10 Black Women Photographers Putting On For The Culture
Black women are über creative, y'all. We perform geometric equations in detailed braiding patterns, we can engineer any device with the bare minimum tools, and we basically drive the pop culture of the entire world. Art, in all aspects of creativity—from painting, sculpting, and theater, to music, dance, and photography—although not new to the black community, is newly celebrated on a larger scale than previously recognized. And with photography leading the pack, thanks to pioneers such as Deborah Willis, Lorna Simpson, and Marilyn Nance, black women are now picking up their cameras at an all-time high.
We decided to list some of the most poppin' queens making the most noise as photographers. Here's our list of 10 female photographers putting on for the culture.
Tori Lens | @tori.lens
Courtesy of Tori Lens
Location: London, England
Favorite Camera: Nikon D3200 or Samsung S9+
Signature Style: "Vibrant, active, and smokey!"
"Me owning what I love and no longer apologizing for being a flipping powerhouse—despite being a bubbly, friendly, open-minded, black female with a shaved head and big African earrings—it all means that me just being, is making an impact."
Tori Lens is a first gen British-born Nigerian based on the other side of the pond in London. She is a clicking beast best known for her vibrant smoke bomb photoshoots and commitment to getting the right shot. "I'm always moving when I'm shooting, people always say that to me. And I love when my subjects do the same and are not afraid to take my unorthodox suggestions and run with it," she says. With a creative background that ranges from graffiti, painting, and sewing, Tori always knew she would have photography in her peripheral. "I must admit no matter my journey, I believe I would have always found photography because I am a visual creative and naturally curious. [I'm] always learning and growing. It was inevitable."
Sierra Leone | @leoneandgray
Courtesy of Sierra Leone
Location: Atlanta/DMV
Favorite Camera: Full Frame D750
Signature Style: "Unposed. I want to always capture my subjects as they are in motion!"
"Shortly after giving birth to my daughter, I realized I didn't want to put her in daycare. And photography allowed me the freedom to capture her fleeting moments, stay at home with her, and secure the bag."
Sierra Leone is a self-taught, well-oiled photography machine based in the DMV and Atlanta areas. Encouraged by her mother to pursue the industry, she cites the times her mom would often capture her as a child. "While growing up, and even to this day, she is always capturing moments and while she used to preserve those moments through scrapbooking," she says with a smile, "I loved looking through her captures when I was younger. She has such an artistic eye when freezing time." Sierra then studied her craft and took to the internet to self-indulge in the basics. "I attended YouTube University, and I have been capturing beautiful humans for about 7 years now. I absolutely love what I do!"
She credits Marrica Evans, Cyndi Brown, Dayo, and her beautiful daughter, Tenzin—who she often uses as her subject—as photography inspirations.
Jen Missouri | @jenmissouri
Photo Credit: Quinten Swygert
Location: Little Rock, AR
Favorite Camera: Open to any camera with a 1.2 85mm prime lens
Signature Style: "I'm a natural light shooter, so my signature style is very clean and bright, with simplicity."
"I am looking to shift mindsets on the concept of photography. Photography is not only an art, but there's a science to it."
Jen Missouri is a highly sought-after newbie in the southern region of the U.S. She is best known for her attention to detail and passion for the perfect angle. "I practice shooting what I see through my lens when it comes to natural light, [so] I try to eliminate as much post-work as possible. I love how subjects are captured in its raw state," she says. "Filters should be an enhancer not the highlight of the story you're trying to tell."
Since taking that little photography elective on a whim during her last year of undergrad, Jen found her appetite for shooting, and hasn't been able to put down the camera since. She is also owner of the creative space @TheSpot, which is where you can find her taking photos for exclusive client events.
Kesha Lambert | @keshalambert
Photo Credit: Kanayo Adibe
Location: New Rochelle, NY
Favorite Camera: I am currently obsessed with the Nikon z7
Signature Style: "Movement, light, sultry and fun, risk-taking. I have a vivid imagination and I never hesitate to try to execute the thing that pops into mind. I don't overthink, I gently push the people I work with and just go for it."
"My cultural impact will be to create generational heirlooms; to dispel the negative stereotypes surrounding black marriage, black fatherhood, black motherhood and black love."
Kesha Lambert is a former lawyer turned dominant wedding photographer, hailing from New York. Her journey came about when one day, she just decided to go for it. "Circumstance and opportunity is why I pursued photography. It had been an interest since I was a little girl. I even started a small portrait business in my teens." I'm super impressed as she continues, "Adult me went on to become a lawyer, got married and start a family. Then one day, a proverbial door closed that caused a shift in my mindset and, as a result, Kesha Lambert Photography became a real thing."
Inspired by her three boys, Kesha has cemented her place in photography, as her photos may be some of your favorites on social media, without you even knowing. Keep a close eye on her journey, as she will certainly be making her mark on the game.
Taylor Hayden | @taylormhayden
Courtesy of Taylor Hayden
Location: Houston, TX
Favorite Camera: Canon 5D Mark IV
Signature Style: "Simple, natural, and authentic."
"I believe that in order to bring forth a positive impact, the first step is to work on yourself. We all are here for specific reasons and we've inherited special gifts to share."
Photography may have started as a hobby for the Prairie View A&M grad, but she quickly made it her passion. "I never considered becoming a professional and making money from it," she starts. "I applied for tons of positions in the communications field and I was rejected every single time. Eventually, I became fed up and decided that I would be my own boss."
And a boss she is. You can find her close to her roots, shooting authentic images for her archives. "I find the most inspiration through other passionate people that are living their purpose and committed to the journey. It truly inspires me to keep moving forward and to also share my experiences, because you never know who you could potentially impact for the better."
Yass, sis.
Linn Washington | @goldbarlinn
Photo Credit: Shani Perez
Location: NYC
Favorite Camera: Canon 5d Mark IV / Canon EF f 2.8L 70 to 200mm. A killer combination.
Signature Style: "Urban, bold, and clean. There is beauty in simplicity."
"It is important that we control a positive narrative of our images for future generations."
Linn is a retired law enforcement officer and prominent street photographer in the city that never sleeps. "I realized that I could do more for my community behind the lens by capturing joyful moments and crafting positive content, in lieu of using handcuffs to make an arrest."
Since then, Linn has tapped into her purpose by shooting the streets, versus shooting the streets. She credits Jeanne Moutoussamy and Lindey Adler as inspirations and, in her mission to show the beauty of melanin, she plans to be around for a long time. Currently, Linn is working on a documentary and photo book to support her friend who is battling stage 4 cancer. "I will master multiple genres of photography so that I may preserve history utilizing my artful eyes, and telling the stories of all the wonderful individuals I meet in an authentic way. I will then teach others how to do the same."
Lola Akinmade Åkerström | @lolaakinmade
Location: Stockholm, Sweden
Favorite Camera: Currently Nikon D750 FX
Signature Style: "I love vivid color and I love heavy dark contrast. Growing up in Nigeria, I was always surrounded by vibrant colors and lots of high contrast (dark skin against bright sky) so that is my style."
"For me, the perfect shot has nothing to do with technical settings, but everything to do with how many questions it can answer - where, why, what, when - and whether it can convey those emotions in a single shot."
Lola Akinmade is a pretty big deal; a highly decorated, award-winning, living legend and traveling photographer with published works in National Geographic and her own books—her latest being Due North: A Collection of Travel Observations, Reflections, and Snapshots Across Color, Cultures, and Continents. But even through her many accolades and accomplishments, she still feels that she has a long way to go.
"Goal lines keep getting moved because I am shooting within an industry that doesn't expect me—and someone that looks like me—to be working in it," she says. "These are some of the unspoken rules. It's why a white, male, rugged photographer who shoots the exact same scene I did, is celebrated, while this curvy black woman is met with a questioning of 'you took that?' instead. I want to normalize black women as professional travel photographers, and travel writers, on the mainstream level. I want to inspire those who shoot and write on the highest platforms."
Queen.
Nikia Paden | @iridescentphotography.htx
Courtesy of Nikia Paden
Location: Houston, TX
Favorite Camera: Canon 5D Mark IV
Signature Style: "My work is filled with vibrant colors and the nonsense correlated with candid childhood. It is meant to cause major reminiscing and extract all the smiles."
"Simply taking pictures transformed the way I observed my environment. My eyes were continuously taking mental snapshots on how environments would look photographed."
Color and youth-capture is the essence of Nikia Paden. Her super creative spirit and eye is how she has managed to be one of the top child photographers in the country. "When someone sees my work, I want them to know that it all usually begins with a crazy idea that turns into a wild creative adventure that's usually full of imagination," she says with a laugh. "I have been told that my work is a breath of fresh air, and that it captures the whimsical and innocent nature of childhood, especially for our black children. So, I want to capture our melanated minis and showcase the joy that they exude. And maybe one day, all will see the magic and the undeniable necessity that is them."
Kahran Bethencourt | @creativesoulphoto
Courtesy of Creative Soul Photography
Location: Atlanta, GA
Favorite Camera: Canon 5D Mark III; 85MM 1.4 Lens
Signature Style: "I always define my signature style as 'extra'. To me, descendants of the African diaspora have always been (and always will be) trendsetters when it comes to fashion, music, and style so I want our work to reflect that - even if our subjects are kids."
"We want to empower kids of color around the world to be proud of their culture and embrace everything that makes them unique."
You have seen Kahran's photos a hundred times over, and you have no clue. She is ½ of the awesomely innovative husband/wife duo, Creative Soul Photography. And their impact on photography, is revolutionary. "My husband, Reg actually attended school for photography and I learned along with him while he was in college. We knew we wanted to start a business together, so it was the perfect opportunity for us to learn a new skill together."
And, man, have they learned.
Creative Soul's photos have been featured in Essence, Munaluchi Bride, MochaKid, on The Real, the OWN network, and more. "A perfect shot tells a story. Even if it's a studio portrait, I love when all of the elements (fashion, hairstyle, accessories, model, etc.) come together to form the story we're trying to tell."
Deanna G | @deannaxnicole
Courtesy of Deanna G
Location: Atlanta, GA
Favorite Camera: Canon 80D/50mm 1.8 Lens
Signature Style: "My signature style is not just one thing; I see it as very versatile. It fits the moment I would say. It is always pretty vibrant, even when it is intended to be 'dark'."
"When I first decided I wanted to take a creative career choice, there were not many women figures to look up to in my field. This is, or was, a male-dominated industry, and it is changing more every day. We are making our mark in this world, and shaking it up along the way."
A photographer since high school, Deanna always knew some sort of camera would be in her hands. "I have always intended to have a career in the film industry, whether that be as an editor, or director of photography," she says. "[But] photography helped me learn more about how I see things visually and opened doors that were not previously opened before."
Her recent "A Black Man's Mental Health" series has been making noise amongst other creatives. But whether a photographer, or a film director, Deanna is sure about one thing: "I want to be an inspiration to young women around the world. I want them to be able to know that they will make it in whatever creative pathway they choose, without the constant mental panic of 'how is this going to play out?'."
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Charmin Michelle is a southern native and creative spirit who works as a content marketer and events manager in Chicago. She enjoys traveling, #SummertimeChi, and the journey of mastering womanhood. Connect with her on Instagram @charminmichelle.
ItGirl 100 Honors Black Women Who Create Culture & Put On For Their Cities
As they say, create the change you want to see in this world, besties. That’s why xoNecole linked up with Hyundai for the inaugural ItGirl 100 List, a celebration of 100 Genzennial women who aren’t afraid to pull up their own seats to the table. Across regions and industries, these women embody the essence of discovering self-value through purpose, honey! They're fierce, they’re ultra-creative, and we know they make their cities proud.
VIEW THE FULL ITGIRL 100 LIST HERE.
Don’t forget to also check out the ItGirl Directory, featuring 50 Black-woman-owned marketing and branding agencies, photographers and videographers, publicists, and more.
THE ITGIRL MEMO
I. An ItGirl puts on for her city and masters her self-worth through purpose.
II. An ItGirl celebrates all the things that make her unique.
III. An ItGirl empowers others to become the best versions of themselves.
IV. An ItGirl leads by example, inspiring others through her actions and integrity.
V. An ItGirl paves the way for authenticity and diversity in all aspects of life.
VI. An ItGirl uses the power of her voice to advocate for positive change in the world.
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Behind The Veil: Brides Get Real About The Hidden Cost Of Wedding Planning
As more attention and concern has been given to mental health over the past few years, the trend seems to have taken its time when it comes to wedding planning. Though one of the most joyous times of a woman’s life, becoming a bride also includes a lot of stress—and most social media content glosses over it.
“I scrubbed TikTok for the better part of a year, and 90% of the content is just about saving money, what not to do and trends,” one bride recalled. “But there was really nothing about how to take care of yourself.”
Extensive research has been done on the state of the modern wedding, and the financial findings alone are enough to cause strain. According to research from The Wedding Report, U.S. wedding costs rose by 3% in 2023 to over $30,000, which is nearly half the country’s average salary. In a study of almost 10,000 couples conducted by The Knot, wedding costs in large cities like New York and Los Angeles peaked at $63,000 and $48,000, respectively.
“I feel like they're taking advantage of a happy moment,” another bride admits. “We hire photographers on the daily, we hire videographers on the daily. We know what a normal day rate is. But just because you put the term 'wedding' on it, the prices are doubled.”
The Knot’s study also includes stats that put interpersonal stress into perspective. With the average wedding including 115 guests, most couples also had at least eight bridesmaids and groomsmen. The study also confirmed that 75% of couples’ foremost concern was whether or not their “guests are well taken care of and have a good time.” All of this can put inordinate pressure on relationships—so much so that couples seek therapy.
“I don't think people really talk about things like, ‘Hey, perhaps you should be in therapy while you're doing this,’” yet another bride confesses. “Of course, some people are in premarital therapy, but I had to be in individual therapy right around the time of the wedding planning as well because it was just a burnout situation.”
In an effort to share more authentic stories about the wedding planning process, we asked four brides to anonymously share their experiences. From destination weddings to a pandemic micro wedding, here is the real tea on just how much a wedding can affect one’s mental health.
raisazwart/ Getty Images
BRIDE #1
There’s a lie that they tell you, that destination weddings are cheaper—they're not. The amount of money that was due upfront for things was definitely a stressor. Even with my fiancé and I collectively grossing over $200,000, I knew I was going to have to get a second job if I wanted things the way that I wanted them.
For my bachelorette, I was met with a lot of resistance from my bridesmaids out the gate. There were just too many opinions for me; it got to the point where I was so fed up with my bridal party that I had other friends outside of my wedding party helping me with things. There were even bridesmaids who were actually cool with each other at first, and now don't deal with each other at all. I also just look at certain friendships differently now.
Then there’s just way too much pressure on brides to look perfect—to be skinny, to have flawless skin, to have the whitest teeth, to have the best hair. I really feel like that was a stressor. I was trying to stay consistent in the gym; I was doing it as much as possible. I spent so much money on skincare, new body scrubs, lotions, and oils, trying to make sure that I was perfect. I also made sure I got my teeth whitened every three months. It got to the point where I was dreading getting my dress fitted because I wasn't the weight or the shape that I felt like I needed to be in order to be ‘perfect.’
"Then there’s just way too much pressure on brides to look perfect—to be skinny, to have flawless skin, to have the whitest teeth, to have the best hair. I really feel like that was a stressor."
My partner and I were in couples counseling at the same time that we were wedding planning. And I think, for the most part, he was involved as much as he was going to be. But then, he lost his mom, and the entire weight of the wedding fell on me. A couple of months before the wedding, I had a breakdown. It was too much to carry. I definitely took on this superwoman armor, and it stressed me the fuck out.
Days before we left, we had our last counseling session. My fiancé and I had a really, really long conversation about what we weren't going to allow to ruin the weekend for us. I just let it go—all the shit that upset me, all the things that pissed me off, even the things that were happening while I was there, I let it go.
A destination wedding was one of the things that we agreed on long ago. We knew that we always wanted to do that. And honestly, we had a fucking blast. For the entire process to be as hellish as it was, the weekend was great. Thank God.
BRIDE #2
Planning a wedding—especially one during the pandemic—was so stressful. My wedding was supposed to be in May 2020, and I canceled the wedding because of the pandemic. But then August 2020 rolled around, and I was like, ‘You know what? Let's just do something small.’ So, I planned my micro wedding in two weeks.
Initially, I had about 250 people that were invited to the wedding. So scaling down to just 30 people was honestly the hardest thing, and I actually lost friends because of it. Honestly, it shocked me, the entitlement that people had, and it just made me look at them differently. I was like, ‘You know what? I'm actually grateful that this happened because maybe I don't need you in my life.’
But to be honest, I think that the pandemic helped me out. With my original wedding plan, I was adding so many things onto the bill because I wanted it to look good for social media, so much so that I was racking up almost $100,000 for my bill. I had to keep reminding myself that it was one day, and spending that much money on a one-day event was actually ridiculous. I only spent $10,000 on my micro wedding, and I feel like that's pretty good. I learned throughout the process that I was being charged more for having a wedding. So, I rented out a Peerspace and I told her it was just a nice dinner for friends and family, that we were already married and were just celebrating. She had no clue that I was walking down the aisle on her rooftop.
As a social media influencer, I knew that tons of photos would be taken, and I would have to post them. I had a crossbite on my two front teeth, and I was so stressed out about how I would look in photos. So, I got Invisalign before the wedding. I also found a hair stylist quickly for my microwedding and she did my wig—but she did such a bad job. I was like, ‘Oh my God, this is so embarrassing. People are gonna see me in my photos on my wedding day with this horrible, horrendous wig.’ I had to pluck it so much more. When I got the photos from the photographer, I told him that he could not post them until I edited them.
If I could give advice to other brides, I would say make sure you do it for you and your partner, nobody else. In the beginning, there were too many people in my ear. Once I started to realize that it was mine and my fiancé’s big day, and it was just us who mattered, that's what shifted everything for me. So don't lean into the pressures of pleasing other people and social media, just do what you think is right and what you truly, truly want.
Serhii Sobolevskyi/ Getty Images
BRIDE #3
The day you get engaged, there’s the attention and the immediate questions: ‘Do you have a date in mind?’ ‘Where are you gonna do it?’ And it was like, ‘I literally just got engaged, can I have one day?’ I got engaged on New Year's Eve and I didn't announce it until April—and that's because I was pressured.
I also didn't want a wedding. I didn't plan my wedding; my mom and family did that because that's what they wanted. So the venue, the flowers, the cake, they did all that because I didn't care. Back when things were going my way, I said I just wanted to do something small in a garden. The only thing I cared about was my dress because I knew my dress was going to be the main thing that was photographed. I always wanted a pink dress; I knew when I chose pink that it was going to be like, ‘Hmm, that's interesting.’
Matopeda Bride was making my dress in Nigeria. Do you understand how stressful it is doing something with somebody that lives in Nigeria? We had to find that sweet spot of time to talk because everything was done over WhatsApp. I didn't get my dress until the week before my wedding, and when I got the dress, it didn't fit. We were panicking a little bit, so much so that I forgot to buy wedding shoes. But when it all came together, that was probably what I was most proud of, because everybody said no to that pink dress and I was like ‘I don't care.’
I also had a zillion workarounds because I was not playing with these people taking advantage of brides. They rip brides off so bad. It's unfair because if you go to a makeup artist and just say you want soft glam, that's $80. But for a wedding? I was being quoted around $1,500 to $2,000 for that same $80 face. So I brought my homegirl, and she did my makeup for free. Wedding cakes were priced around the same, like $1,000 to $1,500. I ordered a white cake from Publix, it might have been like 100 bucks. My mom is a florist, so she put the flowers on the cake and then we ended up doing a cupcake tower around the side.
"They rip brides off so bad. It's unfair because if you go to a makeup artist and just say you want soft glam, that's $80. But for a wedding? I was being quoted around $1,500 to $2,000 for that same $80 face."
I also had no idea—and I'm grateful that they did not tell me—that there was tension between my bridesmaids. Once the wedding was over, I saw the text thread, and it really put a lot of things in perspective for me, because I saw who was willing, who was not responsive, and who wouldn't do things they were supposed to do. Initially, with the garden wedding, it was just going to be me and my fiancé. I didn't want a bridal party.
On the day of, I was so tired of being at a wedding that I left my reception, and I went to the back to talk to a friend. I was like, ‘This is too much.’ I really don't believe half the brides that have these big, obnoxious weddings even want to be there! I've been seeing a lot of content with brides saying, ‘Okay, this is too much. I'm gonna go somewhere and decompress.’
A bride should make sure that she is centered and has a full awareness of who she is and what she would like, and stand firm in that. Just be authentic, be you, and I think you'll be able to deal with it all a little bit better. Every time I hear that somebody bent just a little bit to accommodate people, there were always regrets.
BRIDE #4
I knew I wanted to have a destination wedding before I even had a boyfriend. I've been to destination weddings, and I had so much fun. But mine was a battle with me and my mom, because she was like, ‘Oh, your grandmothers won't be able to come and certain family members won't be able to fly.’ And I was okay with that. I was just like, ‘Well, in this instance it's about me and what I want.’
We had two ceremonies: an American one and a Nigerian one. How we saved money with two weddings was that for the Nigerian one, we didn't feed people. We were like, ‘We're not paying for two receptions.’ Normally, when you go to a traditional Nigerian wedding, they feed people at both, and it gets really, really expensive. But we did it at an all-inclusive resort, so we were like, ‘We'll do the ceremony, and then y'all can go on the resort and go get some food.’
I'm not Nigerian, my husband is, so I let his family handle all that. I ended up having to step in and be the middle man between our wedding party and his family because they wanted us to wear a certain fabric. We got all the fabric from Nigeria, so we had to get everyone's measurements and all that tedious stuff. That's what was complicated. We had to wear the geles, the headwraps, and we didn't know how to tie the geles. So I had to figure out how to get the geles pre-made for the girls because I wanted to do that. That was a big thing for me because this was my only time to have a cultural wedding.
With relationships, it's like people don't know how to not make it about themselves. People also weren't realizing that when they kept asking me for stuff, they were making my life harder. I'm in the middle of planning a wedding, and you're asking me for answers that I've already sent, which is just inconsiderate at the end of the day. I think that's the most frustrating part, and that's why you lose friends, because people wait until the last minute to do things, and they make it harder on you.
People were coming up to me like, ‘Are you having something borrowed? Something blue?’ No. Why am I stressing myself out over that? Because that's a tradition? We need to normalize people being different. Historically, if you're different, you're outcasted, but if that's what I want, I want what I want. I didn't want a garter. I didn't want to do a garter toss. I didn't do the bouquet thing or none of that. When it came to the reception outfit, people were like, ‘Why aren't you getting a dress?’ I didn't want a dress; I wore a white suit. I wore a white suit with a sexy lingerie bodysuit underneath because that's me. With some Jordans, because I'm a sneaker person.
Managing my mental health was about creating boundaries. I think I did a great job of creating boundaries throughout the whole process—I was very stern on what I wanted and what I didn't want.
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Featured image by Adriana Duduleanu/Getty Images