You don't always have to wear a cape to be a superhero - and Anjelika Washington is proof of just that. Though she plays Elizabeth "Beth" Chapel on CW's Stargirl, Anjelika uses her platform to advocate for Black girls and our younger generation and ensure justice on all fronts. With powerful Black women such as Angela Rye, Keisha Lance Bottoms, Eboni K. Williams, Ilhan Omar, Stacey Abrams, and Kamala Harris on the front lines of politics, Anjelika Washington is a powerful role model for those inside and outside of the entertainment and television industries.
On a hectic Thursday evening, I had the chance to catch up with the real-life superhero herself over the phone about saving the world on and off-screen through her human rights activism, how she became interested in acting after failing an arts elective, and the Black female vote in the forthcoming election. Anjelika and her energy were just the spark my day needed.
Drea Nicole
After exchanging mental health check-ins with one another, she revealed to me that she was in her hometown taking a week off from the hustle and bustle of Los Angeles before returning to Atlanta to film the second season of Stargirl. Though the CW hit series only premiered this year, Stargirl has quickly become one of the DC Universe's most sought-after television programming series. "To be completely honest, when I auditioned for Stargirl, I did not know that I was auditioning to be a superhero. I just thought I was going to be a friend of a superhero," Anjelika admitted.
Because the casting agency had given the auditions specific code names, the character breakdown did not mention anything about a superhero, a superpower or any super suiting up. Though she had an inkling as to where the show was going because of DC Universe legend Geoff John's involvement, who was the co-writer of Wonder Woman 1984 (2020) and Aquaman (2018), she had no idea what she was in for - a life-changing on-screen journey. The day before her screentest, she found out that she was auditioning for Dr. Mid-Nite, Beth Chapel's alter ego, and she was no less than shocked.
"I felt equally obligated to be honest with Beth Chapel's story as my version, as I did the responsibility of playing a Black superhero on TV because I knew I didn't have that growing up," Anjelika said.
As a working Black actress in Hollywood, many will manifest and visualize their dream role, but the feeling of watching your visualization come to life is a feeling like "wow," as she described it. In the midst of the worldwide Black Lives Matter movement, the arrival of Dr. Mid-Nite on DC's Stargirl and watching a Black woman suit up to save the world is no less than perfect timing.
"I don't take it lightly [and] I think I'm very aware that representation matters. It's heavy on me right now, especially with the tragic news that crushed my spirit of no justice for Breonna Taylor. I get to be a superhero on a show that fights for justice," Anjelika noted.
As she continued to express her gratitude for being one of the newest additions to the fictional Justice Society of America as a superhero in her own right, the actress suddenly became speechless and began to trip over her own words. "I'm trying to find the words, but I guess I just feel a very big responsibility to be as honest in my real life and honest in my work - more now than ever," she told me.
"I don't take it lightly [and] I think I'm very aware that representation matters. It's heavy on me right now, especially with the tragic news that crushed my spirit of no justice for Breonna Taylor. I get to be a superhero on a show that fights for justice. I'm trying to find the words, but I guess I just feel a very big responsibility to be as honest in my real life and honest in my work - more now than ever."
With Black women such as Halle Berry and Alexandra Shipp as Storm in the X-Men franchises, Emmy Raver-Lampman as The Rumor in Netflix's Umbrella Academy, and Nafessa Williams as Thunder in CW's other hit show Black Lightning, Anjelika believes while there has been some improvement in representation in the superhero universe, there's still work to be done.
"Batwoman is a great start. When I look at Batwoman and I look at that cast, that's what all shows should look like because that's what the world looks like. My world looks like the cast of Batwoman," she said referring to the Javicia Leslie-starring CW series having a diverse cast of white, Black, Asian and Latino actors. "I don't think it's just about Black people having representation. We say representation matters because Asian girls need to see Asian girls on TV; Latina girls need to see Latina girls on TV; Indigenous girls need to see Indigenous girls on TV. Everybody needs to be represented and at this point, I'm just in the fight to hold the entertainment industry accountable and ensure that we make a world that looks like the real world."
Unfortunately, the real world is up in arms as we speak as we prepare to (hopefully) elect a new president into office and Black lives are still at risk every day we're alive. Luckily, Anjelika has no issue using her platform for the greater good of human rights activism and wants to use her celebrity as a means to uplift voices in marginalized communities. "If I'm going to be blessed by God to have any type of platform, I need to be using it for good because it does nothing in the world to sit idly by, watch all of these awful things happen, and say nothing. If I want change to happen in the world, I'm gonna have to be the change," she said.
"If I'm going to be blessed by God to have any type of platform, I need to be using it for good because it does nothing in the world to sit idly by, watch all of these awful things happen, and say nothing. If I want change to happen in the world, I'm gonna have to be the change."
Anjelika holds herself just as responsible as her peers and elected officials to create call-to-action items including encouragement for voter registration or even as seemingly small as signing a petition. "If I believe that holding our officials and people that we elect into office accountable, I need to hold myself accountable and hold my community accountable."
With the election coming up in less than 30 days and the raised stakes of the Black community, Anjelika knows what time it is for the Black community, especially Black women.
Drea Nicole
"The Black female vote is always important and we're usually always right. I love that about us," she said and added that her brother even encourages people to vote for whoever Black women are voting for. "He's right because we usually are. You look at the numbers and Black women didn't vote in Trump! We didn't do that! We knew ahead of time that this was going to be a very bad idea."
Moreover, she recognizes that Black youth vote just as, if not, the most important element of the upcoming election. Anjelika works tirelessly to engage the Black Generation-Z and millennial vote and urge the crucial note of their involvement. "When you look at what Joe Biden and Kamala Harris are committed to doing for Black people, once you actually break it down and go to JoeBiden.com to read his plans for Black people in America, I don't think that any Black person is going to disagree," the actress said endorsing the Democratic presidential candidate's Lift Every Voice plan.
Though she understands the community's anguish about Kamala Harris' past as a prosecutor, Anjelika finds it hard to argue that what Trump has done to this country is not worse than anything on Biden or Harris' resume. "I am willing to risk it all and take my bet on Joe Biden and Kamala Harris any day [rather] than stick with what we have. Think about the last four months of just this year during the summer of 2020 and imagine that being the next four years - are you OK with that?"
With the obvious answer being "no" due to the economic, public health, social justice and climate crises impacting our day-to-day lives, Anjelika encourages everyone, especially the Black community, to get out and vote for Biden and Harris. "Black people assume that their vote doesn't matter because we look at Breonna Taylor as an example and we see no justice. We see that we don't matter, but the truth is the people who made those decisions, we vote in."
When we all vote, we facilitate the change we wish to see. Anjelika's unapologetic stance is a reminder of the superpower we have in us all.
For more of Anjelika, follow her on Instagram.
Featured image by Drea Nicole
RELATED
So, we handpicked one hundred It Girls who embody that palpable It Factor moving through us as young Black women, the kind of motion lighting up the world both IRL and across the internet.
It Girl 100 became xoNecole’s most successful program, with the hashtag organically reaching more than forty million impressions on Instagram in just twenty-four hours. Yes, it caught on like wildfire because we celebrated some of the most brilliant and influential GenZennial women of color setting trends and shaping culture. But more than that, it resonated because the women we celebrated felt seen.
Many were already known in their industries for keeping this generation fly and lit, but rarely received recognition or flowers. It Girl 100 became a safe space to be uplifted, and for us as Black women to bask in what felt like an era of our brilliance, beauty, and boundless influence on full display.
And then, almost overnight, it was as if the rug was pulled from under us as Black women, as the It Girls of the world.
Our much-needed, much-deserved season of ease and soft living quickly metamorphosed into a time of self-preservation and survival. Our motion and economic progression seemed strategically slowed, our light under siege.
The air feels heavier now. The headlines colder. Our Black girl magic is being picked apart and politicized for simply existing.
With that climate shift, as we prepare to launch our second annual It Girl 100 honoree list, our team has had to dig deep on the purpose and intention behind this year’s list. Knowing the spirit of It Girl 100 is about motion, sauce, strides, and progression, how do we celebrate amid uncertainty and collective grief when the juice feels like it is being squeezed out of us?
As we wrestled with that question, we were reminded that this tension isn’t new. Black women have always had to find joy in the midst of struggle, to create light even in the darkest corners. We have carried the weight of scrutiny for generations, expected to be strong, to serve, to smile through the sting. But this moment feels different. It feels deeply personal.
We are living at the intersection of liberation and backlash. We are learning to take off our capes, to say no when we are tired, to embrace softness without apology.
And somehow, the world has found new ways to punish us for it.
In lifestyle, women like Kayla Nicole and Ayesha Curry have been ridiculed for daring to choose themselves. Tracee Ellis Ross was labeled bitter for speaking her truth about love. Meghan Markle, still, cannot breathe without critique.
In politics, Kamala Harris, Letitia James, and Jasmine Crockett are dragged through the mud for standing tall in rooms not built for them.
In sports, Angel Reese, Coco Gauff, and Taylor Townsend have been reminded that even excellence will not shield you from racism or judgment.
In business, visionaries like Diarrha N’Diaye-Mbaye and Melissa Butler are fighting to keep their dreams alive in an economy that too often forgets us first.
Even our icons, Beyoncé, Serena, and SZA, have faced criticism simply for evolving beyond the boxes society tried to keep them in.
From everyday women to cultural phenoms, the pattern is the same. Our light is being tested.
And yet, somehow, through it all, we are still showing up as that girl, and that deserves to be celebrated.
Because while the world debates our worth, we keep raising our value. And that proof is all around us.
This year alone, Naomi Osaka returned from motherhood and mental health challenges to reach the semifinals of the US Open. A’ja Wilson claimed another MVP, reminding us that beauty and dominance can coexist. Brandy and Monica are snatching our edges on tour. Kahlana Barfield Brown sold out her new line in the face of a retailer that had been canceled. And Melissa Butler’s company, The Lip Bar, is projecting a forty percent surge in sales.
We are no longer defining strength by how much pain we can endure. We are defining it by the unbreakable light we continue to radiate.
We are the women walking our daily steps and also continuing to run solid businesses. We are growing in love, taking solo trips, laughing until it hurts, raising babies and ideas, drinking our green juice, and praying our peace back into existence.
We are rediscovering the joy of rest and realizing that softness is not weakness, it is strategy.
And through it all, we continue to lift one another. Emma Grede is creating seats at the table. Valeisha Butterfield has started a fund for jobless Black women. Arian Simone is leading in media with fearless conviction. We are pouring into each other in ways the world rarely sees but always feels.
So yes, we are in the midst of societal warfare. Yes, we are being tested. Yes, we are facing economic strain, political targeting, and public scrutiny. But even war cannot dim a light that is divinely ours.
And we are still shining.
And we are still softening.
And we are still creating.
And we are still It.
That is the quiet magic of Black womanhood, our ability to hold both truth and triumph in the same breath, to say yes, and to life’s contradictions.
It is no coincidence that this year, as SheaMoisture embraces the message “Yes, And,” they stand beside us as partners in celebrating this class of It Girls. Because that phrase, those two simple words, capture the very essence of this moment.
Yes, we are tired. And we are still rising.
Yes, we are questioned. And we are the answer.
Yes, we are bruised. And we are still beautiful.
This year’s It Girl 100 is more than a list. It is a love letter to every Black woman who dares to live out loud in a world that would rather she whisper. This year’s class is living proof of “Yes, And,” women who are finding ways to thrive and to heal, to build and to rest, to lead and to love, all at once.
It is proof that our joy is not naive, our success not accidental. It is the reminder that our light has never needed permission.
So without further ado, we celebrate the It Girl 100 Class of 2025–2026.
We celebrate the millions of us who keep doing it with grace, grit, and glory.
Because despite it all, we still shine.
Because we are still her.
Because we are still IT, girl.
Meet all 100 women shaping culture in the It Girl 100 Class of 2025. View the complete list of honorees here.
Featured image by xoStaff
Kayla Nicole says she wore a dress that was once worn by Braxton herself for the Halloween costume. “It’s not a secret Toni is more on the petite side. I’m obsessed with all 5’2” of her,” she tells xoNecole via email. “But I’m 5’10'' and not missing any meals, honey, so to my surprise, when I got the dress and it actually fit, I knew it was destiny.”
The episode was the perfect way for the multihyphenate to take control of her own narrative. By addressing the viral moment on her own platform, she was able to stir the conversation and keep the focus on her adoration for Braxton, an artist she says she grew up listening to and who still makes her most-played playlist every year. Elsewhere, she likely would’ve received questions about whether or not the costume was a subliminal aimed at her ex-boyfriend and his pop star fiancée. “I think that people will try to project their own narratives, right?” she said, hinting at this in the episode. “But, for me personally – I think it’s very important to say this in this moment – I’m not in the business of tearing other women down. I’m in the business of celebrating them.”
Kayla Nicole is among xoNecole’s It Girl 100 Class of 2025, powered by SheaMoisture, recognized in the Viral Voices category for her work in media and the trends she sets on our timelines, all while prioritizing her own mental and physical health. As she puts it: “Yes, I’m curating conversations on my podcast The Pre-Game, and cultivating community with my wellness brand Tribe Therepē.”
Despite being the frequent topic of conversation online, Kayla Nicole says she’s learning to take advantage of her growing social media platform without becoming consumed by it. “I refuse to let the internet consume me. It’s supposed to be a resource and tool for connection, so if it becomes anything beyond that I will log out,” she says.
On The Pre-Game, which launched earlier this year, she has positioned herself as listeners “homegirl.” “There’s definitely a delicate dance between being genuine and oversharing, and I’ve had to learn that the hard way. Now I share from a place of reflection, not reaction,” she says. “If it can help someone feel seen or less alone, I’ll talk about it within reason. But I’ve certainly learned to protect parts of my life that I cherish most. I share what serves connection but doesn’t cost me peace.
"I refuse to let the internet consume me. It’s supposed to be a resource and tool for connection, so if it becomes anything beyond that I will log out."
Credit: Malcolm Roberson
Throughout each episode, she sips a cocktail and addresses trending topics (even when they involve herself). It’s a platform the Pepperdine University alumnus has been preparing to have since she graduated with a degree in broadcast journalism, with a concentration in political science.
“I just knew I was going to end up on a local news network at the head anchor table, breaking high speed chases, and tossing it to the weather girl,” she says. Instead, she ended up working as an assistant at TMZ before covering sports as a freelance reporter. (She’s said she didn’t work for ESPN, despite previous reports saying otherwise.) The Pre-Game combines her love for pop culture and sports in a way that once felt inaccessible to her in traditional media.
She’s not just a podcaster, though. When she’s not behind the mic, taking acting classes or making her New York Fashion Week debut, Kayla Nicole is also busy elevating her wellness brand Tribe Therepē, where she shares her workouts and the workout equipment that helps her look chic while staying fit. She says the brand will add apparel to its line up in early 2026.
“Tribe Therepē has evolved into exactly what I have always envisioned. A community of women who care about being fit not just for the aesthetic, but for their mental and emotional well-being too. It’s grounded. It’s feminine. It’s strong,” she says. “And honestly, it's a reflection of where I am in my life right now. I feel so damn good - mentally, emotionally, and physically. And I am grateful to be in a space where I can pour that love and light back into the community that continues to pour into me.”
Tap into the full It Girl 100 Class of 2025 and meet all the women changing game this year and beyond. See the full list here.
Featured image by Malcolm Roberson