
June is Black Music Appreciation Month and it is a time to reflect on and celebrate the contributions made by Black musicians. While former President Jimmy Carter is credited for introducing Black Music Month in 1979, (President Biden signed a recent proclamation recognizing June as Black Music Appreciation Month) what many people may not know is that it was co-created by veteran radio and TV personality Dyana Williams, Kenny Gamble from the legendary songwriting and production duo Gamble & Huff and DJ Ed Wright.
All three were involved in the Black Music Association and launched a campaign called “Black Music is Green” which is where Black Music Month sprouted from. Dyana opened up about that monumental time for Tidal.
“The Black Music Association petitioned President Jimmy Carter to host a reception at the White House acknowledging the contributions of the Black music business,” she said. “That took place on June 7, 1979, on the South Lawn of the White House, where Gamble and I sat with President Carter and his wife, Rosalynn. Dexter Wansel was the musical director, with MFSB providing the music for Sara Jordan Powell, Billy Eckstine, Evelyn “Champagne” King, Andraé Crouch, and Chuck Berry. That was the first official Black Music Month celebration at the White House.”
Black music has come a long way since the 1970s. While Black artists have continued to be innovators in music, their accomplishments are often overlooked especially if it doesn’t fit a specific genre. However, there are Black artists who refuse to be boxed in and are using their music as a form of expression, individualism, freedom, and resistance in spaces that have historically been reserved for non-Blacks.
From country star Mickey Guyton to electric pop singer Dawn, these artists are pushing the boundaries on how Black music is represented and doing a damn good job.
Mickey Guyton
Mickey Guyton has made a name for herself as one of the few Black artists in country music and with that comes some hardships. With the country music industry being historically white, the “Lay It On Me” singer has faced racism from the genre’s fans and has even addressed it such as the time she responded to someone saying they didn’t want her kind in country music.
“Started off 2022 with a good ole batch of racism. I show you this so you guys continue the fight for equality and love and acceptance,” she wrote.
However, the mother of one hasn’t let racism and discrimination rain on her parade. Her single “Black Like Me” which came out during the wake of George Floyd’s death earned Mickey a Grammy nomination in 2020 which made her the first Black female solo artist to receive a nod for a country category. She was also the first Black country artist to perform at the prestigious award show.
Dawn Richard
Most people may be familiar with Dawn Richard from the groups Danity Kane and Dirty Money but since the singer went solo, she has been making music on her own terms. The “Frequency” artist has been making waves in the electronic music space as one of the few Black artists in the genre. In an interview with Kyle Meredith, Dawn opened up about how her skin color initially kept her in a box.
“As a solo artist when I did my albums, they kept calling me alternative R&B as a Black girl because I kept doing music that wasn’t traditionally R&B,” she said. “But because of the skin color that I had, I couldn’t get out of that genre. They put experimental R&B; they had to put that next to it. And what I found was though I didn’t care what I looked like, I wanted to do the music that I did, my color was limiting me and society was limiting me for that. So my entire trajectory has been to choose to say no. We belong here.”
She also shed light on the history of electronic and dance music and how it derived from Black culture although now it is mostly white men in that space. The New Orleans beauty has released six solo albums so far with her last project titled Second Line being a nod to her New Orleans roots.
Nova Twins
The Nova Twins are taking over the punk rock scene in the UK and eventually the world. The duo, which is composed of Amy Love and Georgia South, come from multicultural backgrounds that influence their music. Amy is half Iranian and half Nigerian, and Georgia is half Jamaican and English and they have made it their mission to change the way Black women are viewed through their music.
The “Antagonist” artists spoke with NME about speaking up in spaces where they typically aren’t celebrated. “Being black women doing punk music is political, so yes. ‘Devil’s Face’ touches on Brexit, ‘Bullet’ speaks about sexism, but ‘Athena’ is completely fictional and mythological,” Amy said. “We called it ‘Who Are The Girls?’ because we didn’t always feel heard or accepted making the type of music we do, looking the way that we do. It’s definitely challenging and there is a stigma attached to it.”
The group is gearing up to release their second studio album Supernova in June 2022.
Willow
Willow Smith’s music trajectory has been an interesting one that finally saw the 21-year-old find her voice. She released “Whip My Hair” at just nine-years-old and it became an instant hit. However, the success became too demanding for the daughter of Will Smith and Jada Pinkett Smith which caused her to rebel and step away from music at that time. As she got older, she began following in her mother’s footsteps and found herself creating punk music. The “emo girl” singer released her pop-punk album lately I feel EVERYTHING in 2021.
In an interview with NPR, Willow explained why Black artists should enter other genres and be empowered by that decision. “Black youth get taught that we belong in R&B and rap spaces, and we don't do the research,” she said. “We're not given the truth. There's no way that we would be able to follow that example, because we don't even know it exists.”
“I want to tell all the Black and brown, young girls that they can scream, they can growl, they can cut their hair, scoop it to the side, dye it. They can do whatever they want. They can make any kind of music and do it better than anyone they've seen. I want to give girls like me that confidence and that feeling of power and beauty. That's the only reason why I do anything.”
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Featured image by Jason Kempin/Getty Images for CMT
Devale Ellis On Being A Provider, Marriage Growth & Redefining Fatherhood
In this candid episode of the xoMAN podcast, host Kiara Walker talked with Devale Ellis, actor, social media personality, and star of Zatima, about modern masculinity, learning to be a better husband, emotional presence in marriage, fatherhood for Black men, and leading by example.
“I Wasn’t Present Emotionally”: Devale Ellis on Marriage Growth
Devale Ellis On Learning He Was a ‘Bad Husband’
Ellis grew up believing that a man should prioritize providing for his family. “I know this may come off as misogynistic, but I feel like it’s my responsibility as a man to pay for everything,” he said, emphasizing the wise guidance passed down by his father. However, five years into his marriage to long-time partner Khadeen Ellis, he realized provision wasn’t just financial.
“I was a bad husband because I wasn’t present emotionally… I wasn’t concerned about what she needed outside of the resources.”
Once he shifted his mindset, his marriage improved. “In me trying to be of service to her, I learned that me being of service created a woman who is now willing to be of service to me.”
On Redefining Masculinity and Fatherhood
For Ellis, “being a man is about being consistent.” As a father of four, he sees parenthood as a chance to reshape the future.
“Children give you another chance at life. I have four different opportunities right now to do my life all over again.”
He also works to uplift young Black men, reinforcing their worth in a world that often undermines them. His values extend to his career—Ellis refuses to play roles that involve domestic violence or sexual assault.
Watch the full episode below:
On Marriage, Family Planning, and Writing His Story
After his wife’s postpartum preeclampsia, Ellis chose a vasectomy over her taking hormonal birth control, further proving his commitment to their partnership. He and Khadeen share their journey in We Over Me, and his next book, Raising Kings: How Fatherhood Saved Me From Myself, is on the way.
Through honesty and growth, Devale Ellis challenges traditional ideas of masculinity, making his story one that resonates deeply with millennial women.
For the xoMAN podcast, host Kiara Walker peels back the layers of masculinity with candid conversations that challenge stereotypes and celebrate vulnerability. Real men. Real stories. Real talk.
Want more real talk from xoMAN? Catch the full audio episodes every Tuesday on Spotify and Apple Podcasts, and don’t miss the full video drops every Wednesday on YouTube. Hit follow, subscribe, and stay tapped in.
Featured image by YouTube/xoNecole
'When You Build It, They Can’t Tell You You Can’t Sit': DJ Miss Milan, Marsai Martin & More Talk Confidence
The Marie Claire Power Play Summit wasn’t just another branded panel event—it was an inspiring, sometimes emotional, and always honest look at what it really takes to rise, thrive, and stay at the top. From Olympians to entrepreneurs, artists to execs, the room was full of powerful women sharing the real stories behind their highlight reels. I walked away moved by their vulnerability, strength, and refusal to dim their light.
Here are some of my favorite takeaways from three standout panels featuring Jordan Chiles, Marsai Martin, and Kandi Burruss.
Leveling Up Your A-Game with Jordan Chiles, Morgan Shaw Parker, Chelsea Fishman, Laura Correnti, and Tabitha Turner-Wilkins
Jordan Chiles
Paras Griffin/ Getty Images for Power Play
Olympic gymnast Jordan may have medals and magazine covers to her name, but her mindset is refreshingly grounded. “The day I finally feel pressure,” she said, “will be the day I know there’s still more for me to learn.” For her, joy—not pressure—is the fuel. Her confidence isn’t performative; it’s rooted in family, self-worth, and authenticity.
“Everything I’ve done in my career—tattoos, long nails, rocking my crew at the Olympics—that’s all me. It’s not because someone told me to do it. It’s because I felt confident doing it. And that’s where my ambition comes from: being my authentic self.”
For Morgan Shaw Parker, President & COO of the Atlanta Dream, the conversation around pressure went even deeper. “Legacy work” is how she described her mission—navigating male-dominated spaces, sometimes pregnant and pumping on NFL team planes. “After COVID and George Floyd,” she shared, “it became clear to me: vulnerability is power. You don’t have to show up perfect to lead.”
Chelsea Fishman, founder of Atlanta's first bar dedicated to women’s sports, Jolene Jolene, shared how the haters (especially the Reddit kind) were her confirmation: “All those comments saying it would fail—those were the signs that I was doing something right.” She’s hosted 25+ watch parties already and is building the very community they said would never come.
This panel also touched on ambition, authenticity, and owning your power—both in sneakers and in suits. One of the best mic-drop moments came when the moderator flipped the question: “What if we stopped making ‘power’ a bad word for women?” A nod-worthy reminder that we’re not here to play small.
Making Your Voice Heard with Marsai Martin, Carol Martin, Miss Milan, and Heather McMahan
Marsai Martin
Paras Griffin/ Getty Images for Power Play
This panel was a masterclass in staying grounded while growing up—or glamming up—on the global stage. Actress and producer Marsai talked about what it’s like to show up in high-pressure moments when your confidence is low but the world is still watching. From red carpets to long shoot days, she reminded us that even when you’re not at 100%, you still find a way to push through.
“There have been days where I wasn’t feeling the best, but I still had to show up on this carpet. Or it was that time of the month, but I still had to go on set. I just didn’t feel as confident—but it’s about how you take care of yourself in those moments and still keep pushing.”
Her mom and business partner Carol Martin dropped gems about motherhood and mentorship: “It’s like teaching your kid to ride a bike over and over again. Now the bike is a movie or a brand.” That balance between guiding and letting go? Not easy—but essential when you’re raising a mogul and running a company.
“There have been days where I wasn’t feeling the best, but I still had to show up on this carpet. Or it was that time of the month, but I still had to go on set. I just didn’t feel as confident—but it’s about how you take care of yourself in those moments and still keep pushing.”
Miss Milan, Grammy Award-winning DJ and Doechii’s right-hand woman, lit the crowd up with her no-nonsense energy. “I built my own table,” she said. “When you build it, they can’t tell you you can’t sit.” From journaling her dreams to manifesting Grammys, her story is one of resilience and intention—and a whole lot of faith in her own vision.
This panel didn’t shy away from hard truths either: the sadness that can come with success, the fear of fading relevance, the criticism that hits differently when it’s personal. But Marsai said it best: know your why. And let it evolve with you.
The Cost of Starting Your Own Business with Kandi Burruss and Nikki Ogunnaike
Kandi Burruss
Carol Lee Rose/ Getty Images for Marie ClaireKandi doesn’t sugarcoat the grind. From chart-topping songwriter to multi-business entrepreneur, she’s built her empire one risk—and one reinvention—at a time.
“Fear equals failure. If you don’t even try, you’ve failed automatically —and you did it to yourself. I’d rather take a risk and lose money than play it safe and never know what could’ve happened.”
She broke down the real costs of entrepreneurship: money, time, and emotional bandwidth. “You think you’re going to work less when you work for yourself?” she laughed. “You’re going to work more.” For Kandi, mommy guilt and financial setbacks are part of the package—but so is the satisfaction of seeing an idea through.
She opened up about scaling back on her clothing store and temporarily closing the original Old Lady Gang location. “It felt like failure,” she admitted, “but sometimes you have to step back to make things better.” Still, she’s not one to quit. She just pivots—with precision.
One of her most memorable reflections? How her music career hiccup led her to songwriting—ultimately writing the mega-hit “No Scrubs.” That song became the key to a new lane and legacy. “You may think you’re working on one dream,” she said, “but it could open the door to another.”
Also? Kandi wants you to stop emailing her from a Gmail. “You’re doing million-dollar business on a bootleg budget,” she joked. “Invest in yourself. Start with a domain name!”
The Marie Claire Power Play Summit was a powerful reminder that ambition, authenticity, and vulnerability aren’t separate traits—they work in tandem. Whether you’re building a bar, a brand, or a business from scratch, the key is to stay rooted in your voice, your story, and your why.
And if you need a sign to go for it? Consider this your green light.
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Feature image by Paras Griffin/ Getty Images for Power Play