whatever is in store for you and a partner who is equally real and ready with and for you.
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Unlearn Fairy Tales and Learn Your Chart.
According to Gigi, part of the problem is simply the way "we really believe in the fairy tale, we believe in this knight and shining armor." I shudder thinking of all the fairy tales I crossed my fingers waiting for my life to be like as Gigi points out how much we rely on fairy tales to dictate our scripts, hence our desire to simply seek out astrology when it concerns romance instead of asking about the whole picture. Gigi goes on to add, "We believe that we're going to ride off into the sunset, but the reality is that we're not all going to have that experience because we're not all here to have that experience."
The reality is that some may only be here to be mothers and others "may be here to help multiple [partners] elevate. So we may not be the person that's here to have a [monogamous relationship] for all of our lives because that's not a part of our natal chart experience."
However, Gigi insists that "the more you learn your natal chart, you start to learn 'what type of person am I in the first place? What am I really here to do?' versus looking at what society says every woman or man should have. That's not the truth and we see that in our everyday [life], because if [the fairy tale] is what we're all supposed to have, then why are we all struggling with having this thing that everybody is supposed to have? But that's not the truth. Your natal chart is there to show you what the truth is so that when those experiences start to happen to you, you can make better conscious emotional choices."
In knowing her chart, Gigi has gained a clear understanding of "how energy is presenting itself" to her and forcing her to do the work to "heal and deal with it." She says, "It makes me feel a way, so I have to deal with it. And that's why people show up! They show up to give us a really clear vision of what we're here to do and how to shift the things that we no longer want in our DNA because it's not just about us – it's about our mothers and our mother's mothers and our grandfathers and great grandfathers. We're working on things relationship-wise, that are not just in this existence. It's very multifaceted."
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On my own, I've learned so much about self-awareness and the overall self, but Gigi helped me better understand how to apply the deep reflection necessary to even have a sense of self-awareness to the findings in my chart and the observations I've made about my own history with different members of the zodiac. As I work towards personal growth and seek out a therapist, it was interesting how many times I've been hit with a "come to Jesus" type epiphany since speaking with her – and you know what? They were a lot cheaper than a therapist.
I've learned that the abundance of failed Aries relationships in my life is the Universe's way of teaching me how to create boundaries in my relationships.
And that Capricorn? Well, for the first time ever I didn't say what he wasn't enough of when the 24-7 texting got canceled. Instead, I realized that in all the growth I've seen in the past year, I still haven't reached a point where I was evolved enough for him. I've found peace in understanding that not everyone is here for a long time, but sometimes just to show you a good time and insight. Perhaps, the only thing he was sent into my life to do was to show me that my work is not done and maybe there's more but for now, I'm content as I tell you: He wasn't that one, but instead something more – he was a marker of my growth and continued development.
This Capricorn was not mine to keep and the Universe was clear on that. So, I'm listening.
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Motor City native, Atlanta living. Sagittarius. Writer. Sexpert. Into all things magical, mystical, and unknown. I'll try anything at least once but you knew that the moment I revealed that I was a Sag.
'Black Girl Magic' Poet Mahogany L. Browne Talks Banned Books And The Power Of The Creative Pivot
You know you’re dealing with a truly talented and profound voice of a generation when the powers that be attempt to silence it. As a poet, educator, and cultural curator, Mahogany L. Browne has carved out a powerful space in the world of literature and beyond.
From penning the viral poem, “Black Girl Magic,” to writing Woke: A Young Poet’s Call To Justice (a book once banned from a Boston school library), to becoming the 2024 Paterson Poetry Prize winner and a poet-in-residence at Lincoln Center—her path exemplifies resilience, reinvention, and unapologetic artistry. She's published more than 40 works and paid the bills with her craft, a divine dream for many creatives seeking release, autonomy, and freedom in a tough economic climate.
A Goddard College graduate, who earned an MFA from Pratt Institute and was awarded an honorary doctorate from Marymount Manhattan College, Mahogany offers unapologetic realness with a side of grace and empowerment. "I started touring locally. I started creating chat books so that those poems will go in the hands of the people who were sitting in the rooms," she shared.
"And then I started facilitating poetry workshops, so I used my chat books as curriculum. And that, in turn, allowed me to further invest in my art and show the community and people who were hiring me that it wasn't just a one-off, that it's not just, you know, a fly by night—that I am invested in this art as much as I am invested in your community, in your children's learning, in our growth."
Mahogany has a special way of moving audiences, and her superpower sparks shifts in perspective, post-performance introspection, and strengthening of community bonds, especially among Black women. (One can undeniably recognize her gift for arousal of the spirit and mind merely from her listening to her insights from the other side of a Google Hangout call. I can only imagine the soul-stirring, top-tier sensory encounter when watching her perform in person.)
In this chat with xoNecole, Mahogany reflects on sustaining a creative career, the aftermath of writing a banned book, and using poetry for both healing, community-building, and activism.
Anthony Artis
xoNecole: What are three key things that have laid the foundation for a sustainable creative career for you?
Mahogany L Browne: What has helped me is that I'm willing to go in being an expert at knowing poetry and knowing the way in which art can change the landscape of our lives, not just as a poet, but also as a poetry facilitator. How you move through classes, those things are mastered, right? So when I go into another space that's maybe tech-heavy, I don't mind learning and being, you know, a student of the wonder of how we can make this magic, work together.
Two, you’ve got to know how to pivot. Sometimes we say, ‘Alright, this is what my life is going to be. I'm going to be a New York Times best-selling author. I'm going to, you know, have an album that's Grammy-nominated. And then, say you get dropped from your record label. That doesn't mean you can't make an album anymore. You can also still create an album that can be submitted to the Grammys. So, what does a pivot look like as an artist who doesn't have an institution behind them? Pivot being a student of the wonder.
Relationships also really help. How do I serve the community? And in turn, that tells me how the community can show up. For me, I have long-standing ties with a community that will outlast my one life. So, what does it mean to create space where these relationships can develop, can be nurtured, can be rooted, can be cultivated? Creating space—it happens through relationships.
xoN: With today’s economic challenges, what does your current creative process look like, and what are you working on?
MB: I’m always thinking five years ahead. I just reviewed the pages for two children’s books and recently released a YA novel. I’m drafting an adult fiction manuscript now.
Anything I create is founded with the root of poetry, but it can exist in captions. It can exist in commercials. It can exist as a musical. So that's where I’m at now.
xoN: You started performing "Black Girl Magic" in 2013, had an acclaimed performance of it via PBS and the work went on to viral success shortly after. Talk more about the inspiration. And what do you think about the continued relevance more than a decade later?
MB: I wrote it as a rally cry for the mothers who had been keeping themselves truly in harm's way by, you know, being a part of the community right after the death of their child or their loved one. They are usually mothers of victims of police brutality—and just seeing how they showed up in these community spaces, they are devout to the cause but obviously still grieving.
"I wanted this poem to be just a space of reclamation, of joy and of you, of your light, of your shine, of your brilliance, in any which way in which you fashion. Every room you enter is the room you deserve to be in. What does it mean to have a poem like that that exists?"
And the first time I did the poem, the Weeping that occurred, right? It was like this blood-letting of sorts. The next time I performed it, I'm moved to tears because I'm seeing how it's affecting other women who have just been waiting to hear, ‘You belong. You deserve. You are good. We see you. Thank you, despite everything that they said to make you regret being born in this beautiful brown, dark-skinned, light-skinned, but Black body.’
Black women are the backbone—period. Point blank. And so, that that poem became a necessity, not just to the fortitude of Black women in the community, but like you know, in service of healing the Black women.
xoN: One of your books was banned at a school in Boston, and it was later reinstated due to parental and activist support. What was that experience like?
MB: Well, I think it happened because they were racist. That's it. Point blank. The reversal of it was empowering, right? I realized, oh, I thought we just had to sit here and be on a banned book list. But no, parents are actually the leaders of this charge.
So to see that, the parents said, ‘Nah, we're not gonna let you take this book out of my baby’s school just because it's a Black kid on the front saying, ‘Woke’ and they're talking about being a global citizen. They're talking about accountability. They're talking about accessibility. They're talking about allyship, and you don't want them to have compassion or empathy or have even an understanding, right? So no, we rebuke that, and we want this book here anyway.’ To see that happen in that way. I was, like, reaffirmed. Absolutely.
xoN: You recently organized the Black Girl Magic Ball at the Lincoln Center in New York. Honorees included author and entrepreneur Rachel Cargle and National Black Theater CEO Sade Lythcott. What impact did it have and what expanded legacy do you hope to leave with your creative works?
MB: I was really interested in not celebrating just the book, but celebrating the community that made the book possible. And so I gave out five awards to women doing that thing, like, what does it mean to be a Black girl in this world?
I just thought it was gonna be an amazing time. Everybody's gonna dress up—we're gonna celebrate each other. And boom, I then realized that it responded to like a gaping hole. There was a missing thing for Black girls of all walks of life, all ages, right?
"It's very intergenerational. That was intentional to come together and celebrate just being us."
You have all these instances where just being you is either the butt of a joke or it's diminished and not worthy of a specific title in these larger institutions. So what does it mean to just to be loved up on and celebrated?
It felt like a self-care project at first. You know, for the first couple of years, folks were coming and they were getting that sisterhood. They were getting that tribe work that they were missing in their everyday lives.
I love the Black Girl Magic Ball because we got us. If I go out with a bang, they'll remember that Mahogany worked her a** off to make sure all the Black girls everywhere knew that she was the light. We are the blueprint.
For more information on Mahogany L. Browne, her work, and her future projects, visit her website or follow her on IG @mobrowne.
Featured image by Anthony Artis
Inside Tiera Kennedy’s BET Awards Night: Hanifa Dress, DIY Glam & ‘Blackbiird’ Nomination
This is Tiera Kennedy’s world, and we’re just living in it.
An Alabama native taking country music by storm thanks to her features on Beyoncé s Cowboy Carter and her recently released debut, Rooted, Kennedy is much more than just a woman living out her wildest dreams; she embodies the role of all-American girl with ease.
“I think for me, an all-American girl, for some reason, brings me back to when I was younger, and just like playing at my grandma’s house and just being outside,” Kennedy told xoNecole ahead of her attendance at the 2025 BET Awards.
“I just feel like when I was younger, you know, you don’t have as many responsibilities. There’s not as much weighing you down, and so I kind of go back to that mindset. Like, even now, being 27, I’m trying to get back to that younger girl.”
The 2025 BET Awards, hosted by Kevin Hart, took place in Los Angeles at the Peacock Theater on Monday night (June 9). The star-studded event was filled with tons of surprises, including a trip down memory lane with a 106 & Park reunion, coupled with performances by artists that dominated the top spots during the music video countdown show’s reign from 2000 to 2014.
Kennedy, who received her first nomination alongside Tanner Adell, Brittney Spencer, Reyna Roberts, and Beyoncè in the BET Her category for “Blackbiird,” the reimagination of the original The Beatles of the same title (minus the extra i), invited xoNecole to get ready with her as she prepared for her first-ever BET Awards.
Beauty Rituals Inherited From Her Mother.
Rather than booking her makeup artist ahead of the big night, Kennedy decided to go on a budget and do the task herself, something that isn’t too out of her norm. She noted how she incorporates some of the things she witnessed her mother do while growing up in her routine.
“I remember being younger and seeing all the makeup laid out on my mom’s counter,” the “I Look Good In That Truck” singer recalled. “I don’t even think she knows this, but there were moments where I would like to go and steal her makeup. She would have Mac. I think it was some kind of foundation powder, and I would go in there and I would put it on, and I’m like I hope she doesn’t see.”
She added, “My mom is very natural with her makeup, so even though I’ve got these big lashes on, I always gravitate towards just neutral looks… I don’t do anything too fancy.”
Tiera Kennedy’s Holy Grail of Products.
Kennedy took it upon herself to take a class to ensure that she’s prepared for nights like these, where she’s the one responsible for bringing her glam look to life.
“We are independent,” she said, reminding us that she is no longer tied to a big machine when it comes to her work as an artist. “We ball on a budget. I have to do my makeup for award shows, events, all the things, and so my makeup artist that taught me how to do all of this, Hailee Clark, she put me on to Nars, the foundation. I don’t know exactly what the name of it is, but I love it.”
“I don’t know all the fancy technicals, but I know that it makes me just look kind of airbrushed, and so I love it. Then, I always use this Laura Mercier [setting] powder because I get real shiny, so I’ve gotta reapply that quite often.”
“We are independent. We ball on a budget. I have to do my makeup for award shows, events, all the things, and so my makeup artist that taught me how to do all of this, Hailee Clark, she put me on."
Her Decision To Wear Hanifa For The Big Night.
Intentionality is essential for Kennedy, which is why she jumped at the opportunity to support Black designer Anifa Mvuemba with a dress from her fashion brand, Hanifa.
“Takirra on my team helped me pick out the dress. I really like to represent in country music, and being in Nashville, I like to represent Black culture through the things that I wear, and I was excited to get to wear a Black brand to the BET Awards,” said Kennedy.
“She was telling me about this brand, Hanifa, and we were on FaceTime just scrolling through the website, and she was like this looks like you. This feels very rooted, like fits those natural tones, and so she bought the dress and was like, ‘This is what you’re wearing.’”
The look was a Raven Knit Dress in Eggplant/Dark Brown Mesh from Hanifa.
Tiera Kennedy in her younger years.
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Kennedy also nurtured her inner child for the look, taking it back to her roots with one small detail in her hair that she had her mother carry out before she hopped on the flight to LA.
“I had this vision of wearing beads in my hair because when I was younger, my mom would always do that, and I didn’t love it, but now I’m like, it would be really beautiful to tie all of that together, and the Hanifa dress just fit perfectly.”
“Just even in the past couple of days, I’ve had to take a second, and just look back at all of the awesome things we’ve gotten to do,” said Kennedy when asked what baby Tiera is feeling in this moment.
“I had this vision of wearing beads in my hair, because when I was younger, my mom would always do that, and I didn’t love it, but now I’m like, it would be really beautiful to tie all of that together, and the Hanifa dress just fit perfectly.”
“I dreamed of having a record and having this team that was doing all of these things for me, and now, being an independent artist, and being in control of my career, I’ve gotten to build an awesome team behind me that helps me get to where I am. It’s been a lot of hard work, and I think when I was younger, I would have never imagined that I could do all of these things, and so, yeah, to be here, I don’t even think I would believe it.”
Although “Blackbiird” didn’t win in the BET Her category during Monday night’s show, Kennedy’s future is brighter than ever, which she attests to her faith playing a huge role in guiding her next steps as she continues to rise to stardom.
“Thinking about the next thing, I think that can be really daunting when you’re an independent artist. It’s like you have to be thinking of what’s coming next, to prepare for that, but I think the way that I like to walk through life in general is letting the Lord lead,” Kennedy said.
“I know that a lot of time when I have a vision of what I want things to look like in my head, He always exceed my expectations. So, I think the plan is to continue to release music, and continue to show up as my authentic self. Getting to have these moments like the BET Awards is so awesome, but also, at the same time, that’s not what I do this for. I do it for the humans that are listening to my music, that are [having] fun and healing through my music, so I hope that I can just continue to do that.”
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