

The first time Kellee Edwards fell in love with travel was in the backseat of her parent's car. Buildings faded to beach scenery on her left, and neighborhoods gave way to mountain views on her right as they drove up the 405 towards San Simeon, home of the historic landmark Hearst Castle.
"My parents weren't able to buy plane tickets and fly around the world, so they provided what they could, which was the foundation—and a very important one at that. They opened me up to having the curiosity for more."
They probably, at the time, didn't imagine that their baby girl would one day fly herself around the world as a pilot, one of few black women to do so since Bessie Coleman pioneered her way into a plane in 1921. They likely didn't expect her to become a certified scuba diver, or foresee her breaking barriers as the first African-American woman to host her own show on the Travel Channel.
Courtesy of Kelle Edwards
Her list of accomplishments? Amazing.
And what she's done as a black woman in a white, male-dominated industry where black people are often counted out despite our estimated $50 billion annual contributions is nothing short of inspiring. But neither defines who she is. Instead, they speak to deeper characteristics that have enabled the adventure traveler to land on our television screens. She's a woman who is resilient and fearless, nonconforming and quite frankly, just plain badass.
I met Kellee at a small airport in Riverside in front of a private hangar owned by her mentor, also notably African-American. She's dressed in her signature outfit—green shorts, khaki tank top, jean vest, and a Ruby Red lip, full of vibrant energy that I instantly recognize from the numerous self-produced videos of her solo travels that grace the very same YouTube channel—the same videos that helped to get her in front of producers and television execs.
Courtesy of Kelle Edwards
Kellee's success didn't happen overnight. In fact, it's taken seven years for her to build what's just starting to get major press. Fresh out of California State University with a broadcast journalism degree, Kellee began putting her on-camera skills to the test. She worked as an entertainment reporter, snagging red carpet and junket interviews until one day she decided that keeping abreast of the latest gossip was depleting her energy.
So after five years, she quit.
"For me, personally, I just wanted to feel fulfilled and I was like, what type of journalism would feed my soul? I love traveling and adventure, is there a such thing as a travel journalist? I really wasn't sure."
She didn't wait to find out. She created what she didn't see.
Courtesy of Kelle Edwards
On weekdays, she worked in banking over New Accounts and Loans to fund her weekend travel adventures. "People have to understand that dream, you still have to keep a roof over your head. I moved out at 18 and I haven't been back to my parent's house. And so I had to work. You have to do what you have to do."
She saved her coins and jetset around the country, packing her tripod and camera to record her journeys along the way. Sometimes she did it solo, other times she bribed friends to come along and play videographer. Each visual was uploaded to her YouTube channel for the world to see.
But Kellee knew that mediocre wasn't going to cut it. If she wanted to stand out in the crowd of travel adventurists, she'd have to go hard or stay home. "One day I was like, you've got to up the ante a little bit. What's going to separate you from all of these people?"
While sitting at the Burbank airport waiting for her flight, Kellee caught a glimpse of a tiny airplane in the distance, taking off and landing amongst the larger 747s that flanked the runway.
"I found out later that's called a touch and go," she says with enthusiasm. "You literally touch your wheels on the ground and go back up and turn around, call the traffic pattern, and come back and land. I started doing research on taking flight lessons and I found out you can do something called a discovery flight, which is about $100 at any local airport. I won't lie; I got sick when I first went up. I'm used to being in normal airplanes where there's pressurization, but the views were so amazing, I was like whatever this feeling is I don't care, I'm going to figure out. And I was hooked! So I just decided to continue and get my pilot's license."
Courtesy of Kelle Edwards
With a scuba diving certification already under her belt and a new shiny pilot's license to match, Kellee found the sweet spot to her brand, and the very thing that separated her from her fellow travel journalists.
"I was like okay Kellee, that's your thing: travel and adventure by land, air, and sea. That's going to be your niche. And it's freaking worked. Being an African American pilot is very few and far in between, and being a woman period in aviation is even more minimal. So I definitely started to get the attention of people, and I was like I'd love to have a show on Travel Channel; that's like a one in a million chance."
Three years in, it seemed as if her dream of landing a show on the major travel network was no longer going to be a goal she pinned on her vision board. She signed her first deal with a production company, but six months later, all went quiet.
"No one really knew what to do with me," Kellee says. "I was very unique, so people were like yeah what you're doing is really cool, but at the end of the day this is a business, we have to see how this is going to translate in other ways."
It's not hard to imagine why, despite her infectious and daring personality, that mainstream had a hard time trying to box her in.
Courtesy of Kelle Edwards
"Listen, I'm a black woman and very proud of that. When you see me, you don't think I'm anything else. There's nothing about me that looks like I'm mixed with anything else. I love my chocolate skin, and I glisten and I glow, but seriously I feel like when you are one of the firsts, people are a bit selective in how they proceed. But what's funny is now they see this is working. And that's okay. I had so many no's—a yes one day and a no the next, it can mess with your mind. It was more emotionally draining—all of the ups and downs of being so close to something and then it being taken away from you. That was the test for myself because I could've easily given up."
Those moments are often where dreams become deferred, only to never actualize. The fight gets hard, damn hard. The sacrifices began to feel more like suffering, and progress can turn to pain when things don't go according to plan. For Kellee, it was yet another test—how bad did she really want it, and how hard was she willing to go?
"I was raised to believe I was special and unique, and so I'm very stubborn and I'm very persistent. You can tell me no if you want to, but I'm going to find a way. Even Travel Channel says we don't know why you're so surprised because you really had a mission to get a show with us. And it's happening.
"But for me it's like yes, I always saw that as the vision and I'm like if I keep doing what I'm doing, at some point they're not going to be able to ignore me."
Courtesy of Kelle Edwards
At the time, the Kellee Set Go brand was already gaining momentum. She initially started working with tourism boards and hotel chains, who would provide accommodations in exchange for video content, which helped to build up her personal website. As her brand grew, she also connected with travel PR companies and brands, and was later able to monetize those relationships.
"You have to build your content before you get paid, and that sometimes will take years. These brands will not mess with you unless they feel like they can get a return on investment (ROI). Once you start working with one brand, you can take it to the next one and then you go from there."
The brand has enabled Kellee to negotiate on her own terms when partnering with bigger companies—the connections with brands that took years to build relationships with are here to stay, she's not diluting her fast-talking, quirky personality, and she's going to rock her bright lipstick and short-cropped hair both on land and under water, thank you very much. And if those deal breakers can't be negotiated, she always has the brand that she built to fall back on.
"I could have a Travel Channel show today and nothing tomorrow, but I'll always have Kellee Set Go, and I make sure that it will always be mine, and never be owned by anyone else."
Courtesy of Kelle Edwards
The recent airing of Mysterious Islands has positioned Kellee at the center of a much-needed conversation on the importance of representation on the predominately white network, and in the travel sector as a whole.
"I have been told that they have never seen new talent with a new show get so much press in the history of the Travel Channel," Kellee confesses. "I know the conversation is changing. And I've been able to kind of like lock in a full sector of being an adventure traveler who's a woman and who's black, and so I made that my niche. And I want people to come up behind me and do the same thing and do it better. I'm not over here just trying to keep everything for myself. I think there's room for all of us. I hope I'm not the last black face that you see with a television show on Travel Channel. I hope that there are many more to come."
We hope so, too. And more importantly, we hope that the change doesn't stop with television. Because that same brown girl who was hard to sell because of her image, who fearlessly fought for a seat at the table, deserves to one day be beautifully packaged as a collectible for many more little brown girls to see that yeah, anything is possible.
Learn more about Kelle Edwards' career journey in the series Dope Chicks, Dope Jobs below.
Catch Kellee as the host of Mysterious Islandson Travel Channel. Follow her journey on Instagram @kelleesetgo.
Originally published on January 18, 2018
- Kellee Set Go! Travel & Adventure by Land, Air and Sea ›
- Kellee Edwards (@kelleesetgo) • Instagram photos and videos ›
- Get to Know Mysterious Islands' Kellee Edwards | Mysterious Islands ... ›
- Meet the Second Black Woman In History To Have Her Own Show ... ›
- Kellee Edwards talks Mysterious Islands - YouTube ›
Claudia Jordan, Demetria McKinney & Jill Marie Jones On 'Games Women Play' & Dating Over 40
What do you get when you mix unfiltered truths, high-stakes romance, and a few well-timed one-liners? You get Games Women Play—the sizzling new stage play by Je’Caryous Johnson that’s part relationship rollercoaster, part grown-woman group chat.
With a powerhouse cast that includes Claudia Jordan, Demetria McKinney, Jill Marie Jones, Carl Payne, Chico Bean, and Brian J. White, the play dives headfirst into the messy, hilarious, and heart-wrenching games people play for love, power, and peace of mind. And the women leading this story? They’re bringing their whole selves to the stage—and leaving nothing behind.
From Script to Spotlight
The road to Games Women Play started over 20 years ago—literally.
“This script was written 20 years ago,” Jill Marie Jones said with a smile. “It was originally called Men, Money & Gold Diggers, and I was in the film version. So when Je’Caryous called me to bring it to the stage, I was like, ‘Let’s go.’” Now reimagined for 2025, the play is updated with sharp dialogue and modern relationship dynamics that feel all too real.
Demetria McKinney, no stranger to Je’Caryous Johnson’s productions, jumped at the opportunity to join the cast once again. “This is my third time working with him,” she shared. “It was an opportunity to stretch. I’d never been directed by Carl Payne before, and the chance to work with talent I admire—Jill, Claudia, Chico—it was a no-brainer.”
Claudia Jordan joked that she originally saw the role as just another check. “I didn’t take it that seriously at first,” she admitted. “But this is my first full-on tour—and now I’ve got a whole new respect for how hard people work in theater. This ain’t easy.”
Modern Love, Stage Left
The play doesn’t hold back when it comes to the messier parts of love. One jaw-dropping moment comes when a live podcast proposal flips into a prenup bombshell—leaving the audience (and the characters) gasping.
Demetria broke it down with honesty. “People don’t ask the real questions when they date. Like, ‘Do you want kids? How do you feel about money?’ These convos aren’t happening, and then everyone’s confused. That moment in the play—it’s real. That happens all the time.”
Jill chimed in, noting how the play speaks to emotional disconnect. “We’re giving each other different tokens of love. Men might offer security and money. Women, we’re giving our hearts. But there’s a disconnect—and that’s where things fall apart.”
And then Claudia, of course, took it all the way there. “These men don’t even want to sign our prenups now!” she laughed. “They want to live the soft life, too. Wearing units, gloss, getting their brows done. We can’t have nothing! Y’all want to be like us? Then get a damn period and go through menopause.”
Dating Over 40: “You Better Come Correct”
When the conversation turned to real-life relationships, all three women lit up. Their experiences dating in their 40s and 50s have given them both clarity—and zero tolerance for games.
“I feel sexier than I’ve ever felt,” said Jill, who proudly turned 50 in January. “I say what I want. I mean what I say. I’m inside my woman, and I’m not apologizing for it.”
Demetria added that dating now comes with deeper self-awareness. “Anybody in my life is there because I want them there. I’ve worked hard to need nobody. But I’m open to love—as long as you keep doing what got me there in the first place.”
For Claudia, the bar is high—and the peace is priceless. “I’ve worked hard for my peace,” she said. “I’m not dating for food. I’m dating because I want to spend time with you. And honestly, if being with you isn’t better than being alone with my candles and fountains and cats? Then no thanks.”
Channeling Strength & Icon Status
Each actress brings something different to the play—but all of them deliver.
“I actually wish I could be messier on stage,” Claudia joked. “But I think about my grandmother—she was born in 1929, couldn’t even vote or buy a house without a man, and didn’t give a damn. She was fearless. That’s where my strength comes from.”
For Jill, the comparisons to her iconic Girlfriends character Toni Childs aren’t far off—but this role gave her a chance to dig deeper. “If you really understood Toni, you’d see how layered she was. And Paisley is the same—misunderstood, but strong. There’s more to her than people see at first glance.”
Demetria, who juggles singing and acting seamlessly, shared that live theater pushes her in a new way. “Every moment on stage counts. You can’t redo anything. It’s a different kind of love and discipline. You have to give the performance away—live, in the moment—and trust that it lands.”
Laughter, Lessons & Black Girl Gems
The show has plenty of laugh-out-loud moments—and the cast isn’t shy about who steals scenes.
“Chico Bean gets a lot of gasps and laughs,” Claudia said. “And Naomi Booker? Every scene she’s in—she’s hilarious.”
But the play isn’t just about humor. It leaves space for reflection—especially for Black women.
“I hope we get back to the foundation of love and communication,” said Demetria. “A lot of us are in protector mode. But that’s turned into survival mode. We’ve lost softness. We’ve lost connection.”
Claudia agreed. “We’re doing it all—but it’s not because we want to be strong all the time. It’s because we have to be. And I just want women to know: You can have peace, you can be soft. But stop bringing your old pain into new love. Don’t let past heartbreak build walls so high that the right person can’t climb over.”
Final Act: Pack the House
If there’s one thing this cast agrees on, it’s that this play isn’t just entertainment—it’s necessary.
“Atlanta is the Black entertainment hub,” Claudia said. “We need y’all to show up for this play. Support the arts. Support each other. Because when we pack the house, we make space for more stories like this.”
Games Women Play is more than a play—it’s a mirror. You’ll see yourself, your friends, your exes, and maybe even your next chapter. So get ready to laugh, reflect, and maybe even heal—because the games are on.
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It’s officially Miss Keri, Baby season again—and if you ask us, it’s been a long time coming. After 15 years away from the music scene, Keri Hilson has returned not only with a brand-new album, but also a captivating new role in Lifetime’s Fame—the latest installment in The Temptations film franchise.
Between the album We Need to Talk: Love and her leading role in Fame, this isn’t just a comeback—it’s a rebirth. The Grammy-nominated singer-songwriter turned actress is letting us into her world like never before, unpacking themes of vulnerability, healing, and inner strength with grace, grit, and raw artistry.
Now streaming on Lifetime, Fame follows two superstar sisters—played by Keri and singer/actress Keshia Chanté—as they navigate the cost of stardom, sibling rivalry, and the dark side of desire. The film also stars Romeo Miller, Ecstasia Sanders, Nathan Witte, and Sophie Carriere, and is executive produced by Derrick Williams and Adriane Hopper Williams of the Seven Deadly Sins franchise.
As for the music? We Need to Talk: Love is a three-part album (Love, Drama, Redemption) that tells the story of a woman who’s been through it—and has risen from the ashes. “It was time to speak for myself,” Keri says.
We sat down with Keri to talk about her return to music, her passion for acting, the emotional depth of Fame, and how she’s learning to care for herself amidst the chaos.
From R&B Queen to Drama Star: Keri Gets Into Character
“Even though she’s famous—as am I—it was really her humanity that I wanted to portray.”
Keri plays Cherish, one half of a superstar sibling duo who must confront their fractured relationship in the wake of a traumatic robbery. For Keri, the role was more than a character—it was a psychological study.
“I enjoy departures from reality. That’s why I love acting,” she shares. “Psychology is one of my favorite things in life. I became a writer because I’m an observer of human nature, emotion, and behavior. I think I did a good job showing her humanity.”
The Fame Isn’t Always Worth the Price
“Keep the main thing the main thing.”
Keri doesn’t sugarcoat the industry. When asked about what Fame reveals about the dark side of celebrity culture, her answer is clear:
“It’s a cautionary tale. It reminds you to keep your family close and not allow anything to come between them—especially in pursuit of success. Keep the main thing the main thing. For me, that’s family, love, spirituality, and values.”
Three Chapters, One Story: Love. Drama. Redemption.
“I’ve shed the fear. It was time to tell my own story.”
Released April 18th, We Need to Talk: Love is Keri’s first album in 15 years—and a deeply personal one at that. The three-part project (Love, Drama, Redemption) represents a timeline of healing and growth.
“I’m finally in a place where I’m able and willing to open up more,” she says. “For a while, I became really guarded—shell-shocked, even—after making mistakes in the public eye. Whether it’s all your fault or not, the scrutiny takes its toll. But now, I’ve shed that fear. It’s time to tell my story.”
Cooking, Walks, and Recalibrating in the Chaos
“I’m not doing the best job—but I’m doing what I can.”
Between eight-hour rehearsals, press runs, and music releases, Hilson admits she hasn’t quite figured out the balance yet—but she’s trying. For her, the key is carving out small rituals of normalcy.
“I enjoy cooking. That’s my sanctity,” she says. “I’ll go home, take my makeup off, put on my rehearsal clothes, and cook a meal. I take walks. I run. These little things help me feel like myself again.”
Art Imitates Life (and Album Tracklists)
“Cherish goes from Love… to Drama… to Redemption.”
Asked which album chapter her Fame character would fall into, Keri doesn’t hesitate. “She fits into all three,” she says. “You see her go from love, to drama, to redemption. That arc mirrors the journey of so many women who’ve had to navigate pain and find their way back to themselves.”
No Pressure, Just Art: Keri Wants You to Feel Something
“Just enjoy the art. That’s it.”
After all the time, patience, and healing, Keri isn’t asking for much. She just wants fans to press play—and feel something.
“I just want people to enjoy what they’re seeing and hearing. Enjoy me on screen. Enjoy me through their ears. People have waited, and I feel blessed by that. That helps me keep it all pure and simple.”
As Keri Hilson steps boldly back into the spotlight, it’s clear this era is all about alignment, artistry, and authenticity. With Fame airing on Lifetime and the first chapter of We Need to Talk: Love setting the tone, we’re more than excited to see what’s next.
As she continues to unfold the album’s next two chapters—Drama and Redemption—one thing’s for sure: this isn’t just a comeback. It’s a reintroduction. And we’ll be watching, listening, and cheering her on every step of the way.
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