
Exclusive: 'The High Note' Star Kelvin Harrison Jr. On Self-Work, Love & Vulnerability

Kelvin Harrison Jr. isn't exactly who you'd call "Mr. Romantic". In fact, he doesn't really know who that guy is at all. That's a side he hasn't really tapped into in a "long time." And honestly, who could blame him? Between making waves alongside some of Hollywood's biggest names, such as Sterling K. Brown, Issa Rae, Octavia Spencer, Forest Whitaker and now hitting sweet high notes with the likes of Tracee Ellis Ross––Kelvin really doesn't have time for romance.
But what he does have time for is journaling, perhaps even more so thanks to this seemingly never-ending quarantine. In fact, one could argue that journaling is actually his new love. Admitting to being put on by one of his actor friends during the start of his career, Kelvin divulges that journaling has now become the outlet where he feels free to release all of his thoughts instead of unhealthily keeping them inside. "I think what's been so cool about the quarantine is that it's allowed me the time to reflect and so I journal a lot," he tells xoNecole over the phone on a midweek afternoon. "Every audition, big moments, it's literally a library of understanding the psychology behind what you're experiencing. I found journaling to be a safe space for me to always be transparent with myself and I'm always in-tune with my feelings––I think it's required of me with the job."
And if you needed further proof of that, look no further than his latest film The High Note. In it, Kelvin stars as the sarcastic yet mysteriously talented musician who takes an up-and-coming-music-producer-slash-overworked-personal-assistant (Dakota Johnson) up on her offer to help make his album. As we watch the musical journey progress over the course of the film, we also get a glimpse inside another layer into the Kelvin's pool of talent.
All of Kelvin's songs on The High Note's soundtrack are sung by him and him alone (the same goes for the duet he has with Tracee). There are no voiceovers, no heavy auto-tune, just a man and his arguably impressive vocals. And while he admits to holding some insecurity against his voice, much like his co-star Tracee, it was the time in the studio with Grammy Award-winning producer Rodney "Darkchild" Jerkins that proved to be the most eye-opening part of the whole process. "I learned so much from Rodney, our producer, about story-telling and personalizing lyrics and allowing it to be an extension of my acting. Like now when I go back to do a serious drama, I think that was a great tool because I can kind of use my melody once again."
xoNecole got the chance to briefly chat with the New Orleans native about The High Note, vulnerability, and why he feels love shouldn't have to feel right to be worth it. Read on to see what he had to say.
xoNecole: You've had quite a busy year: 'Luce', 'Waves', 'Godfather of Harlem', 'The Photograph', and now 'The High Note'. So tell me, have you had a high note career-wise thus far?
Kelvin Harris Jr.: Yeah, I mean I think I looked back at some of that stuff in my journal and I was like I have grown so much in the past five months. I got to go to London for the first time and I was nominated for a BAFTA and that was really cool. That was a really big moment for me, that was a high note. And my two best friends that I talk to every day, they've been a high note for me––but that's kind of been my quarantine and life and my career things. So, there have been a lot of beautiful moments.
What was your favorite part of filming 'The High Note'?
I think it had to be the time in the studio. As much as I was afraid of going in there, there's always that insecurity and that fear when you're doing something you haven't done before, so I was very vulnerable. But at the same time, I think that vulnerability that we bring to the table, it's all interconnected.
I love that you brought that up because I know vulnerability can be a tough but necessary road to navigate especially as a young Black man. And in light of everything going on, it can be sacred to hold onto as we know the next day isn’t exactly promised to us. How did you get comfortable enough to tap into that side of yourself? I know it’s probably still a work in progress…
It is, I think it's been a long process with just getting to know me. But I think once again the journaling has had a huge part of that. We have so much going on and so much that happens from ages zero to 14 that we carry with us--and then as adults, we sometimes try to move because we have to operate in the real world. And we have people to please and expectations of us, and obligations. And even after 14, you're in high school and now it's like you have to get ready for college so you can get ready for life. I think putting myself in vulnerable positions, I always know that some growth is gonna happen because of it. Because if I look at the patterns it's like, "OK, when I did this: what did I feel?" Or, "This helped me do this, and that allowed me to learn this about myself." It's an ongoing pattern of success because there are no real failures when you look at it that way. So, I've learned that vulnerability is a weapon, it's a tool, and it's a good thing.
"We have so much going on and so much that happens from ages zero to 14 that we carry with us--and then as adults, we sometimes try to move because we have to operate in the real world. And we have people to please and expectations of us, and obligations. And even after 14, you're in high school and now it's like you have to get ready for college so you can get ready for life. I think putting myself in vulnerable positions, I always know that some growth is gonna happen because of it."
You mentioned earlier that the quarantine has allowed you the time to do some serious self-reflection. What new revelations have you come to learn about yourself that you didn't know previously?
It's not even just in quarantine really but, it definitely has taught me that I still have work to do. I came into this knowing, after I did this movie called Waves, I was like: 'OK, after this I need to go get therapy and I need to do a fun rom-com.' So, I got the therapist going, I did this rom-com, I'm like, 'Cool, cool, cool. We're having fun, we're not taking ourselves too seriously, we're repairing old damage, we're getting better, we're loving harder. We're implementing our boundaries, we're doing self-work, we're taking time for ourselves.' And so I came into quarantine like, 'Oh, I'll be fine.' But the quarantine doesn't work like that. (laughs) I still have a lot of stuff to do. And it's been interesting because I've been listening to that Lauryn Hill MTV Unplugged "I Gotta Have Peace Of Mind" and she says something like, "Sometimes we think we need to retreat when we have problems and stuff going on in our lives, but really it's about confrontation, confronting those things."
That's been on my mind since the beginning of quarantine and so I've just been taking it one day at a time. When I'm triggered by something or something upsets me, or something brings me great joy. I ask the question, 'Why? Why did it do that?' And being OK with the fact that I'm still in progress and there's still work to do. And not tricking myself to believing that I've arrived--no one has--because we still have much more to do.
I want to switch up and talk a bit about love. Does that sound good?
Yeah, I'm down.
As millennials, there’s often a lot of talk around how we define modern love and relationships. So, I want to know for you, what's something that you think we tend to over-complicate or over-simplify when it comes to love?
That's an interesting question (laughs). I don't really know I've seen a lot of different things. In my own experience, I've seen versions of codependency, I've seen people not respecting their boundaries. I'm really big on boundaries right now. I've seen people thinking that love doesn't require work and that relationships don't require work. It's an ongoing process. I do think though that there's a lot of relearning of individuals as we grow with partners––we both have to grow at the same time or at least be actively working on yourself. If one falls off, then suddenly we're not of the same mindset, so that's not sustainable.
I think everyone's on different journeys, but the most common thing is that it doesn't take work. Or that it's supposed to be easy or feel 'RIGHT'. Everything's supposed to feel right. But also on the other side of that, there's trauma bonding, there's flames––people always talk about 'twin flames' that happen sometimes. I think there are a lot of things we aren't aware of that can cause relationships to suddenly seem like that's the new moment. But it will only be a moment if you're not continuing to do the self-work. It takes work.
"I've seen people thinking that love doesn't require work and that relationships don't require work. It's an ongoing process. I do think though that there's a lot of relearning of individuals as we grow with partners––we both have to grow at the same time or at least be actively working on yourself. If one falls off, then suddenly we're not of the same mindset, so that's not sustainable. I think everyone's on different journeys, but the most common thing is that it doesn't take work."
Who is Kelvin as a romantic partner?
Currently I don't know who I am as a romantic partner (laughs). I'm pooped when it comes to finding relationships or finding people. And where I'm still at in my work--it's important that I'm not shrinking myself for someone or trying to "lift someone up". I have the tendency sometimes to want to play the "savior", I want to save or I feel like I need to be saved. Right now, I've been feeling like I need to be focused on my job, so I've been focusing on work. And that's the only thing going on right now (laughs). I don't really know who that guy is. He hasn't been explored in some time, in a long time.
So, when you do get to that place where you maybe want to start looking for a relationship, what are some of your non-negotiables?
To be honest, I make lists--I do make lists. And I know some people think lists are crazy, but I make them based truly on what things I think are necessary. I feel like, for me, I need you to understand what art is, you have to love movies--you don't have to know movies--but you have to at least appreciate and love them and want to watch them. You have to be independent…
I was wondering if you were going to mention that. I saw you speak on that in another recent interview with Tracee Ellis Ross…
Yeah, she has to be independent, independence is sexy. It's very sexy. I just want a secure attachment-style (laughs). You go over there and do your thing and when we come back and we're together, it's amazing. Everyone's looking for that––well. I take that back, some people aren't. Based off some of the stuff I've seen (laughs)...
Last question, because I know you’ve got to go. Do you know your love languages and if so what are they?
I like quality time. Physical touch. And I'm not gonna lie, I like gifts (laughs).
(Laughs) Gifts aren’t a bad thing at all.
Yeah, I like things (laughs). But yeah gifts, physical touch, and quality time, those are the top ones. Those other ones I can do without.
The High Note is available for video on demand now and for more of Kelvin, keep up with him on Instagram.
Featured image by Ron Adar / Shutterstock.com
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Writer. Empath. Escapist. Young, gifted, and Black. Shanelle Genai is a proud Southern girl in a serious relationship with celebrity interviews, The Fresh Prince of Bel-Air, and long walks down Sephora aisles. Keep up with her on IG @shanellegenai.
'Black Girl Magic' Poet Mahogany L. Browne Talks Banned Books And The Power Of The Creative Pivot
You know you’re dealing with a truly talented and profound voice of a generation when the powers that be attempt to silence it. As a poet, educator, and cultural curator, Mahogany L. Browne has carved out a powerful space in the world of literature and beyond.
From penning the viral poem, “Black Girl Magic,” to writing Woke: A Young Poet’s Call To Justice (a book once banned from a Boston school library), to becoming the 2024 Paterson Poetry Prize winner and a poet-in-residence at Lincoln Center—her path exemplifies resilience, reinvention, and unapologetic artistry. She's published more than 40 works and paid the bills with her craft, a divine dream for many creatives seeking release, autonomy, and freedom in a tough economic climate.
A Goddard College graduate, who earned an MFA from Pratt Institute and was awarded an honorary doctorate from Marymount Manhattan College, Mahogany offers unapologetic realness with a side of grace and empowerment. "I started touring locally. I started creating chat books so that those poems will go in the hands of the people who were sitting in the rooms," she shared.
"And then I started facilitating poetry workshops, so I used my chat books as curriculum. And that, in turn, allowed me to further invest in my art and show the community and people who were hiring me that it wasn't just a one-off, that it's not just, you know, a fly by night—that I am invested in this art as much as I am invested in your community, in your children's learning, in our growth."
Mahogany has a special way of moving audiences, and her superpower sparks shifts in perspective, post-performance introspection, and strengthening of community bonds, especially among Black women. (One can undeniably recognize her gift for arousal of the spirit and mind merely from her listening to her insights from the other side of a Google Hangout call. I can only imagine the soul-stirring, top-tier sensory encounter when watching her perform in person.)
In this chat with xoNecole, Mahogany reflects on sustaining a creative career, the aftermath of writing a banned book, and using poetry for both healing, community-building, and activism.
Anthony Artis
xoNecole: What are three key things that have laid the foundation for a sustainable creative career for you?
Mahogany L Browne: What has helped me is that I'm willing to go in being an expert at knowing poetry and knowing the way in which art can change the landscape of our lives, not just as a poet, but also as a poetry facilitator. How you move through classes, those things are mastered, right? So when I go into another space that's maybe tech-heavy, I don't mind learning and being, you know, a student of the wonder of how we can make this magic, work together.
Two, you’ve got to know how to pivot. Sometimes we say, ‘Alright, this is what my life is going to be. I'm going to be a New York Times best-selling author. I'm going to, you know, have an album that's Grammy-nominated. And then, say you get dropped from your record label. That doesn't mean you can't make an album anymore. You can also still create an album that can be submitted to the Grammys. So, what does a pivot look like as an artist who doesn't have an institution behind them? Pivot being a student of the wonder.
Relationships also really help. How do I serve the community? And in turn, that tells me how the community can show up. For me, I have long-standing ties with a community that will outlast my one life. So, what does it mean to create space where these relationships can develop, can be nurtured, can be rooted, can be cultivated? Creating space—it happens through relationships.
xoN: With today’s economic challenges, what does your current creative process look like, and what are you working on?
MB: I’m always thinking five years ahead. I just reviewed the pages for two children’s books and recently released a YA novel. I’m drafting an adult fiction manuscript now.
Anything I create is founded with the root of poetry, but it can exist in captions. It can exist in commercials. It can exist as a musical. So that's where I’m at now.
xoN: You started performing "Black Girl Magic" in 2013, had an acclaimed performance of it via PBS and the work went on to viral success shortly after. Talk more about the inspiration. And what do you think about the continued relevance more than a decade later?
MB: I wrote it as a rally cry for the mothers who had been keeping themselves truly in harm's way by, you know, being a part of the community right after the death of their child or their loved one. They are usually mothers of victims of police brutality—and just seeing how they showed up in these community spaces, they are devout to the cause but obviously still grieving.
"I wanted this poem to be just a space of reclamation, of joy and of you, of your light, of your shine, of your brilliance, in any which way in which you fashion. Every room you enter is the room you deserve to be in. What does it mean to have a poem like that that exists?"
And the first time I did the poem, the Weeping that occurred, right? It was like this blood-letting of sorts. The next time I performed it, I'm moved to tears because I'm seeing how it's affecting other women who have just been waiting to hear, ‘You belong. You deserve. You are good. We see you. Thank you, despite everything that they said to make you regret being born in this beautiful brown, dark-skinned, light-skinned, but Black body.’
Black women are the backbone—period. Point blank. And so, that that poem became a necessity, not just to the fortitude of Black women in the community, but like you know, in service of healing the Black women.
xoN: One of your books was banned at a school in Boston, and it was later reinstated due to parental and activist support. What was that experience like?
MB: Well, I think it happened because they were racist. That's it. Point blank. The reversal of it was empowering, right? I realized, oh, I thought we just had to sit here and be on a banned book list. But no, parents are actually the leaders of this charge.
So to see that, the parents said, ‘Nah, we're not gonna let you take this book out of my baby’s school just because it's a Black kid on the front saying, ‘Woke’ and they're talking about being a global citizen. They're talking about accountability. They're talking about accessibility. They're talking about allyship, and you don't want them to have compassion or empathy or have even an understanding, right? So no, we rebuke that, and we want this book here anyway.’ To see that happen in that way. I was, like, reaffirmed. Absolutely.
xoN: You recently organized the Black Girl Magic Ball at the Lincoln Center in New York. Honorees included author and entrepreneur Rachel Cargle and National Black Theater CEO Sade Lythcott. What impact did it have and what expanded legacy do you hope to leave with your creative works?
MB: I was really interested in not celebrating just the book, but celebrating the community that made the book possible. And so I gave out five awards to women doing that thing, like, what does it mean to be a Black girl in this world?
I just thought it was gonna be an amazing time. Everybody's gonna dress up—we're gonna celebrate each other. And boom, I then realized that it responded to like a gaping hole. There was a missing thing for Black girls of all walks of life, all ages, right?
"It's very intergenerational. That was intentional to come together and celebrate just being us."
You have all these instances where just being you is either the butt of a joke or it's diminished and not worthy of a specific title in these larger institutions. So what does it mean to just to be loved up on and celebrated?
It felt like a self-care project at first. You know, for the first couple of years, folks were coming and they were getting that sisterhood. They were getting that tribe work that they were missing in their everyday lives.
I love the Black Girl Magic Ball because we got us. If I go out with a bang, they'll remember that Mahogany worked her a** off to make sure all the Black girls everywhere knew that she was the light. We are the blueprint.
For more information on Mahogany L. Browne, her work, and her future projects, visit her website or follow her on IG @mobrowne.
Featured image by Anthony Artis
Listen, based on what I know (because I have learned to not talk about celebrities like I know them, unless I actually do), I have a lot of respect for the filmmaking phenomenon Ryan Coogler. In fact, a close friend of mine and I were recently talking about how much we enjoyed an NPR interview that he did late last month (“Ryan Coogler Paid A Steep Price For The Films He Made”).
And although I’ve heard the his movie Sinners is “that one” right now (did you know that it has crossed the $300 million mark at the time of this being published?), because I am a bit squeamish when it comes to violence and gore, I am still on the fence about personally checking it out; especially after Michael B. Jordan said himself that all of the (fake) blood even caused him to need to take breaks throughout filming. I dunno…maybe in the daytime. We’ll see. LOL.
Anyway, all of the talk about vampires — you know, due to the film — did cause me to wonder something that might seem rather random, yet that’s oftentimes how my mind works: Do vampires give each other hickeys? As I Googled for an answer, besides a book that has a title close to that name, I did notice an ABC feature from when the vampire Twilight film series was all the rage several years back. It was inquiring if teens were suddenly biting each other (back then) because of the movie(s).
The sexologist who was interviewed came to the conclusion that since biting is “an extension of the hickey” and hickeys are (typically) considered to be passionate, that’s why teens were interested in doing it. As far as what vampires do with each other? I couldn’t find a definitive answer.
I dunno. With hickeys also being called “love bites” and “suck marks” and with folks oftentimes describing vampire-themed movies as sexy, I would think that they could. Either way, what we know for sure is that those of us in the real world do it — and so, in honor/acknowledgement of that, I figured that now would be a perfect time to share some facts about hickeys. Ready?
1. Humans Are Copying Animals When They Give Hickeys
Aight, so what exactly is the origin story of hickeys? It would seem that it came from the literature of authors who wrote about what animals like lions and wolves do whenever they are showing affection towards one another. Apparently, humans saw this and eventually began to follow suit.
Hey, that doesn’t sound so crazy to me, considering doggy style continues to be a fan favorite among our species, and…have you ever seen two cats have sex before? I have, more than once, and the male cat is typically biting on the female one, in her neck region, during the act. So, when I really stop to think about all of this, it definitely tracks.
2. Hickeys Are Oftentimes a Low-Key Power Play
Ah, perfect. If you click here, you will actually see a picture of two cats having sex, and — like I just said, the male cat is biting the female cat. One reason why is because male cat penises have barbs on them which can make the entry or exit of intercourse literally painful for the female. And so, the male cat holds her in place by biting her, so that she doesn’t run away. And yes, along these same lines, some believe that hickeys can serve as their own power dynamic shift, even among humans — especially based on where a person decides to put one. I guess it would be like “peeing on your territory” in a way — hmph, which is something else that animals tend to do.
3. Hickeys Are Nothing More than a Bruise
Okay, so what actually causes a hickey to happen? Well, when someone sucks and gently bites on your skin, it can break some of the surface blood vessels that are underneath your skin to break. When that happens, it results in a bruise. If someone does this to you for about a half a minute, you should notice a hickey emerge in a matter of minutes and, depending on how “good” of a job they did, a hickey can stick around for as much as a couple of weeks.
4. “Temperature Play” Speeds Up the Healing Process of Hickeys
Again, depending on how “good” of a job someone did at giving you a hickey, it could last between two days and two weeks. If you want yours to fade faster, because, again, hickeys are a bruise, it’s a good idea to bring some temperature play into action. What I mean by that is, start off by putting an ice pack on your hickey for up to 10 minutes, twice a day, for the first two days.
Then, after 48 hours, apply a warm compress for 10 minutes a few times a day. You might also want to apply a bit of peppermint oil to your hickey and gently massage that area as well; that will help to bring more blood flow to the spot, so that your skin can heal faster.
5. If You Take Blood Thinners, Hickeys Will Last Longer
If you’re someone who takes blood thinners, that will keep hickeys aren’t for a longer period of time. That’s because blood thinners are specifically designed to slow down the blood clotting process that’s in your body. So, if you’re big on hickeys and you even take aspirin on a fairly regular basis, you’re gonna have to accept that the “hickey healing hacks” may not actually work for you (at least not as quickly or effectively).
6. Certain “Natural Things” Can Make Them Last Longer Too
Speaking of blood thinners, even if you aren’t on any meds, did you know that certain foods provide blood-thinning effects as well? Some of those include ginger, garlic, aloe, turmeric, and cayenne pepper, and even supplements including vitamin E and melatonin. Just something to keep in mind. (By the way, vitamin C and the bromelain in pineapples can help to heal hickeys as far as supplements and foods go).
7. No, Hickeys Will Not Give You Cancer
It actually wasn’t until I was doing research for this article that I even heard the myth that hickeys can give you cancer. What in the world? Yeah, if you heard that somewhere before, pay that tale no mind, because science absolutely says otherwise. For the most part, hickeys are relatively harmless.
8. They Can Give You an Infection, Though
And why did I just say, “for the most part”? Yeah, you caught that, huh? Well, there is an extreme instance where a woman had a stroke due to a hickey because it happened on top of a major artery — that’s hella rare, though. What is more common is oral herpes transmitted through hickeys.
Not to mention the fact that a hickey is usually a bruise more than a wound; however, if your skin does end up being broken or you’re giving a hickey and blood is somehow transmitted…well, I’m sure you could see how this could be potentially problematic. Bottom line, get — and stay getting — tested. Just to be on the safe side. Hickeys or not.
9. A Dream About Getting a Hickey Is Actually a Warning
Remember how I said earlier that sometimes the person who is giving the hickey is doing so as an act of power? Well, along those same lines, if you happen to dream that someone is giving you a love bite, keep in mind that it probably isn’t about anything sexual; usually, it means that you are either in a toxic or stressful situation and you’re trying to figure out if you should approach it with logic or emotion. The more you know.
10. Sometimes Pain Creates Pleasure
Someone who enjoys being tortured or humiliated during sex, they fall into a category that is known as sexual masochism — and no, that is not what I am referring to here. What I am speaking about is the fact that, because pain and pleasure sensations are housed in the same part of the brain, when mild pain is felt, that could be why it arouses you — and that could be why you may enjoy receiving hickeys (I mean, if you actually do). They both have been proven to create a dopamine and opioid surge, which can intensify your sexual responses and reactions.
____
Hickeys do tend to create a very polarizing response: folks either adore them or loathe them. Either way, now you know what they’re all about, so if you’re on the “A” team, share it with those who are also in your club.
It could make them appreciate hickeys — love bites, suck marks — that much more, chile.
Dig in. #wink
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Featured image by Giphy