
How This 26-Year-Old Detroit Native Got Her Job Working For Diddy Through Social Media

A lot of us grew up believing the key to success was as simple as DJ Khaled’s major key alerts on Snapchat: Stay in school. Get good grades. Get your degree. #MogulTalk. But we were never really given any guidelines or play-by-plays on how to successfully navigate the ins and outs of young adulthood. We were sort of just thrown into it — a whirlpool of expectations and unexpected circumstances — with little to no warning.
26-year-old Tomeka Kolleh, Associate of the Chairman’s Office at Combs Enterprises, can personally attest to the twenty-something struggle — that horrifying stage of adulthood when you have no frigging clue what your next move is going to be. That crucial moment in life where you either choose to step out on faith or fall by the wayside.
For Tomeka, a first-generation Liberian American from Detroit, stepping out on faith meant quitting her $10/hour gig at a small coffee shop — her first job after graduating with her bachelors degree in public relations from Bowling Green State University — and moving to New York without a job or dollar to her name. It meant going hard or going home. Literally.
Images courtesy of Tomeka Kolleh
Tomeka’s older sister, Deconte, who was living in New York at the time, agreed to help her get on her feet under one condition: Tomeka would have one month to find a job in New York, and if she didn’t, she would have to return home to Detroit. Within a month of moving to NY, Tomeka held up her end of the deal and landed her first job as an admissions counselor at a post-secondary school called Plaza College. A few months later, she wound up picking up an internship at a small PR firm.
“It was a start-up agency, but they had big accounts… We had the money, we had the budget, but we had little manpower,” she said. “So I was an intern working maybe 11- to 12-hour days.”
That small amount of manpower gave Tomeka just enough room to shine.
“I knew Photoshop from back in college,” she said. “They didn’t even know I knew Photoshop until one day [when] they needed edits. I said, ‘Hey, I know how to do it!’… And so that’s when I first learned how to build corporate equity — you have to bring something to the table, or they won’t even think twice.” #MajorKeyAlert
Tomeka had saved up enough money to move into her own place right before she turned 23, but just when things were starting to look up, her situation took a turn for the worse. “I was fired from Plaza College a week before my birthday,” she said. “That was the same time I moved into a bed bug-infested apartment in Brooklyn — the worst experience of my life.”
Frustrated and defeated, Tomeka decided she would leave New York and move back home. But her sister convinced her to stay another week and she wound up picking up a temp job at a media company. Her career took a major turn not long after that.
Tomeka was offered a position a few months later at Remy Martin Cognac as a PR Assistant. While working there, she attended numerous industry events to familiarize herself with industry leads. One of the events she attended was honoring her now boss and mentor Ericka Pittman, who was Vice President of Combs Wines and Spirits at the time. “I knew who [Ericka] was before she could even speak to me. Back then I was obsessed with the industry and what the women of Ciroc were doing for the brand,” she said.
A huge admirer of Pittman, Tomeka took the opportunity to congratulate her and introduce herself. After chatting briefly, Pittman gave Tomeka her card and informed her that Ciroc was always looking for new talent.
Tomeka came across a job posting from Ciroc on Instagram not long after that. She immediately sent Pittman an email expressing her interest in the position and was invited to come in the following day to interview with Pittman and a few other executives at the Bad Boy headquarters. After three months, Tomeka was finally offered the Marketing Coordinator position at Combs Wines and Spirits, the company that houses Ciroc Vodka and Deleon Tequila. She got straight to work on her very first day.
Tomeka (left) with her boss/mentor Ericka Pittman, Vice President of Combs Enterprises.
“Literally, as I was signing my paperwork on my first day, Ericka came in like, ‘Hey, welcome! So glad to have you. You have a conference call in two hours — can you wrap this up?'”
Tomeka channeled her inner Yoncé and fell right into formation. Under Pittman’s direction, she helped manage the company’s national accounts and new business. Then, in January of 2015, Tomeka was called into Pittman’s office to speak with her about something important. Pittman had just been awarded a huge promotion from Mr. Combs himself and accepted the position on the terms that Tomeka would be promoted as well. But there was a catch — the new position would be based in LA. “At the time I had never even been to LA, and now there I was, being presented an offer to pack my things and move,” she said.
Although she had no intentions of ever moving to the West Coast, Tomeka accepted the offer right on the spot. She figured it was the biggest risk she could take that was safe.
“I had a company that was paying for me to move, I had a place to stay because my best friend had just moved out there, I had a car, and I was working for Sean Combs. So I was like, okay,” she said.
A day after returning from her 25th birthday trip to the Dominican Republic, Tomeka said her good-byes, packed up her things and moved straight to LA to begin her new role as the Associate of the Chairman’s Office for Combs Enterprises. In this position, she assists Pittman on a daily basis to synthesize the vision for all of the brands housed under the Combs Enterprises portfolio: Revolt TV, Sean John, CWS (Ciroc Vodka & Deleon Tequila), Blue Flame Agency, Bad Boy Records and Aquahydrate.
“As cliché as it sounds, every single day is different,” she said. “Some days we’re updating Mr. Combs on the activity of his companies and other days we have two weeks to plan and execute an event.”
Tomeka (left) and Vice President of Ciroc Erin Harris with Brandy, who was awarded the Women of Empowerment Award at the Ciroc Empowered Brunch in February.
Tomeka says a lot of men have a tendency to be intimidated by her career, which can be annoying. “Dating as a Millennial and a woman in the entertainment industry is super hard because now, I feel like guys in our generation — the good ones — have more options, so they treat everybody like options. And if you’re headstrong, and you know what you want, they’re like, ‘You can either play by my rules, or you can get on.’ And I’m like, no, I’m not doing that with you.”
Tomeka says a lot of men have a tendency to be intimidated by her career, which can be annoying.
“I work for Mr. Combs — I am not Puff Daddy. I am not Ericka Pittman. I don’t have a lot of money. So it’s like, don’t be intimidated by me, because I’m just a regular old girl that’s just corny and fun. It’s not that big of a deal.”
But when you’re constantly grinding and making moves, maintaining a love life can be tough. Tomeka learned this firsthand from a previous relationship.
“I was 23 at the time and he had to be maybe 28. He could work from home and he traveled for work. He was well into his career to where he had that power. Me, on the other hand, there were days I would work like 14-hour days, 15-hour days, and I would forget (we made plans). He would say, ‘Let’s go to dinner tonight.’ And I’d tell him ‘Okay.’ And then it’s 8PM and I’m like, ‘Oh, I’m so sorry, I have to cancel.’ It was one of those things where I didn’t have a choice but to choose the option that was going to feed me.”
Even though things didn’t work out, Tomeka says that experience helped her understand why so many women in the industry don’t have successful relationships.
“(Men) are okay with empowering you and supporting you, but at the same time, if you’re picking your job over them consistently, they’re like, ‘Yeah, this is pointless — I’m dating a girl, but she’s barely there.'”
Although Pittman is Tomeka’s boss, as her mentor she makes it a point to encourage her to make time for her personal life. “She’ll sit me down and stress, ‘You have to date, date, date,'” Tomeka said.
While she’s not looking to stay single forever, she’s also not willing to settle for just any guy that comes her way. “I’m conscious about my worth; I’m really conscious about who I give my time to, and I don’t want to settle just to have somebody… I’m cool with waking up and it’s not one text message on my phone. I’m used to it — I’m cool with that,” she said. “I think the biggest thing about dating in this age is don’t just know your worth, but play your worth. Because you can know your worth and you can have morals, but if you’re not exercising your morals and sticking by them, then you’re not living out your morals… I just have to do what’s best for me because some of these guys are adult-sized boys that won’t lead you like a man. So I have to be the [person] that I want to date.”
[Tweet ""The biggest thing about dating in this age is don't just know your worth, but play your worth. "]
Amen? Amen.
In addition to the love and support of her family, Tomeka attributes her inspiring journey to her faith in God. Her personal mantra is: “When the universe wants you to succeed, walk by faith and everything will fall into place on its own time.”
[Tweet ""When the universe wants you to succeed, walk by faith and everything will fall into place on its own time.”"]
“My belief [in God] didn’t become 1000% until I moved to New York,” she said. “You have to stand by faith… You couldn’t tell me when I graduated from college I was going to work for Puff. You couldn’t tell me I was going to work for Remy Martin. I didn’t know what was going to happen when I moved to New York. All the time I was in New York I used to tell myself God is not going to play you. God got me this far, he’s going to work it out. God will take care of it. God will help me get a job. And there have been times when I realized in my career that I’m scary. So if it wasn’t for God, I would’ve settled a long time ago.”
Tomeka closed with some wise words of encouragement for other Millennials who are embarking on the unknown path to success.
“I would say challenge yourself to be committed to your passion and purpose as much as possible. No, it might not come with the most money right now. No, it won’t instantly be gratifying and glamorous. But if you stay committed to your passion and purpose, all your dreams will SLOWLY come into fruition. So many times I see my peers bouncing from one hustle to the next without ever allowing one to ever truly manifest. Be committed and love it until it hurts.”
Related Post:Ericka Pittman: Diddy's Right Hand Woman Is Bringing Beauty To The Boardroom
Originally posted on According to Kori.
Kori A. Winters is a Black female 20-something with an unyielding passion and God-given purpose to motivate others through her creative talents. A 2012 graduate of Howard University, Kori earned her B.B.A. in marketing, which works hand in hand with her passion for writing and social media. Outside of her day job as a communications and social media coordinator, she runs her own blog, "According2Kori.com: The Random Thoughts of a Single Black Female", which serves as an outlet for her to uplift others, namely young women, through the sharing of Kori's life experiences and perspectives. Kori plans to use her blog as a platform to launch other projects centered around promoting principles of faith, health and self-love.
Claudia Jordan, Demetria McKinney & Jill Marie Jones On 'Games Women Play' & Dating Over 40
What do you get when you mix unfiltered truths, high-stakes romance, and a few well-timed one-liners? You get Games Women Play—the sizzling new stage play by Je’Caryous Johnson that’s part relationship rollercoaster, part grown-woman group chat.
With a powerhouse cast that includes Claudia Jordan, Demetria McKinney, Jill Marie Jones, Carl Payne, Chico Bean, and Brian J. White, the play dives headfirst into the messy, hilarious, and heart-wrenching games people play for love, power, and peace of mind. And the women leading this story? They’re bringing their whole selves to the stage—and leaving nothing behind.
From Script to Spotlight
The road to Games Women Play started over 20 years ago—literally.
“This script was written 20 years ago,” Jill Marie Jones said with a smile. “It was originally called Men, Money & Gold Diggers, and I was in the film version. So when Je’Caryous called me to bring it to the stage, I was like, ‘Let’s go.’” Now reimagined for 2025, the play is updated with sharp dialogue and modern relationship dynamics that feel all too real.
Demetria McKinney, no stranger to Je’Caryous Johnson’s productions, jumped at the opportunity to join the cast once again. “This is my third time working with him,” she shared. “It was an opportunity to stretch. I’d never been directed by Carl Payne before, and the chance to work with talent I admire—Jill, Claudia, Chico—it was a no-brainer.”
Claudia Jordan joked that she originally saw the role as just another check. “I didn’t take it that seriously at first,” she admitted. “But this is my first full-on tour—and now I’ve got a whole new respect for how hard people work in theater. This ain’t easy.”
Modern Love, Stage Left
The play doesn’t hold back when it comes to the messier parts of love. One jaw-dropping moment comes when a live podcast proposal flips into a prenup bombshell—leaving the audience (and the characters) gasping.
Demetria broke it down with honesty. “People don’t ask the real questions when they date. Like, ‘Do you want kids? How do you feel about money?’ These convos aren’t happening, and then everyone’s confused. That moment in the play—it’s real. That happens all the time.”
Jill chimed in, noting how the play speaks to emotional disconnect. “We’re giving each other different tokens of love. Men might offer security and money. Women, we’re giving our hearts. But there’s a disconnect—and that’s where things fall apart.”
And then Claudia, of course, took it all the way there. “These men don’t even want to sign our prenups now!” she laughed. “They want to live the soft life, too. Wearing units, gloss, getting their brows done. We can’t have nothing! Y’all want to be like us? Then get a damn period and go through menopause.”
Dating Over 40: “You Better Come Correct”
When the conversation turned to real-life relationships, all three women lit up. Their experiences dating in their 40s and 50s have given them both clarity—and zero tolerance for games.
“I feel sexier than I’ve ever felt,” said Jill, who proudly turned 50 in January. “I say what I want. I mean what I say. I’m inside my woman, and I’m not apologizing for it.”
Demetria added that dating now comes with deeper self-awareness. “Anybody in my life is there because I want them there. I’ve worked hard to need nobody. But I’m open to love—as long as you keep doing what got me there in the first place.”
For Claudia, the bar is high—and the peace is priceless. “I’ve worked hard for my peace,” she said. “I’m not dating for food. I’m dating because I want to spend time with you. And honestly, if being with you isn’t better than being alone with my candles and fountains and cats? Then no thanks.”
Channeling Strength & Icon Status
Each actress brings something different to the play—but all of them deliver.
“I actually wish I could be messier on stage,” Claudia joked. “But I think about my grandmother—she was born in 1929, couldn’t even vote or buy a house without a man, and didn’t give a damn. She was fearless. That’s where my strength comes from.”
For Jill, the comparisons to her iconic Girlfriends character Toni Childs aren’t far off—but this role gave her a chance to dig deeper. “If you really understood Toni, you’d see how layered she was. And Paisley is the same—misunderstood, but strong. There’s more to her than people see at first glance.”
Demetria, who juggles singing and acting seamlessly, shared that live theater pushes her in a new way. “Every moment on stage counts. You can’t redo anything. It’s a different kind of love and discipline. You have to give the performance away—live, in the moment—and trust that it lands.”
Laughter, Lessons & Black Girl Gems
The show has plenty of laugh-out-loud moments—and the cast isn’t shy about who steals scenes.
“Chico Bean gets a lot of gasps and laughs,” Claudia said. “And Naomi Booker? Every scene she’s in—she’s hilarious.”
But the play isn’t just about humor. It leaves space for reflection—especially for Black women.
“I hope we get back to the foundation of love and communication,” said Demetria. “A lot of us are in protector mode. But that’s turned into survival mode. We’ve lost softness. We’ve lost connection.”
Claudia agreed. “We’re doing it all—but it’s not because we want to be strong all the time. It’s because we have to be. And I just want women to know: You can have peace, you can be soft. But stop bringing your old pain into new love. Don’t let past heartbreak build walls so high that the right person can’t climb over.”
Final Act: Pack the House
If there’s one thing this cast agrees on, it’s that this play isn’t just entertainment—it’s necessary.
“Atlanta is the Black entertainment hub,” Claudia said. “We need y’all to show up for this play. Support the arts. Support each other. Because when we pack the house, we make space for more stories like this.”
Games Women Play is more than a play—it’s a mirror. You’ll see yourself, your friends, your exes, and maybe even your next chapter. So get ready to laugh, reflect, and maybe even heal—because the games are on.
Let’s make things inbox official! Sign up for the xoNecole newsletter for love, wellness, career, and exclusive content delivered straight to your inbox.
Feature image courtesy
Claudia Jordan, Demetria McKinney & Jill Marie Jones On 'Games Women Play' & Dating Over 40
What do you get when you mix unfiltered truths, high-stakes romance, and a few well-timed one-liners? You get Games Women Play—the sizzling new stage play by Je’Caryous Johnson that’s part relationship rollercoaster, part grown-woman group chat.
With a powerhouse cast that includes Claudia Jordan, Demetria McKinney, Jill Marie Jones, Carl Payne, Chico Bean, and Brian J. White, the play dives headfirst into the messy, hilarious, and heart-wrenching games people play for love, power, and peace of mind. And the women leading this story? They’re bringing their whole selves to the stage—and leaving nothing behind.
From Script to Spotlight
The road to Games Women Play started over 20 years ago—literally.
“This script was written 20 years ago,” Jill Marie Jones said with a smile. “It was originally called Men, Money & Gold Diggers, and I was in the film version. So when Je’Caryous called me to bring it to the stage, I was like, ‘Let’s go.’” Now reimagined for 2025, the play is updated with sharp dialogue and modern relationship dynamics that feel all too real.
Demetria McKinney, no stranger to Je’Caryous Johnson’s productions, jumped at the opportunity to join the cast once again. “This is my third time working with him,” she shared. “It was an opportunity to stretch. I’d never been directed by Carl Payne before, and the chance to work with talent I admire—Jill, Claudia, Chico—it was a no-brainer.”
Claudia Jordan joked that she originally saw the role as just another check. “I didn’t take it that seriously at first,” she admitted. “But this is my first full-on tour—and now I’ve got a whole new respect for how hard people work in theater. This ain’t easy.”
Modern Love, Stage Left
The play doesn’t hold back when it comes to the messier parts of love. One jaw-dropping moment comes when a live podcast proposal flips into a prenup bombshell—leaving the audience (and the characters) gasping.
Demetria broke it down with honesty. “People don’t ask the real questions when they date. Like, ‘Do you want kids? How do you feel about money?’ These convos aren’t happening, and then everyone’s confused. That moment in the play—it’s real. That happens all the time.”
Jill chimed in, noting how the play speaks to emotional disconnect. “We’re giving each other different tokens of love. Men might offer security and money. Women, we’re giving our hearts. But there’s a disconnect—and that’s where things fall apart.”
And then Claudia, of course, took it all the way there. “These men don’t even want to sign our prenups now!” she laughed. “They want to live the soft life, too. Wearing units, gloss, getting their brows done. We can’t have nothing! Y’all want to be like us? Then get a damn period and go through menopause.”
Dating Over 40: “You Better Come Correct”
When the conversation turned to real-life relationships, all three women lit up. Their experiences dating in their 40s and 50s have given them both clarity—and zero tolerance for games.
“I feel sexier than I’ve ever felt,” said Jill, who proudly turned 50 in January. “I say what I want. I mean what I say. I’m inside my woman, and I’m not apologizing for it.”
Demetria added that dating now comes with deeper self-awareness. “Anybody in my life is there because I want them there. I’ve worked hard to need nobody. But I’m open to love—as long as you keep doing what got me there in the first place.”
For Claudia, the bar is high—and the peace is priceless. “I’ve worked hard for my peace,” she said. “I’m not dating for food. I’m dating because I want to spend time with you. And honestly, if being with you isn’t better than being alone with my candles and fountains and cats? Then no thanks.”
Channeling Strength & Icon Status
Each actress brings something different to the play—but all of them deliver.
“I actually wish I could be messier on stage,” Claudia joked. “But I think about my grandmother—she was born in 1929, couldn’t even vote or buy a house without a man, and didn’t give a damn. She was fearless. That’s where my strength comes from.”
For Jill, the comparisons to her iconic Girlfriends character Toni Childs aren’t far off—but this role gave her a chance to dig deeper. “If you really understood Toni, you’d see how layered she was. And Paisley is the same—misunderstood, but strong. There’s more to her than people see at first glance.”
Demetria, who juggles singing and acting seamlessly, shared that live theater pushes her in a new way. “Every moment on stage counts. You can’t redo anything. It’s a different kind of love and discipline. You have to give the performance away—live, in the moment—and trust that it lands.”
Laughter, Lessons & Black Girl Gems
The show has plenty of laugh-out-loud moments—and the cast isn’t shy about who steals scenes.
“Chico Bean gets a lot of gasps and laughs,” Claudia said. “And Naomi Booker? Every scene she’s in—she’s hilarious.”
But the play isn’t just about humor. It leaves space for reflection—especially for Black women.
“I hope we get back to the foundation of love and communication,” said Demetria. “A lot of us are in protector mode. But that’s turned into survival mode. We’ve lost softness. We’ve lost connection.”
Claudia agreed. “We’re doing it all—but it’s not because we want to be strong all the time. It’s because we have to be. And I just want women to know: You can have peace, you can be soft. But stop bringing your old pain into new love. Don’t let past heartbreak build walls so high that the right person can’t climb over.”
Final Act: Pack the House
If there’s one thing this cast agrees on, it’s that this play isn’t just entertainment—it’s necessary.
“Atlanta is the Black entertainment hub,” Claudia said. “We need y’all to show up for this play. Support the arts. Support each other. Because when we pack the house, we make space for more stories like this.”
Games Women Play is more than a play—it’s a mirror. You’ll see yourself, your friends, your exes, and maybe even your next chapter. So get ready to laugh, reflect, and maybe even heal—because the games are on.
Let’s make things inbox official! Sign up for the xoNecole newsletter for love, wellness, career, and exclusive content delivered straight to your inbox.
Feature image courtesy