How Valencia Clay Is Redefining What It Means To Be An Educator
I remember the exact day I saw the video.
I also remember how I felt as I watched as a young black girl revealing to her classmates that she didn't think she was pretty because she was always looked at as the "ugly black girl". What moved me even more though, was the way her teacher took on the role of nurturer as she instructed each of her students one by one to give compliments to the young girl. Black girl, in case you needed to be reminded, you are worth your weight in gold.
The video capturing those moments went viral and reached the hearts of many, including Orange Is The New Black actress Danielle Brooks, who responded to the student with an emotional video, telling the story of her own struggles with self-worth.
The teacher in that video, Valencia Clay, is a prime example of the caliber of educators we need in our classrooms at this time.
The 30-year-old Baltimore City 8th grade teacher with three degrees is a woke aficionado known inside of the classroom and outside of the classroom for her use of hip hop lyrics in her lessons, as well as making rap beefs like Remy Ma's “ShETHER" against Nicki Minaj's “Make Love" a teachable moment. She puts a spin on hot topics relevant in magazines, the news, and TV shows. And she teaches this way because she knows that the key to tapping into the youth's ability to learn is by first and foremost, piquing their interest.
But back in 2015, the young teacher was just like the rest of us, reeling from a different kind of impact. With the massively publicized police murders, the rise of Black Lives Matter movement, and the police death of Baltimore City's own Freddie Gray, Valencia was hurting.
The whole city of Baltimore was hurting.
“Our kids knew Freddie Gray," she said. “He was like their older brother."
And that's where her mission as an educator started to take shape. Valencia knew it was important for the students of Baltimore Freedom Academy to process what was happening. Shortly after, her school's administration asked her to create a lesson plan that would help teachers communicate what was happening with students. They chose the right woman for the job.
Valencia already had a long history at the school for teaching Woke 101.
She showed her class movies like Do the Right Thing and dove into topics of colorism, segregation, and the African diaspora. When her lesson plan called for the students to read a book on Brown vs. Board of Education, Valencia went ahead and served up the full picture for them. “I taught everything before and after Brown vs. Board," she recalled. “I didn't get as much support from my administration when that book came out because the kids were talking about their own school."
The death of Freddie Gray acted as a turning point for Valencia and it was evident in the way her students were able to work through the events surrounding them. They were more than woke, they were awake, and the administration had to take notice. But despite her mission being clearer than ever before, she wasn't so willingly supported in her journey.
That feeling of a lack of support coupled with accusations of teaching too much “black stuff" from a student's parents, Valencia admitted that she momentarily stumbled after that and pulled back from her mission and the message of her woke lesson plan. “That was me feeling insecure and feeling like I need to prove myself as a woman who is intellectually able to do anything," she said. “I was losing myself, and I was losing my kids. I went back to my lessons the way I was doing them and the kids started growing again."
“I was accused of creating angry black children. I'm like, 'Yeah, they probably are angry because they're awakening,'" she says.
"And that's the first step when you wake up, is to feel. But we're going to move beyond that, we're going to move to acceptance."
The solution for moving towards acceptance in Valencia's classroom was to empower black students with the truth that the system would otherwise leave behind. But teaching black history in today's classrooms hasn't been easy. Locked into what she calls a “scripted curriculum", Valencia had to navigate the requirements of standardized testing.
But she found creative ways to push the envelope.
As much as her administration has fought against her 8th grade teaching methods, Valencia says the proof is in the pudding. “The results come in many different nuances. Whether it's the children not being suspended as many times, or whether it's a poetry slam event that's packed and every kid is standing on tables, spitting hot fire with big words that you didn't even know they would know."
Back in a 2016 interview with The Phil Taitt Show, Valencia went in-depth with how she learned that love was the true key to reaching her students in a meaningful way and becoming the teacher she was supposed to be:
“I don't even know what I expected as a teacher. I knew that kids needed love. I knew that I was going to be in the hood. I started teaching in Baltimore - that's what I did for seven years. So I knew what I was getting myself into, especially being from an urban area, being from a disenfranchised community, growing up without my mom and my dad. I knew what I was going to see. I knew what I'd gone through, but I didn't know that love was the key until I started to find out on my own for myself. Once I was able to see that in myself, I was able to go back to my students and love them differently than I had ever loved them before."
Today, Valencia stays focused on her purpose. Outside of the classroom, she has established The Flourishing Blossoms Society for Girls, a worldwide mentorship organization that supports the success of underrepresented girls. She's also a teacher's teacher, aiding educators on methods for teaching children of color core reading skills that will help them hold their own when it's time to talk about how to build a revolution.
That is how you empower little black and brown boys and girls. And that is how you save lives and change the world.
For more about Valencia Clay and her multifaceted community work, visit her website and follow her on Instagram.
Originally published on December 9, 2017
Ashley Simpo is a writer, mother and advocate for self-care and healthy relationships. She lives in Brooklyn, NY. Follow her on Instagram and Twitter @ashleysimpo. Check out her work and her musings on ashleysimpocreative.com.
ItGirl 100 Honors Black Women Who Create Culture & Put On For Their Cities
As they say, create the change you want to see in this world, besties. That’s why xoNecole linked up with Hyundai for the inaugural ItGirl 100 List, a celebration of 100 Genzennial women who aren’t afraid to pull up their own seats to the table. Across regions and industries, these women embody the essence of discovering self-value through purpose, honey! They're fierce, they’re ultra-creative, and we know they make their cities proud.
VIEW THE FULL ITGIRL 100 LIST HERE.
Don’t forget to also check out the ItGirl Directory, featuring 50 Black-woman-owned marketing and branding agencies, photographers and videographers, publicists, and more.
THE ITGIRL MEMO
I. An ItGirl puts on for her city and masters her self-worth through purpose.
II. An ItGirl celebrates all the things that make her unique.
III. An ItGirl empowers others to become the best versions of themselves.
IV. An ItGirl leads by example, inspiring others through her actions and integrity.
V. An ItGirl paves the way for authenticity and diversity in all aspects of life.
VI. An ItGirl uses the power of her voice to advocate for positive change in the world.
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Sheila Rashid's Androgynous Approach To Unisex Clothing Is A Lesson In Embracing Individuality
The ItGirl 100 List is a celebration of 100 Black women who aren’t afraid to pull up their own seats to the table.
For Sheila Rashid, it all started with some free-hand drawings and a few strokes of paint.
The Chicago-based clothing designer and creative director of Sheila Rashid Brand recalls using her spare time in high school to hand paint designs on t-shirts and distressed hoodies, distributing them to classmates as walking billboards for her art.
Rashid sought to pursue fashion design at Columbia College in Chicago but eventually took the self-taught route to build upon her knack for crafting one-of-a-kind, androgynous pieces.
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Thanks to the mentorship of local designers taking her under their wings, Rashid was able to gain valuable experience in putting together collections and creating patterns; equipping her with them with the necessary skills to pursue her own collections.
After two years of living in New York, Rashid returned home to the Chi and uncovered the unique flair she could offer the city. “I moved to New York after that because I wanted to be in the fashion capital world,” she tells xoNecole. “That's when I really got a leg up. I found myself when I moved back to Chicago after moving to New York.”
For the Midwest native, inspiration comes from her time around creative peers and the city’s notorious winters — known to be a main character in many Chicagoans stories. “It's a different perspective and mindset when I'm making stuff because of the weather here,” she explains. “When we get summer, it’s ‘Summertime Chi’ — it's amazing. It's beautiful. Still, I find myself always making clothes that cater to the winter.”
"I moved to New York after that because I wanted to be in the fashion capital world. That's when I really got a leg up. I found myself when I moved back to Chicago after moving to New York.”
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Many designers have a signature aesthetic or theme in their creations. In Rashid’s design story, dancing between the lines of femininity and masculinity is how she’s been able to distinguish herself within the industry. Her androgynous clothing has garnered the eye of celebrities like Zendaya, Chance the Rapper, WNBA star Sydney Colson, and more — showing her range and approach to designs with inclusivity in mind.
“I think I do reflect my own style,” she says. “When I do make pieces, I'm very tomboyish, androgynous. My work is unisex because I feel like everybody can wear it. I cater to everybody and that's how I try to approach my clothes.” From denim to overalls, and color-drenched outerwear, Rashid has mastered the structure of statement pieces that tell a story.
“Each collection, I never know what's going to be the thing I'm going to focus on. I try to reflect my own style and have fun with the storytelling,” she shares. “I look at it more like it's my art in this small way of expressing myself, so it's not that calculated.”
"My work is unisex because I feel like everybody can wear it. I cater to everybody and that's how I try to approach my clothes."
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Still, if you were able to add up all the moments within Rashid’s 20-year career in design, one theme that has multiplied her into becoming an “ItGirl” is her confidence to take up space within the fashion industry as a queer, Black woman. “Being an ItGirl is about being yourself, loving what you do, finding your niche, and mastering that,” she says.
No matter where you are on your ItGirl journey, Rashid says to always remain persistent and never hesitate to share your art with the world. “Don’t give up. Even if it's something small, finish it and don't be afraid to put it out,” she says, “It's about tackling your own fear of feeling like you have to please everybody, but just please yourself, and that's good enough.”
To learn more about the ItGirl 100 List, view the full list here.
Featured image Courtesy