

“I love romance,” Babalola tells xoNecole. “I’ve always consumed romance. I’ve always read romance. I’ve always written romance,” she says. “It wasn’t even a conscious decision, it’s just a part of me. It’s just what I enjoy reading.”
In her debut romance novel Honey & Spice, Babalola follows up her debut anthology Love in Colour by once again allowing her love for all things love to bloom into a world brimming with vibrant and lively characters. In Honey & Spice, we are introduced to the character of Kiki Banjo who Babalola describes as “the resident romantic adviser” at the university where Kiki also hosts a love advice radio show for Black women on campus called “Brown Sugar.” When a mysterious man arrives at the school and sows discord amongst the ladies, it threatens to undo the work that Kiki has put into trying to lead them all down the right path in their love lives. “A confrontation ensues, an entanglement ensues, and eventually they find themselves having to fake a relationship to save both of their reputations,” Babalola says.
Babalola says that creating Kiki allowed her to write about a Black female character that is flawed. “She is messy. And she is giving romantic advice to women at the university but she doesn’t have it figured out,” Babalola says. “And it was really freeing for me to write a young Black girl like that.”
Babalola is joining a recent wave of writers who are allowing audiences to embrace Black women to be their whole complicated and imperfect selves on screen and in books. Along with debut author Raven Lelani’s hit book Luster (that Babalola describes as one of the books that made her heart beat fast,) and Insecure’s Issa who Babalola describes as a “delight” and “messy.” “She’s so gorgeous, but she’s not exactly smooth,” Bablola says.
Of course, romance is one of the many genres that suffers from its share of anti-Blackness, both with who gets to write them and the kind of characters we constantly see being loved and desired. It’s the Julia Robertses and the Meg Ryans of the world who are seen as the kind of women that society deems to be worthy of affection. While those women as some of her fave on-screen leading ladies, she also cites Vivica A. Fox in Two Can Play That Game and multi-hyphenate entertainer and rom-com queen Queen Latifah who Babalola says is “beautiful, self-possessed, sexy, deep brown skinned, and fully aware of her beauty.”
During our conversation, I was reminded of when Toni Morrison famously said that she “wrote my first novel because I wanted to read it.” That was one of my favorite Toni Morrison quotes,” Babalola says when I brought it up to her. “It’s a compulsion. Maybe it’s a little bit narcissistic, but I love writing those stories for my younger self,” she says. More than just herself though, Babalola feels a sense of pride every time young Black girls tell her how much her work impacts them. “When they come up to me and say they felt seen, they felt held, ‘You made reconfigure my idea of romance, and gave me hope about it,’ that makes me really happy.”
Despite the cynicism that many critics have of the romance genre, Babalola says that she doesn’t let that impact her love for the genre. “I really believe that people who think love is a weak or frivolous thing are –” Babalola pauses for a second. “–I’m trying to say they’re dumb but in a nice way,” Babalola jokes. “They really don’t have an awareness of the kind of complexity that’s within that genre, what it takes to forensically explore emotions and human vulnerability.”
While binge-watching television when she was in university, she got the idea to expand her writing skills and her love of romance to the screen. Last year, the pilot for her 30-minute hangout comedy Big Age, aired on Channel 4 in the UK. It follows the life of a Black woman who quits her lucrative law job to pursue writing all the while juggling the prospects of a budding new romance and an old flame.
“I’m a storyteller,” she says when I ask her if screenwriting was always in her cards. “Books and novels were just the first things that I gravitated to because I read books so I’m gonna write books.”
Be it on screen or in a book, Babalola’s love for stories about love and messy Black girls will always find a platform.
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Featured image by Caleb Azumah Nelson
Eva Marcille On Starring In 'Jason’s Lyric Live' & Being An Audacious Black Woman
Eva Marcille has taken her talents to the stage. The model-turned-actress is starring in her first play, Jason’s Lyric Live alongside Allen Payne, K. Michelle, Treach, and others.
The play, produced by Je’Caryous Johnson, is an adaptation of the film, which starred Allen Payne as Jason and Jada Pinkett Smith as Lyric. Allen reprised his role as Jason for the play and Eva plays Lyric.
While speaking to xoNecole, Eva shares that she’s a lot like the beloved 1994 character in many ways. “Lyric is so me. She's the odd flower. A flower nonetheless, but definitely not a peony,” she tells us.
“She's not the average flower you see presented, and so she reminds me of myself. I'm a sunflower, beautiful, but different. And what I loved about her character then, and even more so now, is that she was very sure of herself.
"Sure of what she wanted in life and okay to sacrifice her moments right now, to get what she knew she deserved later. And that is me. I'm not an instant gratification kind of a person. I am a long game. I'm not a sprinter, I'm a marathon.
America first fell in love with Eva when she graced our screens on cycle 3 of America’s Next Top Model in 2004, which she emerged as the winner. Since then, she's ventured into different avenues, from acting on various TV series like House of Payne to starring on Real Housewives of Atlanta.
Je-Caryous Johnson Entertainment
Eva praises her castmates and the play’s producer, Je’Caryous for her positive experience. “You know what? Je’Caryous fuels my audacity car daily, ‘cause I consider myself an extremely audacious woman, and I believe in what I know, even if no one else knows it, because God gave it to me. So I know what I know. That is who Je’Caryous is.”
But the mom of three isn’t the only one in the family who enjoys acting. Eva reveals her daughter Marley has also caught the acting bug.
“It is the most adorable thing you can ever see. She’s got a part in her school play. She's in her chorus, and she loves it,” she says. “I don't know if she loves it, because it's like, mommy does it, so maybe I should do it, but there is something about her.”
Overall, Eva hopes that her contribution to the role and the play as a whole serves as motivation for others to reach for the stars.
“I want them to walk out with hope. I want them to re-vision their dreams. Whatever they were. Whatever they are. To re-see them and then have that thing inside of them say, ‘You know what? I'm going to do that. Whatever dream you put on the back burner, go pick it up.
"Whatever dream you've accomplished, make a new dream, but continue to reach for the stars. Continue to reach for what is beyond what people say we can do, especially as [a] Black collective but especially as Black women. When it comes to us and who we are and what we accept and what we're worth, it's not about having seen it before. It's about knowing that I deserve it.”
This interview has been edited for length and clarity.
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'Dandy Land' Just Dropped & It’s a Celebration Of Black Style, Swagger, And Statement-Making
The first Monday in May is always a moment, but this year? It’s giving Blackity Black Black Black in the most intentional and celebratory way. On May 5, the MET Gala will unveil its latest exhibition titled Superfine: Tailoring Black Style, which is a tribute to Black dandyism and identity. The exhibition honors the power of clothing within the Black diaspora, spotlighting how style has long served as a tool for Black resistance, reinvention, and radical self-expression.
Centering designers of color and curated by scholar Monica L. Miller, the exhibition draws from her 2009 book Slaves to Fashion: Black Dandyism and the Styling of Black Diasporic Identity and the enduring legacy of Black fashion and self-styling. As she explains, the Black dandy “reimagines the self in a different context” and challenges “who and what counts as human, even.”
- YouTubeyoutu.be
This year marks the Costume Institute’s first menswear-focused show in over 20 years and the first to exclusively highlight designers of color. The co-chairs for the 2025 Gala include Pharrell Williams, A$AP Rocky, Colman Domingo, and Lewis Hamilton, alongside honorary co-chair LeBron James.
To further build anticipation for the Gala, GQ and Voguecollaborated on a stunning fashion portfolio called Dandy Land, styled by image architect Law Roach and shot by Tyler Mitchell. The spread features over 30 Black trailblazers who embody the elegance and edge of Black dandyism.
In the words of Janelle Monáe:
“I consider myself a free-ass motherfucker. And when I’m in my suit, that is exactly how I feel… I feel like I am showing you a new way to think about clothing and to think about values and to think about what you stand for.”
Ayo Edebiri added:
“I’m half Nigerian. There’s nothing more dandy than an African man dressed to the nines, really showing out, going to a party or a wedding.”
Actress Danielle Deadwyler shared:
“Black dandyism is essentially a bucking of systems, a bucking of oppression, and saying we are inherently beautiful.”
And in the words of Dapper Dan, the Godfather of Harlem:
“The way I came into dandyism is through this process of transformation. I’m from the poorest neighborhood in Harlem, right by the banks of the Harlem River. Everybody in my little enclave was all poor. We had rats and roaches. Goodwill was our Macy’s. Whenever I was lucky and fortunate enough to have something to wear, I went to 125th Street. Nobody went there who wasn’t dressed. At 125th Street, nobody knew I had rats, nobody knew I had roaches, and that for me was the birth of dandyism because I saw the power of transformation that could take place with your clothes.”
To see the full Dandy Land editorial and explore the stories behind each image, check out the full spread on GQand get ready for the MET stairs to turn into a Black fashion masterclass next month.
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Featured image by Bryan Bedder/Getty Images