“Reclaiming my time” isn’t just a catchphrase coined by our beloved ‘Auntie’ Maxine Waters. It is an assertion that Black Americans have been striving to obtain for centuries. Pillaged and plucked from our Motherland, stripped of our culture, and robbed of our freedom, Black Americans have fought vigorously to not only reclaim our time but to reclaim our identity for centuries. While the foundation was laid by those who came before us, the world saw an undeniable shift in 2020.
George Floyd, like so many others, paid the ultimate price. As a result of his untimely death, the world reached a tipping point. Black squares standing in solidarity filled our timelines, companies plastered their promises on their websites, and DEI, all of a sudden, became a buzzword. The world was now “woke” from its all-too-complacent slumber.
More than ever before, the nation wanted to hear our stories and right its wrongs. Let’s be clear, not everyone shared these sentiments. Go to any corporate Instagram page and read the comments under any Black-centric, supporting post. The vileness of some keyboard warriors never ceases to amaze me. Nonetheless, historic shifts were made. People like Dr. Opal Lee, the 95-year-old activist who set out to walk from Texas to Washington D.C. in hopes of gaining support from Congress to officially name Juneteenth a national holiday, finally saw her dreams and hard work manifest into reality. For the first time since its inception over 150 years ago, Juneteenth became a recognized Federal holiday in June 2021.
Now, more than ever, people are privy to the date etched in history in which all enslaved Black people were set “free” as deemed by the Emancipation Proclamation. This day, when General Gordon Granger rode into Galveston, Texas with his Union soldiers to inform over 250,000 enslaved Black people they were now free, came two and a half years after the actual Emancipation Proclamation, on June 19th, 1865. Despite Black history, Black stories, and Black celebrations like Juneteenth being brought to the forefront, there are still seemingly gaps that need to be bridged between our present and our past. There are stories from our ancestral archives that need to be told and retold, so that our history, all too often diminished by high-rise condos, quaint cafés, and overpriced artisanal shops, may never be forgotten.
This was evident when I made my first visit to Houston a year ago and learned about the history and legacy of Freedmen’s Town, a neighborhood built by newly freed Black Americans in the 1800s. This was a community built by hand, brick-by-brick, where Black businesses boomed and Black families flourished. It was a place where Blacks had freedom of choice and could reclaim their identities that had been stripped through years of slavery and oppression. There were dozens of Freedmen’s Town settlements across the United States, but most notably in Texas. Houston’s Freedmen’s Town is the only remaining freed slave community of its kind in the United States.
Not surprisingly, Texas was the location of the first Juneteenth celebrations. In 1872, Jack Yates and members of his church raised $1,000 to purchase ten acres of land in Houston, known as Emancipation Park. This community cornerstone served as a formal gathering space for Juneteenth celebrations.
While the nation may be just now catching on to Juneteenth celebrations, Juneteenth roots run deep in Texas. To get a better idea of how Texans honor and celebrate Juneteenth in this day and time, their perceived importance of the holiday, and how they define their Blackness, I tapped some locals to get their perspective.
Zion Escobar
Executive Director of the Houston Freedmen's Town Conservancy (HFTC)
Courtesy of Zion Escobar
I, myself, have older family members who have never heard of Juneteenth, despiteJuneteenth having been around for over 150 years now. Why do you think there are still so many people who don’t know about this celebration?
When I’m kind of pondering that question, I really actually have to reflect on the surface level -- why I think people don’t know about this, and then the deeper level -- why I think they don’t know, right?
And, if I start with the idea that context is everything, I truly believe that once the country is introduced to the story of freedom -- which, a.k.a., the story of Freedmen’s Town, the story of the Houston/Galveston region’s Juneteenth story, and the context that has, to the social justice movement happening throughout the country, to modern-day issues of policing and how all of these things really track back culturally to norms and Jim Crow laws, and post-Reconstruction Era, decisions that were made, in regards to redlining in Black communities and culture erasure -- when people have that context, they’ll realize that a lot of the things that they are out in the streets fighting for, that this is so not new.
That this problem is 150+ years old. I think that more people will start to understand. The example that I would use as a kind of that beacon of hope is that the 1619 Project has set the context for America, for a conversation that’s been around since 1619.
So, I think the answer is that context is everything. People have a tendency to say, “Oh, Juneteenth is about slavery and nobody wants to talk about slavery” and people actually don’t understand that it’s actually the story of freedom. And, it’s the story of what we did, what Black excellence looks like before all these systems of oppression really took hold and were established as a system.
As the Director of Houston’s Freedmen’s Town Conservancy have you seen an evolution in the way that Juneteenth has been celebrated in Houston? How so?
As the director of the Houston Freedmen’s Town Conservancy, I have seen a substantial shift in how Juneteenth is being celebrated in Houston. Case in point, we’ve been free for over 150 years now, and for the first time ever, the grassroots, the foundational non-profit organizations’ leadership in Houston have come together to collaborate on a city-wide Juneteenth experience; meaning, we are not just having a parade that the city gets to come to.
As Black organizations, we are working with each other to uplift, co-program, co-fund, co-market and communicate what this is about, and to show unity in a way that I think people need to see around the world -- that we are all on board with this story and we understand that this needs to come into the American consciousness in a very real and solid way and we are showing up to do the work and we understand the assignment.
[In] previous years, I can’t say that there was such a cohesive consciousness of understanding, and the social justice movement has awakened that vigor, that thing, within everyone to say, ”We need to get it together and make sure that the story is clear and that the context is clear”; because people are celebrating Juneteenth in far reaches of the globe and they don’t have the context. Which is how you get Juneteenthice cream and Juneteenth Vaseline.
"It’s too important to the fabric of Houston’s history, to America’s history, to the history of the slaves that came and laid the foundation for what we know as Houston today that all of America is celebrating -- the wonderful Black culture and music and expressions that have come from Houston. People need to understand the context."
So, we are ready to do that work, because we are not going to see the Cinco de Mayo of Juneteenth, where people say it’s tacos and beer and no one actually knows the true history. It’s too important to the fabric of Houston’s history, to America’s history, to the history of the slaves that came and laid the foundation for what we know as Houston today that all of America is celebrating -- the wonderful Black culture and music and expressions that have come from Houston. People need to understand the context. So, it’s evolved because it is time and we’re ready and I think the consciousness of the collective community is ready. And so, I’m excited to see what we do and I’m excited to continue this inaugural effort in collaboration with everyone.
Finish this sentence: My Black is ________.
Resilient.
Lauren Greer
Principal
Courtesy of Lauren Greer
Black history is American history. As an educator, how are you seeing Juneteenth being taught in school systems, if at all?
So, that’s interesting just because as an educator, just in light of all the things that have happened recently, there’s some conversations about critical race theory and things of that nature, and because I am in an urban school district, there have been lots of initiatives just around all things cultural diversity and things of that nature. I will say though, as far as just teaching Juneteenth in and of itself, I still haven’t seen that in the classrooms. However, I’m also in an elementary school setting as well. So, it looks a little bit different than what it looks like say in middle school or high school or something like that.
This is the first year, though, where they have the actual holiday on the school calendar. So, my kiddos are off on June 20, that Monday. This will be the first time ever that that’s happened. There are lots of schools in our district. We have different calendars that are already on summer break, but my babies are not on summer break yet. So, we will actually experience the national holiday for Juneteenth while we are still in school. So, while there are initiatives for cultural diversity, Juneteenth still is not a primary focus, as of yet.
As a Texan, has Juneteenth always been something that was celebrated by you and your family? Please explain.
Yes. A lot of the things that I learned, like all things Black history and Black culture, things like that I actually learned at church. Because, the neighborhood I grew up in was a predominantly Caucasian neighborhood, but my church was always Black American. So, from Black history plays, to Juneteenth, to picnics in the park, to the parades that come with it, all of that has always been a part of my upbringing. So, it was not uncommon to literally go to the neighborhood park for all of these things -- for picnics, and just, you know, games, and things of that nature.
Learning all the history that comes with all that was just an embedded part of what I learned in church all the time. And, then just my mom, she just wanted to make sure that we knew our history and so literally I grew up hearing about this all the time in my household, on Sundays or Wednesdays, Vacation Bible Schools, all of those things is the space that I really learned all of the things Black history and Black culture.
How do you celebrate and honor Juneteenth now?
All things Blackity Black Black Black to be completely honest. Usually, getting with friends, picnics, hanging out in the backyard, just reminiscing on history. But, we kind of live it every single day. So, now that there’s a national holiday for it, so to speak, that doesn’t change how we’ve always felt about it, it doesn’t change how we always felt about our culture. It’s given us a space to embrace it a little bit more. Just because of all the things that have happened in our nation in the last few years it’s kind of really drawn light to some things. So, it causes us to be more aware of our culture and also more proud of our culture and who we are as well.
And, so, we take those opportunities on a daily basis to kind of reminisce, but on that day we like to get together and kind of hang out and chill together as well. So, that will probably likely happen again this year. We will all probably get together at somebody’s house just to be around each other.
Finish this sentence: My Black is __________.
When I thought about that question, the cliche answer is 'beautiful.' But, then, as I was thinking about it again this morning -- my Black is needed. I really believe that all of us have been given an assignment on the earth. And I really believe that there’s something that I bring to the table that someone else doesn’t bring, and there’s something that someone else brings to the table that I don’t bring. So, I feel like it is so needed. There has been a target out for our culture for so long, and I feel like we cannot allow society to keep subtracting from our culture.
"There are people that need us to stand in the gap. There are lessons that need to be learned from each and every last one of us. And there is wisdom that needs to be poured into the land. And, each one of us has a responsibility to do that."
Whether it be through entertainment, whether it be through politics, whether it be through education we can’t allow that because we are needed. There are people that need us to stand in the gap. There are lessons that need to be learned from each and every last one of us. And there is wisdom that needs to be poured into the land. And, each one of us has a responsibility to do that. Lauren has a responsibility to do that too, in all of Blackness and all of her educated-ness. The world needs that, and so my Black is needed.
Ebony Parker
Residential Loan Officer
Courtesy of Ebony Parker
What does Juneteenth mean to you?
Juneteenth to me is a representation of perseverance and displays our ability to make lemonade out of lemons at any time. It is us, as a people, continuing to get the leftovers but making them appear as a five-course meal. Juneteenth is the beginning of laying the foundation for our future as the freedom finally granted was the work of our ancestors, but the starting point for us to be able to accomplish the many things we have accomplished. Without the notification of freedom, we would still be sitting on the sidelines, unfortunately. Instead, we are now the trendsetters that everyone is continuously trying to duplicate, unsuccessfully.
As a born and raised Texan, has Juneteenth always been something that was celebrated by you and your family? Please explain.
Unfortunately, Juneteenth wasn’t always celebrated for me. The school system, especially in Texas, has always taught a watered-down and quite often inaccurate version of history, typically leaving out any representation of Black people outside the role of slaves (which unfortunately the textbooks now also consider us as “workers” instead as that narrative makes them appear innocent versus revealing the genocide and cruel things done to my ancestors and even more unfortunate are the things that are still occurring daily). My mother, too, was uneducated on the significance of the day and unable to pass down the knowledge.
"Juneteenth is the beginning of laying the foundation for our future as the freedom finally granted was the work of our ancestors, but the starting point for us to be able to accomplish the many things we have accomplished."
Therefore, I began educating myself on Black culture in college and embraced Juneteenth while finding less of a desire to celebrate July 4 as it along with other “federal holidays” wasn’t an inclusive holiday for those of us that didn’t meet the “standard."
How do you celebrate and honor Juneteenth now?
I like to do all things Black at an exponential level. I ensure that I don’t allow myself to drift towards code-switching. I spend time with my loved ones being unapologetically me. I ensure to be intentional in educating my children and peers. But, more importantly, I celebrate the day by setting a new goal to crush that will further my family, community, and culture.
Finish this sentence: My Black is __________.
My Black is simply Ebony! It is beautiful, intelligent, excellence, confident, sassy, trendsetting, nurturing, loving, and perseverance!
MyKayla Searles-Houston
UTHealth Graduate Student
Courtesy of MyKayla Searles-Houston
Why do you think it's important for younger generations to learn about Juneteenth?
I think it is important for the younger generation to learn about Juneteenth because this is our history. This is a part of our culture, especially being Black and from Texas. And, I think it's important to hear from our community and families because oftentimes we are taught history from a narrative or perspective that is not centered in Blackness. So, learning about Juneteenth should be something families talk about with all age groups because one day it'll be the younger people's responsibility to pass down this information.
"I think it is important for the younger generation to learn about Juneteenth because this is our history. This is a part of our culture, especially being Black and from Texas."
How do you celebrate and honor Juneteenth?
I usually celebrate Juneteenth by hanging out with my friends or family! Somebody may barbecue, or we will go to local community festivities which are always nice. There is usually some great food around which is one of the best parts! Honestly, I just love being surrounded by Black people who show love to each other, and being together on Juneteenth is another way for us to express ourselves and have some fun!
Finish this sentence: My Black is __________.
My Black is loving, intentional, and full of care and compassion.
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Featured image courtesy of Ebony Parker
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A Goddard College graduate, who earned an MFA from Pratt Institute and was awarded an honorary doctorate from Marymount Manhattan College, Mahogany offers unapologetic realness with a side of grace and empowerment. "I started touring locally. I started creating chat books so that those poems will go in the hands of the people who were sitting in the rooms," she shared.
"And then I started facilitating poetry workshops, so I used my chat books as curriculum. And that, in turn, allowed me to further invest in my art and show the community and people who were hiring me that it wasn't just a one-off, that it's not just, you know, a fly by night—that I am invested in this art as much as I am invested in your community, in your children's learning, in our growth."
Mahogany has a special way of moving audiences, and her superpower sparks shifts in perspective, post-performance introspection, and strengthening of community bonds, especially among Black women. (One can undeniably recognize her gift for arousal of the spirit and mind merely from her listening to her insights from the other side of a Google Hangout call. I can only imagine the soul-stirring, top-tier sensory encounter when watching her perform in person.)
In this chat with xoNecole, Mahogany reflects on sustaining a creative career, the aftermath of writing a banned book, and using poetry for both healing, community-building, and activism.
Anthony Artis
xoNecole: What are three key things that have laid the foundation for a sustainable creative career for you?
Mahogany L Browne: What has helped me is that I'm willing to go in being an expert at knowing poetry and knowing the way in which art can change the landscape of our lives, not just as a poet, but also as a poetry facilitator. How you move through classes, those things are mastered, right? So when I go into another space that's maybe tech-heavy, I don't mind learning and being, you know, a student of the wonder of how we can make this magic, work together.
Two, you’ve got to know how to pivot. Sometimes we say, ‘Alright, this is what my life is going to be. I'm going to be a New York Times best-selling author. I'm going to, you know, have an album that's Grammy-nominated. And then, say you get dropped from your record label. That doesn't mean you can't make an album anymore. You can also still create an album that can be submitted to the Grammys. So, what does a pivot look like as an artist who doesn't have an institution behind them? Pivot being a student of the wonder.
Relationships also really help. How do I serve the community? And in turn, that tells me how the community can show up. For me, I have long-standing ties with a community that will outlast my one life. So, what does it mean to create space where these relationships can develop, can be nurtured, can be rooted, can be cultivated? Creating space—it happens through relationships.
xoN: With today’s economic challenges, what does your current creative process look like, and what are you working on?
MB: I’m always thinking five years ahead. I just reviewed the pages for two children’s books and recently released a YA novel. I’m drafting an adult fiction manuscript now.
Anything I create is founded with the root of poetry, but it can exist in captions. It can exist in commercials. It can exist as a musical. So that's where I’m at now.
xoN: You started performing "Black Girl Magic" in 2013, had an acclaimed performance of it via PBS and the work went on to viral success shortly after. Talk more about the inspiration. And what do you think about the continued relevance more than a decade later?
MB: I wrote it as a rally cry for the mothers who had been keeping themselves truly in harm's way by, you know, being a part of the community right after the death of their child or their loved one. They are usually mothers of victims of police brutality—and just seeing how they showed up in these community spaces, they are devout to the cause but obviously still grieving.
"I wanted this poem to be just a space of reclamation, of joy and of you, of your light, of your shine, of your brilliance, in any which way in which you fashion. Every room you enter is the room you deserve to be in. What does it mean to have a poem like that that exists?"
And the first time I did the poem, the Weeping that occurred, right? It was like this blood-letting of sorts. The next time I performed it, I'm moved to tears because I'm seeing how it's affecting other women who have just been waiting to hear, ‘You belong. You deserve. You are good. We see you. Thank you, despite everything that they said to make you regret being born in this beautiful brown, dark-skinned, light-skinned, but Black body.’
Black women are the backbone—period. Point blank. And so, that that poem became a necessity, not just to the fortitude of Black women in the community, but like you know, in service of healing the Black women.
xoN: One of your books was banned at a school in Boston, and it was later reinstated due to parental and activist support. What was that experience like?
MB: Well, I think it happened because they were racist. That's it. Point blank. The reversal of it was empowering, right? I realized, oh, I thought we just had to sit here and be on a banned book list. But no, parents are actually the leaders of this charge.
So to see that, the parents said, ‘Nah, we're not gonna let you take this book out of my baby’s school just because it's a Black kid on the front saying, ‘Woke’ and they're talking about being a global citizen. They're talking about accountability. They're talking about accessibility. They're talking about allyship, and you don't want them to have compassion or empathy or have even an understanding, right? So no, we rebuke that, and we want this book here anyway.’ To see that happen in that way. I was, like, reaffirmed. Absolutely.
xoN: You recently organized the Black Girl Magic Ball at the Lincoln Center in New York. Honorees included author and entrepreneur Rachel Cargle and National Black Theater CEO Sade Lythcott. What impact did it have and what expanded legacy do you hope to leave with your creative works?
MB: I was really interested in not celebrating just the book, but celebrating the community that made the book possible. And so I gave out five awards to women doing that thing, like, what does it mean to be a Black girl in this world?
I just thought it was gonna be an amazing time. Everybody's gonna dress up—we're gonna celebrate each other. And boom, I then realized that it responded to like a gaping hole. There was a missing thing for Black girls of all walks of life, all ages, right?
"It's very intergenerational. That was intentional to come together and celebrate just being us."
You have all these instances where just being you is either the butt of a joke or it's diminished and not worthy of a specific title in these larger institutions. So what does it mean to just to be loved up on and celebrated?
It felt like a self-care project at first. You know, for the first couple of years, folks were coming and they were getting that sisterhood. They were getting that tribe work that they were missing in their everyday lives.
I love the Black Girl Magic Ball because we got us. If I go out with a bang, they'll remember that Mahogany worked her a** off to make sure all the Black girls everywhere knew that she was the light. We are the blueprint.
For more information on Mahogany L. Browne, her work, and her future projects, visit her website or follow her on IG @mobrowne.
Featured image by Anthony Artis
“I think for me, an all-American girl, for some reason, brings me back to when I was younger, and just like playing at my grandma’s house and just being outside,” Kennedy told xoNecole ahead of her attendance at the 2025 BET Awards.
“I just feel like when I was younger, you know, you don’t have as many responsibilities. There’s not as much weighing you down, and so I kind of go back to that mindset. Like, even now, being 27, I’m trying to get back to that younger girl.”
The 2025 BET Awards, hosted by Kevin Hart, took place in Los Angeles at the Peacock Theater on Monday night (June 9). The star-studded event was filled with tons of surprises, including a trip down memory lane with a 106 & Park reunion, coupled with performances by artists that dominated the top spots during the music video countdown show’s reign from 2000 to 2014.
Kennedy, who received her first nomination alongside Tanner Adell, Brittney Spencer, Reyna Roberts, and Beyoncè in the BET Her category for “Blackbiird,” the reimagination of the original The Beatles of the same title (minus the extra i), invited xoNecole to get ready with her as she prepared for her first-ever BET Awards.
Beauty Rituals Inherited From Her Mother.
Rather than booking her makeup artist ahead of the big night, Kennedy decided to go on a budget and do the task herself, something that isn’t too out of her norm. She noted how she incorporates some of the things she witnessed her mother do while growing up in her routine.
“I remember being younger and seeing all the makeup laid out on my mom’s counter,” the “I Look Good In That Truck” singer recalled. “I don’t even think she knows this, but there were moments where I would like to go and steal her makeup. She would have Mac. I think it was some kind of foundation powder, and I would go in there and I would put it on, and I’m like I hope she doesn’t see.”
She added, “My mom is very natural with her makeup, so even though I’ve got these big lashes on, I always gravitate towards just neutral looks… I don’t do anything too fancy.”
Tiera Kennedy’s Holy Grail of Products.
Kennedy took it upon herself to take a class to ensure that she’s prepared for nights like these, where she’s the one responsible for bringing her glam look to life.
“We are independent,” she said, reminding us that she is no longer tied to a big machine when it comes to her work as an artist. “We ball on a budget. I have to do my makeup for award shows, events, all the things, and so my makeup artist that taught me how to do all of this, Hailee Clark, she put me on to Nars, the foundation. I don’t know exactly what the name of it is, but I love it.”
“I don’t know all the fancy technicals, but I know that it makes me just look kind of airbrushed, and so I love it. Then, I always use this Laura Mercier [setting] powder because I get real shiny, so I’ve gotta reapply that quite often.”
“We are independent. We ball on a budget. I have to do my makeup for award shows, events, all the things, and so my makeup artist that taught me how to do all of this, Hailee Clark, she put me on."
Her Decision To Wear Hanifa For The Big Night.
Intentionality is essential for Kennedy, which is why she jumped at the opportunity to support Black designer Anifa Mvuemba with a dress from her fashion brand, Hanifa.
“Takirra on my team helped me pick out the dress. I really like to represent in country music, and being in Nashville, I like to represent Black culture through the things that I wear, and I was excited to get to wear a Black brand to the BET Awards,” said Kennedy.
“She was telling me about this brand, Hanifa, and we were on FaceTime just scrolling through the website, and she was like this looks like you. This feels very rooted, like fits those natural tones, and so she bought the dress and was like, ‘This is what you’re wearing.’”
The look was a Raven Knit Dress in Eggplant/Dark Brown Mesh from Hanifa.
Tiera Kennedy in her younger years.
Courtesy
Kennedy also nurtured her inner child for the look, taking it back to her roots with one small detail in her hair that she had her mother carry out before she hopped on the flight to LA.
“I had this vision of wearing beads in my hair because when I was younger, my mom would always do that, and I didn’t love it, but now I’m like, it would be really beautiful to tie all of that together, and the Hanifa dress just fit perfectly.”
“Just even in the past couple of days, I’ve had to take a second, and just look back at all of the awesome things we’ve gotten to do,” said Kennedy when asked what baby Tiera is feeling in this moment.
“I had this vision of wearing beads in my hair, because when I was younger, my mom would always do that, and I didn’t love it, but now I’m like, it would be really beautiful to tie all of that together, and the Hanifa dress just fit perfectly.”
“I dreamed of having a record and having this team that was doing all of these things for me, and now, being an independent artist, and being in control of my career, I’ve gotten to build an awesome team behind me that helps me get to where I am. It’s been a lot of hard work, and I think when I was younger, I would have never imagined that I could do all of these things, and so, yeah, to be here, I don’t even think I would believe it.”
Although “Blackbiird” didn’t win in the BET Her category during Monday night’s show, Kennedy’s future is brighter than ever, which she attests to her faith playing a huge role in guiding her next steps as she continues to rise to stardom.
“Thinking about the next thing, I think that can be really daunting when you’re an independent artist. It’s like you have to be thinking of what’s coming next, to prepare for that, but I think the way that I like to walk through life in general is letting the Lord lead,” Kennedy said.
“I know that a lot of time when I have a vision of what I want things to look like in my head, He always exceed my expectations. So, I think the plan is to continue to release music, and continue to show up as my authentic self. Getting to have these moments like the BET Awards is so awesome, but also, at the same time, that’s not what I do this for. I do it for the humans that are listening to my music, that are [having] fun and healing through my music, so I hope that I can just continue to do that.”
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Feature image by Rob Latour/Shutterstock