I don't know about y'all, but I'm just about ready for this Hot Girl Summer to finally evolve into the Fat Girl Fall that I've been waiting on all damn year. I said what I said.
I'm ready to retire my bad chick bike shorts and slip my ass into some leisure leggings, and I know I'm not the only one. There are only a few more days until it's officially fall, and I've got my watch list ready, sis. Although I'm literally crying at the fact that Shonda Rhimes took away Olivia Pope, and now, we'll be forced to say goodbye to Annalise Keating forever, there are so many new Black AF TV shows premiering this fall, I can't stay mad long.
Here's every new and returning show we're tuning into this fall:
Wu-Tang: An American Saga (Sept. 4)
Hulu
Before cash ruled everything around them, the members of the Wu-Tang Clan were just a group of kids from New York who were trying to survive the crack-cocaine epidemic. Starring Shameik Moore, Erika Alexander, and Joey Bada$$, this limited series is streaming on Hulu right now.
Top Boy (Sept. 13)
Netflix
When this British show was canceled after two seasons and put on Netflix, it caught the attention of one of the biggest musicians in the world. After learning of the show's cancellation, Drake did what any billion-dollar binge-watcher would and made a deal to help fund the show's third season, which is currently streaming on Netflix.
American Horror Story: 1984 (Sept. 18)
FX
Although the show is missing Angela Bassett, Evan Peters, Jessica Lange, and Kathy Bates this season, AHS: 1984 promises to be just as disturbing as its predecessors. Heavily influenced by horror films, Friday: The 13th and Halloween, the ninth season of AHS will make you eternally grateful to your parents for never sending you to summer camp as a kid.
Bigger (Sept. 19)
BET
Produced by industry giant, Will Packer, Bigger is set in Little Five Points and tells the story of an East Atlanta woman who, after the death of a close friend from college, decides to get the most out of her life.
First Wives Club (Sept. 19)
BET
Based on the 1996 cult classic starring Diane Keaton, Goldie Hawn, and Bette Midler, First Wives Club is being rebooted and made into a series. Jill Scott, Ryan Michelle Bathe, and Michelle Buteau will star in the show as ex-wives who are seeking revenge after their marriages to sh*tty men have inevitably fallen apart.
9-1-1 (Sept. 23)
Developed by the creator of American Horror Story, 9-1-1 returns to TV for a third season on Sept. 23 and Angela Bassett's arms don't owe us anything. Chronicling the high-intensity situations that first responders experience every day, the show also stars Aisha Hinds, Connie Britton, and Jennifer Love Hewitt.
Mixed-ish (Sept. 24)
ABC
Giving us the prequel we didn't know we needed, Mixed-ish is an ABC sitcom spinoff that tells the story of a young Rainbow Barris and her family as they navigate life after moving from a hippie commune to the suburbs.
This Is Us (Sept. 24)
Last season was a rough one, and although we weren't sure if Beth and Randall would weather their storm, our favorite TV couple is back for another season that showrunners claim will be a "fresh start for everyone". Along with meeting Rebecca's dad, the audience will also get to see a pre-school version of the big three that is guaranteed to make your heart melt.
Black-ish (Sept. 24)
ABC
With Pop's new fiancee (played by Emmy-award winning actress Loretta Devine), a much-needed Girlfriends reunion, and just as much black love as ever before, Black-ish is returning to TV for a sixth season, and we are here for all of it.
How to Get Away with Murder (Sept. 26)
ABC
This fall, How to Get Away with Murder will return for a sixth and final season and my heart cannot bear the pain. Shonda Rhimes and the HTGAWM squad have given us almost a decade's worth of sex, lies, and betrayal, and this year, the Keating 5's story will come to an end with an explosive final season where all of our questions will finally be answered.
God Friended Me (Sept. 26)
CBS
I'm not sure what I'd do if God sent me a friend request, but I know the first thing I'd have to do is remove my booty short pics from the '99s to the 2000s. In a show about the importance of spiritual connection in a digital world, we see a group of friends prove that God acts in mysterious ways and makes you wonder if your blessing could be waiting in your inbox.
Evil (Sept. 26)
CBS
When a criminal psychologist and a 6-pack having, Bible-toting priest-in-training link up to investigate the extraordinary phenomenon that has occurred in unexplained mysteries, all hell breaks loose (and I mean that literally). Developed by the creators of The Good Wife, this psychological drama stars Mike Colter and premieres on CBS for its first season on Sept. 26.
The Good Place (Sept. 26)
NBC
Back for a fourth and final season, the show about heaven, hell, and the importance of The Golden Rule is coming to an end and we'll finally learn if our favorite inhabitants of the afterlife finally make it to "The Good Place".
The Godfather of Harlem (Sept. 29)
Epix
Am I the only person who just realized Forest Whitaker and Kenn Whitaker are two different people? Mind. Blown. The Godfather of Harlem is a true story about the life of Harlem crime-boss named (played by Forest) turned hood philanthropist named Bumpy Johnson who worked closely with Malcom X in the '60s.
Raising Dion (Oct. 4)
Netflix
When Nicole Reese (played by Alisha Wainright) loses her husband (played by Michael B. Jordan) and is left to raise her young son Dion on her own, things only get more complicated when she learns that he has superpowers. The Netflix series follows Nicole and her son as they attempt to navigate his newfound abilities and understand their origin.
Black Lightning (Oct. 7)
The CW
When the daughters of a superhero-turned-high school principal are kidnapped, he reverts to his life as a vigilante and learns that his superhuman genetics run in the family. Back for a third season, the DC-comic show promises to dig deeper into the psyche of Black Lightning's arch-nemesis, Tobias.
Rhythm + Flow (Oct. 9)
Netflix
In the first-ever major hip-hop competition on Netflix, Cardi B, Chance The Rapper, and T.I. travel to some of the country's top cities to find the industry's next break-out artist.
Watchmen (Oct. 20)
In this comic book-inspired HBO series where superheroes are treated as outlaws, Regina King holds nothing back in opening up a good old fashioned can of whoop-ass on criminals and wrongdoers alike.
Featured image by NBC.
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On set inside of a mid-city Los Angeles studio, it’s all eyes on Chlöe. She slightly shifts her body against a dark backdrop amidst camera clicks and whirs, giving a seductive pout here, and piercing eye contact there. Her chocolate locs are adorned with a few jewels that she requested to spice up the look, and on her shoulders rests a jeweled piece that she asked to be turned around to better showcase her neck (“I feel a bit old,” she said of the original direction). Her shapely figure is tucked into a strapless bodysuit with a deep v-neck that complements her décolletage.
Though subtle, her quiet wardrobe directives give the air of a woman who’s been here before, and certainly knows what she’s doing. At 24 years young, she’s a “Bossy” chick in training— one who’s politely unapologetic and learning the power of her own voice.
“I'm hesitant sometimes to truly speak my mind and speak up for myself and what I believe,” she later confessed to me a couple of weeks after the photoshoot. “It's always scary for me, but now I'm realizing that I have to, in order to gain respect as a Black woman— a young Black woman— who's still navigating who she is. And you know, I'm realizing that closed mouths don't get fed. And if I keep my mouth shut just because I'm afraid of what people's opinions of me will be or turn into, then that's not any way to live.”
For Chlöe, the journey into womanhood is about embracing who she is, without succumbing to the perceptions of what others think of her. From the waist up she’s everything you’d imagine. A gorgeous goddess with the kind of sex appeal that some work hard to embrace but fail to exude. But unbeknownst to anyone not on set, her bottom half is covered by a white robe, surprising coming from the girl who boasts “'Cause my booty so big, Lord, have mercy” on her first hit single “Have Mercy.”
But that’s the beauty of Chlöe. There’s more to her than meets the eye. More than what a few sensual photos sprinkled throughout an Instagram feed could ever tell you. Just like the photo-framing illusion of her portrayed from the waist up, what we know about the songstress is just the tip of the iceberg. There’s so much more beneath the surface.
Some hours later Chlöe leans back in a high chair as her locs are transformed from a formal updo to a seemingly Basquiat-inspired one. It’s pure art, and at her request, no wigs are a part of the day’s ensemble. She’s fully embracing her natural hair, a decision that wasn’t always a socially accepted one.
In the suburbs of Atlanta, Georgia, (Mableton, to be exact) Chlöe began to explore the foundation of her self-image. At an early age she and her younger sister, Halle, demonstrated a vocal prowess and knack for being in front of the camera that caught their parents’ attention. Soon after, they were sent on a parade of local talent shows and auditions, and eventually broke into the digital space with song covers on YouTube.
It was during these early years that Chlöe first learned that the entertainment industry could be unforgiving to those who didn’t fit a particular beauty standard. Despite the then three-year-old snagging a role as the younger version of Beyoncé’s character, Lilly, in Fighting Temptations, casting agents requested that her natural locs be exchanged for more Eurocentric tresses. Ironic, considering that growing up Chlöe saw her hair as no different than that of her peers. “I remember specifically in pre-K we had to do self-portraits and I drew myself with a regular straight ponytail, like how I would put my locs in a ponytail,” she says. “I just never saw myself any different.”
Chlöe would also learn the true meaning of a phrase that would later become an affirmation posted on her bedroom mirror: “Don’t Let the World Dim Your Light.” After attempting to wear wigs to fit in, the Bailey sisters instead chose to rock their locs with pride, which undoubtedly cost them casting roles. Yet they would have the last laugh when making headlines as the “Teen Dreadlocked Duo” who landed a million-dollar contract with Parkwood Entertainment, and the coveted opportunity to be groomed under the tutelage of a world-renowned superstar.
Credit: Derek Blanks
While that could be the end of a beautiful fairytale of self-empowerment, the reality is that it’s just the beginning of the story of her evolution. For most girls, the transition into womanhood takes place in the comfort of their own worlds, often limited to the number of people they allow to have access to them. But for Chlöe, it’s happening in front of millions of critiquing eyes just waiting for an opportunity to either uplift or dissect her through unwarranted commentary.
Many in her position wouldn’t be able to take that kind of pressure. But Chlöe is handling it with grace. “I feel like all of us as humans, we have the right to interpret things how we want,” she says. “I put art out into the world and it's up for interpretation. I'm learning that not everyone is going to always like me and that it's okay.”
Chlöe isn’t the first artist to receive criticism for her carnal content, and she certainly won’t be the last. In 2010, Ciara writhed and rode her way to banishment on BET when the then 24-year-old released her video for “Ride.” In 2006, 25-year-old Beyoncé received backlash for “Déjà Vu."
"I put art out into the world and it's up for interpretation. I'm learning that not everyone is going to always like me and that it's okay.”
So much so that over 5,000 fans signed an online petition demanding that her label re-shoot the video because it was “too sexual.” Even 27-year-old Janet didn’t escape critical headlines when she shed her image of innocence for a more risqué appearance with the 1993 release of janet.
It’s almost as if public reproach is a rite of passage for young Black women R&B singers on the road to stardom. Good girls seemingly “go bad” whenever they embrace the depths of their femininity, and fans only like you on top figuratively. But Chlöe has learned not to bow down to other people’s opinions, but to boss up and control the narrative. As the saying goes, well-behaved women seldom make history. If sex appeal is her weapon, she wields it well.
On set, Chlöe exudes the energy of Aphrodite in an apple red, off-shoulder dress with a sexy high split. In between shots, she mouths the lyrics to Yebba’s “Boomerang” as it echoes throughout the space in steady repetition at my recommendation. The hour grows late, yet Chlöe is heating things up as eyes stare in deep mesmerization of the girl on fire.
Credit: Derek Blanks
Through music, she explores the depths of her being, a journey that seems to be, at its foundation, rooted in self-discovery. Whereas their debut album The Kids Are Alright (2018) boasts a young Chloe x Halle empowering their generation to embrace who they are while finding their place in the world, their second album Ungodly Hour (2020) shows the Bailey sisters shedding the veil of innocence for a more unapologetic bravado.
What fans looked forward to seeing is who Chlöe shows herself to be on her debut solo album In Pieces. In an interview with PEOPLE, she confesses that releasing her first project without her sister was “scary.” "It was a moment of self-doubt where I was like, 'Can I do this without my sister?’”
Chlöe has never been shy about sharing her insecurities or her vulnerabilities, all of which are laced throughout the 14-track album. “I want people to have fun when they listen to it and to just realize that they're not alone and it's okay to be vulnerable and raw and open because none of us are perfect; we're all far from it. And I think it's healing when we all admit to that instead of putting up a facade.”
The gift of time has given the self-professed “big lover girl” more encounters with romance and heartbreak. Love songs once sung for their beautiful riffs and melodies become more than just abstract lyrics and are replaced by real-life experiences, which she tells me is definitely in the music.
In her single “Pray It Away,” for example, she contemplates going to God for healing instead of going at her ex-lover for revenge for his infidelities. “With anything dealing with art, I am completely vulnerable,” she says. “I'm completely myself, I'm completely open and transparent. So it's pretty much all of me and who I am right now.”
Has Chlöe been in love? That still remains to be said. Of course, she’s been linked to a few potential baes, but dating in the digital age isn’t as easy as a double tap or drop of a heart-eyes emoji. It requires a level of trust and vulnerability that’s hard to earn, and easy to mishandle. To let her guard down means to potentially set herself up for disappointment. “It’s difficult dating right now, honestly, because you really have to kind of keep your guard up and pay attention to who's really there for you. And you know, I'm such an affectionate person and I love hard.
"So when I meet the one person that I really, really am into, it's hard for me to see any others and I get attached pretty easily. And you know, I don't know, it's…it's a scary thing.”
Credit: Derek Blanks
“With anything dealing with art, I am completely vulnerable. I'm completely myself, I'm completely open and transparent. So it's pretty much all of me and who I am right now.”
While broken hearts yield good music (queue Adele), what’s in Chlöe’s prayer is the desire to be happy. What does that look like? Well, she’s still figuring that out herself. “Honestly, I'm the type of person who I don't truly learn unless I experience it. So it's like I can view and watch my parents and watch the loving relationships that I see in my life and be like, ‘Oh, I want that. I would love to have that.’ But then I also have to experience [love] on my own and see what my flaws or my faults might be or see what my good things about myself are. I feel like it's really all about self-reflection. And even though our base is our family and that's our foundation, we are still our own individuals and we have to find out specifically the things about ourselves that may be different from what we saw from our parents when we were growing up.”
Her ideal beau, she tells me, is someone she can feel safe to be her fun, goofy self with, but who also gives her the space to be the boss chick chasing her dreams. A man who understands that just because the world compliments her doesn’t mean she doesn’t want to hear those words from his lips or feel it in his touch. A bonus if he shows up on set after a long hard day of work with vegan cinnamon rolls. You know, the basic necessities. “I like whoever I'm with to constantly tell me they love me and that I look beautiful because I do the same. I am a very mushy person, and if I see something or you look good, I will never shy away from saying it out loud. And I want whoever I'm with to do the same, be very vocal. Tell me that you love me. Tell me what you love about me because I'm doing the same for you because that's just the person I am.”
Noted.
Until she meets her match she’s married to the game, and for now, that seems to be perfect matrimony.
Credit: Derek Blanks
On stage at the 2021 American Music Awards, Chlöe solidified her position as a force to be reckoned with. It was a full-circle moment. In 2012, bright-eyed and baby-faced Chloe and Halle would walk onto the set of The Ellen Degeneres Show and blow the audience away as they bellowed out their future mentor’s song. Ellen would present the sisters with tickets to attend the AMAs, assuring them that they would be back and had a promising future. Nine years later, Chlöe descends from the sky cloaked in a snow-white cape and matching midriff-baring bodysuit for her debut performance. It’s the first time she’s graced the stage of the very award show that she was once an audience member of.
As she shakes and shimmies and boom kack kacks out her eight counts, it’s clear that she’s in her element. Just like her VMA performance a couple of months prior, and the many more stages she’ll continue to grace, she brings an energy that has earned her comparisons to the beloved Queen Bey herself. An honorable statement, considering few R&B songstresses are getting accolades for their entertainment capabilities. It’s on these very stages, in front of hundreds of astonished eyes and millions more glued to their televisions at home, that she tells me she feels most sexy. Powerful, even.
But off stage, it’s a different story.
It’s more than just the commentary about her image and media-flamed rumors that get to her. Mentally, she’s in competition with herself. The desire to be the best burns at the back of her mind with every performance, every production, and every time she steps into the booth. Before, she could share the weight of this burden with her sister. Being a part of a duo meant she could turn to Halle for quiet confirmation and encouragement without a word being exchanged. But lately stepping on the stage means stepping out on her own. And despite being a breathtaking, five-time Grammy-nominated star, Chlöe doesn’t escape the reality that sometimes we can be our own worst critics.
Over the last year, she’s been coming to terms with who she is on her own while overcoming the fear of failing to become who she’s destined to be. While the world waits to see how Chlöe wins, the real triumph is in every day that she chooses herself and continues to walk in her purpose. “I don't really have anything all figured out, honestly. But what I try to do, a lot of prayer. I talk to God more and I just try to do things that calm my mind down and just breathe.”
To whom much is given, much will be required. She’s been chosen to walk this path for a reason. Once she fully embraces that everything she’s meant to be is already inside of her, she’ll be an unstoppable force. “My grandma, Elizabeth, she just passed away and my middle name is her [first] name. So I feel like I truly have a responsibility to live up to her legacy that she's left on this earth. I hope I can do that.”
There’s no doubt that she will. With a role in The Fighting Temptations at three years old, a million-dollar record deal, a main role on five seasons of Grown-ish, five Grammy nominations, a number one solo record in Urban and Rhythmic Radio, a debut solo album, and starring roles in recently released movies Praise Thisand Swarm (just to name a few), Chlöe’s certainly already made her mark, and she’s just getting started.
No flex.
Credits
Photographer & Creative Director: Derek Blanks
Executive Producer: Necole Kane
Co-Executive Producer: EJ Jamele
Producer: Erica Turnbull
Digitech: Chris Keller
DP: Alex Nikishin
Gaffer: Simeon Mihaylov
Photo Assistant: Chris Paschal
2nd Photo Assistant: Tyler Umprey
Features Editor: Kiah McBride
Special Projects: Tyeal Howell
Hair: Malcolm Marquez
Makeup: Yolonda Frederick
Fashion Styling: Ashley Sean Thomas
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