

I was taught you only ever went to the doctor when something was wrong.
When I was growing up frequent doctors and dentist visits meant time off work my mother didn't have the luxury of taking. As an adult, my annual trip to the doctor's office is only for a routine pap smear, which means my doctor's visits, can vary from one to none. This might frighten some, but I'm more worried for my health when visiting a doctor, considering the statistics. Studies repeatedly show the lasting distrust between black Americans and their health care physicians.
There's a disconnect because Black people are more inclined to trust people that look like them, that have the same values as them, and are invested in their wellbeing as members of the larger community. When we are not well, we cannot be our best selves to support our families and cannot serve our communities to our greatest potential.
Building community begins with us.
So, I take more responsibility for my health and well-being, and to see other black women trailblazing in health and wellness is empowering, and continues to be a source of reassurance and comfort in knowing we're moving towards taking back our power to heal ourselves and our communities. That also means when I'm spending my coin on alternative treatments that I'm looking to spend black, being intentional about where my business goes and how it continues to help the people that look like me.
I met with Portia Wilson, founder of Deeper Genius Acupuncture & Healing Arts, an acupuncture practice rooted in the wisdom of the Traditional Chinese Medical system (TCM), for my first-ever acupuncture treatment and to talk black women in wellness and preventative health in our communities.
"It is such an exciting time!" Portia echoes. "Wellness spaces are evolving to be more inclusive and culturally competent. I'm so inspired by all of the black women out here in the health industry pushing the culture."
She mentions Chicago based yoga teacher and wellness guru Lauren Ash of Black Girl in Om, renowned vegan chefs Lauren Von Der Pool, Babette Davis, and Lynette Astaire, and veteran acupuncturist and community leader Jewel Thais-Williams of the LA-based Village Health Foundation as being a few of her inspirations—all of whose works consider the overall holistic health of the individuals they service.
While not completely negating the fact that "western medicine absolutely has its uses," Portia stresses the need for spaces that contribute to growth "in the areas of preventative care, patient empowerment, and nutrition."
"I think those three things are the key to overhauling our healthcare system as we know it."
Leaning on the teachings of many of these women, taking responsibility for my mental, physical, and emotional health has meant practicing yoga, eliminating meat and dairy from my diet almost completely, drinking more water, studying plant medicine and exploring more holistic health offerings like acupuncture.
Acupuncture at the superficial level is simply the insertion of very thin needles through your skin at strategic points on your body that helps reduce stress and pain, and circulate blood flow. But a deeper look into the ancient Chinese tradition reveals it's more than that. Portia describes it as a "treatment" that penetrates beyond the physical to "assess the whole person in mind, body, and spirit."
Many would be surprised to learn that an acupuncture intake exam is just as, if not more, intensive than a first-time doctor's visit. "During the usual 20-minute intake, we discuss everything from daily food intake, cravings, color of menstrual blood, digestive experiences, quality of sleep, stress levels, if you have vivid dreams. We go really in-depth to get a thorough understanding of what's happening with the whole person," she explains.
For example, using pulse and tongue diagnosis, Wilson is better able to understand what's happening internally. Portia considers what relationships suggest where a person's particular imbalances reside to tailor her patient's treatments whether it be as common as PMS or distinct to the individual with chronic migraines or eczema.
I'll admit, I would not have been as open about describing my stool, eating habits, or sex life with any other physician. While she read my pulse, we casually discussed how she got into Traditional Chinese Medicine and laughed about our similar experiences studying biology at Howard University.
From reading my pulse, she was able to tell me that my period was on its way and where there may be places that I'm carrying grief, among other things. I wasn't at all expecting that. I was there to learn about what was going on in my body and to learn there may be some subtle grief I hadn't processed, that I might be carrying it with me definitely helped me to dive deeper into my own self-awareness.
A lack of knowledge of how to eat, how to process stress, how to listen to our bodies is how untreated grief can lead to depression.
"Black women have some of the highest rates of depression and untreated depression in the U.S." Portia said, "People feel better after their sessions, they sleep better, and they report lower levels of anxiety and irritability after treatment. With consistent treatment, these effects are longer lasting. Regular acupuncture optimizes our innate healing abilities by improving our ability to handle stress."
"Black women have some of the highest rates of depression and untreated depression in the U.S."
Where I might've been embarrassed to go as far as talk to a therapist about battling negative thoughts and feelings, I felt comfortable sorting through those thoughts and feelings with my acupuncturist.
Acupuncture should be seen as a "wellness tool for black women seeking complementary treatments for depression and anxiety," Portia suggests.
Another wellness tool that Portia keeps in her arsenal is fire cupping. Portia describes it as "a form of bodywork and detox all wrapped in one." Using a flames to create a vacuum inside of a glass cup, Portia quickly placed on the cups on every inch of my back. "The suction from the cup reaches about four inches deep into the body—lifting the underlying tissues to release tension, increase fresh blood flow, and relax the nervous system."
It left big red circles resembling different phases of the moon on my back. "Those dark marks that are left behind are areas where the body was storing tension. The darker the mark the more of a release of "stuck" energy from the underlying tissue," she assures.
I spent the following week explaining the dark marks to others and how it made my shoulders and back less tense, how I had the best sleep I'd had in a long time, felt an improvement in my mood, and experienced a lighter, easier period afterwards.
I have another appointment scheduled for next week.
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DeJanae Evins is a certified cannabis educator, consultant and the creator of GreenGoddessGlow, a digital resource at the intersection of cannabis and wellness encouraging mindful cannabis self-care practices. Evins is also a freelance health and wellness writer often discussing topics around sexual health and women's empowerment. Since learning about the Plant Queendom and the many ways we can use plant medicine to heal ourselves both individually and on a global scale, Evins has been vocal in both the cannabis and wellness communities about integrating cannabis in her approach to holistic health. Follow her on Instagram and Twitter @dejanaetanye.
'Black Girl Magic' Poet Mahogany L. Browne Talks Banned Books And The Power Of The Creative Pivot
You know you’re dealing with a truly talented and profound voice of a generation when the powers that be attempt to silence it. As a poet, educator, and cultural curator, Mahogany L. Browne has carved out a powerful space in the world of literature and beyond.
From penning the viral poem, “Black Girl Magic,” to writing Woke: A Young Poet’s Call To Justice (a book once banned from a Boston school library), to becoming the 2024 Paterson Poetry Prize winner and a poet-in-residence at Lincoln Center—her path exemplifies resilience, reinvention, and unapologetic artistry. She's published more than 40 works and paid the bills with her craft, a divine dream for many creatives seeking release, autonomy, and freedom in a tough economic climate.
A Goddard College graduate, who earned an MFA from Pratt Institute and was awarded an honorary doctorate from Marymount Manhattan College, Mahogany offers unapologetic realness with a side of grace and empowerment. "I started touring locally. I started creating chat books so that those poems will go in the hands of the people who were sitting in the rooms," she shared.
"And then I started facilitating poetry workshops, so I used my chat books as curriculum. And that, in turn, allowed me to further invest in my art and show the community and people who were hiring me that it wasn't just a one-off, that it's not just, you know, a fly by night—that I am invested in this art as much as I am invested in your community, in your children's learning, in our growth."
Mahogany has a special way of moving audiences, and her superpower sparks shifts in perspective, post-performance introspection, and strengthening of community bonds, especially among Black women. (One can undeniably recognize her gift for arousal of the spirit and mind merely from her listening to her insights from the other side of a Google Hangout call. I can only imagine the soul-stirring, top-tier sensory encounter when watching her perform in person.)
In this chat with xoNecole, Mahogany reflects on sustaining a creative career, the aftermath of writing a banned book, and using poetry for both healing, community-building, and activism.
Anthony Artis
xoNecole: What are three key things that have laid the foundation for a sustainable creative career for you?
Mahogany L Browne: What has helped me is that I'm willing to go in being an expert at knowing poetry and knowing the way in which art can change the landscape of our lives, not just as a poet, but also as a poetry facilitator. How you move through classes, those things are mastered, right? So when I go into another space that's maybe tech-heavy, I don't mind learning and being, you know, a student of the wonder of how we can make this magic, work together.
Two, you’ve got to know how to pivot. Sometimes we say, ‘Alright, this is what my life is going to be. I'm going to be a New York Times best-selling author. I'm going to, you know, have an album that's Grammy-nominated. And then, say you get dropped from your record label. That doesn't mean you can't make an album anymore. You can also still create an album that can be submitted to the Grammys. So, what does a pivot look like as an artist who doesn't have an institution behind them? Pivot being a student of the wonder.
Relationships also really help. How do I serve the community? And in turn, that tells me how the community can show up. For me, I have long-standing ties with a community that will outlast my one life. So, what does it mean to create space where these relationships can develop, can be nurtured, can be rooted, can be cultivated? Creating space—it happens through relationships.
xoN: With today’s economic challenges, what does your current creative process look like, and what are you working on?
MB: I’m always thinking five years ahead. I just reviewed the pages for two children’s books and recently released a YA novel. I’m drafting an adult fiction manuscript now.
Anything I create is founded with the root of poetry, but it can exist in captions. It can exist in commercials. It can exist as a musical. So that's where I’m at now.
xoN: You started performing "Black Girl Magic" in 2013, had an acclaimed performance of it via PBS and the work went on to viral success shortly after. Talk more about the inspiration. And what do you think about the continued relevance more than a decade later?
MB: I wrote it as a rally cry for the mothers who had been keeping themselves truly in harm's way by, you know, being a part of the community right after the death of their child or their loved one. They are usually mothers of victims of police brutality—and just seeing how they showed up in these community spaces, they are devout to the cause but obviously still grieving.
"I wanted this poem to be just a space of reclamation, of joy and of you, of your light, of your shine, of your brilliance, in any which way in which you fashion. Every room you enter is the room you deserve to be in. What does it mean to have a poem like that that exists?"
And the first time I did the poem, the Weeping that occurred, right? It was like this blood-letting of sorts. The next time I performed it, I'm moved to tears because I'm seeing how it's affecting other women who have just been waiting to hear, ‘You belong. You deserve. You are good. We see you. Thank you, despite everything that they said to make you regret being born in this beautiful brown, dark-skinned, light-skinned, but Black body.’
Black women are the backbone—period. Point blank. And so, that that poem became a necessity, not just to the fortitude of Black women in the community, but like you know, in service of healing the Black women.
xoN: One of your books was banned at a school in Boston, and it was later reinstated due to parental and activist support. What was that experience like?
MB: Well, I think it happened because they were racist. That's it. Point blank. The reversal of it was empowering, right? I realized, oh, I thought we just had to sit here and be on a banned book list. But no, parents are actually the leaders of this charge.
So to see that, the parents said, ‘Nah, we're not gonna let you take this book out of my baby’s school just because it's a Black kid on the front saying, ‘Woke’ and they're talking about being a global citizen. They're talking about accountability. They're talking about accessibility. They're talking about allyship, and you don't want them to have compassion or empathy or have even an understanding, right? So no, we rebuke that, and we want this book here anyway.’ To see that happen in that way. I was, like, reaffirmed. Absolutely.
xoN: You recently organized the Black Girl Magic Ball at the Lincoln Center in New York. Honorees included author and entrepreneur Rachel Cargle and National Black Theater CEO Sade Lythcott. What impact did it have and what expanded legacy do you hope to leave with your creative works?
MB: I was really interested in not celebrating just the book, but celebrating the community that made the book possible. And so I gave out five awards to women doing that thing, like, what does it mean to be a Black girl in this world?
I just thought it was gonna be an amazing time. Everybody's gonna dress up—we're gonna celebrate each other. And boom, I then realized that it responded to like a gaping hole. There was a missing thing for Black girls of all walks of life, all ages, right?
"It's very intergenerational. That was intentional to come together and celebrate just being us."
You have all these instances where just being you is either the butt of a joke or it's diminished and not worthy of a specific title in these larger institutions. So what does it mean to just to be loved up on and celebrated?
It felt like a self-care project at first. You know, for the first couple of years, folks were coming and they were getting that sisterhood. They were getting that tribe work that they were missing in their everyday lives.
I love the Black Girl Magic Ball because we got us. If I go out with a bang, they'll remember that Mahogany worked her a** off to make sure all the Black girls everywhere knew that she was the light. We are the blueprint.
For more information on Mahogany L. Browne, her work, and her future projects, visit her website or follow her on IG @mobrowne.
Featured image by Anthony Artis
Inside Tiera Kennedy’s BET Awards Night: Hanifa Dress, DIY Glam & ‘Blackbiird’ Nomination
This is Tiera Kennedy’s world, and we’re just living in it.
An Alabama native taking country music by storm thanks to her features on Beyoncé s Cowboy Carter and her recently released debut, Rooted, Kennedy is much more than just a woman living out her wildest dreams; she embodies the role of all-American girl with ease.
“I think for me, an all-American girl, for some reason, brings me back to when I was younger, and just like playing at my grandma’s house and just being outside,” Kennedy told xoNecole ahead of her attendance at the 2025 BET Awards.
“I just feel like when I was younger, you know, you don’t have as many responsibilities. There’s not as much weighing you down, and so I kind of go back to that mindset. Like, even now, being 27, I’m trying to get back to that younger girl.”
The 2025 BET Awards, hosted by Kevin Hart, took place in Los Angeles at the Peacock Theater on Monday night (June 9). The star-studded event was filled with tons of surprises, including a trip down memory lane with a 106 & Park reunion, coupled with performances by artists that dominated the top spots during the music video countdown show’s reign from 2000 to 2014.
Kennedy, who received her first nomination alongside Tanner Adell, Brittney Spencer, Reyna Roberts, and Beyoncè in the BET Her category for “Blackbiird,” the reimagination of the original The Beatles of the same title (minus the extra i), invited xoNecole to get ready with her as she prepared for her first-ever BET Awards.
Beauty Rituals Inherited From Her Mother.
Rather than booking her makeup artist ahead of the big night, Kennedy decided to go on a budget and do the task herself, something that isn’t too out of her norm. She noted how she incorporates some of the things she witnessed her mother do while growing up in her routine.
“I remember being younger and seeing all the makeup laid out on my mom’s counter,” the “I Look Good In That Truck” singer recalled. “I don’t even think she knows this, but there were moments where I would like to go and steal her makeup. She would have Mac. I think it was some kind of foundation powder, and I would go in there and I would put it on, and I’m like I hope she doesn’t see.”
She added, “My mom is very natural with her makeup, so even though I’ve got these big lashes on, I always gravitate towards just neutral looks… I don’t do anything too fancy.”
Tiera Kennedy’s Holy Grail of Products.
Kennedy took it upon herself to take a class to ensure that she’s prepared for nights like these, where she’s the one responsible for bringing her glam look to life.
“We are independent,” she said, reminding us that she is no longer tied to a big machine when it comes to her work as an artist. “We ball on a budget. I have to do my makeup for award shows, events, all the things, and so my makeup artist that taught me how to do all of this, Hailee Clark, she put me on to Nars, the foundation. I don’t know exactly what the name of it is, but I love it.”
“I don’t know all the fancy technicals, but I know that it makes me just look kind of airbrushed, and so I love it. Then, I always use this Laura Mercier [setting] powder because I get real shiny, so I’ve gotta reapply that quite often.”
“We are independent. We ball on a budget. I have to do my makeup for award shows, events, all the things, and so my makeup artist that taught me how to do all of this, Hailee Clark, she put me on."
Her Decision To Wear Hanifa For The Big Night.
Intentionality is essential for Kennedy, which is why she jumped at the opportunity to support Black designer Anifa Mvuemba with a dress from her fashion brand, Hanifa.
“Takirra on my team helped me pick out the dress. I really like to represent in country music, and being in Nashville, I like to represent Black culture through the things that I wear, and I was excited to get to wear a Black brand to the BET Awards,” said Kennedy.
“She was telling me about this brand, Hanifa, and we were on FaceTime just scrolling through the website, and she was like this looks like you. This feels very rooted, like fits those natural tones, and so she bought the dress and was like, ‘This is what you’re wearing.’”
The look was a Raven Knit Dress in Eggplant/Dark Brown Mesh from Hanifa.
Tiera Kennedy in her younger years.
Courtesy
Kennedy also nurtured her inner child for the look, taking it back to her roots with one small detail in her hair that she had her mother carry out before she hopped on the flight to LA.
“I had this vision of wearing beads in my hair because when I was younger, my mom would always do that, and I didn’t love it, but now I’m like, it would be really beautiful to tie all of that together, and the Hanifa dress just fit perfectly.”
“Just even in the past couple of days, I’ve had to take a second, and just look back at all of the awesome things we’ve gotten to do,” said Kennedy when asked what baby Tiera is feeling in this moment.
“I had this vision of wearing beads in my hair, because when I was younger, my mom would always do that, and I didn’t love it, but now I’m like, it would be really beautiful to tie all of that together, and the Hanifa dress just fit perfectly.”
“I dreamed of having a record and having this team that was doing all of these things for me, and now, being an independent artist, and being in control of my career, I’ve gotten to build an awesome team behind me that helps me get to where I am. It’s been a lot of hard work, and I think when I was younger, I would have never imagined that I could do all of these things, and so, yeah, to be here, I don’t even think I would believe it.”
Although “Blackbiird” didn’t win in the BET Her category during Monday night’s show, Kennedy’s future is brighter than ever, which she attests to her faith playing a huge role in guiding her next steps as she continues to rise to stardom.
“Thinking about the next thing, I think that can be really daunting when you’re an independent artist. It’s like you have to be thinking of what’s coming next, to prepare for that, but I think the way that I like to walk through life in general is letting the Lord lead,” Kennedy said.
“I know that a lot of time when I have a vision of what I want things to look like in my head, He always exceed my expectations. So, I think the plan is to continue to release music, and continue to show up as my authentic self. Getting to have these moments like the BET Awards is so awesome, but also, at the same time, that’s not what I do this for. I do it for the humans that are listening to my music, that are [having] fun and healing through my music, so I hope that I can just continue to do that.”
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Feature image by Rob Latour/Shutterstock