
From declaring it a sexy scalp summer to being buzzed and booked, many Black women are revisiting an empowering rite of passage with short haircuts that have been trending all summer.
If you’ve scrolled through TikTok or IG Reels lately, you’ve probably seen it: clippers buzzing, curls falling, edges getting freed. The big chop is not just in a nostalgic, “Remember when we all went natural back in 2001” kind of way. It’s a modern-day reckoning.
While big chopping is nothing new—and can include both curly and straight choices—Black women today are snipping off more than damaged or weighty hair this time around. Many of us are cutting ties with the stress of career setbacks, unemployment, and underemployment.
For Black women especially, the chop is about reclaiming power when everything feels out of our control. It’s a ritual of release—like saging your crown. We’re saying goodbye to old versions of ourselves, outdated beauty standards, and the weight of being “on” all the time.
We’ve lived through a pandemic, confrontations around race and gender, “crashout burnout” culture, and the quiet grief of dreams delayed. The unemployment rate for Black women is disproportionately high, lingering at 6 percent (double that of White professionals—a record).
Take inspiring examples like that of Joy Reid, award-winning journalist and author who, earlier this year, was fired from MSNBC where she was host of The ReidOut after serving in the role for five years, tackling real conversations around race, equity, culture, and the U.S. systems minorities are constantly navigating.
Throughout the show’s time—as many of us do in the workplace—Joy Reid wore her hair in a plethora of styles, from tapered curly 'dos, to chin-length waves, to braided extensions. This was all while being the first Black woman to anchor a primetime cable news show, winning awards, and raking in top ratings at the onset.
The fallout of her MSNBC departure was public, and Joy unapologetically shared, via a recorded Zoom call, that she'd “been through every emotion, from anger, rage, disappointment, hurt.” Since then, according to a recent interview, she’s fully leaned into the short blond natural she’d debuted on MSNBC last year, and still proudly rocks it while hosting The Joy Reid Show podcast, which launched this June. “I finally did it, and I love it, and it’s so fun,” she said in the interview. “I think we’ve been so kind of tormented about our hair as Black women, and our hair has always been political. It used to be illegal for us to wear braids—or not illegal, but people could fire you for wearing braids.”
“I definitely had the anxiety of, how is this going to go over? You know, go over with my audience. And so we think about it all,” she continued, adding that she feels free.
There’s a specific kind of emotional alchemy that happens when Black women cut their hair, especially in a career transition.
Whether it’s walking away from a toxic workplace, stepping into entrepreneurship, or pivoting into a more purpose-aligned path, the big chop becomes a visible, visceral declaration: I am not who I was when I started this job. Hell, I’m not defined by a job—period.
Joy joins many other powerful Black women who have shown the world that short hair can be both evolutionary and revolutionary in one’s personal and professional life. Halle Berry, Toni Braxton, Rihanna, Yvonne Orji, Solange, Grace Jones, Keke Palmer—they all took bold, very public steps that redefine what self-care, healing and thriving can look like. Congresswoman Ayanna Pressley publicly shared her challenges with alopecia in 2020 and has since continued to proudly embrace her bald head as part of her in-office style.
These women didn’t need a haircut to shine—the talent was already there. But let’s be real: Grace, Halle, and Toni’s iconic short haircuts didn’t just turn heads, they turned their careers up a notch. The crown wasn’t the source, but it was a spotlight. A fresh cut can’t make you—but it sure can let the world know you’ve arrived.
I recently went back to short and natural after a stretch of wearing wigs and extensions and losing clients left and right due to diversity budget cuts. I’ve had to make a major pivot in my career, and it’s hard enough rewriting resumes, tweaking proposals, rebounding from constant rejection, and piecing my mental health back together after constantly second-guessing why I don’t just give up and do something cyber-based and strange for a lil’ change.
The last thing I need right now—in this economy and wacky job market—is high-maintenance hair. Happily, it’s just curls, water, gel, and go—a sharp, short TWA that keeps me grounded and makes me pop. No stress, all presence.
So, if you’re on the professional edge (literally and figuratively), wondering why you’re stuck in a wacky Twilight Zone episode in your career, think about letting that hair go.
It’s true: A big chop is no magic wand to cure all your job search or career advancement woes. And it by no means will reverse the troubling socioeconomic and political conditions we’re living in right now. The dilemmas many of us are facing are harsh, terrifying and exhausting. Yes.
But if you’re constantly hitting career walls and you’re at your wits end, maybe your scalp deserves a bit of sunlight. In 2025, the big chop isn’t a breakdown—it’s a supporting character in your career breakthrough. And it’s reminding us—Black women— that we can reintroduce ourselves at any length. No warning. No permission. Just vibes, clippers, and clarity.
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Featured image by Face Stock/Shutterstock
Exclusive: Viral It Girl Kayla Nicole Is Reclaiming The Mic—And The Narrative
It’s nice to have a podcast when you’re constantly trending online. One week after setting timelines ablaze on Halloween, Kayla Nicole released an episode of her Dear Media pop culture podcast, The Pre-Game, where she took listeners behind the scenes of her viral costume.
The 34-year-old had been torn between dressing up as Beyoncé or Toni Braxton, she says in the episode. She couldn’t decide which version of Bey she’d be, though. Two days before the holiday, she locked in her choice, filming a short recreation of Braxton’s “He Wasn’t Man Enough for Me” music video that has since garnered nearly 6.5M views on TikTok.
Kayla Nicole says she wore a dress that was once worn by Braxton herself for the Halloween costume. “It’s not a secret Toni is more on the petite side. I’m obsessed with all 5’2” of her,” she tells xoNecole via email. “But I’m 5’10'' and not missing any meals, honey, so to my surprise, when I got the dress and it actually fit, I knew it was destiny.”
The episode was the perfect way for the multihyphenate to take control of her own narrative. By addressing the viral moment on her own platform, she was able to stir the conversation and keep the focus on her adoration for Braxton, an artist she says she grew up listening to and who still makes her most-played playlist every year. Elsewhere, she likely would’ve received questions about whether or not the costume was a subliminal aimed at her ex-boyfriend and his pop star fiancée. “I think that people will try to project their own narratives, right?” she said, hinting at this in the episode. “But, for me personally – I think it’s very important to say this in this moment – I’m not in the business of tearing other women down. I’m in the business of celebrating them.”
Kayla Nicole is among xoNecole’s It Girl 100 Class of 2025, powered by SheaMoisture, recognized in the Viral Voices category for her work in media and the trends she sets on our timelines, all while prioritizing her own mental and physical health. As she puts it: “Yes, I’m curating conversations on my podcast The Pre-Game, and cultivating community with my wellness brand Tribe Therepē.”
Despite being the frequent topic of conversation online, Kayla Nicole says she’s learning to take advantage of her growing social media platform without becoming consumed by it. “I refuse to let the internet consume me. It’s supposed to be a resource and tool for connection, so if it becomes anything beyond that I will log out,” she says.
On The Pre-Game, which launched earlier this year, she has positioned herself as listeners “homegirl.” “There’s definitely a delicate dance between being genuine and oversharing, and I’ve had to learn that the hard way. Now I share from a place of reflection, not reaction,” she says. “If it can help someone feel seen or less alone, I’ll talk about it within reason. But I’ve certainly learned to protect parts of my life that I cherish most. I share what serves connection but doesn’t cost me peace.
"I refuse to let the internet consume me. It’s supposed to be a resource and tool for connection, so if it becomes anything beyond that I will log out."

Credit: Malcolm Roberson
Throughout each episode, she sips a cocktail and addresses trending topics (even when they involve herself). It’s a platform the Pepperdine University alumnus has been preparing to have since she graduated with a degree in broadcast journalism, with a concentration in political science.
“I just knew I was going to end up on a local news network at the head anchor table, breaking high speed chases, and tossing it to the weather girl,” she says. Instead, she ended up working as an assistant at TMZ before covering sports as a freelance reporter. (She’s said she didn’t work for ESPN, despite previous reports saying otherwise.) The Pre-Game combines her love for pop culture and sports in a way that once felt inaccessible to her in traditional media.
She’s not just a podcaster, though. When she’s not behind the mic, taking acting classes or making her New York Fashion Week debut, Kayla Nicole is also busy elevating her wellness brand Tribe Therepē, where she shares her workouts and the workout equipment that helps her look chic while staying fit. She says the brand will add apparel to its line up in early 2026.
“Tribe Therepē has evolved into exactly what I have always envisioned. A community of women who care about being fit not just for the aesthetic, but for their mental and emotional well-being too. It’s grounded. It’s feminine. It’s strong,” she says. “And honestly, it's a reflection of where I am in my life right now. I feel so damn good - mentally, emotionally, and physically. And I am grateful to be in a space where I can pour that love and light back into the community that continues to pour into me.”
Tap into the full It Girl 100 Class of 2025 and meet all the women changing game this year and beyond. See the full list here.
Featured image by Malcolm Roberson
Jon B. Talks New Album, 18-Year Marriage & Being A Girl Dad
Since 1995, Jon B. has been entertaining us with his soulful voice, belting out R&B classics like “They Don’t Know” and “Someone to Love.” Despite his immense success, Jon decided to prioritize his family and take a step back from the music scene. He got married, and together, he and his wife had daughters. While he didn’t release any new music during this period, Jon remained dedicated to his fans by touring and maintaining his connection with them.
"I'm raising two daughters," he tells xoNecole exclusively. "One is 11 now, and one is 18, and both need their dad. Besides being a father, a rock star on the weekends, and a husband of 18 years, the real thing that kept me the busiest over the last 10 years was the road, keeping the bread on the table, and staying with my fans. Nevertheless, connecting with the fans and keeping that relationship alive. Regardless of whether I was on the radio every five minutes or whatnot. I just wanted to keep that relationship alive, and the best way to do that is just go and perform."
A decade later, Jon B. dropped a new album, WAITING on YOU. The album title alone is a nod to fans who have been waiting on him to release new music. The "Are You Still Down" singer collaborated with Rick Ross, Alex Isley, Tank, and Donell Jones on the album, giving fans a little bit of everything.
"Compiling this album was a labor of love because it was me sort of picking the gems. I wrote so many songs over the last 30 years. I wanted to go back and dust some old gems off and see if I can rework these records," he says. "Some of them are kind of reworks from back in the day, from back in the late '90s. I just kind of love the beat. One of the songs on my album is a vintage cut. I'll call it a vintage cut because I did it in '98. It's a song called "Pick Me Up."
"There's a little bit of the old and a little bit of the new, but WAITING on YOU, I felt was an appropriate name for the album, being that it was 10 years and it's really about my relationship that I have with my fans. Not only is it the relationship I have with my wife and my children, it's the extended relationship I have with with you guys, the listeners."
"There's a little bit of the old and a little bit of the new, but WAITING on YOU, I felt was an appropriate name for the album, being that it was 10 years and it's really about my relationship that I have with my fans."
His wife and kids are his biggest supporters and he shared that they sometimes give their opinion on his music. When it comes to his relationship with his wife, he says communication and patience are the keys to lasting. "I don't mean to sound like Dr. Phil up in here, but 18 years, going on 19, and it's like, I'm not counting, but I guess we're doing something right because we're very happy people," he says.
"I'm making music that reflects what I feel in my heart, which is pretty cool to share with the world now as a grown ass man instead of a guy who was growing up and had an old soul and I was figuring stuff out. I'm grateful for those records, but I really feel like these records are like a guy celebrating everything that I've been blessed to experience so far."
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