If the vote splits along the party lines as it is expected to, judge Ketanji Brown Jackson will be confirmed as the next justice of the Supreme Court of the United States of America.
The former public defender and judge will have the distinction of being the first Black woman to occupy the prestigious and coveted role, a fact that has dominated much of the conversation around her nomination and her confirmation hearings.
For four days, Judge Jackson sat in front of a belligerent committee answering a barrage of questions ranging from the ridiculous to the downright offensive. Questioning whether her time as a public servant makes her equipped to become a justice to asking her topical — yet irrelevant —- questions about critical race theory and transgender identity. Notably, Texas senator Ted Cruz grilled Jackson about whether he could “turn Asian” or if “babies could be racist” while holding up a copy of an anti racist book for babies. During the hearing, Republican Senator and Senate Judiciary Committee member Thom Tillis from North Carolina even quipped that the extent of his legal knowledge comes from watching the show Law & Order.
Judge Ketanji Brown Jackson being sworn in for her SCOTUS nom hearing
J. Scott Applewhite-Pool/Getty Images
Of all the performances that took place during the confirmation — the bravado, the racism masking as curiosity, the feigned ignorance — it is perhaps the role of the worthy that we all watched Jackson play. There was a photo taken of Jackson as she stands squarely in the middle of a group of white photojournalists who have their lenses fixed directly on her – an almost too apt visual metaphor for the constantly leering gaze of whiteness that Black women operate under.
The disrespect that Jackson faced inflamed a familiar wound for many of the Black women who watched the hearings. There’s not only an expectation for Black women to absorb the verbal assault that comes from being a Black face in a white space, but a virtue that we must inhabit in order to survive.
Much is made about the breaking of glass ceilings, but nothing about the blood that pours out from the person who does the shattering. We’ve been convinced that abuse is worth accepting for the sake of class ascension and being in rooms we’ve historically been barred from. Instead of questioning whether these spaces are worth assimilating into or worth existing at all, we laud the strength of Black women who trek through the treacherous world of whiteness as a way to assuage our guilt for not doing anything to alleviate the burden that requires resilience.
It matters little that Judge Jackson is considered the most qualified person who would ever sit on the Supreme Court or that she has a white husband and the backing of organizations like the Fraternal Order of the Police or that she’s well educated or one of the “good ones.” There’s a fluidity to whiteness’ cruelty, an ever expanding playing field that allows for such moral impurity to happen. What if instead of trying to climb the ever increasing ladder that is required of us to get into these elite spaces, we decided that the ladder isn’t worth climbing? Or that the ladder shouldn’t exist at all?
During the confirmation hearings, Senator Cory Booker gave a speech of support and celebration for Judge Brown Jackson’s nomination that roused many but left me unmoved. He spoke about the legacy of resistance that led to both him and Jackson being able to sit in that room this week. But violence is just as much as a part of that legacy. After listening to Booker’s speech, I couldn’t help but feel that after all those years of righteous struggle, the best we could do was become a part of the thing that tried to kill us.
Exclusive: Melanie Fiona On Making High-Vibrational Music & Saying Yes To Partnership
Melanie Fiona is back! After taking a little more than a decade-long hiatus, she has officially made her return to music and blessed us with two singles, “Say Yes” and “I Choose You.” While both singles are very different from each other, they both reflect who she is today and the type of music she wants to make. In our conversation, the mom of two expressed what she learned during her time away.
“It's interesting, even when I said it is like coming back, I don't ever feel like I really left because I was always still performing. I've still been public. It's not like I went into being this recluse person or version of myself, but the thing that I really learned in this process is that I think things take time,” Melanie says in a xoNecole exclusive.
“I think often we're so caught up in it, being on the timing of demand or popularity, or, like, striking while the iron is hot and the thing that I've learned is that everything is on God's time. That's it. Every time I thought I would have been ready, or, like, things were taking too long, I had to reship some things, personally, professionally, in my life. I also gave myself permission to make a living, not just make a living, but make a life for myself.”
Making a life for herself included getting married to Grammy-nominated songwriter Jared Cotter, starting a family, and embracing new landscapes, such as podcasting as a co-host of The Mama’s Den podcast. She also began doing more spiritual work and self-care practices like meditation, sound healing, Reiki, acupuncture, and boundary setting, which allowed her to get in touch with her inner voice.
“I wasn't putting out music, and I wasn't experiencing a number one record, but I was being a number one mom,” she says.
“I was experiencing things that were allowing me to heal and get in touch with myself so that I could make new music from a space of joy and freedom, and excitement again because I definitely feel like I did lose some excitement because of just politics and industry and what it can do to your mental health and even your physical health. So giving myself the space to really just say, ‘Hey, it's okay. Everything's right on time.’”
The joy and excitement are felt in one of two new singles, “I Choose You,” which is more of a lovers rock vibe, a tribute to Melanie’s Caribbean roots. While the Grammy award-winner is known for ballads like “It Kills Me” and “Fool For You,” she is becoming more intentional about the music she makes, calling it high-vibrational music. She says her music is a “reflection of my life,” as it captures every facet, from hanging out with friends to riding around in her car.
“Say Yes” has the classic R&B vibe Melanie is known for. However, both songs are inspired by her relationship. Melanie and Jared got married in December 2020, and the Toronto-bred artist dished on their relationship. Fun fact: he is featured in the “Say Yes” music video.
“When we first started dating, I had come into that relationship post a lot of self-work. I had gotten out of a long-term relationship, I had a year and a half to date and be by myself and do a lot of work on myself alone. And when we met, I remember feeling like this has to be my person because I feel it,” she says.
“And so when we went into that relationship, and we started dating, I was very clear. I was like, I know what I want. I'm very clear on what I need, and I'm not going to withhold my truth about myself in this process because of pride or fear of rejection. I know you love me, but I'm coming with my heart in my hand to let you know that if we're gonna get there, we have to put fear aside and say yes. So that was kind of like my open letter to him, which is why the video is us having a conversation.”
Melanie also shares that saying yes to her partner has empowered her in many ways, including motherhood and showing up for herself. Her new EP, also titled Say Yes, will be available at the top of 2025.
Check out the full interview below.
Let’s make things inbox official! Sign up for the xoNecole newsletter for love, wellness, career, and exclusive content delivered straight to your inbox.
Feature image by Franco Zulueta
There's nothing like a dynamic duo, and SZA and Kendrick Lamar are ones that don't get talked about enough. While both of them are musical geniuses in their own right, they have also made musical magic together multiple times while signed to TDE. Their music collabs have led to them receiving Grammy noms, Golden Globes noms, and Academy noms.
Now, it's just been announced that they are going on a joint tour in 2025. In honor of their latest collaboration, we take a look at all the times SZA and Kendrick have teamed up together.
SZA Ft. Kendrick Lamar- "Babylon"
The first time we heard the two collaborate was in 2014 on SZA's EP, Z. Their song "Babylon" marries both of their sounds best and forecasts what fans can expect from the pair going forward.
SZA Ft. Kendrick Lamar- "Doves In The Wind"
Kendrick showed up and showed out for SZA again, this time for her 2017 debut album Ctrl. Their song "Doves in the Wind" is a dreamy song, and the Compton rapper's delivery was a chef's kiss.
Kendrick Lamar Ft. SZA- "All The Stars"
This time, Kendrick called up his sis to assist with the song "All The Stars" for the Black Panther album, which he also produced. The song was nominated for multiple awards, including an Oscar.
Kendrick Lamar Ft. SZA- "luther"
Kendrick surprised everyone when he dropped GNX in November. SZA appears on the album twice, including "luther," which samples the late legend Luther Vandross' song "If This World Were Mine." This song instantly became a favorite for Instagram Reels and TikToks.
Kendrick Lamar Ft. SZA- "gloria"
GNX closes out with "gloria," a song dedicated to Kendrick's love of writing rhymes. SZA's voice fills in beautifully between Kendrick's rhymes and ends with her singing, "I see you, you see me, both see what we want."
Let’s make things inbox official! Sign up for the xoNecole newsletter for love, wellness, career, and exclusive content delivered straight to your inbox.
Feature image by Larry Busacca/Getty Images for Coachella