If God blesses me with the opportunity to live 70 years on this earth, I hope that I can be as fly as women like JoAni Johnson while doing so. Black women are living proof that the fountain of youth does, in fact, exist, but sometimes, our age begins to feel less like a number and more like a countdown to the grave, but according to JoAni, getting older isn't a punishment, issa gift. Since going viral in a street style fashion video 2016, the model has been booked and busy, securing a bag from brands like Calvin Klein, CDLM, and Fenty, sending a fashion world a message that this wave of age-inclusion is here to stay.
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Although JoAni may seem like she has the confidence of 1,000's Beyoncés, it's both inevitable and totally human to get lost in the comment section from time-to-time. She explained that since her debut in the fashion world, she's received a number of negative comments that can often be overwhelming. She told MadameNoire:
"It is mind-boggling to me when these things come out, my biggest interest is in the comments. I gotta go through and read all the comments, like why? And the only ones that really capture my eye are the negative ones because it's natural."
Sticks and stones ain't got nothing on The Shade Room comment section, and although social media has shown JoAni a lot of love, the model says that she's also seen her share of hate.
"At first, it was hard because no one likes negativity, but, just like everything else, nothing is perfect. There is nobody on this planet that is perfect."
Ultimately, JoAni had to level up her mentality and realize that nobody's perfect, and this especially applies to trolls on the internet who try to steal your joy. Instead of giving into the societal pressures associated with ageism and sexism, and every other -ism you could probably imagine, JoAni says f*ck it:
"I'm ageless, so you can call it whatever you want to, but it doesn't apply to me. I am a person. I am a human being; that's most important to me."
Insecurities are like opinions, everybody has them; And JoAni believes that although we can get lost in the thoughts of others, we have to remember that the only image that really matters is the one we have of ourselves.
At the root of every insecurity is fear of being "too". Maybe you're too inexperienced to start a business, or think you're too old to follow your dreams, but JoAni says that ultimately, the only thing that can stop you from becoming the woman of your dreams is the ability to adapt to change:
"Fear is a mind killer, but you have to embrace your journey, and everybody's journey is different. As we grow, we change our perspectives; we adapt. Whether it's exfoliating your skin, whether it's plucking the eyebrows more, there are so many chances for you to embrace and adapt."
Although JoAni hasn't always been the luxury brand-rocking runway queen that she is today, she's wearing her crown with grace, keeping in mind that she can face any -ism that comes her way. JoAni shares that the real secret to keeping her confidence is 10 is just showing up. After losing her husband two years ago, she admits that her greatest superpower has been her ability to take a set back and keep on slaying:
"For me, confidence comes from showing up for life on a daily basis. Everything I've been through — the good, the bad and the ugly — has prepared me to know that I can handle my next challenge with confidence. Being older gives me the experience of knowing that I've overcome difficult challenges before, like the death of my husband, and that gives me the confidence to face whatever comes next."
According to JoAni, the war wounds she's acquired over the past 67 years are only beauty marks, ones that we should embrace with open arms.
"Young people should welcome new experiences — they help you build on your current abilities and hopefully add new ones. And with that, even more confidence will come."
Read JoAni's full interview with MadameNoire here!
Featured image by JP Yim/Getty Images
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A Goddard College graduate, who earned an MFA from Pratt Institute and was awarded an honorary doctorate from Marymount Manhattan College, Mahogany offers unapologetic realness with a side of grace and empowerment. "I started touring locally. I started creating chat books so that those poems will go in the hands of the people who were sitting in the rooms," she shared.
"And then I started facilitating poetry workshops, so I used my chat books as curriculum. And that, in turn, allowed me to further invest in my art and show the community and people who were hiring me that it wasn't just a one-off, that it's not just, you know, a fly by night—that I am invested in this art as much as I am invested in your community, in your children's learning, in our growth."
Mahogany has a special way of moving audiences, and her superpower sparks shifts in perspective, post-performance introspection, and strengthening of community bonds, especially among Black women. (One can undeniably recognize her gift for arousal of the spirit and mind merely from her listening to her insights from the other side of a Google Hangout call. I can only imagine the soul-stirring, top-tier sensory encounter when watching her perform in person.)
In this chat with xoNecole, Mahogany reflects on sustaining a creative career, the aftermath of writing a banned book, and using poetry for both healing, community-building, and activism.
Anthony Artis
xoNecole: What are three key things that have laid the foundation for a sustainable creative career for you?
Mahogany L Browne: What has helped me is that I'm willing to go in being an expert at knowing poetry and knowing the way in which art can change the landscape of our lives, not just as a poet, but also as a poetry facilitator. How you move through classes, those things are mastered, right? So when I go into another space that's maybe tech-heavy, I don't mind learning and being, you know, a student of the wonder of how we can make this magic, work together.
Two, you’ve got to know how to pivot. Sometimes we say, ‘Alright, this is what my life is going to be. I'm going to be a New York Times best-selling author. I'm going to, you know, have an album that's Grammy-nominated. And then, say you get dropped from your record label. That doesn't mean you can't make an album anymore. You can also still create an album that can be submitted to the Grammys. So, what does a pivot look like as an artist who doesn't have an institution behind them? Pivot being a student of the wonder.
Relationships also really help. How do I serve the community? And in turn, that tells me how the community can show up. For me, I have long-standing ties with a community that will outlast my one life. So, what does it mean to create space where these relationships can develop, can be nurtured, can be rooted, can be cultivated? Creating space—it happens through relationships.
xoN: With today’s economic challenges, what does your current creative process look like, and what are you working on?
MB: I’m always thinking five years ahead. I just reviewed the pages for two children’s books and recently released a YA novel. I’m drafting an adult fiction manuscript now.
Anything I create is founded with the root of poetry, but it can exist in captions. It can exist in commercials. It can exist as a musical. So that's where I’m at now.
xoN: You started performing "Black Girl Magic" in 2013, had an acclaimed performance of it via PBS and the work went on to viral success shortly after. Talk more about the inspiration. And what do you think about the continued relevance more than a decade later?
MB: I wrote it as a rally cry for the mothers who had been keeping themselves truly in harm's way by, you know, being a part of the community right after the death of their child or their loved one. They are usually mothers of victims of police brutality—and just seeing how they showed up in these community spaces, they are devout to the cause but obviously still grieving.
"I wanted this poem to be just a space of reclamation, of joy and of you, of your light, of your shine, of your brilliance, in any which way in which you fashion. Every room you enter is the room you deserve to be in. What does it mean to have a poem like that that exists?"
And the first time I did the poem, the Weeping that occurred, right? It was like this blood-letting of sorts. The next time I performed it, I'm moved to tears because I'm seeing how it's affecting other women who have just been waiting to hear, ‘You belong. You deserve. You are good. We see you. Thank you, despite everything that they said to make you regret being born in this beautiful brown, dark-skinned, light-skinned, but Black body.’
Black women are the backbone—period. Point blank. And so, that that poem became a necessity, not just to the fortitude of Black women in the community, but like you know, in service of healing the Black women.
xoN: One of your books was banned at a school in Boston, and it was later reinstated due to parental and activist support. What was that experience like?
MB: Well, I think it happened because they were racist. That's it. Point blank. The reversal of it was empowering, right? I realized, oh, I thought we just had to sit here and be on a banned book list. But no, parents are actually the leaders of this charge.
So to see that, the parents said, ‘Nah, we're not gonna let you take this book out of my baby’s school just because it's a Black kid on the front saying, ‘Woke’ and they're talking about being a global citizen. They're talking about accountability. They're talking about accessibility. They're talking about allyship, and you don't want them to have compassion or empathy or have even an understanding, right? So no, we rebuke that, and we want this book here anyway.’ To see that happen in that way. I was, like, reaffirmed. Absolutely.
xoN: You recently organized the Black Girl Magic Ball at the Lincoln Center in New York. Honorees included author and entrepreneur Rachel Cargle and National Black Theater CEO Sade Lythcott. What impact did it have and what expanded legacy do you hope to leave with your creative works?
MB: I was really interested in not celebrating just the book, but celebrating the community that made the book possible. And so I gave out five awards to women doing that thing, like, what does it mean to be a Black girl in this world?
I just thought it was gonna be an amazing time. Everybody's gonna dress up—we're gonna celebrate each other. And boom, I then realized that it responded to like a gaping hole. There was a missing thing for Black girls of all walks of life, all ages, right?
"It's very intergenerational. That was intentional to come together and celebrate just being us."
You have all these instances where just being you is either the butt of a joke or it's diminished and not worthy of a specific title in these larger institutions. So what does it mean to just to be loved up on and celebrated?
It felt like a self-care project at first. You know, for the first couple of years, folks were coming and they were getting that sisterhood. They were getting that tribe work that they were missing in their everyday lives.
I love the Black Girl Magic Ball because we got us. If I go out with a bang, they'll remember that Mahogany worked her a** off to make sure all the Black girls everywhere knew that she was the light. We are the blueprint.
For more information on Mahogany L. Browne, her work, and her future projects, visit her website or follow her on IG @mobrowne.
Featured image by Anthony Artis
