Exclusive: Keke Palmer On Her 'Virgo Tendencies' & Elevating The Way She Views The Hustle
In xoNecole's Finding Balance, we profile boss women making boss moves in the world and in their respective industries. We talk to them about their business, and most of all, what they do to find balance in their busy lives.
This is my earliest memory of Keke Palmer when I was first introduced to her as Akeelah Anderson in Akeelah and the Bee. I interviewed her for Brotherly Love when I was the Arts & Entertainment Editor at Morehouse College's Maroon Tiger Newspaper for their press junket and then met her again in-person last year briefly on the dancefloor of the Good Morning America holiday party. If you would have told me that I would be interviewing her years later via Zoom about her evolution as a music artist, mental health and how much she loves getting massages, I wouldn't have believed you. I logged into Zoom two minutes earlier than our projected start time at 11:30am on Friday morning. When a screen name asked to be admitted into the video call, I knew exactly who it was.
Keke Palmer appeared on the Zoom in some gold huggie earrings, a few thin chains iced around her neck and a Gucci tee shirt. Her style choices coupled with her straight back braids definitely radiated chill Millennial Diva on a Friday morning vibes. "Girl, slicked back. Just keep it chill," she said after I complimented her braids.
After exchanging brief hellos and checking in with one another mentally, the "Marvelous" singer told me that she went into the pandemic ready and now she's in a more positive headspace. I had the pleasure of speaking with Keke herself about her recent Virgo Tendencies, Part I EP, her experience hosting this year's MTV Video Music Awards during quarantine and the importance of pouring into herself when it comes to her self-care routine as an artist, actress and all-around successful businesswoman.
Here's what I learned:
xoNecole: Talk to me about ‘Virgo Tendencies’, what the inspiration was behind it and how it felt to finally get it out.
Keke Palmer: I didn't even know the project was going to be called Virgo Tendencies. I didn't know there was gonna be a part one or a part two; I just knew I had the music, some new and some I started creating during the pandemic, and I had the space that I didn't have before. Sometimes I have so much stuff going on at once and I don't feel like I always have the energy to put into a full project. A lot of times I've just put out singles here and there, a little of that, a little of this. This time, I was like, "You know what, I have time to really focus and put a project together. I really want the project to be an escape." So much heaviness was going on and I feel like I wanted to tap into more lighthearted and spontaneous Virgo energy––or my Sagittarius moon, I don't know––and really give something fun. The music is all upbeat, we have some sketches on there, some comedy. If you watch my Instagram, you know I love some sketches, girl (laughs). It's really just something fun and that's Virgo Tendencies, Part I.
Part II, which isn't out yet, is a bit more of the R&B, reflective side and a little bit more melancholy. The whole point of [Part I] was to put myself mentally in space that was opposite from where I was. I wasn't able to go anywhere, I wasn't able to do anything and that can be melancholic so to balance that, let me take myself somewhere else musically and creatively.
How does part one of ‘Virgo Tendencies’ demonstrate your growth as an artist from when you first put out “Keep It Movin’” and “Bottoms Up” to the woman you are today?
I'm a little bit more free and I'm having more fun with it. My work isn't measured by anything more than if I had fun doing it and if I'm enjoying it. It's not based on anyone else's outside reactions or feelings, but it's based off of the fact that I like music, I'm creating it and it's enjoyable whereas sometimes when I was a kid, there was a lot of label pressure. Now I don't have a lot of that and I think that shows through the music in the way that I'm able to have more of a creative expression and be able to be more natural with how I give my music to my fans. It's more authentic to me.
What Virgo-like tendencies do you possess that go into your self-care and self-love routine?
It's the constant analyzing of myself and being able to really pay attention to the details of myself to know what it is I need. That is super Virgo of me and it's a bit controlling, but I like to be in control of myself and in control of my life, so it's OK. It's in every factor––whether it be how I feel about my body and my fitness, or how I feel about my mental health and if I need a break, if I need to add more of "this" in my life with my friends, or remove "that" because that's not making me feel good––that's my Virgo tendency that I feel really does help me, but then I have other Virgo tendencies that make me crazy, too (laughs).
"It's in every factor whether it be how I feel about my body and my fitness, or how I feel about my mental health and if I need a break, if I need to add more of 'this' in my life with my friends, or removing 'that' because that's not making me feel good."
You hosted the VMAs and you made history. From one Black woman to another, it was incredible to even witness that. What was the experience like and how did you balance it all with the other billions of things that you’re doing?
Oh my gosh, thank you so much girl! Hopefully, I'll be seeing you up there soon, too!
How did I balance it? Scheduling. My team––I really give the props all to my team because that's what really makes it happen. I have a really great team with my assistant, my mom, my management. All those people are who make Keke the brand happen from any facet. It's not me doing it on my own and that's really how I was able to get through it. They helped me and they made it happen. They made sure I was where I needed to be and made sure I was on time. It was crazy because none of us knew what to expect and there were so many moving pieces. The VMAs––I don't know how we pulled that off, but I'm so glad that we did it and it's over with.
How do you prioritize your music, acting, hosting and everything else that you’re doing while it’s going on? On top of your team, what’s your scheduling and planning process like?
Because a lot of these projects include, to some level, other people whether it's me launching a collection of merch, music, acting or whatever, they include other people and other things that have to be able to make them happen. A lot of times I have to be free-flowing and patient with how I want things to go. I really have to let God guide me about what's gonna come out when and where because sometimes stuff happens, it changes and I can't be sitting there unable to move. It was the same thing when the pandemic happened––I was supposed to be doing the movie that I'm filming now, but I couldn't do that so I ended up doing my EP. When I didn't do the movie, that ended up with me being able to do the VMAs. It's like so much stuff happens that you try to control, but a lot of times if you allow yourself to let go at times, it can bring yourself to something even better.
If you could give young Keke a piece of advice about prioritization and time management, what would you tell her?
It's OK to relax. It's OK to prioritize taking a break. It's OK to schedule that just as well as you schedule the business. In fact, it's important to. It's necessary. I think we live in a country that makes us feel like working like a slave is the way to live, and it's not. It's unfortunate that the "hustle hard" thing can be toxic, too, to our lives. It's OK to grind, but don't grind your wheels off, pooh. Work hard, but work smart. Be able to leave a space for you to still enjoy it to where you're not looking at the end and resenting something you care about. I would tell myself it's OK to have a personal life and it's OK to have just as much growth and evolution in your business as you do as a person.
When did you begin to understand the importance of pressing pause and finding balance in your personal and professional life?
About 25 [years-old] I'd say is when I really started to realize the importance. I fully started to implement those things before then and tried to find a balance, but I think I realized around 25 that it could be scheduled. Stop showing so much support to one area and none in the other. If there's a birthday or wedding that you need to get to, have it in the schedule. Leave it in the schedule and let it be there so the other people that you're working with know that day is off limits. Show respect and value to other things, you know?
"It's OK to grind, but don't grind your wheels off, pooh. Work hard, but work smart. Be able to leave a space for you to still enjoy it to where you're not looking at the end and resenting something you care about."
What are your mornings like?
I can depend on the different time of year and what I've got going on. Right now with this movie, I'm waking up at 7:30am, I go take a run around 8am for twenty minutes, then I come back, get ready and start my day. Maybe I have something immediately, maybe I'm going to production, an office, a fitting, whatever might be going on. Sometimes I might be chilling or I'll have specific times for my meals so I'll make sure that I'm fit for my character in this particular role. Then maybe I'll chill and I'll have a script that I have to read and respond to, or I'll have a contract that I have to look over and little things throughout the day like that. Other than that, it's pretty simple.
How do you like to wind down at night?
I like to wind down at night by watching a movie or TV. I love mindless shows and losing myself in a really crazy reality show like Life After Lockup on WeTV. I love stuff like that because it doesn't make me think too much. Sometimes when you're watching a strict scripted show, it can cause you to really have to pay attention and I want to be able to just chill and watch something that's just going to make me laugh.
What are your favorite types of self-care?
I love, love, love [getting] massages and love, love, love facials. I love getting my hair done, definitely braids and stuff like that. Not necessarily getting weave or getting a wig on––that's sometimes too much. I like getting my braids done, getting my ends clipped or putting a mask on my hair. What else do I love for self-care? Family time! I can fill up my spirit when I need to see my family.
What advice do you have for busy women who feel like they don’t have time for self-care?
You're working backwards by doing that. You have to really implement self-care. There was a time in my life where - and I want to get back to it and I probably could because the pandemic came in––I really scheduled a massage. Nothing could come before it because it was me telling myself and creating a pattern in my mind that I come first. I made everything come after that. No matter what's going on, every Tuesday at whatever time, I have to get a massage and nothing can step in the way of that because it creates a statement to yourself that I am important, my feelings are important and what I want is important. If you don't place stuff in your life in which you tell yourself, what your life becomes is that everything is before you. Once you do that, you are no longer able to work at the level that you should because everything comes before you and you're not gonna be 100 percent if you're not there for you.
How do you find balance with friends and finding time to see or call them?
That one can be hard at times, but I started to do these things in my life where I have this vacation. One for my big birthday bash and a big bash for New Years. Me and my friends have been able to get together on those days and we look forward to them. We're working, we're grinding and sometimes we get to see each other a little more throughout the year, but we know for sure we're gonna see each other at the big party we're gonna have for New Years and the little vacation at our location.
What about your health? Do you like to cook or do you find yourself eating out more?
A few months ago, I was eating out a lot. Right before I got on the kick that I'm on now, I was eating out a lot. Now I'm not because I'm getting prepared for a film, but I also really wanted to do a reset and get myself more healthy. I've been cooking a lot during the pandemic so my confidence in my cooking skills have been up! I've been meal prepping and that's been really great. It's been awesome to be able to regulate and have a specific schedule.
"With doubt, once you get back to the seed of it, then you're able to kill it. Be a purveyor of your thoughts."
When you’re going through a bout of uncertainty or you’re feeling stuck, how do you handle it?
I pray, I call my mom and I talk myself through it. I really believe that talking to yourself is OK because you're observant of your thoughts. When you hear yourself respond to something that makes you uncomfortable and you hear yourself in your head and you're like, "Thank God nobody's in here with me," don't judge yourself. Literally talk to yourself. When I hear a thought like that that makes me feel weird about something, I literally will talk myself through it and ask myself, "Why do you feel that way? What's that based off of?" As I slowly started to get there, I realized it's usually based on something shallow, surface, something I can easily fix, or something I've been confused by in some way. With doubt, once you get back to the seed of it, then you're able to kill it. Be a purveyor of your thoughts.
What does success mean to you? And what does happiness mean to you?
Happiness means being able to do what I love. Success to me is being able to create something bigger than myself and something that speaks to a message and ideology that can be carried on for years to come. When I think about me and what I want to do with my art and creativity, it's beyond just me, Keke Palmer. It's us.
For more of Keke Palmer, follow her on Instagram. Virgo Tendencies Pt. 1is out now and watch the "Dreamcatcher" music video on YouTube.
Featured Image by CR8 Agency/Vaughn Alvarez.
Unapologetically, Chlöe: The R&B Star On Finding Love, Self-Acceptance & Boldly Using Her Voice
On set inside of a mid-city Los Angeles studio, it’s all eyes on Chlöe. She slightly shifts her body against a dark backdrop amidst camera clicks and whirs, giving a seductive pout here, and piercing eye contact there. Her chocolate locs are adorned with a few jewels that she requested to spice up the look, and on her shoulders rests a jeweled piece that she asked to be turned around to better showcase her neck (“I feel a bit old,” she said of the original direction). Her shapely figure is tucked into a strapless bodysuit with a deep v-neck that complements her décolletage.
Though subtle, her quiet wardrobe directives give the air of a woman who’s been here before, and certainly knows what she’s doing. At 24 years young, she’s a “Bossy” chick in training— one who’s politely unapologetic and learning the power of her own voice.
“I'm hesitant sometimes to truly speak my mind and speak up for myself and what I believe,” she later confessed to me a couple of weeks after the photoshoot. “It's always scary for me, but now I'm realizing that I have to, in order to gain respect as a Black woman— a young Black woman— who's still navigating who she is. And you know, I'm realizing that closed mouths don't get fed. And if I keep my mouth shut just because I'm afraid of what people's opinions of me will be or turn into, then that's not any way to live.”
For Chlöe, the journey into womanhood is about embracing who she is, without succumbing to the perceptions of what others think of her. From the waist up she’s everything you’d imagine. A gorgeous goddess with the kind of sex appeal that some work hard to embrace but fail to exude. But unbeknownst to anyone not on set, her bottom half is covered by a white robe, surprising coming from the girl who boasts “'Cause my booty so big, Lord, have mercy” on her first hit single “Have Mercy.”
But that’s the beauty of Chlöe. There’s more to her than meets the eye. More than what a few sensual photos sprinkled throughout an Instagram feed could ever tell you. Just like the photo-framing illusion of her portrayed from the waist up, what we know about the songstress is just the tip of the iceberg. There’s so much more beneath the surface.
Some hours later Chlöe leans back in a high chair as her locs are transformed from a formal updo to a seemingly Basquiat-inspired one. It’s pure art, and at her request, no wigs are a part of the day’s ensemble. She’s fully embracing her natural hair, a decision that wasn’t always a socially accepted one.
In the suburbs of Atlanta, Georgia, (Mableton, to be exact) Chlöe began to explore the foundation of her self-image. At an early age she and her younger sister, Halle, demonstrated a vocal prowess and knack for being in front of the camera that caught their parents’ attention. Soon after, they were sent on a parade of local talent shows and auditions, and eventually broke into the digital space with song covers on YouTube.
It was during these early years that Chlöe first learned that the entertainment industry could be unforgiving to those who didn’t fit a particular beauty standard. Despite the then three-year-old snagging a role as the younger version of Beyoncé’s character, Lilly, in Fighting Temptations, casting agents requested that her natural locs be exchanged for more Eurocentric tresses. Ironic, considering that growing up Chlöe saw her hair as no different than that of her peers. “I remember specifically in pre-K we had to do self-portraits and I drew myself with a regular straight ponytail, like how I would put my locs in a ponytail,” she says. “I just never saw myself any different.”
Chlöe would also learn the true meaning of a phrase that would later become an affirmation posted on her bedroom mirror: “Don’t Let the World Dim Your Light.” After attempting to wear wigs to fit in, the Bailey sisters instead chose to rock their locs with pride, which undoubtedly cost them casting roles. Yet they would have the last laugh when making headlines as the “Teen Dreadlocked Duo” who landed a million-dollar contract with Parkwood Entertainment, and the coveted opportunity to be groomed under the tutelage of a world-renowned superstar.
Credit: Derek Blanks
While that could be the end of a beautiful fairytale of self-empowerment, the reality is that it’s just the beginning of the story of her evolution. For most girls, the transition into womanhood takes place in the comfort of their own worlds, often limited to the number of people they allow to have access to them. But for Chlöe, it’s happening in front of millions of critiquing eyes just waiting for an opportunity to either uplift or dissect her through unwarranted commentary.
Many in her position wouldn’t be able to take that kind of pressure. But Chlöe is handling it with grace. “I feel like all of us as humans, we have the right to interpret things how we want,” she says. “I put art out into the world and it's up for interpretation. I'm learning that not everyone is going to always like me and that it's okay.”
Chlöe isn’t the first artist to receive criticism for her carnal content, and she certainly won’t be the last. In 2010, Ciara writhed and rode her way to banishment on BET when the then 24-year-old released her video for “Ride.” In 2006, 25-year-old Beyoncé received backlash for “Déjà Vu."
"I put art out into the world and it's up for interpretation. I'm learning that not everyone is going to always like me and that it's okay.”
So much so that over 5,000 fans signed an online petition demanding that her label re-shoot the video because it was “too sexual.” Even 27-year-old Janet didn’t escape critical headlines when she shed her image of innocence for a more risqué appearance with the 1993 release of janet.
It’s almost as if public reproach is a rite of passage for young Black women R&B singers on the road to stardom. Good girls seemingly “go bad” whenever they embrace the depths of their femininity, and fans only like you on top figuratively. But Chlöe has learned not to bow down to other people’s opinions, but to boss up and control the narrative. As the saying goes, well-behaved women seldom make history. If sex appeal is her weapon, she wields it well.
On set, Chlöe exudes the energy of Aphrodite in an apple red, off-shoulder dress with a sexy high split. In between shots, she mouths the lyrics to Yebba’s “Boomerang” as it echoes throughout the space in steady repetition at my recommendation. The hour grows late, yet Chlöe is heating things up as eyes stare in deep mesmerization of the girl on fire.
Credit: Derek Blanks
Through music, she explores the depths of her being, a journey that seems to be, at its foundation, rooted in self-discovery. Whereas their debut album The Kids Are Alright (2018) boasts a young Chloe x Halle empowering their generation to embrace who they are while finding their place in the world, their second album Ungodly Hour (2020) shows the Bailey sisters shedding the veil of innocence for a more unapologetic bravado.
What fans looked forward to seeing is who Chlöe shows herself to be on her debut solo album In Pieces. In an interview with PEOPLE, she confesses that releasing her first project without her sister was “scary.” "It was a moment of self-doubt where I was like, 'Can I do this without my sister?’”
Chlöe has never been shy about sharing her insecurities or her vulnerabilities, all of which are laced throughout the 14-track album. “I want people to have fun when they listen to it and to just realize that they're not alone and it's okay to be vulnerable and raw and open because none of us are perfect; we're all far from it. And I think it's healing when we all admit to that instead of putting up a facade.”
The gift of time has given the self-professed “big lover girl” more encounters with romance and heartbreak. Love songs once sung for their beautiful riffs and melodies become more than just abstract lyrics and are replaced by real-life experiences, which she tells me is definitely in the music.
In her single “Pray It Away,” for example, she contemplates going to God for healing instead of going at her ex-lover for revenge for his infidelities. “With anything dealing with art, I am completely vulnerable,” she says. “I'm completely myself, I'm completely open and transparent. So it's pretty much all of me and who I am right now.”
Has Chlöe been in love? That still remains to be said. Of course, she’s been linked to a few potential baes, but dating in the digital age isn’t as easy as a double tap or drop of a heart-eyes emoji. It requires a level of trust and vulnerability that’s hard to earn, and easy to mishandle. To let her guard down means to potentially set herself up for disappointment. “It’s difficult dating right now, honestly, because you really have to kind of keep your guard up and pay attention to who's really there for you. And you know, I'm such an affectionate person and I love hard.
"So when I meet the one person that I really, really am into, it's hard for me to see any others and I get attached pretty easily. And you know, I don't know, it's…it's a scary thing.”
Credit: Derek Blanks
“With anything dealing with art, I am completely vulnerable. I'm completely myself, I'm completely open and transparent. So it's pretty much all of me and who I am right now.”
While broken hearts yield good music (queue Adele), what’s in Chlöe’s prayer is the desire to be happy. What does that look like? Well, she’s still figuring that out herself. “Honestly, I'm the type of person who I don't truly learn unless I experience it. So it's like I can view and watch my parents and watch the loving relationships that I see in my life and be like, ‘Oh, I want that. I would love to have that.’ But then I also have to experience [love] on my own and see what my flaws or my faults might be or see what my good things about myself are. I feel like it's really all about self-reflection. And even though our base is our family and that's our foundation, we are still our own individuals and we have to find out specifically the things about ourselves that may be different from what we saw from our parents when we were growing up.”
Her ideal beau, she tells me, is someone she can feel safe to be her fun, goofy self with, but who also gives her the space to be the boss chick chasing her dreams. A man who understands that just because the world compliments her doesn’t mean she doesn’t want to hear those words from his lips or feel it in his touch. A bonus if he shows up on set after a long hard day of work with vegan cinnamon rolls. You know, the basic necessities. “I like whoever I'm with to constantly tell me they love me and that I look beautiful because I do the same. I am a very mushy person, and if I see something or you look good, I will never shy away from saying it out loud. And I want whoever I'm with to do the same, be very vocal. Tell me that you love me. Tell me what you love about me because I'm doing the same for you because that's just the person I am.”
Until she meets her match she’s married to the game, and for now, that seems to be perfect matrimony.
Credit: Derek Blanks
On stage at the 2021 American Music Awards, Chlöe solidified her position as a force to be reckoned with. It was a full-circle moment. In 2012, bright-eyed and baby-faced Chloe and Halle would walk onto the set of The Ellen Degeneres Show and blow the audience away as they bellowed out their future mentor’s song. Ellen would present the sisters with tickets to attend the AMAs, assuring them that they would be back and had a promising future. Nine years later, Chlöe descends from the sky cloaked in a snow-white cape and matching midriff-baring bodysuit for her debut performance. It’s the first time she’s graced the stage of the very award show that she was once an audience member of.
As she shakes and shimmies and boom kack kacks out her eight counts, it’s clear that she’s in her element. Just like her VMA performance a couple of months prior, and the many more stages she’ll continue to grace, she brings an energy that has earned her comparisons to the beloved Queen Bey herself. An honorable statement, considering few R&B songstresses are getting accolades for their entertainment capabilities. It’s on these very stages, in front of hundreds of astonished eyes and millions more glued to their televisions at home, that she tells me she feels most sexy. Powerful, even.
But off stage, it’s a different story.
It’s more than just the commentary about her image and media-flamed rumors that get to her. Mentally, she’s in competition with herself. The desire to be the best burns at the back of her mind with every performance, every production, and every time she steps into the booth. Before, she could share the weight of this burden with her sister. Being a part of a duo meant she could turn to Halle for quiet confirmation and encouragement without a word being exchanged. But lately stepping on the stage means stepping out on her own. And despite being a breathtaking, five-time Grammy-nominated star, Chlöe doesn’t escape the reality that sometimes we can be our own worst critics.
Over the last year, she’s been coming to terms with who she is on her own while overcoming the fear of failing to become who she’s destined to be. While the world waits to see how Chlöe wins, the real triumph is in every day that she chooses herself and continues to walk in her purpose. “I don't really have anything all figured out, honestly. But what I try to do, a lot of prayer. I talk to God more and I just try to do things that calm my mind down and just breathe.”
To whom much is given, much will be required. She’s been chosen to walk this path for a reason. Once she fully embraces that everything she’s meant to be is already inside of her, she’ll be an unstoppable force. “My grandma, Elizabeth, she just passed away and my middle name is her [first] name. So I feel like I truly have a responsibility to live up to her legacy that she's left on this earth. I hope I can do that.”
There’s no doubt that she will. With a role in The Fighting Temptations at three years old, a million-dollar record deal, a main role on five seasons of Grown-ish, five Grammy nominations, a number one solo record in Urban and Rhythmic Radio, a debut solo album, and starring roles in recently released movies Praise Thisand Swarm (just to name a few), Chlöe’s certainly already made her mark, and she’s just getting started.
Photographer & Creative Director: Derek Blanks
Executive Producer: Necole Kane
Co-Executive Producer: EJ Jamele
Producer: Erica Turnbull
Digitech: Chris Keller
DP: Alex Nikishin
Gaffer: Simeon Mihaylov
Photo Assistant: Chris Paschal
2nd Photo Assistant: Tyler Umprey
Features Editor: Kiah McBride
Special Projects: Tyeal Howell
Hair: Malcolm Marquez
Makeup: Yolonda Frederick
Fashion Styling: Ashley Sean Thomas
For More: Cover Story: Issa Rae Comes Full Circle
What We Know About Gabrielle Union & Keith Powers' Romantic Comedy 'The Perfect Find'
Gabrielle Union serves as a giant, wearing many hats for the culture. She's an advocate for believing in your child unconditionally. She speaks up for equal opportunity in work, justice, and equality. And now, she is showing the girls that 50-year-olds can, in fact, do it better in her latest film, The Perfect Find.
The actress dropped a few screengrabs of the film on her Instagram, leaving the fans squealing after noticing Keith Powers as her love interest (and who happens to be 20 years her junior). "It’s almost time! First look at my new movie, THE PERFECT FIND, coming to @Netflix on June 23! @NetflixFilm#ThePerfectFindNetflix#Tudum," the post was captioned.
But what can we expect from Netflix's newest romantic comedy? Here's everything we know about Union's new film, 'The Perfect Find.'
In the film, Keith Powers plays Gabrielle Union's boss' son.
Map that one out in your mind.
After being fired from her high-profile job and losing her long-time boyfriend in a chaotic way, Jenna (Union) is forced to move back to New York City in an attempt to revive her career. Things get a bit messy as she finds herself working for her frenemy, Darcy (Gina Torres), but also falls for her younger, charming coworker, Eric (Powers), who also happens to be Darcy’s son. Jenna is then faced with the decision to risk it all on the secret romance, and see if there can be a future with Eric despite their age and generation gap.
“Rom-coms are back,” director Numa Perrier teases to Netflix’s Tudum. “This is the movie. You’re going to laugh, you’re going to cry and it is very sexy. We will have our chemistry, we will have our sensuality, we will have all the things.”
When it came to selecting Powers as her love interest, Union says it was a no-brainer.
Courtesy of Netflix
“Everyone was like, ‘Okay, that might be a slightly younger person that people might throw it all away for,’” she told Vanity Fair. It also helped that Union and her husband, Dwyane Wade, were fans of how Powers and his on-again-off-again girlfriend, Ryan Destiny, handled their relationship publicly.
“We were openly fanning about Ryan and Keith and just loving how they moved through Hollywood, how they handled their relationship, how they handled the public love. It was just kind of a natural progression of a friendship that already existed, but it comes out of respect. He has an enormous amount of respect for Dwyane, I have an enormous amount of respect for Ryan, and it just made working super easy.”
The movie also stars Devale Ellis, DB Woodside, Janet Hubert, La La Anthony, Niecy Nash, and Gina Torres.
Perrier gives flowers to the cast, revealing that Torres is a scene-stealer as Eric’s mom and Darzine e-zine founder Darcy Hill and so much more. “She’s so magnetic, she lights up every room,” Perrier says. “We wanted her to just be an absolute New York fashion woman who’s bold and unapologetic and takes up all the space in the room. That’s who Gina Torres is. We don’t get to see her like that a lot because she plays very buttoned-up characters, but she really got to let go in the role of Darcy.”
Perrier similarly praised Hinds and Anthony, who plays Billie and Elodie, Jenna’s best friends and chosen family. “The three of them together, you feel like these are friends that have known each other and are supporting each other through every good and bad decision that they’ve made,” she says. “You feel that realness.”
Union says the film offered her the opportunity to tell a story that resonates.
Courtesy of Netflix
“[It] really sparked something inside of me about older women and how we can oftentimes disappear from society, almost, in terms of people looking at us as like we are past our prime,” she revealed. “That we carry no value, that no one sees value in a woman over 28, much less over 35, much less over 40, but baby, I’m thriving. So I wanted something that spoke to that that I hadn’t done before. Which is tough, because I’ve done a lot of rom-coms. This one is new. I’m thrilled.”
The film is based on the 2016 novel of the same name by Tia Williams.
Union was busy producing a rom-com for another A-list actor when she was inspired to make her own. Her production company, I'll Have Another, had recently optioned Robinne Lee's The Idea of You, "a very specific story to an aging white woman," Union tells Vanity Fair, "I knew it wasn't something I could just shove myself into because it really wasn't the right story for me…. We got Michael Showalter and Anne Hathaway and Cathy Schulman, and it was up and running."
The movie left Union with a desire to do the same for the culture. "It made me be on the lookout for a story that made me feel the same way, basically," That's when she was presented with the idea of bringing Tia Williams's 2016 novel, The Perfect Find to the big screen, a book suggested to Union by producer Tommy Oliver. "I'd already read it. I love that book. I love Tia. She's the shit. We have mutual friends. I'm like, Oh, my God, why didn't I think of that?"
Grab the book here!
Remember when Dwyane Wade surprised Union on set with the sweetest over-the-top romantic gesture? This was the set.
Wade sent a group of singers, dancers, and musicians to serenade Union with some of her favorite songs and also hand her a bunch of gorgeous white flowers. D'awwww!
Filming for The Perfect Find started in June of 2021 and lasted only seven weeks, officially ending by August. The film will be released on Netflix on June 23. Will you be watching?
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Featured image courtesy of Netflix