
Style Blogger Mattie 'Mattieologie' James On Going From $49K To Over $150K In 9 Months

The day started out a little more hectic than usual.
A 19-month-old alarm clock sounded off at four in the morning, just an hour earlier than predicted. Hair had to be done, webinars recorded, and social media posts strategically released to the 25,000 followers anxiously waiting word from their favorite Liberian girl promising them a new lesson on digital domination. But no worries. Mattie James, entrepreneur and founder of the fashion and branding blog Mattieologie.com, is used to wearing a lot of hats. Super mom and influencer are just a couple of head adornments that she wears effortlessly.
“With the baby waking up super early and having to do the webinar, it kind of got just a little bit more hectic than I anticipated," she shares with me from her Atlanta-based home. “You just pull it off and put out fires as you need to."
Photo Credit: Mattieologie.com
James is a part of what could be considered the new class of digital entrepreneurs. Today's movers and shakes aren't just creators, they're their own celebrity. Complete with a strong following, endorsement deals, and six-figure income streams that make you question why you dared to limit your dreams to the traditional nine-to-five job. But James is no overnight success; it took years before she could cash in the coins provided by brands and creative concepts for monetizing her blog.
Back in 2009 when Mattieologie was birthed, blogging was still just a hobby to James. The year prior she was working in retail management, but before she could reach the quarter-life she had a crisis—one that had her questioning whether following in her mother's footsteps (her mom worked in the cosmetic industry since before James was born) was aligned with her own purpose. So a month after her then fiancé got down on bended knee, she put in her two weeks notice. “I was like I don't want to start my life as a wife and as a woman of the house doing retail management. It was something that I settled for just for the sake of money, and now that I was getting into the swing of adulthood, I was just like I don't want to do that," says James.
With a passion for sports and journalism, James went back to square one and started as a promotions intern at a sports radio station. Three month in she was offered a position as the street team manager, but despite being in a male-dominated industry, James still had a love for pretty things, including fashion and beauty. “I learned about everything from Fendi to Ferragamo from my mom. By default since I always had access to beauty and fashion things, I think naturally my likeness towards them was always there."
Photo Credit: Mattieologie.com
That same year she won the Miss Liberia USA pageant. With all eyes on her, she saw it as the perfect opportunity to take Mattieologie to the next level. She bought the domain for her budding style blog, but with little knowledge about branding or how to turn her hobby into a profitable business, she found herself doing what many entrepreneurs do—just figuring it out along the way. “I literally did not know what I was doing," she confesses. “I knew that I wanted to blog and I just made that decision. And the thing about decisions is that they're non-negotiable, so even if you don't know what you're doing, once you've decided to do it you're moving forward.
It took six years of trial and error before James figured out the formula for financial success. Hint: it doesn't include using Google Adsense. “I've been a blogger for six years but I've been an influencer—where people actually listen to me and I listen to them and really started producing content that my audience wanted—since 2013."
What her audience wanted was the real Mattie James. Not the cookie-cutter version that she initially portrayed on Instagram, but the one who occasionally goes bare-faced and sometimes struggles with balancing marriage and mommyhood.
“So many of us are trying to look like the perfect version of ourselves, and that's not what people want."
“In the beginning it takes you so long because you have to come to terms that you have to share your story," she says. “So many of us are trying to look like the perfect version of ourselves, and that's not what people want. People want to know that you went to the Walgreens and spent $30 because you're still trying to find the perfect red lipstick as a brown girl. People don't want to know that you just look perfect on Instagram."
Photo Credit: Mattieologie
It's something that brands have yet to master—creating an authentic connection with consumers. They turn to influencers like James to reach an audience that would normally shoot them the side eye when promoting products, and bloggers are getting up on game as to how deep the corporate pockets go. In a recent blog post James shared that since quitting her full-time job last June where she was making $49,000 a year, she's pulled in over $150,000. Over half of that was thanks to the bread and butter of her balance sheet—her online courses ranging from $97 to $997 teaching fans and followers how they, too, can get paid to be themselves.
“What you have to pay attention to is what the top influencers are doing and the capacity that they're working with brands," she advises. “I think that people are familiar with blogging enough to know that, okay, there's sponsored posts. But when you look at so many different things like what [DJ] Khaled has done for Snapchat, who would think that you could actually monetize and fully influence from Snapchat?"
Arguably, it's her transparency that keeps her fans hanging on to her every word. Not just about how to make passive income, but her personal struggles as well. In one webinar she shared that she wasn't able to post content consistently for the month because she had a miscarriage due to uterine fibroids. In an age where mystery is an anomaly, it begs the question, at what point do you stop fans at the door of your persona life?
“I wanted to share because somebody might have gone through something similar and think that they should just give up, and I don't want her to feel like that," James says. “I'm transparent because it's more important to me for my audience to be helped and fully served than for me to look cool and perceived as perfect. I don't want people to worship me, but my job is to serve you, and if my transparency does that then that's what I'm going to do."
“I had a miscarriage before I had Babyology and one after, and I'm still here, and I'm still going to try to have a second baby," she continues. “I just want whoever is reading this or watching a video of mine to know that life goes and you can push through and that there is life after a tragedy like that."
Photo Credit: Mattieologie.com
There are things that she does keep close to her heart, like her daughter Maizah (whom she's deemed as “Babyology") and her relationship with her husband, Chris, who has been her biggest supporter since before James was raking in the dollars. “He's just such a servant, and he's so willing to serve as my husband or serve my daughter as a father. And he's so consistent at that and he's willing to do that whether it's on a weekend or after a really long day at his 9 to 5. That's really important to me."
While you'll catch flashes of them on her timeline, her family secrets are one thing that aren't for sale.
Though James hopes to inspire others to get paid for their passion, she's also come to terms with the fact that life in the limelight isn't for everyone. It takes a lot to shed insecurities and hit the record button for thousands of followers to have access to your everyday life. It's equally as tough to stay committed to the process required to hit the six-figure mark. In one webinar, she bluntly tells her viewers that only two percent are really going to take her lessons and apply them in their own businesses. It's the fear of responsibility, she says, that keeps them from achieving their desired level of success.
“A lot of people do not follow through because of the responsibility of having to do it again. Winning is not accidental. It takes a commitment, and people don't want to be held responsible. The more you succeed, the more responsibility. It's funny because we're so worried about not being perfect that we think that being powerful and being who we always wanted to be is associated with being perfect, and so we're afraid. We underestimate our worth, and overestimate what people think about us."
For James, though, being in the spotlight as a blogger and influencer is a modified version of the dream that she had as a teen leaving her Alabama home and moving to New York as a classically trained dancer in hopes of being a pop star. “No matter what I did in my life I knew I wanted to be a rock star at it, and when I was a teenager, blogging didn't exist. Now I realize with Mattieologie, I can be a rock star. I don't have to sing, social media is a stage. Blogging is a stage. So I kind of let that go and realized that I can be a star in my own right because of content."
Photo Credit: Mattieologie.com
“The next Oprah and the next Beyoncé are not going to be from a traditional music industry process or even television. They're going to be made on the Internet."
James believes that the new generation of celebrities won't be made in studios or even on traditional stages. “The next Oprah and the next Beyoncé are not going to be from a traditional music industry process or even television, they're going to be made on the Internet," she predicts. “That person can be me. I'm not afraid of that possibility and I don't even think saying it out loud is an ego, it's just that I'm willing to put in that work to be that possibility."
Slay on.
Originally published October 17, 2016
Featured image by Mattie James/Instagram
Claudia Jordan, Demetria McKinney & Jill Marie Jones On 'Games Women Play' & Dating Over 40
What do you get when you mix unfiltered truths, high-stakes romance, and a few well-timed one-liners? You get Games Women Play—the sizzling new stage play by Je’Caryous Johnson that’s part relationship rollercoaster, part grown-woman group chat.
With a powerhouse cast that includes Claudia Jordan, Demetria McKinney, Jill Marie Jones, Carl Payne, Chico Bean, and Brian J. White, the play dives headfirst into the messy, hilarious, and heart-wrenching games people play for love, power, and peace of mind. And the women leading this story? They’re bringing their whole selves to the stage—and leaving nothing behind.
From Script to Spotlight
The road to Games Women Play started over 20 years ago—literally.
“This script was written 20 years ago,” Jill Marie Jones said with a smile. “It was originally called Men, Money & Gold Diggers, and I was in the film version. So when Je’Caryous called me to bring it to the stage, I was like, ‘Let’s go.’” Now reimagined for 2025, the play is updated with sharp dialogue and modern relationship dynamics that feel all too real.
Demetria McKinney, no stranger to Je’Caryous Johnson’s productions, jumped at the opportunity to join the cast once again. “This is my third time working with him,” she shared. “It was an opportunity to stretch. I’d never been directed by Carl Payne before, and the chance to work with talent I admire—Jill, Claudia, Chico—it was a no-brainer.”
Claudia Jordan joked that she originally saw the role as just another check. “I didn’t take it that seriously at first,” she admitted. “But this is my first full-on tour—and now I’ve got a whole new respect for how hard people work in theater. This ain’t easy.”
Modern Love, Stage Left
The play doesn’t hold back when it comes to the messier parts of love. One jaw-dropping moment comes when a live podcast proposal flips into a prenup bombshell—leaving the audience (and the characters) gasping.
Demetria broke it down with honesty. “People don’t ask the real questions when they date. Like, ‘Do you want kids? How do you feel about money?’ These convos aren’t happening, and then everyone’s confused. That moment in the play—it’s real. That happens all the time.”
Jill chimed in, noting how the play speaks to emotional disconnect. “We’re giving each other different tokens of love. Men might offer security and money. Women, we’re giving our hearts. But there’s a disconnect—and that’s where things fall apart.”
And then Claudia, of course, took it all the way there. “These men don’t even want to sign our prenups now!” she laughed. “They want to live the soft life, too. Wearing units, gloss, getting their brows done. We can’t have nothing! Y’all want to be like us? Then get a damn period and go through menopause.”
Dating Over 40: “You Better Come Correct”
When the conversation turned to real-life relationships, all three women lit up. Their experiences dating in their 40s and 50s have given them both clarity—and zero tolerance for games.
“I feel sexier than I’ve ever felt,” said Jill, who proudly turned 50 in January. “I say what I want. I mean what I say. I’m inside my woman, and I’m not apologizing for it.”
Demetria added that dating now comes with deeper self-awareness. “Anybody in my life is there because I want them there. I’ve worked hard to need nobody. But I’m open to love—as long as you keep doing what got me there in the first place.”
For Claudia, the bar is high—and the peace is priceless. “I’ve worked hard for my peace,” she said. “I’m not dating for food. I’m dating because I want to spend time with you. And honestly, if being with you isn’t better than being alone with my candles and fountains and cats? Then no thanks.”
Channeling Strength & Icon Status
Each actress brings something different to the play—but all of them deliver.
“I actually wish I could be messier on stage,” Claudia joked. “But I think about my grandmother—she was born in 1929, couldn’t even vote or buy a house without a man, and didn’t give a damn. She was fearless. That’s where my strength comes from.”
For Jill, the comparisons to her iconic Girlfriends character Toni Childs aren’t far off—but this role gave her a chance to dig deeper. “If you really understood Toni, you’d see how layered she was. And Paisley is the same—misunderstood, but strong. There’s more to her than people see at first glance.”
Demetria, who juggles singing and acting seamlessly, shared that live theater pushes her in a new way. “Every moment on stage counts. You can’t redo anything. It’s a different kind of love and discipline. You have to give the performance away—live, in the moment—and trust that it lands.”
Laughter, Lessons & Black Girl Gems
The show has plenty of laugh-out-loud moments—and the cast isn’t shy about who steals scenes.
“Chico Bean gets a lot of gasps and laughs,” Claudia said. “And Naomi Booker? Every scene she’s in—she’s hilarious.”
But the play isn’t just about humor. It leaves space for reflection—especially for Black women.
“I hope we get back to the foundation of love and communication,” said Demetria. “A lot of us are in protector mode. But that’s turned into survival mode. We’ve lost softness. We’ve lost connection.”
Claudia agreed. “We’re doing it all—but it’s not because we want to be strong all the time. It’s because we have to be. And I just want women to know: You can have peace, you can be soft. But stop bringing your old pain into new love. Don’t let past heartbreak build walls so high that the right person can’t climb over.”
Final Act: Pack the House
If there’s one thing this cast agrees on, it’s that this play isn’t just entertainment—it’s necessary.
“Atlanta is the Black entertainment hub,” Claudia said. “We need y’all to show up for this play. Support the arts. Support each other. Because when we pack the house, we make space for more stories like this.”
Games Women Play is more than a play—it’s a mirror. You’ll see yourself, your friends, your exes, and maybe even your next chapter. So get ready to laugh, reflect, and maybe even heal—because the games are on.
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It’s officially Miss Keri, Baby season again—and if you ask us, it’s been a long time coming. After 15 years away from the music scene, Keri Hilson has returned not only with a brand-new album, but also a captivating new role in Lifetime’s Fame—the latest installment in The Temptations film franchise.
Between the album We Need to Talk: Love and her leading role in Fame, this isn’t just a comeback—it’s a rebirth. The Grammy-nominated singer-songwriter turned actress is letting us into her world like never before, unpacking themes of vulnerability, healing, and inner strength with grace, grit, and raw artistry.
Now streaming on Lifetime, Fame follows two superstar sisters—played by Keri and singer/actress Keshia Chanté—as they navigate the cost of stardom, sibling rivalry, and the dark side of desire. The film also stars Romeo Miller, Ecstasia Sanders, Nathan Witte, and Sophie Carriere, and is executive produced by Derrick Williams and Adriane Hopper Williams of the Seven Deadly Sins franchise.
As for the music? We Need to Talk: Love is a three-part album (Love, Drama, Redemption) that tells the story of a woman who’s been through it—and has risen from the ashes. “It was time to speak for myself,” Keri says.
We sat down with Keri to talk about her return to music, her passion for acting, the emotional depth of Fame, and how she’s learning to care for herself amidst the chaos.
From R&B Queen to Drama Star: Keri Gets Into Character
“Even though she’s famous—as am I—it was really her humanity that I wanted to portray.”
Keri plays Cherish, one half of a superstar sibling duo who must confront their fractured relationship in the wake of a traumatic robbery. For Keri, the role was more than a character—it was a psychological study.
“I enjoy departures from reality. That’s why I love acting,” she shares. “Psychology is one of my favorite things in life. I became a writer because I’m an observer of human nature, emotion, and behavior. I think I did a good job showing her humanity.”
The Fame Isn’t Always Worth the Price
“Keep the main thing the main thing.”
Keri doesn’t sugarcoat the industry. When asked about what Fame reveals about the dark side of celebrity culture, her answer is clear:
“It’s a cautionary tale. It reminds you to keep your family close and not allow anything to come between them—especially in pursuit of success. Keep the main thing the main thing. For me, that’s family, love, spirituality, and values.”
Three Chapters, One Story: Love. Drama. Redemption.
“I’ve shed the fear. It was time to tell my own story.”
Released April 18th, We Need to Talk: Love is Keri’s first album in 15 years—and a deeply personal one at that. The three-part project (Love, Drama, Redemption) represents a timeline of healing and growth.
“I’m finally in a place where I’m able and willing to open up more,” she says. “For a while, I became really guarded—shell-shocked, even—after making mistakes in the public eye. Whether it’s all your fault or not, the scrutiny takes its toll. But now, I’ve shed that fear. It’s time to tell my story.”
Cooking, Walks, and Recalibrating in the Chaos
“I’m not doing the best job—but I’m doing what I can.”
Between eight-hour rehearsals, press runs, and music releases, Hilson admits she hasn’t quite figured out the balance yet—but she’s trying. For her, the key is carving out small rituals of normalcy.
“I enjoy cooking. That’s my sanctity,” she says. “I’ll go home, take my makeup off, put on my rehearsal clothes, and cook a meal. I take walks. I run. These little things help me feel like myself again.”
Art Imitates Life (and Album Tracklists)
“Cherish goes from Love… to Drama… to Redemption.”
Asked which album chapter her Fame character would fall into, Keri doesn’t hesitate. “She fits into all three,” she says. “You see her go from love, to drama, to redemption. That arc mirrors the journey of so many women who’ve had to navigate pain and find their way back to themselves.”
No Pressure, Just Art: Keri Wants You to Feel Something
“Just enjoy the art. That’s it.”
After all the time, patience, and healing, Keri isn’t asking for much. She just wants fans to press play—and feel something.
“I just want people to enjoy what they’re seeing and hearing. Enjoy me on screen. Enjoy me through their ears. People have waited, and I feel blessed by that. That helps me keep it all pure and simple.”
As Keri Hilson steps boldly back into the spotlight, it’s clear this era is all about alignment, artistry, and authenticity. With Fame airing on Lifetime and the first chapter of We Need to Talk: Love setting the tone, we’re more than excited to see what’s next.
As she continues to unfold the album’s next two chapters—Drama and Redemption—one thing’s for sure: this isn’t just a comeback. It’s a reintroduction. And we’ll be watching, listening, and cheering her on every step of the way.
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