

College presidents, guidance counselors, and commencement speakers across the country have a way of thrilling us for all the endless possibilities that await us beyond graduation.
Daydreams of corner offices, beaming entrepreneurial endeavors, and overall success fill our minds as we wait to be handed our degree and take off towards adulthood. Interestingly enough, many college graduates like myself, have had a post-grad experience that's been everything but a fairy tale. In fact, all of the "You are the Future" sermons might get you through the door, but they often fail to mention what happens when things don't go as planned.
You see, I've had a relatively unconventional post-grad experience. Despite my many efforts, there were no internships or entry-level job offers at some trendy start-up company awaiting me upon graduation. For nine months, I worked my share of retail jobs at minimum wage with managers that were prepping for their junior prom. While most of my other classmates had moved on to their big corporate jobs in Charlotte and Chicago, here I was in some no-name town, ringing up Happy Meals and being chastised for a mysteriously broken ice cream machine.
Although these humbling gigs allowed me to hone in on my customer service skills, they did a heck of a job on my self-confidence. At the time, I hadn't considered how much having gainful employment would affect my self-worth and mental health. Still, I persisted, and finally received a job offer at an advertising agency in the heart of Midtown, New York City. I couldn't believe that after countless rejections, I finally earned a position in alignment with my skill sets and professional goals. I was certain that the worst was behind me and it would only be up from there.
Whew, was I laughably mistaken.
Before I knew it, things took a turn for the unexpected. After an irreversible fallout with my roommates and the big wigs over my account choosing to part ways with our agency, I was left with a big decision:
Do I live in a homeless shelter and finish this New York rags-to-riches story, or do I pack my bags and head back down below the Mason Dixon line?
I made the sensible choice and packed all of my belongings into a single suitcase, and made the trek back to the small town I called home. If you think finding a job after graduation is hard, try finding employment in a town that isn't necessarily running over with opportunity, so it was back to McDonald's I went.
It wasn't long before I quit my cashier job in hopes of finding something better paying and in alignment with the degree I spent thousands of dollars on, only to fall into more no's and months of unemployment. It seemed like the very thing that was supposed to open the doors of opportunities was the very thing closing them, and no amount of résumé revamping could stop it.
The rejections and letdowns were more than I could stand, causing me to sink into a depression that I saw no way out of. I had never felt so hopeless, low, or worthless in my life. I had no money, no job, and no community to lean on at my darkest hour.
You don't know what your lowest point is until you reach it and you don't know how dark your darkest is until your light is completely gone.
My dad and sister were instrumental in speaking life into me and getting my head back on straight. Still, I was so embarrassed that I ever got to that point and for them to see me there. I was always the smart, positive, goal-driven person in their eyes and at that moment, I thought that I had let them down. Thankfully, they were there to remind me of one thing that I managed to forget this entire time: my worth.
Ever since we were young, we've been accustomed to a standardized grading system. If we perform well, we get a high score, if we don't, we get a low mark. From kindergartners to college seniors, it's been this way and we've placed our worth and value in how well we perform within these social structures. Then, once we enter the "real world" and navigate our new reality without an instruction manual, we're forced to find our new identity and ask ourselves who we are outside the landscape of academia, scholarship, and educational ranking systems.
After graduation, I placed my worth in my degree and the opportunities it was supposed to allot me. When all those fell through, I placed my worth in my lack of success and it nearly ended me.
The light bulb lit up when I realized that the only true grading system there is in life is progress.
When we're able to take a step back and see how far we've grown, how many times we gotten up after being knocked down, and the small steps we've taken in the right direction, the learning curves is now only about the you today vs. the you of yesterday.
No matter if you have an associate position, work as a part-time barista, or spend your day searching for new positions on LinkedIn, you have a job. Waking up in the morning and choosing to show up for whatever lies ahead in your day takes work and every time you say "yes" to the journey and "yes" to life, that's a promotion that no manager could ever give you.
So, if you're struggling in between where you are and where you want to be, I am pleased to inform you that we are all full-time employees of life. Your dark seasons are not the end, they're just the middle; show gratitude and be present in your fight. You're a warrior in this thing called life, and that truth should be celebrated.
xoNecole is always looking for new voices and empowering stories to add to our platform. If you have an interesting story or personal essay that you'd love to share, we'd love to hear from you. Contact us at submissions@xonecole.com.
Featured image by Getty Images
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Aley Arion is a writer and digital storyteller from the South, currently living in sunny Los Angeles. Her site, yagirlaley.com, serves as a digital diary to document personal essays, cultural commentary, and her insights into the Black Millennial experience. Follow her at @yagirlaley on all platforms!
Claudia Jordan, Demetria McKinney & Jill Marie Jones On 'Games Women Play' & Dating Over 40
What do you get when you mix unfiltered truths, high-stakes romance, and a few well-timed one-liners? You get Games Women Play—the sizzling new stage play by Je’Caryous Johnson that’s part relationship rollercoaster, part grown-woman group chat.
With a powerhouse cast that includes Claudia Jordan, Demetria McKinney, Jill Marie Jones, Carl Payne, Chico Bean, and Brian J. White, the play dives headfirst into the messy, hilarious, and heart-wrenching games people play for love, power, and peace of mind. And the women leading this story? They’re bringing their whole selves to the stage—and leaving nothing behind.
From Script to Spotlight
The road to Games Women Play started over 20 years ago—literally.
“This script was written 20 years ago,” Jill Marie Jones said with a smile. “It was originally called Men, Money & Gold Diggers, and I was in the film version. So when Je’Caryous called me to bring it to the stage, I was like, ‘Let’s go.’” Now reimagined for 2025, the play is updated with sharp dialogue and modern relationship dynamics that feel all too real.
Demetria McKinney, no stranger to Je’Caryous Johnson’s productions, jumped at the opportunity to join the cast once again. “This is my third time working with him,” she shared. “It was an opportunity to stretch. I’d never been directed by Carl Payne before, and the chance to work with talent I admire—Jill, Claudia, Chico—it was a no-brainer.”
Claudia Jordan joked that she originally saw the role as just another check. “I didn’t take it that seriously at first,” she admitted. “But this is my first full-on tour—and now I’ve got a whole new respect for how hard people work in theater. This ain’t easy.”
Modern Love, Stage Left
The play doesn’t hold back when it comes to the messier parts of love. One jaw-dropping moment comes when a live podcast proposal flips into a prenup bombshell—leaving the audience (and the characters) gasping.
Demetria broke it down with honesty. “People don’t ask the real questions when they date. Like, ‘Do you want kids? How do you feel about money?’ These convos aren’t happening, and then everyone’s confused. That moment in the play—it’s real. That happens all the time.”
Jill chimed in, noting how the play speaks to emotional disconnect. “We’re giving each other different tokens of love. Men might offer security and money. Women, we’re giving our hearts. But there’s a disconnect—and that’s where things fall apart.”
And then Claudia, of course, took it all the way there. “These men don’t even want to sign our prenups now!” she laughed. “They want to live the soft life, too. Wearing units, gloss, getting their brows done. We can’t have nothing! Y’all want to be like us? Then get a damn period and go through menopause.”
Dating Over 40: “You Better Come Correct”
When the conversation turned to real-life relationships, all three women lit up. Their experiences dating in their 40s and 50s have given them both clarity—and zero tolerance for games.
“I feel sexier than I’ve ever felt,” said Jill, who proudly turned 50 in January. “I say what I want. I mean what I say. I’m inside my woman, and I’m not apologizing for it.”
Demetria added that dating now comes with deeper self-awareness. “Anybody in my life is there because I want them there. I’ve worked hard to need nobody. But I’m open to love—as long as you keep doing what got me there in the first place.”
For Claudia, the bar is high—and the peace is priceless. “I’ve worked hard for my peace,” she said. “I’m not dating for food. I’m dating because I want to spend time with you. And honestly, if being with you isn’t better than being alone with my candles and fountains and cats? Then no thanks.”
Channeling Strength & Icon Status
Each actress brings something different to the play—but all of them deliver.
“I actually wish I could be messier on stage,” Claudia joked. “But I think about my grandmother—she was born in 1929, couldn’t even vote or buy a house without a man, and didn’t give a damn. She was fearless. That’s where my strength comes from.”
For Jill, the comparisons to her iconic Girlfriends character Toni Childs aren’t far off—but this role gave her a chance to dig deeper. “If you really understood Toni, you’d see how layered she was. And Paisley is the same—misunderstood, but strong. There’s more to her than people see at first glance.”
Demetria, who juggles singing and acting seamlessly, shared that live theater pushes her in a new way. “Every moment on stage counts. You can’t redo anything. It’s a different kind of love and discipline. You have to give the performance away—live, in the moment—and trust that it lands.”
Laughter, Lessons & Black Girl Gems
The show has plenty of laugh-out-loud moments—and the cast isn’t shy about who steals scenes.
“Chico Bean gets a lot of gasps and laughs,” Claudia said. “And Naomi Booker? Every scene she’s in—she’s hilarious.”
But the play isn’t just about humor. It leaves space for reflection—especially for Black women.
“I hope we get back to the foundation of love and communication,” said Demetria. “A lot of us are in protector mode. But that’s turned into survival mode. We’ve lost softness. We’ve lost connection.”
Claudia agreed. “We’re doing it all—but it’s not because we want to be strong all the time. It’s because we have to be. And I just want women to know: You can have peace, you can be soft. But stop bringing your old pain into new love. Don’t let past heartbreak build walls so high that the right person can’t climb over.”
Final Act: Pack the House
If there’s one thing this cast agrees on, it’s that this play isn’t just entertainment—it’s necessary.
“Atlanta is the Black entertainment hub,” Claudia said. “We need y’all to show up for this play. Support the arts. Support each other. Because when we pack the house, we make space for more stories like this.”
Games Women Play is more than a play—it’s a mirror. You’ll see yourself, your friends, your exes, and maybe even your next chapter. So get ready to laugh, reflect, and maybe even heal—because the games are on.
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After Decades-Long Career, Terri J. Vaughn Is Finally The Main Character: Exclusive
Terri J. Vaughn first captured our attention in the late ‘90s as Lovita Alizay Jenkins on The Steve Harvey Show. Decades later, she is starring in her very own series, She The People, which is now available to stream on Netflix.
The political sitcom, which she co-created with Niya Palmer and later teamed up with Tyler Perry Studios, is about a Black woman named Antoinette Dunkerson who runs for lieutenant governor of Mississippi. She wins and becomes the state’s first Black lieutenant governor. Now, she’s forced to balance working with a racist and sexist governor while also trying to keep her family from running amok.
According to the beloved actress, this project was a long time coming. “I’ve been trying to get my own television series for like 20 years, pounding the pavement, meeting with people, getting clothes, being lied to, just a whole bunch of stuff,” she says in an exclusive interview with xoNecole.
“But just keep going, because this is what I do. This is what I love, and I know how important it is for us to continue to show up and make sure that we are seen, make sure that our voices are heard. For several reasons. I just never give up. So here I am, 20 years later, finally sold my show.”
She The People is inspired by the true story of London Breed, who became the first Black female mayor of San Francisco, Terri’s hometown. And to help make the show more authentic, the Cherish the Day actress tapped former Atlanta mayor, Keisha Lance Bottoms to come on as a producer.'“I’ve been trying to get my own television series for like 20 years, pounding the pavement, meeting with people, getting clothes, being lied to, just a whole bunch of stuff."
After bringing the former mayor aboard, it was time to pitch again. And this time, the companies were pitching them. Ultimately, Terri decided to work with Tyler Perry on the series.
“We decided to do it with Tyler for several reasons. I love that. Well, most of the companies we met with were Black-owned companies, but he was the only studio,” she explains. “Tyler is like Walt Disney. That's literally what he is. He has the studio, he has the content. He operates just like Walt Disney.”
And thanks to the cast, the show is nothing short of laughs. The series also stars social media creator Jade Novah as Antoinette’s crazy cousin/ assistant, Shamika, Family Mattersstar Jo Marie Payton as Anotinette’s mom, Cleo, and Terri’s husband, Karon Riley, who plays Michael, her driver and love interest.
While we’ve watched Terri’s career blossom in various ways. From directing to producing, and playing diverse characters, the mom of two says her The Steve Harvey Show character will always be her favorite.
“Well, Lovita was definitely my favorite, especially for my time, the age and everything that I was. Now as a grown ass woman over 50, Antoinette Dunkerson is everything that I've wanted to play. She's everything. She's a mother of two teenagers. She's divorced, so she's co-parenting with her ex-husband. She has to wrangle in a very eclectic family,” she says.
“So I like playing characters that are really flawed and trying to figure it out and doing their best to try to figure it. And she's very flawed and she is trying to figure it out, and she fucks up sometimes. But her heart and what she's trying to do and what her vision is and purpose, it's all for the people. I mean, she the people. She’s for the people, she is the people.”
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