Tracee Ellis Ross Talks The Essence Of Black Beauty & Stepping Into Her Power
It's hard to believe that Queen and icon Tracee Ellis Ross didn't realize the expansiveness of her reach until much later in life, but that's absolutely the case. Interviewed by Kerry Washington and styled by Shiona Turini, Tracee Ellis Ross took to the digital cover of ELLE.com's inaugural "State of Black Beauty" issue to discuss founding a beauty brand, the power of black hair, and stepping into your own power.
An interview filled with black excellence, Ross starts the conversation by opening up about the intimate connection she and other black women have with her hair journey. The Emmy-nominated actress is celebrating a year with Pattern Beauty line, created out of a personal need for the products.
"All of the things that I was taught from the media were like, I was supposed to have easy, breezy beautiful hair. Bouncin' and behavin'. My hair didn't blow in the wind! All of these things didn't match up."
It wasn't until after her run as Joan on Girlfriends that Tracee took this seriously and wrote her first haircare brand pitch. Even though it failed, it taught her an important lesson about creating something with a purpose.
"If there's no frame to hold the facts, it's very difficult to hold the facts. There was no real frame for the beauty that existed. It took about ten years to create Pattern. The mission is two-fold, to create effective products for the curly, coily, and tight textured community. The second part of the mission is to be an active space to celebrate Blackness and the power of Black beauty."
She didn't just apply that logic to the beauty world, though. As a black woman in Hollywood, Tracee had to build the courage to advocate for herself and others like her. With the help of peers like Kerry Washington, Tracee made a career out of speaking up for women.
"...every courageous act that a marginalized person takes opens up a space for somebody else."
Tracee credits her sisterhood of black actresses for helping her build that strong foundation. And now, in a world where people question the quality of black lives, Tracee is up for the task.
"Black women and our hair have been at the center of social, cultural, political, and economic revolutions and movements through time."
No matter what she does, Tracee will continue to push the boundaries for marginalized communities.
No longer is she relying on the world to change, she's changing it herself.
To read the Elle.com interview in full, click here.
Featured image via Tracee Ellis Ross/Instagram
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Courtney is a contributing writer, based in Puerto Rico by way of Tennessee. Interested in the intersection of fashion and culture, she has an affinity for fashion, empowerment, and really good tacos. Keep up with her on Instagram (@hautecourtxo).
Meet The Designer Behind This Megan Thee Stallion "Hiss" Video Look
When Megan Thee Stallion dropped “Hiss,” a shift happened. From the audacious lyrics to the striking visuals, there was no doubt that the song and video would go viral. The opening of the video shows the H-town hottie rocking a barely there Shibari red dress, showing off her voluptuous frame. It was a sexy moment created by Timeekah Murphy of Alani Taylor. The designer exclusively tells us how the opportunity came about and what it was like seeing her design on Megan for the first time.
Timeekah Murphy
Photo courtesy
xoNecole: How did the opportunity to create such an iconic look for Megan Thee Stallion's "Hiss" video come about?
Timeekah Murphy: The opportunity came from a DM from celebrity stylist Zerina Akers. She asked for a unique Shibari piece for Megan, and I needed to get it done in two days. So, of course, I did everything in my power to make it happen. I've always wanted to design for Megan, so this was an awesome opportunity for me.
xoN: What was that initial feeling of seeing the dress on her for the first time?
TM: I was shocked because, at first, I thought it hadn't been used. I saw Megan's last video and thought, damn, maybe it didn't fit. So, to see it on such an amazing video was breathtaking. I was beyond excited to finally say I designed for her.
xoN: Did you meet her? If so, how was that moment?
TM: I didn't meet Megan during the shoot, but during my time in LA, I got the opportunity to meet her at LA Pride with Tiffany Haddish, Common, and EJ King (stylist). Megan is such an amazing person, so it made it even better to know that my designs were going to be worn by her. I was shocked because, at first, I thought it hadn't been used. I saw Megan's last video and thought, damn, maybe it didn't fit. So, to see it on such an amazing video was breathtaking. I was beyond excited to finally say I designed for her.
"I was shocked because, at first, I thought it hadn't been used. I saw Megan's last video and thought, damn, maybe it didn't fit. So, to see it on such an amazing video was breathtaking. I was beyond excited to finally say I designed for her."
Photo courtesy
xoN: Walk us through the creation of the dress. How did you come up with the look, and how long did it take to make it?
TM: I was the co-designer for a brand called Deviant in 2018-2020, and we used to make custom Shibari pieces. That's how Zerina knew me. So I'm very familiar with making these types of pieces. We made plenty for Beyoncé, Cardi B, Tiffany Haddish, Tyra Banks, and so many others. So Zerina knew exactly what she wanted.
To get it done, it took me a day and a half. It's very intricate and time-consuming, so I spent about six hours making it then I sent an image of it to Zerina, and she didn't approve the first one, so I had to start from scratch again after getting my guidance and understanding of what was needed. The next day, I went to The Lab and created another version, and she approved it. I had to get it shipped overnight so that she would get it in time and fast forward to seeing it on the big screen.
xoN: What's next for you?
TM: Everything. The sky is not my limit, so the Alani Taylor brand is expanding into so many different avenues. We are getting involved in the community more, offering sewing classes to the youth. I've opened up a store for my brand in Atlanta and now preparing for fall/winter Fashion Week.
Megan Thee Stallion "Hiss" video/ YouTube
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I love working in media; more specifically, I love being a writer and editor in the media space. It allows me to use my skills to tell riveting and relatable stories that can be useful for readers. Working at xoNecole has allowed me the freedom to tell those stories on a grander scale, and seeing the response from our readers gives me the greatest pleasure, and it lets me know that we are doing something right.
It’s been 11 years since I embarked on a career in journalism. I’ve worked at a variety of outlets, some freelance and some full-time, and have discovered so many facets of the industry. So, would you be surprised if I told you that I never saw this career in the cards for me?
When I recall my years in school, there were two subjects I always loved: History and English. History because I just loved learning about different cultures, religions, and the world before I arrived and English because I loved to write. I enjoyed writing assignments, and my teachers would always tell me how good of a writer I was. In my spare time, I enjoyed reading magazines and began writing poetry and songs about love and heartbreak (y’all remember how intense high school romances were).
I took journalism as an elective and was even on the Yearbook staff. However, when it came down to choosing my college major and a possible career, media/ journalism was nowhere on my radar. I loved writing, but was it a career? Could I make money from it?
Throughout my matriculation, I changed my major a few times. I mean, I knew I wanted to do something creative, but what? I finally settled on journalism only because I knew I enjoyed writing, and at that point, I needed to choose something and stick with it. But even with the fun class projects and internships, I still didn’t believe journalism would be my career path. However, I was good at it, and I was networking with others in the industry. So, after graduating, I worked other jobs but continued writing. Finally, I got my big break as an editor, and I haven’t looked back since.
Looking at my journey, you can say that being an editor was divine, and maybe I was running from it. A lot of us are taught to find a steady career that pays well, and baby, I always saw myself living large. But I was always a creative, and I knew that I wanted a career path that would allow me to express myself.
While you can have a lucrative career in media, a lot of people don’t, and with the current layoffs that started at the top of this year, it’s even scarier to think of the future of this industry. However, to not be obsolete, writers and editors must stay ahead of the curve and be open to change. No one should be able to tell you that you can’t turn your passion into your profession.
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Feature image by Milan Markovic/ Getty Images