My Parents Made Me Think I Was White My Whole Life
This article was originally written in 2016.
I am probably black.
That statement in itself might look ridiculous to anyone who doesn't know me. To anyone who has stumbled across this article, seen a couple of my photos and thought:
Is this girl crazy?She's very clearly not white.
But for me, it sums up life as I've known it to be because for the longest time I grew up believing that I was.
White, that is.
And as unbelievable as that sounds, this went on for most of my life.
It wasn't until I lost my Dad last year, that I began to unravel the strange story that I'd grown up believing.
Because there's a lot about myself that I'm trying to find out, the story is still very much unravelling. But in order to stop myself from unravelling, I am traveling.
I'm growing through travel.
I am staying on the move.
Because my life was thrown into a permanent state of flux. So why not embrace the chaos?
I've decided to do it all on my own terms.
Growing Up White
Growing up, the word “black" was never used to describe me. I was never properly black, because I didn't talk black and I had zero cultural ties to anything considered black by the few black people I knew. To some, my features weren't black enough. To others, my very presence among white people all the time, was enough to negate my blackness.
But with a green-eyed Irish Mother, a white Father and a brother, who only had to step outside for 10 minutes to see his freckles multiply by the dozen, my own default was set as white, too.
My parents and I
I was told by my parents that I inherited my dark skin and curly hair from a distant ancestor on my Mother's side of the family.
And unless I probed my parents for answers (and I did so each and every time someone else reminded me that I just didn't look like I belonged) we just didn't talk about the likelihood of this story being true.
We got on with our lives. And I learned to bury my insecurities.
But as most non-white people will tell you, other people ask you justify your existence in a world where the default is set to white, ALL THE TIME.
So when my protective bubble of whiteness was popped with probing, persistent questions from strangers, it stung me because I never had an answer for why I was black.
On holiday as a kid, the reminders that I stood out like a sore thumb in a family where Factor 30+ sunscreen)was always a necessity in anything hotter than 64 F, always hit me like a freight train.
Was it possible I'd been adopted? How was I related to these people? Where did I get my hair from? Was I mixed, or Eritrean or just in denial?
Sometimes it was comical. Surrounded by white people on both sides of my family, I used to think my appearance in Christmas photos was funny. But I grew up never posting pictures of my family online because I cared too much what people thought.
My younger half-brother and me
When we visited my Mum's tiny town on the West coast of Ireland each year for my summer holidays (where you'd be hard-pushed to find anyone a shade up from milk-bottle-translucent, for miles) and I was told to “go back to Africa" — I wasn't particularly amused.
When aged seventeen, a teacher asked me in front of the whole class why I was marked down on the school system as “white-British" (not the smartest move from my parents, admittedly), I just didn't know what to say.
Looking back though, racial issues didn't take up too much of my headspace. But then again, that's because white people don't give too much thought to their whiteness unless they absolutely have to.
Unless they're forced to square up to their whiteness in the mirror and address how this sets them apart and above, other groups.
Not to mention, up until around the age of 16, I really believed I was white, too.
Not necessarily white in appearance, but more in the cultural, ethnic sense. I wasn't blind but I didn't believe I was black, either.
Mainly though, race was something I didn't think too much about unless other people asked me to explain myself.
My parents were ticking boxes that said I was “white-British," so to anyone who asked me, I was that too.
Luckily, I was surrounded with the kind of love from two parents that was so thick, so unwavering and so real, that sometimes I felt smothered by it. I never felt unloved. And I never felt like an outsider among the people that loved me.
But unfortunately, my family home was not a microcosm for the real world.
I did — and still do — get asked “where I'm from" around five times a month. I still don't know what to say.
On the rare occasions I heard ignorant friends or family members speak about blackness as an illness — as a concept that made people more threatening, or less attractive, or less palatable and then turned to me and said something like:
“Oh well, you're not black so it doesn't matter,"
or, “Yeah, but I'm not talking about you, am I?"
…that was alienating. THAT made me feel less than human. And so, I overcompensated. I grew louder and more confident than anyone else, because I felt I had no other option.
The Catalyst
But then two years ago my Father got really sick – and then last year he died. Like so many people who lose a parent from cancer, I found myself unable to function. My life and the life of my family was drained of colour. Things went grey, bleak, desolate.
I also felt extremely disconnected from who I was, or should I say, who I thought I was.
So when I reached rock bottom, I started to dig myself out. I started digging because my Father's death was the catalyst for change and I felt that I didn't have anything left to lose. Half of my story had died with him, after all.
And so I did a DNA test in Easter 2016 and discovered that I'd never actually been related to the fantastic, funny, blue-eyed man who raised me — in the biological sense, anyway.
There's some material online about how to put yourself together after losing a parent. But the manual into how not to implode when you realise that parent was never related to you in the first place?
That one's unchartered territory, unsurprisingly and the news hollowed me out from the inside.
When I found out via email one afternoon at work in London that half my family weren't actually related to me, that I wasn't able to call my Dad my own anymore and that I probably had a whole other life waiting for me in a not-so-distant universe, it nearly broke me.
I must have left around five dents in the walls in the house I grew up in, whilst screaming at my Mum for an explanation, which came about slowly and painfully when I begged for it.
My Mum doesn't know much about this man (who I'll never call a Father), other than the fact he was “dark" and spoke with an Irish accent.
So I'm also coming to terms with the fact that I may never have that missing piece of my ethnic jigsaw puzzle either.
And after 23 years of saying I was British/Irish and something else unknown, I don't really know what I am.
And more than anything, I would love to know WHERE my blackness comes from.
Travel and Identity
So to overcome all this; the death, the lies, the awkward conversations, the lack of closure over my heritage and the near-collective family silence that has ensued since I've told everyone the truth — I've decided to travel.
To some, it might look like I'm running away from a series of painful experiences back home. To me, I'm delving head-first, arms wide, legs akimbo into my great unknown (read: non-white spaces) to see how that's going to help me define my own identity.
Because after 23 years, I've decided that my identity is going to be on my terms.
Whilst “blackness" is something I felt I could never really lay claim to, I also know there is no one-size-fits-all approach to being black.
And if I don't want to identify as black, I guess I don't have to.
There's still a part of me that feels as if I'm denying my Father, though (the one that raised me) by exploring this unknown part of my heritage.
I'll never want to replace my Dad, but I also feel a bit guilty that all he did for me wasn't enough to quell this deep-rooted desire within me, to find out where I come from, ethnically.
But then again, doesn't everyone deserve to know that?
At the moment, I guess I still don't really consider myself any different to the person my parents raised me to be. But after 23 years of not knowing why I look the way I do and finding out all this crazy, weird information, I feel…a shift in mindset.
And I plan on doing a DNA test to shed some more light into where my ancestors may have come from.
To be raised white when you're black is to feel like you're in a permanent state of flux with your identity; it's chaotic and confusing and so, I've chosen to embrace the chaos.
Adapting to white and black company growing up means I can feel at home almost anywhere and at the moment, the journey is my home.
Traveling helps me find out more about where my ethnic origins lie. It's the obvious and only way to facilitate my journey of personal growth, so I'm not going to stop.
Right now, I'm traveling to find out who I am and where I come from.
I'm traveling to shape myself into the person I want to be.
And I'm traveling to find my own identity – whatever that is.
Because I think I'm (probably) black.
Georgina Lawton is the author of Raceless (2021) and Black Girls Take World(2021) and the host of Audible's The Secrets In Us DNA podcast.
ItGirl 100 Honors Black Women Who Create Culture & Put On For Their Cities
As they say, create the change you want to see in this world, besties. That’s why xoNecole linked up with Hyundai for the inaugural ItGirl 100 List, a celebration of 100 Genzennial women who aren’t afraid to pull up their own seats to the table. Across regions and industries, these women embody the essence of discovering self-value through purpose, honey! They're fierce, they’re ultra-creative, and we know they make their cities proud.
VIEW THE FULL ITGIRL 100 LIST HERE.
Don’t forget to also check out the ItGirl Directory, featuring 50 Black-woman-owned marketing and branding agencies, photographers and videographers, publicists, and more.
THE ITGIRL MEMO
I. An ItGirl puts on for her city and masters her self-worth through purpose.
II. An ItGirl celebrates all the things that make her unique.
III. An ItGirl empowers others to become the best versions of themselves.
IV. An ItGirl leads by example, inspiring others through her actions and integrity.
V. An ItGirl paves the way for authenticity and diversity in all aspects of life.
VI. An ItGirl uses the power of her voice to advocate for positive change in the world.
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'Finding Tony' Director Raven Magwood Goodson And Star Stephen Bishop On Telling Authentic Stories On Screen
In cinema, stories often serve as mirrors reflecting the complexities of our experiences. Finding Tony, the latest cinematic gem from millennial director Raven Magwood Goodson, takes us on a profound journey of trauma, redemption, and resilience. With the magnetic performance of lead actor Stephen Bishop, this film shines a light on the struggles and triumphs we face daily. Through the lens of mentorship, community, and self-discovery, Finding Tony invites audiences to journey alongside its characters as they navigate the complexities of life, love, and everything in between.
In the process, it sparks conversations, challenges assumptions, and inspires viewers to embrace their own stories with pride and authenticity. As the film prepares to make its mark on the cinematic landscape, it serves as a reminder of the importance of representation and the power of storytelling. Executive-produced by NBA star Anthony Davis, Finding Tony not only adds another layer to the tapestry of Black narratives in cinema but also reaffirms the significance of our voices in shaping the cultural conversation.
Crafting Calm in the Creative Storm
As Black women, it's crucial to carve out moments of self-care amidst the demands of our daily lives. Raven Magwood Goodson, the visionary behind Finding Tony, embodies this ethos with unwavering grace and determination. In our conversation, she shared her strategies for nurturing her well-being amidst the whirlwind of filmmaking, offering valuable insights into the importance of prioritizing self-care in pursuit of creative excellence.
"While shooting, I was all into the film. No one knew, but I was pregnant and 2-3 months along. After production, you have a long period of post-production, and we spent months editing, going back, rewatching, and adding music,” Raven explains. “During that time, I was able to prioritize myself and my family. It’s a matter of being intentional for me and knowing these are the things I have to do for the film or for other businesses I have. I'm very intentional about whether it's work or play and making sure everything gets my attention.”
Amplifying Black Narratives in Cinema
Anthony Davis (L) and Raven Magwood Goodson (R).
Courtesy
Our stories matter, serving as the heartbeat of our collective experiences. Authentic representation on screen is not just a desire but a necessity, and Finding Tony emerges as a powerful testament to the importance of reclaiming our narratives. In our dialogue with Raven, we delved into her vision for the film and its profound impact on Black stories in cinema.
"I just want to be able to be an advocate, whether it's through the actual storytelling or my own life, for individuals that look like me. I know the importance of being able to watch TV and have an example because, being a brown-skinned girl growing up, sometimes you look and you don't see those examples,” Raven says. “To have women and little girls come up to me and say how much I've motivated them and that they want to write a book or a movie because of me means the world to me.”
Authorship Amplified: Raven's Journey to Filmmaking Mastery
Black women are no strangers to wearing many hats, navigating various roles and responsibilities with unparalleled grace. Raven epitomizes this multifaceted brilliance, seamlessly transitioning from author and motivational speaker to director. In our conversation, she shared how her experiences in these diverse domains equipped her with the skills and perspective needed to lead with confidence and creativity in the realm of filmmaking.
"I get the distinct opportunity to speak to a lot of different types of people, young people, women, men, and athletes about their experiences. I got the inspiration for Finding Tony. I've met a lot of different individuals, youth, whether that's in high school or college, that had similar experiences to [the lead character] Destiny and the film,” Raven shares. “I've also spoken to a lot of mentors, and people have gone through adversity and found themselves in a Tony space as well. My experience in speaking, writing, and getting to know different audiences shaped my viewpoint to be able to write this story.”
Game Plan to Script: Stephen's Playbook for Acting Success
Stephen Bishop
Courtesy
In a world that often underestimates our abilities, the Black community continues to excel in diverse arenas. Stephen Bishop's journey from professional athlete to actor resonates deeply with our own experiences of resilience and adaptability. As a former Atlanta Braves player, Stephen talked about how his background in sports equipped him for the challenges of portraying a complex character in Finding Tony.
“In sports, you learn a lot of life lessons and can use a lot of those to help inform your characters when you're in different roles. But specifically, this role, it helped because I’ve been an athlete who's had to retire,” Stephen says.
“I am a current coach, so I know what the transition was like. I know a lot of the emotions you go through and things you battle with when you're looking at athletes that you're trying to get to level themselves up. It was a very fortunate coincidence that I happened to be an ex-professional athlete who was going to play this role. It played a big part in me being able to be as comfortable as I was in the role.”
A Role Written in the Stars: Stephen's Path to 'Finding Tony’
Raven shares that her decision to cast Stephen in the lead role of Tony was a moment of intuitive certainty, sparked by his compelling performance in Terminal List alongside Chris Pratt. Upon witnessing his talent, she knew without hesitation that he was the perfect person to capture the essence of Tony Greene. The very next day, fueled by conviction, she reached out to her casting director, passionately advocating to do whatever it took to secure Stephen for the pivotal role. This bold move speaks volumes about Raven's unwavering commitment to bringing her vision to life with authenticity and excellence.
As Stephen reflects on this pivotal moment from his perspective, he shares, "They told me about it and sent the script. [My team and I] all read it the same day, and then the next day, we all got back on the phone, and I said, ‘I really like this.’ A lot of times in my career, by the grace of God, I've played the love interest, and I've been in a couple. I've been really wanting to move into roles where I could just be a standalone character and have my storyline drive the film or the television show without it being at the whim of the relationship. And this role came along and it was not only that, but it was an opportunity for me to really show myself and others what kind of chops I really have because there's a huge emotional arc.”
L-R: Raven Magwood Goodson, Stephen Bishop, and David Banner on set of "Finding Tony."
Courtesy
As today marks the release of Finding Tony, it's not just a film hitting the screens; it's a testament to the power of determination. Shot in a mere 17 days, this cinematic gem shows the sheer dedication and grit of its creators. Director Raven Magwood Goodson, amidst her battles, led the charge with unwavering strength and grace, proving that obstacles are merely stepping stones to greatness. Through late nights and unforeseen hurdles, her unwavering vision shone bright, guiding the cast and crew through the rollercoaster ride of production.
Finding Tony reminds us that even in the face of adversity, there's beauty to be found, strength to be discovered, and purpose to be fulfilled. So, as we prepare to immerse ourselves in Tony's journey, let's raise a glass to the triumphs of creativity, resilience, and the unbreakable bonds forged in the pursuit of art.
Finding Tony - Official Trailer
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