Miss Diddy On How She Hustled Her Way From Selling Insurance To The Only Woman Promoter In Hollywood

On a Sunday night when most people are turning in, HYDE Sunset is just turning up.
I walk in just shy of midnight and already the swanky nightclub is packed. Partygoers flank to the VIP sections where bottles of champagne and various liquors are popped, followed by an influx of beautiful women in taut dresses hoping to cop free libations for the night. The DJ announces the arrival of Chris Brown, just a few minutes after I spot Marlon Wayans and King Bach strolling by.
Forty-five minutes in I look up from my phone just in time to lock eyes with the woman responsible for bringing the party to life. Miss Diddy rushes up to me in her six-inch heels and a tan-colored dress, pulling me by the hand as she rushes back out the door to meet with one of her many celebrity guests for the evening before escorting us to her designated section across from the DJ booth.
“It’s crazy, girl!” Miss Diddy says to me before checking her phone and dashing off again.
Though she’s known for her Rolodex of celebrity friends and clients, if you ask Miss Diddy, she’s a superstar in her own right. “Anyone knows when I walk in the room I kind of light it up,” she says. “Everything kind of gravitates to me and it’s always if they don’t know they’ll be like who is she? I’ve always had a star power.”
“Anyone knows when I walk in the room I kind of light it up. I’ve always had a star power.”
What can easily be considered cockiness is really an air of confidence. When Miss Diddy speaks, it’s with a certain assuredness that indicates that she knows who she is, and she’ll be damned if you don’t know it, too. She gets it from her mama, she tells me, a woman who could command a room as soon as she walked in the door.
Despite being a self-proclaimed shy gal, Miss Diddy says that ironically she always thrived in social environments, and soon learned to embrace her strong personality and hustler mentality that would eventually lead her to becoming Hollywood’s only female promoter. But before she could assume the role of becoming the “It Girl” of urban nightlife, she first had to figure out what it was that she was actually purposed to do. “I begged God for my purpose actually,” she says. “I begged him to release it to me. And I remember the first time I understood the importance of what I was seeking for, he told me that it was too big; I can’t show you that.”
As a kid growing up in Compton, Miss Diddy was free to explore anything that captured her interest, from hair and makeup to sewing. “In my house, we weren’t booked bashed, and it freed me to be able to really explore things that I was great at.”
But being born into a family of creatives (her dad was a musician and her great-grandmother wrote songs with Mahalia Jackson), Diddy—a nickname gifted to her by her high school buddies—naturally gravitated to entertainment. During her second year of college, she found more value in street smarts than book smarts and decided to drop out in pursuit of real-world experiences. Her first taste of working in the industry came soon after when John Monopoly, former manager for Kanye West, offered her a job doing the west coast promotions for the G.O.O.D. Music label.
Miss Diddy excelled by doing what she does best—connecting people. She gathered a group of 20 beautiful women who deemed themselves as the “G.O.O.D. Girls” and took over street team marketing and promotions for the label. Simultaneously she was still working in insurance, but the money didn’t make up for her lack of fulfillment. When she had a sudden revelation that she no longer belonged with that company, she walked out of her job the same day and never looked back.
“I remember sitting in my office and he was like this is your last day here,” she discloses in an interview with Jocelyn Vega. “I started picking up stuff from my office in my office and taking it slowly down to my car that day.”
Thank to her industry connections and mentors such as Kenny Burns, she was able to transition into being a full-time promoter. “A lot of times you start as a promoter and then you go to a higher level and then you’re lucky if you’re able to get a music industry job, but I came in with a Rolodex of really great connections. I also sat under Kanye and John—guys whose vision were so crazy and phenomenal in how they view things.”
Her years of learning under her mentors paid off, and true to the Diddy moniker, she went above and beyond to make her name a staple in lifestyle marketing. While most promoters were busy being the life of the party, Miss Diddy was creating the party and married together nightlife and entertainment through star-studded events.
“I was able to look almost from a third eye and really see what was missing and what I can bring to the table because I’m a very business-minded by nature, and a lot of promoters aren’t. I don’t care about sitting here and partying and drinking. I’m not doing any of that. How do we maximize it to make the most of it? What’s going to make this party bigger? What’s going to make it greater? What’s going to make this moment last longer than Usher’s having a party? And we did it every week. It was also important for me to be able to put my artist friends in positions to win.”
"It was also important for me to be able to put my artist friends in positions to win.”
But Diddy wasn’t just satisfied with the applause, she wanted the recognition, too, and to take control of her success by being her own boss. “I was a tour manager with an artist that was a close friend of mine since I was a kid, and we parted ways and I said I never want to be in the position again where someone is able to dictate my livelihood, and I went to go start The Brand Group, and it just went crazy.”
The full-service marketing and PR firm, which currently has a staff of ten employees, solidified Diddy as a branding connoisseur, and soon she was getting calls from clients such as Russell Simmons for re-branding of All Def Comedy Live and celebrity and lifestyle brands looking to get her Midas touch.
On any given day the culture queen has her plate filled with creative meetings to overseeing event production. Having a consistent prayer life keeps her calm in the midst of the daily storms. “It takes a tough and graceful person to be in the position that I’m in. It’s not something that’s easy for anyone. You have to be very levelheaded if you want to be successful, “ Diddy says.
Of course, being the only female in a male-dominated industry isn’t easy; however, being one who can hold her own without getting caught up in the he say she say enables her to strut in her six-inch Louboutins while still getting things done. “In this business the way you’re perceived and viewed is everything,” says Diddy. “I’ve been lucky and blessed to be a very, very respected woman. And I’ve also been blessed to have great work ethic and to have results. I understood that the details don’t matter, they want results. And that’s what I was always able to provide so no one could negate my work, no one could act as if my work didn’t speak for itself, and I think that’s really what it was for me.”
"In this business the way you’re perceived and viewed is everything."
As much as she enjoys living life amongst the rich and the famous, Diddy believes that this is only just the beginning of what she is destined to do. Although she still has a goal of creating a positive impact on the same inner cities that she came from, she’s no longer putting herself on a set timeline to achieve certain goals. “By the time I was 25, I thought I would have bought my mom a Jaguar and I’d have a kid, but life happens. Life evolves, and as long as you’re on track, that’s all that matters.”
But by no means does that mean that this girl boss is going to sit idly by while pursuing a path of purpose, nor is she limiting herself to just being the only woman promoter in L.A. “I’m still a work in progress following God’s dream. Whatever God leads me to do and opens doors for, that’s what I’m going to do.”
Featured image by Prince Williams/WireImage
Because We Are Still IT, Girl: It Girl 100 Returns
Last year, when our xoNecole team dropped our inaugural It Girl 100 honoree list, the world felt, ahem, a bit brighter.
It was March 2024, and we still had a Black woman as the Vice President of the United States. DEI rollbacks weren’t being tossed around like confetti. And more than 300,000 Black women were still gainfully employed in the workforce.
Though that was just nineteen months ago, things were different. Perhaps the world then felt more receptive to our light as Black women.
At the time, we launched It Girl 100 to spotlight the huge motion we were making as dope, GenZennial Black women leaving our mark on culture. The girls were on the rise, flourishing, drinking their water, minding their business, leading companies, and learning to do it all softly, in rest. We wanted to celebrate that momentum—because we love that for us.
So, we handpicked one hundred It Girls who embody that palpable It Factor moving through us as young Black women, the kind of motion lighting up the world both IRL and across the internet.
It Girl 100 became xoNecole’s most successful program, with the hashtag organically reaching more than forty million impressions on Instagram in just twenty-four hours. Yes, it caught on like wildfire because we celebrated some of the most brilliant and influential GenZennial women of color setting trends and shaping culture. But more than that, it resonated because the women we celebrated felt seen.
Many were already known in their industries for keeping this generation fly and lit, but rarely received recognition or flowers. It Girl 100 became a safe space to be uplifted, and for us as Black women to bask in what felt like an era of our brilliance, beauty, and boundless influence on full display.
And then, almost overnight, it was as if the rug was pulled from under us as Black women, as the It Girls of the world.
Our much-needed, much-deserved season of ease and soft living quickly metamorphosed into a time of self-preservation and survival. Our motion and economic progression seemed strategically slowed, our light under siege.
The air feels heavier now. The headlines colder. Our Black girl magic is being picked apart and politicized for simply existing.
With that climate shift, as we prepare to launch our second annual It Girl 100 honoree list, our team has had to dig deep on the purpose and intention behind this year’s list. Knowing the spirit of It Girl 100 is about motion, sauce, strides, and progression, how do we celebrate amid uncertainty and collective grief when the juice feels like it is being squeezed out of us?
As we wrestled with that question, we were reminded that this tension isn’t new. Black women have always had to find joy in the midst of struggle, to create light even in the darkest corners. We have carried the weight of scrutiny for generations, expected to be strong, to serve, to smile through the sting. But this moment feels different. It feels deeply personal.
We are living at the intersection of liberation and backlash. We are learning to take off our capes, to say no when we are tired, to embrace softness without apology.
And somehow, the world has found new ways to punish us for it.

In lifestyle, women like Kayla Nicole and Ayesha Curry have been ridiculed for daring to choose themselves. Tracee Ellis Ross was labeled bitter for speaking her truth about love. Meghan Markle, still, cannot breathe without critique.
In politics, Kamala Harris, Letitia James, and Jasmine Crockett are dragged through the mud for standing tall in rooms not built for them.
In sports, Angel Reese, Coco Gauff, and Taylor Townsend have been reminded that even excellence will not shield you from racism or judgment.

In business, visionaries like Diarrha N’Diaye-Mbaye and Melissa Butler are fighting to keep their dreams alive in an economy that too often forgets us first.
Even our icons, Beyoncé, Serena, and SZA, have faced criticism simply for evolving beyond the boxes society tried to keep them in.
From everyday women to cultural phenoms, the pattern is the same. Our light is being tested.

And yet, somehow, through it all, we are still showing up as that girl, and that deserves to be celebrated.
Because while the world debates our worth, we keep raising our value. And that proof is all around us.
This year alone, Naomi Osaka returned from motherhood and mental health challenges to reach the semifinals of the US Open. A’ja Wilson claimed another MVP, reminding us that beauty and dominance can coexist. Brandy and Monica are snatching our edges on tour. Kahlana Barfield Brown sold out her new line in the face of a retailer that had been canceled. And Melissa Butler’s company, The Lip Bar, is projecting a forty percent surge in sales.

We are no longer defining strength by how much pain we can endure. We are defining it by the unbreakable light we continue to radiate.
We are the women walking our daily steps and also continuing to run solid businesses. We are growing in love, taking solo trips, laughing until it hurts, raising babies and ideas, drinking our green juice, and praying our peace back into existence.
We are rediscovering the joy of rest and realizing that softness is not weakness, it is strategy.
And through it all, we continue to lift one another. Emma Grede is creating seats at the table. Valeisha Butterfield has started a fund for jobless Black women. Arian Simone is leading in media with fearless conviction. We are pouring into each other in ways the world rarely sees but always feels.

So yes, we are in the midst of societal warfare. Yes, we are being tested. Yes, we are facing economic strain, political targeting, and public scrutiny. But even war cannot dim a light that is divinely ours.
And we are still shining.
And we are still softening.
And we are still creating.
And we are still It.

That is the quiet magic of Black womanhood, our ability to hold both truth and triumph in the same breath, to say yes, and to life’s contradictions.
It is no coincidence that this year, as SheaMoisture embraces the message “Yes, And,” they stand beside us as partners in celebrating this class of It Girls. Because that phrase, those two simple words, capture the very essence of this moment.
Yes, we are tired. And we are still rising.
Yes, we are questioned. And we are the answer.
Yes, we are bruised. And we are still beautiful.

This year’s It Girl 100 is more than a list. It is a love letter to every Black woman who dares to live out loud in a world that would rather she whisper. This year’s class is living proof of “Yes, And,” women who are finding ways to thrive and to heal, to build and to rest, to lead and to love, all at once.
It is proof that our joy is not naive, our success not accidental. It is the reminder that our light has never needed permission.
So without further ado, we celebrate the It Girl 100 Class of 2025–2026.
We celebrate the millions of us who keep doing it with grace, grit, and glory.
Because despite it all, we still shine.
Because we are still her.
Because we are still IT, girl.
Meet all 100 women shaping culture in the It Girl 100 Class of 2025. View the complete list of honorees here.
Featured image by xoStaff
One thing that will never go out of style is the pride Black women take in showcasing and adorning our crowns. From sculpting braids to sleek bobs and curls for days, the girls are always playing with texture, color, and undeniable creativity—switching up our hairstyles like we do our moods. This season, hair is less about what's trending and more about expression. We're experimenting, evolving, and embodying every version of ourselves.
In partnership with SheaMoisture, this year's It Girl 100 celebrates the beauty of "Yes, And," an ode to the women who wear every side of themselves with confidence. These innovators remind us power and softness, heritage and reinvention, can beautifully co-exist. It's a call to own every layer of who we are. Because being an It Girl isn’t about choosing one version of yourself. It’s about saying yes to all of them.
Below, the women featured in xoNecole's It Girl 100 Class of 2025 are doing that—and then some—eloquently showing us how to say "Yes, And," to hair looks that always serve.
Luxe Layers x Serena Page
From braids and twists to platinum wigs, Love Island season six winner Serena Page continues to prove she can do it all, and do it all flawlessly. No matter the style, her hair game is undefeated. The softly layered middle-part with just the right amount of bounce is a classic Black girl hairstyle that gives inches without sacrificing body. It's a style that gives soft glam with a finish so seamless it could pass as a silk press—the kind of just-left-the-salon ease we all crave.
The Remix Cut x Ruesworld
When it comes to a short cut with attitude, Ruthann Palacios does not come to play. Known on social media by the moniker @ruesworldd, the content creator keeps her foot on our necks with the way she remixes her short cuts time and time again. Her recent sculpted, asymmetrical style is less of the "pixie" we're used to and more of a power move as she channels the bold innovation of '90s icons like Missy Elliott. This time, with extra length through her crown and right side, a sharp shorn left etched with box designs, and added length in the back, the hairstyle is equal parts edgy and architectural while being a look that's completely her own.
"I just told my stylist I wanted something cool and let them have full creative control with it," Ruthann told us of the hairstyle. "It channels my It Girl energy because I’m not afraid to take risks and show up boldly as myself, no matter the look." As a resident It Girl, it's clearly Rue's world—we're just living in it.
Fulani Flow x Kayla Nicole
Founder and podcast host Kayla Nicole's face card never declines, and neither do her statement hairstyles. One such look was her Fulani braids, a style that looked like it was made to be her signature. Originating from the Fulani people of West Africa, this traditional style features cornrows braided down the center of the head, with smaller plaits framing the face and beads or accessories woven throughout. Kayla's take on the tradition complete with center cornrows once again proved what we all know to be true: when it comes to heritage and repping for the culture, an It Girl never has to choose.
Top Tier Knot x Yana C.
Known to her followers online as @goldynaps, Yana C. is the queen of turning hair into her favorite art form. One of her latest looks feels like a love letter to '90s Black hair creativity. With Fulani-inspired cornrows braided flat and finished into bantu knots that line the center of her head like a crown, paired with a sleek straight sew-in flowing in the back, the style is equal parts nostalgic and next-level. And, of course, her signature ash blonde locks takes it all up a notch.
"This style was inspired by the ’90s—my favorite era for artistry in Black hair!” Yana shared with xoNecole. “My hair has always been such a notable part of who I am, and I love to express myself through it and make it an extension of my personal style. This style channels my It Girl energy because it’s a reminder that Black hair isn’t just hair—it’s art."
The look, which racked up major views on TikTok, is giving everything it needs to give. Because for Yana, self-expression will always make her the main character.
Sculpted Braids x Shema Love
Let Black girls be whimsical.
For content creator and creative visionary Shema Love, this hairstyle encapsulates that mood perfectly. The intricate, symmetrical design captures both the power and the playfulness defining this season's resident Black girl hair renaissance for It Girls everywhere. "I loved the whimsy of this hairstyle. I want to see Black women be allowed to experiment more with whimsy with our hair," Shema shares with xoNecole. "I love the symmetry of it and a look that shines from every angle. And of course, no style ever feels complete to me without my baby hairs laid."
Boho Boss Braids x Toni Bravo
Toni Bravo may be the "CEO of Blush," but she is also a resident slayer of hair looks. Whether she's rocking a custom install or a silk press, the content creator is making a hair moment just as often as she's putting us on to the latest beauty finds. But when she debuted her boho box braids earlier this year, she reminded us that every new hair alert hits just a little different.
Loose, free-flowing curls woven through intricate box braids add movement and softness to the tried-and-true style, creating a look that’s equal parts effortless and elevated. "I wanted something a little messy but just as intentional, and it was perfect. It channels the part of me that loves to have fun and switch it up while trying something new," Toni tells us about her look. "An It Girl knows that the best things are right outside of your comfort zone."
The low-maintenance meets high-impact style is one that channels Toni's booked, busy, and bossy era to a T.
Black Girl Bob x Maya Allen
Whether asymmetrical, curly, or blunt, there's something irrefutably It Girl about rocking a bob. With quiet confidence, it's a cut that commands attention. Beauty editor and expert Maya Allen has worn different iterations of the bob throughout the years, but this one—styled with a deep side part and cut just below her jawline—frames her face and enviable bone structure to perfection. In an interview with Cosmopolitan, Maya dubbed her signature bob "a power cut." "It’s like a power suit for my hair," she added. "It makes me feel fierce and effortlessly chic without ever having to try too hard."
Fro The Culture x Zaynah
The afro will forever be a cultural statement. It's a style that represents the most natural state of our hair, a crown that often defies gravity whenever we choose to wear it. Content creator Zaynah understands the fro's power as a symbol of Black beauty and can be seen wearing her type 4 hair unapologetically in much of her viral social media content. Whether achieved through twist-outs, braid outs, wash n' gos, or perfectly picked, Zaynah's take on the afro hairstyle is full, stretched, and beautifully shaped. With it, she embodies not just It Girl energy with pride and confidence, but the freedom to take up space.
Pony Up x Kirah Ominique
As far as we're concerned, nobody does a ponytail quite like Kirah Ominique. The It Girl's It Girl has made the sleek, added-hair ponytail as signature of hers when she's not sporting braids or a slick-back bun. With her baby hairs laid, and every strand of her hair smoothed and locked into place, the hairstyle is a clean, sculpted serve that's as chic as it is fierce. The content creator and beauty influencer's ponytails are the perfect blend of playfulness and precision, a put-together staple in every It Girl's hairstyle arsenal.
In Her Copper Era x Keke Palmer
If "blondes have more fun," then the ladies deciding to rock copper are rewriting the rules. In recent years, copper has had a bit of a resurgence as a warmer, richer take on going lighter, and nobody's been owning that energy lately quite like Keke Palmer. This year, the host and actress debuted her now-signature hue in its boldest form yet: a tousled face-framing pixie that gives the timeless allure we've come to associate with '90s icons like Nia Long and Halle Berry.
As Byrdie put it best, "We've seen the shade at every length and in every style, but this one is truly something special."
Meet all 100 women shaping culture in the It Girl 100 Class of 2025. View the complete list here.
Featured image courtesy of Ruthann Palacios









