Beyond natural ability and innate talent, it's not too far-fetched to attribute our great success to the divine forces that guide our pursuits. Maybe it's fate, or simply the collision of refined skills meeting opportunity and preparation. Either way, there are some instances, like that of Ebony Obsidian, actress and star of the BET series, Tyler Perry's Sistas, that proves just how far one's gifts can take them when they're walking in divine purpose.
Coming of age, Ebony found herself to be a natural storyteller, drawn to the truth and humanity within others. Although she grew up with a shy and introverted personality, she found her voice by embodying the narratives of the characters she'd play, "Acting gave me a way to hide behind other people and hide behind someone who wasn't me." In that hiding, what came to be revealed was an inherent gift for the performing arts that lived within her all along.
"I never saw [acting] as a career that it has so beautifully become. But I think that it was definitely supposed to happen, that it was destined to happen. I just had to find my way there."
The journey to follow her pursuits led to university where she studied journalism, a suitable major for anyone who enjoys "being in other people's shoes." Although she was performing well in her studies, it wasn't long before Ebony reached a breaking point, where something was telling her, "This is not where I'm supposed to be." Taking heed to that nudge, she knew that if she continued on this path, she would be costing herself peace of mind, "I remember breaking down crying to my mom. She was super encouraging of me venturing out to see if the performing arts was something that I could do for the rest of my life." Ebony playfully admits, "Thank God for that breakdown. It was the ugly cry too! But it really opened the door for everything since."
Everything that has followed in her career is more than deserving of her outpour of gratitude. The actress made her television debut playing in Masters of None's iconic Thanksgiving episode, along with noteworthy roles in Wu-Tang: An American Saga, Amazon's Hunters, and Barry Jenkins' If Beale Street Could Talk. Although it wasn't an easy road to success, the "yes" that Ebony gave to herself to pursue her dreams would act as a far greater force to combat the "no's" that crossed her path.
"The no's are a lot more frequent than the yes's, and I think it's just a matter of, do you want to do it enough that you find the role that does fit? Because everything that has been no was supposed to be a no."
As Ebony's career continues to launch into the stars, one thing she maintains through it all is that, "Honestly, I never thought of an alternative." Further proving that there is some cosmic reinforcement backing her gifts that can't be explained, but can only be witnessed.
xoNecole: You stumbled into your first acting gig after hearing about an audition call on the radio and you attributed it to fate! Tell us about that moment of alignment for you.
Ebony Obsidian: That was in my early teens, and what I like to call, "the signs coming back around again". This ad came on right before I was leaving the house and for me, that was such an odd thing to hear. It was the first opportunity that brought me to a stage. I had never been in front of that many people for a performance. I remember being scared, but also thinking, "I want to be good at this." I really wanted to be good and succeed, which led me to want to go study in school; that really was the beginning. But I think there was just a lot of back and forth with just being realistic. Is this a realistic thing to be pursuing? Not everyone succeeds in every field that they're in to whatever level of success that we measure it to be. For me, that bottom line was, if they're both going to be hard, I might as well go with the one that makes me feel happy.
"Not everyone succeeds in every field that they're in to whatever level of success that we measure it to be. For me, that bottom line was, if they're both going to be hard, I might as well go with the one that makes me feel happy."
Photographer Joe Hernandez, Stylist Angelina Scantlebury, MUA Veronica Gaona
Courtesy of Ebony Obsidian
As an actress, what have your moments of rejection taught you about timing? How do you find it within yourself to bounce back and continue to pursue your dreams?
I think the longer you do it, it becomes less personal to you. It is, after all, a business and about who fits well not just as the character but as an entire group of people who are going to build a world together. I think at the beginning, it was way more personal and way more painful. I took it to heart and used it to calculate how talented I was at any given moment whereas now, it really is me going into rooms and me bringing what I want to bring to the table, what I want to bring to this character and how I want to showcase their humanity.
I think it's so interesting with acting that you're playing other people, you go into rooms and [you are] told "no, you're not good at being someone else," when you're using that as a tool to deflect from the things that you don't quite feel comfortable with yourself about yet. Now it's funny because when I get no's, I'm like that's not a reflection of me at all, because it's such a different person than I'm portraying.
We love a full circle moment, tell us about how you went from sleeping on benches in Times Square to being on billboards in Times Square!
Whew, the early, early days! Wow, that was such a moment. I think I didn't realize how much of a moment that was for me until I went and saw the billboard. At the time, I was working in Times Square and I just so happened to miss the last bus going to Upstate New York where I'm from. So I said to myself, "Well, I don't have anywhere to go and there are going to be times where I won't have any place go," -- and there were other times like that. It's so weird because even though it wasn't the ideal situation.
I remember having a conversation with my mom about full circle moments and she asked me, "Why did you choose to keep going after that? What was it about what you're pursuing that made you believe that you needed to do that?" And, honestly, I never thought of an alternative. It never crossed my mind to quit. I never expected to have a billboard in Times Square, that was never the goal. The goal was always to just make a living being an actor and that's what I was doing. The way that it has gone could not have been planned, it's just incredible to me, even today. When I have conversations like this, I'm just reminded that just how you walk into a room for an audition, you never know if it's going to be a yes or a no, you just go in and put your best foot forward and the things that follow truly are the things meant for you.
"It never crossed my mind to quit. The way that it has gone could not have been planned, it's just incredible to me, even today. You never know if it's going to be a yes or a no, you just go in and put your best foot forward and the things that follow truly are the things meant for you."
Photographer Joe Hernandez, Stylist Angelina Scantlebury, MUA Veronica Gaona
Courtesy of Ebony Obsidian
Your character, Karen has experienced a lot of ups and downs in her relationships on the show, especially with her ex. It can be hard for women to let go of the love they know for something new. When do you think it’s time to fight for love and when is it time to give it up?
For me, my rule of thumb is when it starts to hurt more than it feels good, that's my breaking point. That's the point where I know this is not an even flow of energy. There is such a thing as obstacles and love is not easy, but my God, it should not be that damn hard! (laughs) It shouldn't be that you're now turning to look at yourself and you're questioning your own value, that's when it's too much for me. There's also the role of potential that comes into play and potential is deadly. Everybody has potential, there is no human on this earth that doesn't have the potential to be who they are destined to be, not only for their partner but for themselves -- that's a beautiful thing, but not everyone is compatible.
You’ve had the opportunity to work with a number of giants in the film world: Regina King, Angela Bassett, Lena Waithe, Aunjanue Ellis. Is there any wisdom that they shared with you during your time working together?
Absolutely, I have so many that stick with me. To sum it all up, the one thing that everyone of those women have done was encourage me to bring what it is that I have to offer. When you work with someone like Angela Bassett who's been around, she's like The Mother! To work with actresses like that, it can be absolutely intimidating. But I think one of the reasons why it wasn't as intimidating as it could have been is because of how open they were to helping me push my own envelope. I would be remiss to not mention Aunjanue Ellis who did play my mother on If Beale Street Could Talk. To be in the room with her and Regina King, just talking, it was electrifying to see your icons do work in front of you. To have worked with all of these trailblazers who continue to open doors for young actresses like myself, is incredible. There's nothing better than doing that and I didn't anticipate doing this so early on in my career.
Is there any advice you would give to someone looking to pursue a career in the performing arts who may not think it can happen for them too?
I would say that you're on the right track. I think there are moments where everyone thinks that they're not on the right track or making the right move. My thing was never whether I was chasing the right dream, but there were moments where I wondered if I was approaching things the correct way. And I think at this point looking back, I wouldn't change anything because it's why I'm exactly where I'm at now. So I would say keep going and stick to your integrity. The things you want will gravitate to you because they're the things you put out. It will pay off, we don't know when, but it will pay off, sis.
For more on Ebony Obsidian, follow her on Instagram and catch new episodes of Tyler Perry's Sistas, Wednesday nights on BET.
All images courtesy of Ebony Obsidian
RELATED
So, we handpicked one hundred It Girls who embody that palpable It Factor moving through us as young Black women, the kind of motion lighting up the world both IRL and across the internet.
It Girl 100 became xoNecole’s most successful program, with the hashtag organically reaching more than forty million impressions on Instagram in just twenty-four hours. Yes, it caught on like wildfire because we celebrated some of the most brilliant and influential GenZennial women of color setting trends and shaping culture. But more than that, it resonated because the women we celebrated felt seen.
Many were already known in their industries for keeping this generation fly and lit, but rarely received recognition or flowers. It Girl 100 became a safe space to be uplifted, and for us as Black women to bask in what felt like an era of our brilliance, beauty, and boundless influence on full display.
And then, almost overnight, it was as if the rug was pulled from under us as Black women, as the It Girls of the world.
Our much-needed, much-deserved season of ease and soft living quickly metamorphosed into a time of self-preservation and survival. Our motion and economic progression seemed strategically slowed, our light under siege.
The air feels heavier now. The headlines colder. Our Black girl magic is being picked apart and politicized for simply existing.
With that climate shift, as we prepare to launch our second annual It Girl 100 honoree list, our team has had to dig deep on the purpose and intention behind this year’s list. Knowing the spirit of It Girl 100 is about motion, sauce, strides, and progression, how do we celebrate amid uncertainty and collective grief when the juice feels like it is being squeezed out of us?
As we wrestled with that question, we were reminded that this tension isn’t new. Black women have always had to find joy in the midst of struggle, to create light even in the darkest corners. We have carried the weight of scrutiny for generations, expected to be strong, to serve, to smile through the sting. But this moment feels different. It feels deeply personal.
We are living at the intersection of liberation and backlash. We are learning to take off our capes, to say no when we are tired, to embrace softness without apology.
And somehow, the world has found new ways to punish us for it.
In lifestyle, women like Kayla Nicole and Ayesha Curry have been ridiculed for daring to choose themselves. Tracee Ellis Ross was labeled bitter for speaking her truth about love. Meghan Markle, still, cannot breathe without critique.
In politics, Kamala Harris, Letitia James, and Jasmine Crockett are dragged through the mud for standing tall in rooms not built for them.
In sports, Angel Reese, Coco Gauff, and Taylor Townsend have been reminded that even excellence will not shield you from racism or judgment.
In business, visionaries like Diarrha N’Diaye-Mbaye and Melissa Butler are fighting to keep their dreams alive in an economy that too often forgets us first.
Even our icons, Beyoncé, Serena, and SZA, have faced criticism simply for evolving beyond the boxes society tried to keep them in.
From everyday women to cultural phenoms, the pattern is the same. Our light is being tested.
And yet, somehow, through it all, we are still showing up as that girl, and that deserves to be celebrated.
Because while the world debates our worth, we keep raising our value. And that proof is all around us.
This year alone, Naomi Osaka returned from motherhood and mental health challenges to reach the semifinals of the US Open. A’ja Wilson claimed another MVP, reminding us that beauty and dominance can coexist. Brandy and Monica are snatching our edges on tour. Kahlana Barfield Brown sold out her new line in the face of a retailer that had been canceled. And Melissa Butler’s company, The Lip Bar, is projecting a forty percent surge in sales.
We are no longer defining strength by how much pain we can endure. We are defining it by the unbreakable light we continue to radiate.
We are the women walking our daily steps and also continuing to run solid businesses. We are growing in love, taking solo trips, laughing until it hurts, raising babies and ideas, drinking our green juice, and praying our peace back into existence.
We are rediscovering the joy of rest and realizing that softness is not weakness, it is strategy.
And through it all, we continue to lift one another. Emma Grede is creating seats at the table. Valeisha Butterfield has started a fund for jobless Black women. Arian Simone is leading in media with fearless conviction. We are pouring into each other in ways the world rarely sees but always feels.
So yes, we are in the midst of societal warfare. Yes, we are being tested. Yes, we are facing economic strain, political targeting, and public scrutiny. But even war cannot dim a light that is divinely ours.
And we are still shining.
And we are still softening.
And we are still creating.
And we are still It.
That is the quiet magic of Black womanhood, our ability to hold both truth and triumph in the same breath, to say yes, and to life’s contradictions.
It is no coincidence that this year, as SheaMoisture embraces the message “Yes, And,” they stand beside us as partners in celebrating this class of It Girls. Because that phrase, those two simple words, capture the very essence of this moment.
Yes, we are tired. And we are still rising.
Yes, we are questioned. And we are the answer.
Yes, we are bruised. And we are still beautiful.
This year’s It Girl 100 is more than a list. It is a love letter to every Black woman who dares to live out loud in a world that would rather she whisper. This year’s class is living proof of “Yes, And,” women who are finding ways to thrive and to heal, to build and to rest, to lead and to love, all at once.
It is proof that our joy is not naive, our success not accidental. It is the reminder that our light has never needed permission.
So without further ado, we celebrate the It Girl 100 Class of 2025–2026.
We celebrate the millions of us who keep doing it with grace, grit, and glory.
Because despite it all, we still shine.
Because we are still her.
Because we are still IT, girl.
Meet all 100 women shaping culture in the It Girl 100 Class of 2025. View the complete list of honorees here.
Featured image by xoStaff
Then there were those who gave up their zip code altogether and found a permanent home in the skies. After years spent recruiting students for a university, Lisa-Gaye Shakespeare became a full-time travel influencer and founded her travel company, Shakespeare Agency. And she's not alone.
These stories mirror the experiences of women across the world. For millions, the pandemic induced a seismic shift in priorities and desires. Corporate careers that were once hailed as the ultimate “I made it” moment in one's career were pushed to the back burner as women quit their jobs in search of a more self-fulfilling purpose.
xoNecole spoke to these three Black women who used the pandemic as a springboard to make their wildest dreams a reality, the lessons they learned, and posed the question of whether they’ll ever return to cubicle life.
Answers have been edited for context and length.
xoNecole: How did the pandemic lead to you leaving the cubicle?
Randi: I was becoming stagnant. I was working in mortgage and banking but I felt like my personality was too big for that job! From there, I transitioned to radio but was laid off during the pandemic. That’s what made me go full throttle with entrepreneurship.
Gabrielle: I moved around a lot for work. Five times over a span of seven years. I knew I needed a break because I had experienced so much. So, I just quit one day. Effective immediately. I didn’t know what I was going to do, I just knew I needed a break and to just regroup.
Lisa-Gaye: I was working in recruiting at a university and my dream job just kind of fell into my lap! But, I never got to fully enjoy it before the world shut down in March [2020] and I was laid off. On top of that, I was stuck in Miami because Jamaica had closed its borders due to the pandemic before I was able to return.
Randi O
xoN: Tell us about your journey after leaving Corporate America.
Randi: I do it all now! I have a podcast, I’m an on-air talent, I act, and I own a public relations company that focuses on social media engagement. It’s all from my network. When you go out and start a business, you can’t just say, “Okay I’m done with Corporate America,” and “Let me do my own thing.” If you don’t build community, if you don’t build a network it's going to be very hard to sustain.
Gabrielle: I realized in New York, there was not a lot to do for Black lesbians and queer folks. We don’t really have dedicated bars and spaces so I started doing events and it took off. I started focusing on my brand, Raw Honey. I opened a co-working space, and I was able to host an NYC Pride event in front of 100,000 people. I hit the ground running with Raw Honey. My events were all women coming to find community and come together with other lesbians and queer folks. I found my purpose in that.
Lisa-Gaye: After being laid off, I wrote out all of my passions and that’s how I came up with [my company] Shakespeare Agency. It was all of the things that I loved to do under one umbrella. The pandemic pulled that out of me. I had a very large social media following, so I pitched to hotels that I would feature them on my blog and social media. This reignited my passion for travel. I took the rest of the year to refocus my brand to focus solely on being a content creator within the travel space.
Gabrielle
xoN: What have you learned about yourself during your time as an entrepreneur?
Randi: [I learned] the importance of my network and community that I created. When I was laid off I was still keeping those relationships with people that I used to work with. So it was easy for me to transition into social media management and I didn’t have to start from scratch.
Gabrielle: The biggest thing I learned about myself was my own personal identity as a Black lesbian and how much I had assimilated into straight and corporate culture and not being myself. Now, I feel comfortable and confident being my authentic self. Now, I'm not sacrificing anything else for my career. I have a full life. I have friends. I have a social life. And when you are happy and have a full quality of life, I feel like [I] can have more longevity in my career.
Lisa-Gaye: [I'm doing] the best that I've ever done. The discipline that I’m building within myself. Nobody is saying, ‘Oh you have to be at work at this time.’ There’s no boss saying, ‘Why are you late?’ But, if I’m laying in bed at 10 a.m. then it's me saying [to myself], 'Okay, Lisa, get up, it's time for you to start working!’ That’s all on me.
xoNecole: What mistakes do you want to help people avoid when leaving Corporate America?
Randi: You have to learn about the highs and lows of entrepreneurship. You have a fast season and a slow season and I started to learn that when you're self-employed the latter season hits hard. Don't get caught up on the lows, just keep going and don't stop. I’m glad I did.
Gabrielle: I think everyone should quit their job and just figure it out for a second. You will discover so much about yourself when you take a second to just focus on you. Your skill set will always be there. You can’t be afraid of what will happen when you bet on yourself.
Lisa-Gaye: When it comes to being an influencer the field is saturated and a lot of people suffer from imposter syndrome. There is nothing wrong with being an imposter but find out how to make it yours, how to make it better. If you go to the store, you see 10 million different brands of bread! But you are choosing the brand that you like because you like that particular flavor.
So be an imposter, but be the best imposter of yourself and add your own flair, your own flavor. Make the better bread. The bread that you want.
Lisa-Gaye Shakespeare
xoNecole: Will you ever return to your 9 to 5?
Randi: I wouldn’t go back to Corporate America. But I don’t mind working under someone. A lot of people try to get into this business saying, “I can't work under anyone.” That’s not necessarily the reason to start a business because you're always going to answer to somebody. Clients, brands, there’s always someone else involved.
Gabrielle: I went back! I really needed a break and I gave myself that. But, I realized I’m a corporate girl, [and] I enjoy the work that I do. I’m good at it and I really missed that side of myself. I have different sides of me and my whole identity is not Raw Honey or my queerness. A big side of me is business and that’s why I love having my career. Now I feel like my best self.
Lisa-Gaye: I really don’t. For right now, I love working for myself. It's gratifying, it's challenging, it's exciting. It’s a big deal for me to say I own my own business. That I am my own boss, and I'm a Black woman doing it.
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Featured image courtesy of Lisa-Gaye Shakespeare
Originally published on February 6, 2023