

The second month of every year, fashion aficionados gather on a tiny island to enjoy the latest and greatest from fashion designers all over the world. As someone who loves fashion, every year, I look forward to attending the shows and being immersed in the sea of fashionable people NYFW has to offer.
From the models to designers to celebrities sitting pretty in the front row, New York Fashion Week is nothing short of incredible.
This year, I felt a new layer of excitement around the NYFW buzz. Unlike the years before, I had received so many invites to be a part of the shows I had initially just been a voyeur to. I felt validated and authenticated. And as I began packing my suitcase for my trip to the Big Apple, I was excited about being one of the street style goddesses that photographers immortalized for the love of fashion.
Suffice to say I was hype days later when I was in the city, walking to my first show at Industria. I came across photographers snapping photos of influencers and celebrities' unique street style. For a second, I was hopeful that someone would ask to take my photo because I knew I was fly.
But then, I noticed a trend.
Most of the photographers were enthralled with shooting white and Asian women.
I stood back and watched as many of the male photographers waited for women of darker persuasions to pass so that they could snap the perfect picture of the other, less melanated women. It became a game for me as I counted each time the photogs opted not to capture the essence of black women. For every 10 white/Asian women, photographers snapped one shot of a black woman.
Once I entered the show, I felt even more intimidated. If you are lucky to get a seat at a show, you feel like you've made it. But if you're not on the front row, you contemplate if you're as important as you imagined.
You doubt yourself, your validity, and your existence in the space altogether. For a moment, I was envious of the women that were specifically seated in the front row.
Was I not good enough for the front row?
Dia Dipasupil/Getty Images
The questions of self-doubt came rushing through my head like a hurricane. However, whatever ill feelings I held toward the onlookers in the front row dissipated and made way for a new set of emotions. I went from wanting to be on the front row to not feeling invested at all. This was especially true when I experienced the other end of the spectrum: the fetishization of black women on the runway.
During one fashion presentation, I watched a young man completely fetishize a young black woman. As she stood draped in an intricate design, he gazed at her up and down while licking his lips as if she was a piece of meat. This went on for about five minutes and the young model was so uncomfortable, you could see it through her body language.
Contrary to what I witnessed from the street style photographers, black women on the runway were seen in a different light.
Christian Cowan fall 2018 at New York Fashion Week/Rex Shutterstock
And it made me question, which is worse?
While I want to feel like all women are valued at the same level, I don't want to be spellbound into my own objectification. I struggle with this concept because I want nothing more than for black women to be praised for their allurement. However, I would hate to see it happen through the male gaze of hypersexualization.
All of these moments led to me feeling doubtful and unworthy. Ironically, I never knew how much I was seeking validation from others until this year at NYFW. I don't know if it's because I was exposed to a different perspective of the fashion industry, or if I just wanted to feel accepted in general. I kept thinking, "Did this little black girl from Memphis belong in this big city in this high fashion environment?"
Studies have shown that black girls begin questioning their own ideas of beauty at a very young age, and here I am at 28 years old STILL questioning my beauty, style, and virtue. Along those lines, I realized the ideals of race and beauty have always been intertwined for me. For most of my life, I have compared my hair, skin, and essence to other women. Most of the time, those women were not of color because that's what the standard of beauty has been for centuries.
We have become a society that thrives on likes, shares, and views. If a selfie doesn't get as many likes on Instagram, does that mean I am not enough? How many likes is my life worth? Does it mean I'm unworthy? How did I get here?
All of these questions can plummet your self-confidence that you worked so hard to build and maintain. In my doubtful moments, I had to give myself a pep talk because I cannot live my life comparing my accomplishments, beauty or style to others. Everyone has divergent beginnings, detours, and destinations so there is no way that our journeys will be carbon-copies.
You may not know that you are comparing yourself to others until you are in the moment feeling undeserving. During my moments of self doubt, I chose to focus on my strengths.
More often than not, I am given a mountain to be proven that it can be moved.
Most importantly, I was reminded by my friends and family that there is someone else who is observing and rooting for you that wants to be you. It's a cycle but it should be an evolution that includes motivation and encouragement between you and yourself.
I made it through NYFW by focusing on my journey and my journey alone. This aided in me not discrediting other women that were worthy of their accomplishments. After processing everything, I realized that comparisons can cause resentment and ain't nobody got time for that. Time is too precious to be wasted on negative thoughts.
Being the spiritual woman I am, I found myself praying in the midst of my worry. I was reassured that when God made me, He knew that I would have individuality like no other being.
By the end of NYFW, my motto was, "More appreciation and less competition." The only competition I have is with who I was yesterday.
Featured image by Getty Images
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'Sistas' Star Skyh Black On The Power Of Hypnotherapy & Emotional Vulnerability For Men
In this insightful episode of the xoMAN podcast, host Kiara Walker talked with Sistas star Skyh Black, as he opened up about his journey of emotional growth, resilience, and self-discovery. The episode touches on emotional availability, self-worth, masculinity, and the importance of therapy in overcoming personal struggles.
Skyh Black on Emotional Availability & Love
On Emotional Availability & Vulnerability
“My wife and I wouldn't be where we are today if both of us weren't emotionally available,” he shared about his wife and Sistas co-star KJ Smith, highlighting the value of vulnerability and emotional openness in a relationship. His approach to masculinity stands in contrast to the traditional, stoic ideals. Skyh is not afraid to embrace softness as part of his emotional expression.
On Overcoming Self-Doubt & Worthiness Issues
Skyh reflected on the self-doubt and worthiness issues that he struggled with, especially early in his career. He opens up about his time in Los Angeles, living what he calls the “LA struggle story”—in a one-bedroom with three roommates—and being homeless three times over the span of 16 years. “I always had this self-sabotaging thought process,” Skyh said. “For me, I feel therapy is essential, period. I have a regular therapist and I go to a hypnotherapist.”
How Therapy Helped Him Heal From Self-Doubt
On Hypnotherapy & Empowering Self-Acceptance
Skyh’s journey is a testament to the power of tapping into self-development despite life’s struggles and being open to growth. “I had to submit to the fact that God was doing good in my life, and that I'm worthy of it. I had a worthiness issue and I did not realize that. So, that’s what the hypnotherapy did. It brought me back to the core. What is wrong so that I can fix it?”
Watch the full podcast episode below:
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Quinta Brunson Gets Real About Divorce, Boundaries & Becoming
Quinta Brunson is the woman who chooses herself, even when the world is watching. And in her June 30 cover story for Bustle, she gives us a rare glimpse into the soft, centered place she's navigating her life from now. From leading one of television's most beloved series in the last decade to quietly moving through life shifts, the creator of Abbott Elementary is walking through a personal evolution and doing so with intention, grace, and a firm grip on her boundaries.
Back in March, the 35-year-old filed for divorce from Kevin Jay Anik after nearly three years of marriage, citing "irreconcilable differences." The news hit the headlines of news outlets fast, but Quinta hadn't planned to announce their dissolution to the public so quickly.
Quinta Brunson On Divorce, Public Scrutiny & Sacred Boundaries
"I remember seeing people be like, ‘She announced her divorce,’" she told Bustle. “I didn’t announce anything. I think people have this idea that people in the public eye want the public to know their every move. None of us do. I promise you. No one wants [everyone] to know when you buy a house, when you move, when a major change happens in your personal life. It’s just that that’s public record information."
In regards to her private moves becoming tabloid fodder, Quinta continued, "I hated that. I hate all of it."
"I Am An Artist First": Quinta On Cutting Her Hair & Reclaiming Herself
Still, the diminutive phenom holds her crown high in the face of change and is returning to the essence of who she is, especially as an artist. "Cutting my hair reminded me that I am an artist first. I want to feel things. I want to make choices. I want to be a person, and not just stuck in having to be a certain way for business." It's giving sacred rebirth. It's giving self-liberation. It's especially giving main character energy.
And while the headlines keep spinning their narratives, the one that Quinta is focused on is her own. For her, slowing down and nourishing herself in ways that feed her is what matters. "It’s a transitional time. I think it’s true for me and my personal life, and it’s how I feel about myself, my career, and the world," Quinta shared with Bustle. “I feel very serious about focusing on watering my own gardens, taking care of myself and the people around me who I actually interact with day-to-day."
That includes indulging in simple rituals that ground her like "making myself a meal" which has become "really, really important to me."
That spirit of agency doesn't stop at the personal. In her professional world, as the creator, executive producer, and lead actress of the critically-acclaimed Abbott Elementary, Quinta understands the weight her choices carry, both on- and off-screen. She revealed to Bustle, "People used to tell me at the beginning of this that the No. 1 on the call sheet sets the tone, and the producer sets the tone — and I’m both of those roles."
She continued, "I understand now, after doing this for four years, how important it was that I set the tone that I did when we first started."
Quinta doesn't just lead, she understands the importance of curating the energy of any space she enters. Even amid a season of shifts and shedding, her power speaks loudly. Sometimes that power looks like quiet resistance. Sometimes that power is soft leadership.
And sometimes that power looks like cutting your hair and taking back your name in rooms that have forgotten you were an artist long before you were a brand.
Read Quinta's cover story on Bustle here to witness the fullness of Quinta's becoming.
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Featured image by Zach Hilty/BFA.com/Shutterstock