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Here's What's New & Black AF On Netflix This Black History Month

We've got all the tea on how to make the most out of your TV time.

Culture & Entertainment

It's the beginning of February and we both know why you're here. You're ready for all of this Black AF content coming to your favorite streaming platform for some hardcore Netflix and Chillin'––and xoNecole is here to give it to you. From OG classics like Purple Rain and Bootycall to introspective, binge-worthy content like Who Killed Malcolm X, we've got all the tea on how to make the most out of your TV time.

Scroll below for 14 Black AF titles coming to Netflix this month:

Ali (Feb. 1)

Ali

The champ is here! This 2001 Academy Award-nominated classic details the life and times of one of the greatest boxers in history. Starring Jamie Foxx and Will and Jada Pinkett-Smith, this is the perfect film to kick off your Black History Month the right way.

Booty Call (Feb. 1)

Booty Call

If you, like myself, were too young to watch Booty Call when it originally released in 1997, Netflix is giving you the opportunity to relish in all of the debauchery this February. This all-star cast of Black AF leads will have you LOL and might even inspire you to ignore that "wyd" message you get later on tonight *insert eyes emoji*...

Purple Rain (Feb. 1)

Purple Rain

Originally released in 1984, this Prince-led film won both an Academy Award and an Oscar for Best Music Score and to this day, it remains a classic.

Scary Movie 2 (Feb. 1)

Scary Movie

Quite possibly the funniest film in the Scary Movie franchise, this 2001 classic comedy stars a young Regina Hall and the Wayans brothers and was directed by Keenen Ivory Wayans.

Police Academy (Feb. 1)

Police Academy

If anybody was hoping to binge six of the 1980s Police Academy movies this weekend, Netflix has you covered.

They've Gotta Have Us (Feb. 5)

They've Gotta Have Us

As a tribute to three generations of Black film, photographer and artist Simon Fredrick brings us They've Gotta Have Us, a three-part series that features interviews from John Singelton and Diahann Carroll, who were both interviewed before their deaths, as well as Jesse Williams, Debbie Allen, and a number of other industry legends.

Who Killed Malcolm X? (Feb. 7)

Netflix

In December, Netflix released the Spike Lee-directed biopic, Malcolm X, and this month, the platform dives even deeper into the Black icon's story with this six-part docuseries that investigates the truth about his tragic death.

Locke & Key (Feb. 7)

Adapted from a comic book series, Locke & Key tells the story of three teens who move into what seems to be a supernatural house after their father's mysterious murder.

Braxton Family Values 11 - Season 1 & 2 (Feb. 15)

Amazon

Making its way to the streaming platform for the first time ever, the first and second season of Braxton Family Valueswill be available to stream on the 15th.

Gentefied (Feb. 21)

Gentrification has been coming for the POC community's necks for years now but this Mexican family of restauranteurs is fighting back. Executive produced by Ugly Betty star America Ferrera, this bilingual dramedy series premiered at Sundance in 2017 and is making its way to our screens Feb. 21.

A Haunted House (Feb. 21)

A Haunted House

A horror parody film produced by the king of horror parody films himself, Marlon Wayans, A Haunted House stars Essence Atkins, Cedric The Entertainer, and Affion Crockett in a goofy mashup of Paranormal Activity and The Devil Inside that you didn't see coming.

Altered Carbon (Feb. 27)

Netflix

Starring Anthony Mackie (Ant-Man), Simone Missick (All Rise), and Lela Loren (Power), this futuristic cyberpunk story is the perfect binge for the sci-fi lover in your life.

Queen Sono (Feb. 28)

I didn't know I needed a series about an afro-rocking, crime-fighting South African spy but Netflix gave it to me and now I can't unsee it.

All the Bright Places (Feb. 28)

Netflix

Based on the 2015 novel by Jennifer Niven, All the Bright Places is a drama starring Justice Smith (The Get Down) that explores mental health and bipolar disorder in an eye-opening way.

Featured image by Ali.

You may not know her by Elisabeth Ovesen – writer and host of the love, sex and relationships advice podcast Asking for a Friend. But you definitely know her other alter ego, Karrine Steffans, the New York Times best-selling author who lit up the literary and entertainment world when she released what she called a “tell some” memoir, Confessions of a Video Vixen.

Her 2005 barn-burning book gave an inside look at the seemingly glamorous world of being a video vixen in the ‘90s and early 2000s, and exposed the industry’s culture of abuse, intimidation, and misogyny years before the Me Too Movement hit the mainstream. Her follow-up books, The Vixen Diaries (2007) and The Vixen Manual: How To Find, Seduce And Keep The Man You Want (2009) all topped the New York Times best-seller list. After a long social media break, she's back. xoNecole caught up with Ovesen about the impact of her groundbreaking book, what life is like for her now, and why she was never “before her time”– everyone else was just late to the revolution.

xoNecole: Tell me about your new podcast Asking for a Friend with Elisabeth Ovesen and how that came about.

Elisabeth Ovesen: I have a friend who is over [at Blavity] and he just asked me if I wanted to do something with him. And that's just kinda how it happened. It wasn't like some big master plan. Somebody over there was like, “Hey, we need content. We want to do this podcast. Can you do it?” And I was like, “Sure.” And that's that. That was around the holidays and so we started working on it.

xoNecole: Your life and work seem incredibly different from when you first broke out on the scene. Can you talk a bit about the change in your career and how your life is now?

EO: Not that different. I mean my life is very different, of course, but my work isn't really that different. My life is different, of course, because I'm 43. My career started when I was in my 20s, so we're looking at almost 20 years since the beginning of my career. So, naturally life has changed a lot since then.

I don’t think my career has changed a whole lot – not as far as my writing is concerned, and my stream of consciousness with my writing, and my concerns and the subject matter hasn’t changed much. I've always written about interpersonal relationships, sexual shame, male ego fragility, respectability politics – things like that. I always put myself in the center of that to make those points, which I think were greatly missed when I first started writing. I think that society has changed quite a bit. People are more aware. People tell me a lot that I have always been “before my time.” I was writing about things before other people were talking about that; I was concerned about things before my generation seemed to be concerned about things. I wasn't “before my time.” I think it just seems that way to people who are late to the revolution, you know what I mean?

I retired from publishing in 2015, which was always the plan to do 10 years and retire. I was retired from my pen name and just from the business in general in 2015, I could focus on my business, my education and other things, my family. I came back to writing in 2020 over at Medium. The same friend that got me into the podcast, actually as the vice president of content over at Medium and was like, “Hey, we need some content.” I guess I’m his go-to content creator.

xoNecole: Can you expound on why you went back to your birth name versus your stage name?

EO: No, it was nothing to expound upon. I mean, writers have pen names. That’s like asking Diddy, why did he go by Sean? I didn't go back. I've always used that. Nobody was paying attention. I've never not been myself. Karrine Steffans wrote a certain kind of book for a certain kind of audience. She was invented for the urban audience, particularly. She was never meant to live more than 10 years. I have other pen names as well. I write under several names. So, the other ones are just nobody's business right now. Different pen names write different things. And Elisabeth isn’t my real name either. So you'll never know who I really am and you’ll never know what my real name is, because part of being a writer is, for me at least, keeping some sort of anonymity. Anything I do in entertainment is going to amass quite a bit because who I am as a person in my private life isn't the same a lot of times as who I am publicly.

xoNecole: I want to go back to when you published Confessions of a Video Vixen. We are now in this time where people are reevaluating how the media mistreated women in the spotlight in the 2000s, namely women like Britney Spears. So I’d be interested to hear how you feel about that period of your life and how you were treated by the media?

EO: What I said earlier. I think that much of society has evolved quite a bit. When you look back at that time, it was actually shocking how old-fashioned the thinking still was. How women were still treated and how they're still treated now. I mean, it hasn't changed completely. I think that especially for the audience, I think it was shocking for them to see a woman – a woman of color – not be sexually ashamed.

I hate being like other people. I don't want to do what anyone else is doing. I can't conform. I will not conform. I think in 2005 when Confessions was published, that attitude, especially about sex, was very upsetting. Number one, it was upsetting to the men, especially within urban and hip-hop culture, which is built on misogyny and thrives off of it to this day. And the women who protect these men, I think, you know, addressing a demographic that is rooted in trauma that is rooted in sexual shame, trauma, slavery of all kinds, including slavery of the mind – I think it triggered a lot of people to see a Black woman be free in this way.

I think it said a lot about the people who were upset by it. And then there were some in “crossover media,” a lot of white folks were upset too, not gonna lie. But to see it from Black women – Tyra Banks was really upset [when she interviewed me about Confessions in 2005]. Oprah wasn't mad [when she interviewed me]. As long as Oprah wasn’t mad, I was good. I didn't care what anybody else had to say. Oprah was amazing. So, watching Black women defend men, and Black women who had a platform, defend the sexual blackmailing of men: “If you don't do this with me, you won't get this job”; “If you don't do this in my trailer, you're going to have to leave the set”– these are things that I dealt with.

I just happened to be the kind of woman who, because I was a single mother raising my child all by myself and never got any help at all – which I still don't. Like, I'm 24 in college – not a cheap college either – one of the best colleges in the country, and I'm still taking care of him all by myself as a 21-year-old, 20-year-old, young, single mother with no family and no support – I wasn’t about to say no to something that could help me feed my son for a month or two or three.

xoNecole: We are in this post-Me Too climate where women in Hollywood have come forward to talk about the powerful men who have abused them. In the music industry in particular, it seems nearly impossible for any substantive change or movement to take place within music. It's only now after three decades of allegations that R. Kelly has finally been convicted and other men like Russell Simmons continue to roam free despite the multiple allegations against him. Why do you think it's hard for the music industry to face its reckoning?

EO: That's not the music industry, that's urban music. That’s just Black folks who make music and nobody cares about that. That's the thing; nobody cares...Nobody cares. It's not the music industry. It's just an "urban" thing. And when I say "urban," I say that in quotations. Literally, it’s a Black thing, where nobody gives a shit what Black people do to Black people. And Russell didn't go on unchecked, he just had enough money to keep it quiet. But you know, anytime you're dealing with Black women being disrespected, especially by Black men, nobody gives a shit.

And Black people don't police themselves so it doesn't matter. Why should anybody care? And Black women don't care. They'll buy an R. Kelly album right now. They’ll stream that shit right now. They don’t care. So, nobody cares. Nobody cares. And if you're not going to police yourself, then nobody's ever going to care.

xoNecole: Do you have any regrets about anything you wrote or perhaps something you may have omitted?

EO: Absolutely not. No. There's nothing that I wish I would've gone back and said to myself, no. I don’t think at 20-something years old, I'm supposed to understand every little thing. I don't think the 20-something-year-old woman is supposed to understand the world and know exactly what she's doing. I think that one of my biggest regrets, which isn't my regret, but a regret, is that I didn't have better parents. Because a 20-something only knows what she knows based on what she’s seen and what she’s been taught and what she’s told. I had shitty parents and a horrible family. Just terrible. These people had no business having children. None of them. And a lot of our families are like that. And we may pass down those familial curses.

*This interview has been edited and condensed

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Feature image courtesy of Elisabeth Ovesen

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