In her latest transformative role, LeToya Luckett sheds her glamorous persona to embody a character who survives a harrowing near-death experience, only to rise from the ashes and reclaim everything she lost in Lifetime’s I Thought My Husband’s Wife Was Dead.
The suspenseful movie, based on the novel Unmissing by bestselling author Minka Kent, also stars Sherilyn Allen, former pro football player Jamall Johnson, and Angela “Blac Chyna” White. The story centers around Lola Winters, played by Allen, who is an expectant mother and wife of Leo Winters, played by Johnson, with a penchant for donning all-white ensembles.
Together, the affluent couple live a lavish lifestyle and maintain a ritzy restaurant. However, their lives are disrupted when Tori reemerges at her husband’s doorstep after being missing for five years and declared dead.
Luckett admitted that the role triggered some deep-seated emotions but was also liberating, which drew her to the role.
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“I felt like she was different from any character I've ever played. I'm used to being suited and booted and glammed and all the things [but] Tori was the complete opposite of that, you know what I mean? Her story was so layered - going through such a traumatic experience, coming out, finding her way back, and going after what she asked, ultimately, what was hers,” Luckett explains.
I felt like she was different from any character I've ever played. I'm used to being suited and booted and glammed and all the things [but] Tori was the complete opposite of that, you know what I mean? Her story was so layered - going through such a traumatic experience, coming out, finding her way back, and going after what she asked, ultimately, what was hers.
“She was fighting for her life. I think that there are so many people out there that are, you know, going through traumatic situations or feel like they're fighting the good fight alone. I wanted to play this character or help in telling the story to let them know, ‘Nope, you're not alone. You're not by yourself. There are other people suffering, other people going through it, other people climbing the ladder, feeling like they're going nowhere.’ But then, somehow, there seems to be a light at the end of the tunnel.”
Luckett’s empathy for her character, Victoria, also propelled her to do a deep dive into her complex background and mysterious return in preparation for filming. The two-time Grammy award winner also took time out to speak to women who were domestic abuse survivors in shelters and were undergoing treatment for their traumatic experiences while also tapping into her experiences.
“I found myself tapping into some things that I thought I had healed from, and it wasn't until they yelled, cut, [that] I was still crying. I was like, ‘Wait a minute, hold on,’” she says.
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“If I use that as motivation, and I'm still feeling it as though it happened yesterday, and it probably happened years ago, I my might need to call my therapist, we might need to talk about some things, or just kind of revisit some things, but I really just allowed myself to be open and free and not judge her character and not put the emotions that I was feeling for her and to honestly just step into her experience as best I could.”
Her performance reflects the time she spent understanding the nuances of her character, especially Victoria’s motivation to actively pursue all that she lost during her five years away. When asked if women should feel entitled to go after what they deserve, Luckett answers a resounding ‘yes.’
“Why not? Men do it every day. Why not? It's almost a thing that women have, this nurturing spirit, and they want to take care of everyone before they take care of themselves. I think that we do a disservice to ourselves by doing that,” she says.
“We can't keep trying to pour and give and be okay with operating out of an empty glass. You know what I mean? And taking second best, like, I'm glad that we are finally waking up, and I feel like the rest of the world is waking up from that to just being a common thing that women have to sacrifice themselves and everybody be okay with that or not get what the man next to us, who probably isn't as capable of the job, him getting more. No, go ahead and go get what’s yours, and when you get the ‘no’ the first go around, try again, and turn that thing into a ‘yes,’" she emphatically states.
Why not? Men do it every day. Why not? It's almost a thing that women have, this nurturing spirit, and they want to take care of everyone before they take care of themselves. I think that we do a disservice to ourselves by doing that. We can't keep trying to pour and give and be okay with operating out of an empty glass. You know what I mean? And taking second best, like, I'm glad that we are finally waking up, and I feel like the rest of the world is waking up from that to just being a common thing that women have to sacrifice themselves and everybody be okay with that or not get what the man next to us, who probably isn't as capable of the job, him getting more.
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As the newlywed previously said, she had to protect her mental health during filming by being in contact with her therapist. She admits that she began seeing a therapist around the age of 19/20 to deal with her claustrophobia and soon realized she needed to unearth some childhood trauma, “Baby, I haven’t been able to let her go since,” Luckett says.
“I feel the biggest part of self-care also is listening to oneself. If your body is saying ‘sit down, [then] sit down.” If your body is saying, ‘hey, the stress is getting to be too much,’ then we have to use our wisdom and awareness to believe what our body is telling us. I'm starting to finally listen to myself and trust my instincts and trust what my body is saying.”
Luckett's self-awareness also aids her in motherhood as she cares for her two young children. She reveals that she cherished quiet moments before having children and takes the time to give herself a break. The 43-year-old actress also listed going to the spa and disconnecting from her phone as another vital self-care go-to that she incorporated into her day-to-day life.
“I have made it a point at least twice a month to go into my favorite spa, shutting my phone off. I mean logging off completely and being okay with it. We let our phones control us, and especially with social media we have this fear of missing out on what's going on in the world, and we don't know how to detach from that,” she says. “I feel like a form of my self-care recently has been, for real, detach, let go. Let those people out there on social media live their lives and I want to be present in mine.”
Luckett admits she isn’t slowing down soon as she has more projects on the horizon, like her fashion capsule In The Trunk (a statement she made on the Terrell Show) that now has t-shirts and hoodies for sale. “When I said it, so many people came up to me and we're like, ‘Yo, that line changed my life. Like for real. It really helped me to kind of get out of my own way.’ So we made a shirt, and it is available on my website.
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"We have two colors right now, which would be the cream, and black. I can't wait for hoodie season because I'll rock it at the airport right now. When I tell you I can't go nowhere and somebody not say, ‘Oh my god, I love your shirt. Oh my god, I love your hoodie because of what it says and the cute little graphic that I came up with.”
She intends to expand her line by Christmas. In addition, fans can also anticipate the return of her YouTube channel “Leave It to LeToya” within the coming months.
“Of course, we're promoting the film right now. So August 3rd is a big day. But I love connecting with my people via my YouTube page and also my Instagram, so I will definitely be coming back with a show, but it'll be based around my life, being a single mom and raising the two littles and asking the hard questions and my healing process, my journey, having more conversation with my therapist, all the things that people loved. We're going to be getting the ball moving on that again,” she assures.
Be sure to tune into the anticipated thriller I Thought My Husband’s Wife Was Dead, which debuts Saturday, Aug. 3, at 8 p.m. ET on Lifetime.
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Feature image by Marcus Owens
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So, we handpicked one hundred It Girls who embody that palpable It Factor moving through us as young Black women, the kind of motion lighting up the world both IRL and across the internet.
It Girl 100 became xoNecole’s most successful program, with the hashtag organically reaching more than forty million impressions on Instagram in just twenty-four hours. Yes, it caught on like wildfire because we celebrated some of the most brilliant and influential GenZennial women of color setting trends and shaping culture. But more than that, it resonated because the women we celebrated felt seen.
Many were already known in their industries for keeping this generation fly and lit, but rarely received recognition or flowers. It Girl 100 became a safe space to be uplifted, and for us as Black women to bask in what felt like an era of our brilliance, beauty, and boundless influence on full display.
And then, almost overnight, it was as if the rug was pulled from under us as Black women, as the It Girls of the world.
Our much-needed, much-deserved season of ease and soft living quickly metamorphosed into a time of self-preservation and survival. Our motion and economic progression seemed strategically slowed, our light under siege.
The air feels heavier now. The headlines colder. Our Black girl magic is being picked apart and politicized for simply existing.
With that climate shift, as we prepare to launch our second annual It Girl 100 honoree list, our team has had to dig deep on the purpose and intention behind this year’s list. Knowing the spirit of It Girl 100 is about motion, sauce, strides, and progression, how do we celebrate amid uncertainty and collective grief when the juice feels like it is being squeezed out of us?
As we wrestled with that question, we were reminded that this tension isn’t new. Black women have always had to find joy in the midst of struggle, to create light even in the darkest corners. We have carried the weight of scrutiny for generations, expected to be strong, to serve, to smile through the sting. But this moment feels different. It feels deeply personal.
We are living at the intersection of liberation and backlash. We are learning to take off our capes, to say no when we are tired, to embrace softness without apology.
And somehow, the world has found new ways to punish us for it.
In lifestyle, women like Kayla Nicole and Ayesha Curry have been ridiculed for daring to choose themselves. Tracee Ellis Ross was labeled bitter for speaking her truth about love. Meghan Markle, still, cannot breathe without critique.
In politics, Kamala Harris, Letitia James, and Jasmine Crockett are dragged through the mud for standing tall in rooms not built for them.
In sports, Angel Reese, Coco Gauff, and Taylor Townsend have been reminded that even excellence will not shield you from racism or judgment.
In business, visionaries like Diarrha N’Diaye-Mbaye and Melissa Butler are fighting to keep their dreams alive in an economy that too often forgets us first.
Even our icons, Beyoncé, Serena, and SZA, have faced criticism simply for evolving beyond the boxes society tried to keep them in.
From everyday women to cultural phenoms, the pattern is the same. Our light is being tested.
And yet, somehow, through it all, we are still showing up as that girl, and that deserves to be celebrated.
Because while the world debates our worth, we keep raising our value. And that proof is all around us.
This year alone, Naomi Osaka returned from motherhood and mental health challenges to reach the semifinals of the US Open. A’ja Wilson claimed another MVP, reminding us that beauty and dominance can coexist. Brandy and Monica are snatching our edges on tour. Kahlana Barfield Brown sold out her new line in the face of a retailer that had been canceled. And Melissa Butler’s company, The Lip Bar, is projecting a forty percent surge in sales.
We are no longer defining strength by how much pain we can endure. We are defining it by the unbreakable light we continue to radiate.
We are the women walking our daily steps and also continuing to run solid businesses. We are growing in love, taking solo trips, laughing until it hurts, raising babies and ideas, drinking our green juice, and praying our peace back into existence.
We are rediscovering the joy of rest and realizing that softness is not weakness, it is strategy.
And through it all, we continue to lift one another. Emma Grede is creating seats at the table. Valeisha Butterfield has started a fund for jobless Black women. Arian Simone is leading in media with fearless conviction. We are pouring into each other in ways the world rarely sees but always feels.
So yes, we are in the midst of societal warfare. Yes, we are being tested. Yes, we are facing economic strain, political targeting, and public scrutiny. But even war cannot dim a light that is divinely ours.
And we are still shining.
And we are still softening.
And we are still creating.
And we are still It.
That is the quiet magic of Black womanhood, our ability to hold both truth and triumph in the same breath, to say yes, and to life’s contradictions.
It is no coincidence that this year, as SheaMoisture embraces the message “Yes, And,” they stand beside us as partners in celebrating this class of It Girls. Because that phrase, those two simple words, capture the very essence of this moment.
Yes, we are tired. And we are still rising.
Yes, we are questioned. And we are the answer.
Yes, we are bruised. And we are still beautiful.
This year’s It Girl 100 is more than a list. It is a love letter to every Black woman who dares to live out loud in a world that would rather she whisper. This year’s class is living proof of “Yes, And,” women who are finding ways to thrive and to heal, to build and to rest, to lead and to love, all at once.
It is proof that our joy is not naive, our success not accidental. It is the reminder that our light has never needed permission.
So without further ado, we celebrate the It Girl 100 Class of 2025–2026.
We celebrate the millions of us who keep doing it with grace, grit, and glory.
Because despite it all, we still shine.
Because we are still her.
Because we are still IT, girl.
Meet all 100 women shaping culture in the It Girl 100 Class of 2025. View the complete list of honorees here.
Featured image by xoStaff
